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Tag Archives: Tarbert (County Kerry)


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Birth of Horatio Herbert Kitchener, 1st Earl Kitchener

Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum and Broome in Kent, British Army officer and colonial administrator, is born on June 24, 1850, at Gunsborough Villa, north of Listowel, County Kerry.

Kitchener is the second son of Lieutenant Colonel Henry Horatio Kitchener and his first wife, Frances Anne (née Chevallier), daughter of clergyman John Chevallier. Col. Kitchener resigns his commission in 1849 and purchases Ballygoghlan House estate near Tarbert, County Kerry, in early 1850 under the provisions of the Encumbered Estates Act of 1849. Ballygoghlan House is in a state of disrepair, however, and the family lives in Gunsborough Villa until the end of 1850. In 1857, Col. Kitchener purchases Crotta House, near Kilflynn, County Kerry, and the Kitcheners divide their time between the two residences. While innovative and successful in his agricultural methods, Col. Kitchener is harsh towards his tenants and, after carrying out many evictions, becomes extremely unpopular in the area. He is a rigid disciplinarian and occasionally punishes his son severely.

Although Kitchener attends Ballylongford village school, his education is largely neglected. When examined by his cousin Francis Elliot Kitchener, fellow of Trinity College Dublin (TCD), he is found to have only the most rudimentary knowledge of grammar and arithmetic. Education by private tutors follows. In 1864, his father sells his Irish estates and moves to Switzerland for the sake of his wife’s health. After further private tuition, he passes into the Royal Military Academy, Woolwich, in 1868, and is commissioned into the Royal Engineers in December 1870.

Kitchener begins his career on survey missions and carries out such work in Palestine (1874–78) and Cyprus (1878–82). He then enters the Egyptian Army and takes part in the Sudan campaign of 1883–85, organised to relieve Genral Charles George Gordon. Subsequent appointments include governor of Suakin (1886–88), adjutant-general of the Egyptian Army (1888–92), and Sirdar (Commander-in-Chief) of the Egyptian Army (1892–96). After the Dongola Expedition in 1896, he is promoted to major-general. He commands the Khartoum Expedition of 1898, defeating Mahdist forces at Atbara and Omdurman, and is raised to the peerage.

At the outbreak of the Second Boer War in 1899, he is appointed chief of staff to Frederick Roberts, 1st Earl Roberts, and assumes total command, with the rank of lieutenant-general, in 1900. While acting as commander-in-chief in South Africa he reorganises the British forces and, using new tactics, manages finally to defeat the Boers. He is severely criticised in the world press for the conditions in the concentration camps where Boer families are confined, but is made a viscount, promoted to general, and awarded £50,000 by parliament at the end of the war.

Kitchener serves as commander-in-chief in India beginning in 1902, is promoted to Field Marshal in 1909, and is a member of the Committee of Imperial Defence (1910) and consul-general in Egypt (1911–14). At the outbreak of World War I he is made Secretary of State for War and begins to reorganise the British Army, an immense achievement, raising 1,700,000 men in service battalions by May 1915, creating an army of volunteers to reinforce the depleted regular army in Belgium and France. An archconservative, he totally opposes Home Rule for Ireland, and initially blocks plans by John Redmond for the formation of a southern Irish division from members of the National Volunteers. Convinced that an all-Irish brigade or division would be a security risk, he rejects Redmond’s suggestions in a meeting of August 1915 and originally proposes dispersing Irish recruits through the numerous regiments in the army. Impressed by Redmond’s persistence, and impelled by the recruiting crisis of late 1915, he finally reverses his decision and sanctions the establishment of the 16th (Irish) Division.

On June 5, 1916, Kitchener is making his way to Russia on HMS Hampshire to attend negotiations with Tsar Nicholas II when in bad weather the ship strikes a German mine 1.5 miles (2.4 km) west of Orkney, Scotland, and sinks. He is among 737 who perish. He is the highest-ranking British officer to die in action in the entire war.

