O’Flynn is acknowledged as Ireland’s foremost exponent of the uilleann pipes and brings the music of the instrument to a worldwide audience. In 2007, he is named TG4 Musician of the Year at the Gradam Ceoil TG4, considered to be the foremost recognition given to traditional Irish musicians.
O’Flynn is born to musical parents. His father, Liam, is a teacher and fiddle player. His mother, Maisie (née Scanlan), who comes from a family of musicians from County Clare, plays and teaches piano. From an early age, he shows musical talent, and is encouraged to pursue his interest in the uilleann pipes by the piper Tom Armstrong. At the age of 11, he begins taking classes with Leo Rowsome. He is also influenced by Willie Clancy and Séamus Ennis. In the 1960s, he begins to receive recognition of his talent, winning prizes at the Oireachtas na Gaeilge and the Fleadh Cheoil. During his early years, he is sometimes billed as Liam Óg Ó Flynn.
In 1972, O’Flynn co-founds the Irish traditional music group Planxty, alongside Christy Moore, Andy Irvine and Dónal Lunny and remains a member throughout the band’s various incarnations. While Seán Ó Riada and The Chieftains had reinvigorated Irish traditional instrumental music in an ensemble format during the 1960s, Planxty builds on that foundation and takes it one step further. They bring a punch and vitality to acoustic music that draws heavily on O’Flynn’s piping virtuosity.
As O’Flynn grows in his skill as a musician and as he begins to meet pipers like Willie Clancy and Séamus Ennis, he becomes acutely aware of his position in the tradition of piping. His subsequent close friendship with Ennis, which starts as a master/pupil relationship, teaches him that there is much more to being a piper than playing tunes. He notes, “Seamus Ennis gave me much more than a bag of notes.”
“When I’m playing, I’m certainly lost within it. The only way to describe it, is that it’s like looking inwards. I think when a performer engages with the audience, and vice versa, it’s like a spell is cast and a terrific passage of feelings moves from the musician to the audience and back again.”
Following the break-up of Planxty in 1983, O’Flynn finds work as a session musician with such prominent artists as The Everly Brothers, Enya, Kate Bush, Nigel Kennedy, Rita Connolly, and Mark Knopfler. He also works on film scores, including Kidnapped (1979) and A River Runs Through It (1992). He is adventurous enough to work with avant-garde composer John Cage, but his most natural alliance is with neo-romantic composer Shaun Davey.
The Bothy Band are natural successors to the original Planxty, and one of its members, Matt Molloy, who subsequently joins The Chieftains, plays with The Chieftains’ fiddler Seán Keane on O’Flynn’s album, The Piper’s Call, which is performed in the 1999 BBC Proms season at the Royal Albert Hall. He also works on projects with Seamus Heaney, mixing poetry with music.
O’Flynn’s name is mentioned in Christy Moore’s song “Lisdoonvarna.”
O’Flynn dies in a Dublin hospital on March 14, 2018, following a long illness. His cremated remains rest at Newlands Cross Cemetery and Crematorium in Dublin.
The Liam O’Flynn Award is awarded each year by the Arts Council and the National Concert Hall to recognise individual creativity in Traditional Irish music. Awardees include Úna Monaghan, Barry Kerr, Jack Talty, Louise Mulcahy and Strange Boy (aka Jordan Kelly).
Patterson is born on October 5, 1938, in Clonmel, County Tipperary. As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
In the early 1980s Patterson moves to the United States, making his home in rural Westchester County, New York. A resurgence of interest in Irish culture encourages him to turn towards a more traditional Irish repertoire. He adds hymns, ballads, and traditional as well as more popular tunes to his catalogue. In March 1988, he is featured host in a Saint Patrick’s Day celebration of music and dance at New York City’s famous Radio City Music Hall. He also gives an outdoor performance before an audience of 60,000 on the steps of the United States Capitol in Washington, D.C. with the National Symphony Orchestra.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumor. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
Daniel Doyle, Irish folk singer, is born in Dublin on April 28, 1940. During the 1960s and 1970s, he is one of the top Irish singers, regularly featuring in the Irish charts and scoring three No.1 singles. He records twenty-five albums and is known for his chart-topping songs “Whiskey on a Sunday,” “Daisy a Day” and “The Rare Ould Times.”
After leaving school at the age of fourteen, Doyle starts doing odd jobs, including working as general factotum in Dublin’s Pike Theatre, where he begins to pick up, from the travelling players, songs from the Irish countryside.
During the 1960s and 1970s, Doyle is one of the top Irish singers, regularly featuring in the Irish charts and scoring three No.1 singles. His song “The Rare Auld Times” notably displaces ABBA‘s “Take a Chance on Me” after just one week at the top. The song is composed in the 1970s by Pete St. John for the Dublin City Ramblers and peaks on the Irish Music Charts for twelve weeks. In 1979, he is the first artist to record St. John’s song “The Fields of Athenry.” He is probably best known for his 1967 number one hit “Whiskey on a Sunday.” His other notable works are “A Daisy a Day” and “The Rare Auld Times.” The hit songs “Daisy A Day,” “Streets of London,” “Lizzie Lindsay” and “Whiskey on a Sunday” that are released in the 1960s make him popular.
In 1983, Doyle moves to the United States from Ireland.
There are commercially available recordings of over fifty of Wilson’s works on labels including Diatribe Records, Riverrun, RTÉ Lyric fm, Black Box, Timbre, Guild, Meridian and Chandos Records. His music is published by Ricordi (London) and Universal Edition.
Clancy begins singing with his brothers, Paddy and Tom Clancy, at fund-raising events for the Cherry Lane Theatre and the Guthrie benefits. The Clancy Brothers and Tommy Makem, begin recording on Paddy Clancy’s Tradition Records label in the late 1950s. Liam plays guitar in addition to singing and also records several solo albums. They record their seminal The Rising of the Moon album in 1959. There are international tours, which include performances at Carnegie Hall and the Royal Albert Hall. The quartet records numerous albums for Columbia Records and enjoys great success during the 1960s folk revival. In 1964, thirty percent of all albums sold in Ireland are Clancy Brothers and Tommy Makem records.
After The Clancy Brothers split up, Liam has a solo career in Canada. In 1975, he is booked to play a festival in Cleveland, Ohio, where Tommy Makem is also playing. The two play a set together and form the group Makem and Clancy, performing in numerous concerts and recording several albums together until 1988. The original Clancy Brothers and Tommy Makem line-up also get back together in the 1980s for a reunion tour and album.
In later life, Liam maintains a solo career accompanied by musicians Paul Grant and Kevin Evans, while also engaging in other pursuits. In 2001, Clancy publishes a memoir titled The Mountain of the Women. He is also in No Direction Home, the 2005 Bob Dylan documentary directed by Martin Scorsese. In 2006, Clancy is profiled in a two-hour documentary titled The Legend of Liam Clancy, produced by Anna Rodgers and John Murray with Crossing the Line Films, which wins the award for best series at the Irish Film and Television Awards in Dublin. His final album, The Wheels of Life, is released in 2009. It includes duets with Mary Black and Gemma Hayes as well as songs by Tom Paxton and Donovan.
Liam Clancy dies from pulmonary fibrosis on December 4, 2009, in Bon Secours Hospital, Cork. He is buried in the new cemetery in An Rinn, County Waterford, where he spent the last number of years of his life, owning a successful recording studio.
McCormack is born on June 14, 1884, in Athlone, County Westmeath, the second son and fifth of the 11 children of Andrew McCormack and his wife Hannah Watson. His parents are both from Galashiels, Scotland, and work at the Athlone Woolen Mills, where his father is a foreman. He is baptised in St. Mary’s Church, Athlone, on June 23, 1884.
McCormack receives his early education from the Marist Brothers in Athlone and later attends Summerhill College, Sligo. He sings in the choir of the old St. Peter’s Church in Athlone under his choirmaster Michael Kilkelly. When the family moves to Dublin, he sings in the choir of St. Mary’s Pro-Cathedral where he is discovered by Vincent O’Brien. In 1903 he wins the coveted gold medal of the Dublin Feis Ceoil. He marries Lily Foley in 1906 and they have two children, Cyril and Gwen.