Although he only spends his early years in Kerry, Kitchener occasionally returns to Ireland. While on leave in June 1910 he goes on a tour of County Kerry, visiting places connected to his childhood. There are numerous portraits and memorials to him in England, including a marble effigy by W. Reid Dick in St. Paul’s Cathedral in London and a statue by John Tweed in Horse Guards Parade, London. There is a commemorative bible in the Church of Ireland church at Kilflynn, County Kerry, where he regularly attended Sunday service as a boy. There are some Kitchener letters in the John Redmond papers in the National Library of Ireland.

(From: “Kitchener, Horatio Herbert” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Thomas MacGreevy, Poet & Former Director of the National Gallery of Ireland

Thomas MacGreevy, a pivotal figure in the history of Irish literary modernism, is born on October 26, 1893, in Tarbert, County Kerry. A poet, he is also director of the National Gallery of Ireland from 1950 to 1963 and serves on the first Irish Arts Council (An Chomhairle Ealaíon).

MacGreevy is the son of a policeman and a primary school teacher. At age 16, he joins the British Civil Service as a boy clerk.

At the outbreak of World War I, MacGreevy is promoted to an intelligence post with the Admiralty. He enlists in 1916 and sees active service at the Ypres Salient and the Somme, being wounded twice. After the war, he studies at Trinity College, Dublin, in whose library his papers are now held. He then becomes involved in various library organisations, begins publishing articles in Irish periodicals, and writes his first poems.

In 1924, MacGreevy is first introduced to James Joyce in Paris. The following year he moves to London, where he meets T. S. Eliot and begins writing for The Criterion and other magazines. He also begins publishing his poetry.

In 1927, MacGreevy moves to Paris to teach English at the École normale supérieure. Here he meets Samuel Beckett and resumes his friendship with Joyce. His essay The Catholic Element in Work In Progress is published in 1929 in Our Exagmination Round His Factification for Incamination of Work In Progress, a book intended to help promote Joyce’s Finnegans Wake. Along with Beckett, he is one of those who signs the Poetry is Vertical manifesto which appears in issue 21 of transition. In 1931, he produces critical studies of both Eliot and Richard Aldington.

In 1934, Poems is published in London and New York City. The work shows that MacGreevy has absorbed the lessons of Imagism and of The Waste Land, but also demonstrates that he has brought something of his own to these influences. The book is admired by Wallace Stevens and the two poets become regular correspondents.

Unfortunately, although MacGreevy continues to write poetry, this is the only collection published in his lifetime. Since his death there have been two Collected Poems issued, one in 1971 and an edited edition collecting his published and unpublished poetry published twenty years later.

In 1929 MacGreevy begins working at Formes, a journal of the fine arts. He also publishes a translation of Paul Valéry‘s Introduction à la méthode de Léonard de Vinci as Introduction to the Method of Leonardo da Vinci. In the mid-1930s, he moves back to London and earns his living lecturing at the National Gallery there.

From 1938 to 1940 MacGreevy is the chief art critic for The Studio. He publishes several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960).

MacGreevy is a lifelong Roman Catholic. His faith informs both his poetry and his professional life. On returning to Dublin during World War II, he writes for both the Father Mathew Record and the Capuchin Annual and joins the editorial board of the latter.

MacGreevy is director of the National Gallery of Ireland from 1950–63. Although to many he seems a surprising choice, his latent talents as an administrator are brought to the fore. He is instrumental in bringing to the gallery such ideas as a lecture series and in-house restoration, which are commonplace abroad. It is through his persistent requests to the government that an extension to the gallery is approved. Unfortunately, the demands of the position take its toll. He has two heart attacks in 1956 and 1957 and ill health forces him to retire in 1963.

During his last years MacGreevy begins writing poetry again. He also begins his memoirs, which he never completes. He is admitted to the Portobello Nursing Home in Dublin for what is to be a minor operation in March 1967. He dies from heart failure on Saint Patrick’s Day eve, March 16, 1967.