In March 1904, McCormack becomes associated with James Joyce, who at the time has singing ambitions himself. He persuades Joyce to enter the Feis Ceoil that year, where the not yet famous writer is awarded the Bronze Medal.
Fundraising activities on his behalf enable McCormack to travel to Italy in 1905 to receive voice training by Vincenzo Sabatini, father of the novelist Rafael Sabatini, in Milan. Sabatini finds McCormack’s voice naturally tuned and concentrates on perfecting his breath control, an element that becomes part of the basis of his renown as a vocalist.
In 1906, McCormack makes his operatic début at the Teatro Chiabrera, Savona. The next year, he begins his first important operatic performance at Covent Garden in Pietro Mascagni‘s Cavalleria rusticana, becoming the theatre’s youngest principal tenor. In 1909, he begins his career in the United States.
In February 1911, McCormack plays Lieutenant Paul Merrill in the world premiere of Victor Herbert‘s opera Natoma with Mary Garden in the title role. Later that year, he tours Australia after DameNellie Melba engages him, then at the height of his operatic career, aged 27, as a star tenor for the Melba Grand Opera Season. He returns for concert tours in subsequent years.
By 1912, McCormack is beginning to become involved increasingly with concert performances, where his voice quality and charisma ensures that he becomes the most celebrated lyric tenor of his time. He does not, however, retire from the operatic stage until after his performance of 1923 in Monte Carlo, although by then the top notes of his voice have contracted. Famous for his extraordinary breath control, he can sing 64 notes on one breath in Mozart‘s “Il mio tesoro” from Don Giovanni, and his Handelian singing is just as impressive in this regard.
McCormack makes hundreds of recordings, his best-known and most commercially successful series of records being those for the Victor Talking Machine Company during the 1910s and 1920s. He is Victor’s most popular Red Seal recording artist after tenor Enrico Caruso. In the 1920s, he sings regularly on radio and later appears in two sound films, Song o’ My Heart (1930), playing an Irish tenor, and as himself appearing in a party scene in Wings of the Morning (1937), the first British three-strip Technicolor feature.
McCormack is one of the first artists to record the popular ballad “I Hear You Calling Me” written in 1908 by Harold Harford and Charles Marshall. He records it twice for Odeon Records starting in 1908 and a further four times for Victor between 1910 and 1927, becoming his best seller. He is the first artist to record the famous World War I song “It’s a Long Way to Tipperary” in 1914. He also records a best-selling version of another popular World War I tune, “Keep the Home Fires Burning,” in 1917. He also sings songs expressive of Irish nationalism and endorses the Irish Nationalist estrangement from the United Kingdom. He is associated particularly with the songs of Thomas Moore, notably “The Harp That Once Through Tara’s Halls,” “The Minstrel Boy,” “Believe Me If All (Those Endearing Young Charms),” and “The Last Rose of Summer.” Between 1914 and 1922, he records almost two dozen songs with violin accompaniment provided by Fritz Kreisler, with whom he also tours. He records songs of Hugo Wolf for the Hugo Wolf Society in German. In 1918, he records the song “Calling Me Home to You.”
In 1917, McCormack becomes a naturalised citizen of the United States. In June 1918, he donates $11,458 toward the U.S. World War I effort. By then, his career is a huge financial success, earning millions in his lifetime from record sales and appearances.
By 1920, Edwin Schneider has become McCormack’s accompanist and the two are “inseparable.” When Schneider retires, Gerald Moore takes over as accompanist from 1939 to 1943.
In 1927, McCormack moves into Moore Abbey, Monasterevin, County Kildare, and adopts a very opulent lifestyle by Irish standards. He also owns apartments in London and New York. He hopes that one of his racehorses, such as Golden Lullaby, would win The Derby, but this never occurs.
McCormack also purchases Runyon Canyon in Hollywood in 1930 from Carman Runyon. He sees and likes the estate while there filming Song o’ My Heart (1930), an early all-talking, all-singing picture. He uses his salary for this movie to purchase the estate and builds a mansion he calls ‘San Patrizio,’ after Saint Patrick. He and his wife live in the mansion until they return to England in 1938.
McCormack tours often, and in his absence, the mansion is often let to celebrities such as Janet Gaynor and Charles Boyer. The McCormacks make many friends in Hollywood, among them Errol Flynn, Will Rogers, John Barrymore, Basil Rathbone, Ronald Colman, Charles E. Toberman and the Dohenys. After his farewell tour of America in 1937, the McCormacks deed the estate back to Carman Runyon expecting to return to the estate at a later date. World War II intervenes and he does not return.
McCormack originally ends his career at the Royal Albert Hall in London, during 1938. However, one year after that farewell concert, he is back singing for the Red Cross and in support of the war effort. He gives concerts, tours, broadcasts and records in this capacity until 1943 when poor health finally forces him to retire permanently.
Ill with emphysema, McCormack purchases a house near the sea, “Glena,” Booterstown, Dublin. After years of increasingly poor health, and a series of infectious illnesses, including influenza and pneumonia, he dies at his home in Booterstown on September 16, 1945. He is buried in Deans Grange Cemetery, St. Patrick’s section, plot reference E/120.
Bridget “Bridie” Gallagher, Irish singer affectionately known as “The Girl from Donegal,” reaches No. 1 in the Irish Singles Chart with “The Boys From The County Armagh” on July 2, 1957. She is widely regarded as “Ireland’s first international pop star.”
Gallagher is born on September 7, 1924 in Creeslough, County Donegal. She starts her singing in the Creeslough Hall with a local Céilí band started by Bill Gallagher. The Creeslough Hall is owned by Jim McCaffrey and Bridie makes many more visits to the Creeslough Hall in her home town throughout her long and successful career. Her talent is soon spotted in the 1950s by Billy Livingstone who is a talent scout for Decca Records. She goes to Belfast, which becomes her base, where she marries Robert (Bob) Livingstone (no relation to Billy Livingstone) and has two boys, Jim and Peter. Peter dies in a motor accident in 1976 and Jim later goes on to tour with her.
Gallagher shoots to fame in 1956 with her recording of “A Mother’s Love’s A Blessing” and achieves international acclaim with her legendary rendition of “The Boys From County Armagh.” During her career, which spans over six decades, she appears in many leading venues across the globe. She also makes songs such as “The Homes of Donegal” famous.
Gallagher holds the record for the largest number of people in attendance in the Royal Albert Hall in London, with over 7,500 people, a record that is never equaled as it goes on to become an all-seater venue. She becomes world-famous and travels all over the world, United States, Canada, Europe, Australia and is known as “The Girl from Donegal.” She plays in many of the world’s best known theatres, including London’s Royal Albert Hall, Sydney Opera House and Carnegie Hall in New York City. She sings mainly ballads or as they later became known as Country and Irish. One of her best known songs is “The Boys From The County Armagh,” which sells over 250,000 copies, the biggest-selling Irish single at that time.
Gallagher lives in Belfast for most of her life. She is honoured by the people of Creeslough on July 10, 2000 with an event to celebrate her career. Members of her family from Creeslough and Donegal attend the event along with her two sisters and their families who travel from Glasgow to be there along with an estimated crowd of 2,500 fans. A plaque paying tribute to her is unveiled. The following day she is honoured by Donegal County Council when they hold a Civic Reception for her. “Bridie blazed the trail for many artists who followed after her and I’m sure that many of them looked upon her as a role model as they started their careers in the music world,” council chairman Charlie Bennett says at the ceremony.
Gallagher dies at her home in Belfast on January 9, 2012 at the age of 87. Her burial takes place in her native Creeslough.
Francis ‘Francie’ McPeake II, uilleann piper and singer, dies in Belfast on July 7, 1986. He is a crucial figure in preserving the great Ulster piping tradition.
McPeake is born on January 20, 1917 at 43 Malcolmson Street, Belfast, the son of Francis J. McPeake (1885–1971), piper and tram conductor, and Mary McPeake (née Loney). His father, a staunch nationalist, wins the Feis piping competition in Belfast in 1909 and represents Ireland together with a Welsh harper, John Page, at the Pan-Celtic Congress in Brussels in 1911. In July 1912 he wins first prize in the learners’ class when he attends the foundation of the Pipers’ Club in Dublin. He represents Ireland in many instances as one of relatively few pipers from Northern Ireland at the time.
McPeake continues the strong musical tradition in the family. He also plays the pipes and father and son are recorded by Peter Kennedy in 1952. They appear at the Royal Albert Hall in 1956 and later form the McPeake Trio along with his brother James, who plays the fiddle, the piano accordion, and later a harp made by McFall in Belfast. The trio comes to be known as The McPeakes. They sing in Irish and in English and are closely identified with particular songs, such as “The Jug of Punch,” “The Lament of Aughrim,” and “The Verdant Braes of Skreen,” though the one most associated with them is “Will You Go, Lassie, Go?”
The McPeakes win first prize at the international Eisteddfod in Wales in the late 1950s and acquire a strong international reputation with Bob Dylan being among their fans. The trio is later augmented by members of the next generation, recorded by Peter Kennedy again, and make several recordings, including Irish Folk (1964) and Welcome Home (1967), which is a cassette reissue of a 1962 album for the Topic Records label. Some of Kennedy’s recordings of the McPeake family are released on the compact disc Traditional Songs of Ireland (CD-SDL 411) in 1995. A fourth-generation family group follows, Clan McPeake, inheriting the commitment, much of the repertoire, and the verve of the earlier generations.
McPeakes’s gift for teaching is employed at the Francis McPeake School of Music, which is established in 1977, and he writes a well-reviewed tin whistle tutor entitled Smash the Windows, published by Appletree Press in 1981. He also forms the Clonard Traditional Music Society.
McPeake dies on July 7, 1986. The McPeake family remains closely associated with traditional music and with Belfast. The Francis McPeake International Summer School is established in 2004.
As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumour. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
Gallagher starts her singing in the Creeslough Hall with a local Céilí band started by Bill Gallagher. The Creeslough Hall is owned by Jim McCaffrey and Bridie makes many more visits to the Creeslough Hall in her home town throughout her long and successful career. Her talent is soon spotted in the 1950s by Billy Livingstone who is a talent scout for Decca Records. She goes to Belfast, which becomes her base, where she marries Robert (Bob) Livingstone (no relation to Billy Livingstone) and has two boys, Jim and Peter. Peter dies in a motor accident in 1976 and Jim later goes on to tour with her.
Gallagher shoots to fame in 1956 with her recording of “A Mother’s Love’s A Blessing” and achieves international acclaim with her legendary rendition of “The Boys From County Armagh.” During her career, which spans over six decades, she appears in many leading venues across the globe. She also makes songs such as “The Homes of Donegal” famous.
Gallagher holds the record for the largest number of people in attendance in the Royal Albert Hall in London, with over 7,500 people, a record that is never equaled as it goes on to become an all-seater venue. She becomes world-famous and travels all over the world, United States, Canada, Europe, Australia and is known as “The Girl from Donegal.” She plays in many of the world’s best known theatres, including London’s Royal Albert Hall, Sydney Opera House and Carnegie Hall in New York City. She sings mainly ballads or as they later became known as Country and Irish. One of her best known songs is “The Boys From The County Armagh,” which sells over 250,000 copies, the biggest-selling Irish single at that time.
Gallagher lives in Belfast for most of her life. She is honoured by the people of Creeslough on July 10, 2000 with an event to celebrate her career. Members of her family from Creeslough and Donegal attend the event along with her two sisters and their families who travel from Glasgow to be there along with an estimated crowd of 2,500 fans. A plaque paying tribute to her is unveiled. The following day she is honoured by Donegal County Council when they hold a Civic Reception for her. “Bridie blazed the trail for many artists who followed after her and I’m sure that many of them looked upon her as a role model as they started their careers in the music world,” council chairman Charlie Bennett says at the ceremony.
Gallagher dies at her home in Belfast on January 9, 2012 at the age of 87. Her burial takes place in her native Creeslough.
seamus dubhghaill 