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Death of Andrew O’Connor, American Irish Sculptor

Andrew O’Connor, American Irish sculptor whose work is represented in museums in the United States, Ireland, Britain and France, dies in Dublin on June 9, 1941.

O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.

Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.

Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.

During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.

In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.

O’Connor returns with his family to the United States on the outbreak of World War I, and sets up a studio in Paxton, Massachusetts. In 1918, his standing statue of the youthful Abraham Lincoln is placed outside the Illinois State Capitol at Springfield, Illinois. He later presents a marble head of Lincoln to the American ambassador’s residence, Phoenix Park, Dublin. His memorial in Chicago to President Theodore Roosevelt (1919) is commissioned as a tribute to Roosevelt’s associations with the Boy Scouts of America. The design of four standing scouts, modelled on O’Connor’s sons, is exhibited at the Philadelphia Art Alliance in 1920. He becomes an associate of the National Academy of Design, New York in 1919. In the early 1920s he executes an equestrian statue of the Marquis de Lafayette for South Park, at Mount Vernon, Baltimore, Maryland.

Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.

During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.

(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of James Augustine Healy, Bishop of Portland, Maine

james-augustine-healy

James Augustine Healy, American Roman Catholic priest and the second bishop of Portland, Maine, is born on April 6, 1830, in Macon, Georgia to a multiracial slave mother and Irish immigrant father. He is the first bishop in the United States of any known African descent. When he is ordained in 1854, his multiracial ancestry is not widely known outside his mentors in the Catholic Church.

Healy is the eldest of ten siblings of Michael Morris Healy, an Irish immigrant planter from County Roscommon, and his common law wife Eliza Smith (sometimes recorded as Clark), a multiracial enslaved African American. He achieves many “firsts” in United States history. He is credited with greatly expanding the Catholic church in Maine at a time of increased Irish immigration. He also serves Abenaki people and many parishioners of French-Canadian descent who were traditionally Catholic. He speaks both English and French.

Beginning in 1837, like many other wealthy planters with mixed-race children, Michael Healy starts sending his sons to school in the North. James, along with brothers Hugh and Patrick, goes to Quaker schools in Flushing, New York, and Burlington, New Jersey. Later they each attend the newly opened College of the Holy Cross in Worcester, Massachusetts. He graduates as valedictorian of the college’s first graduating class in 1849.

Following graduation, Healy wishes to enter the priesthood. He cannot study at the Jesuit novitiate in Maryland, as it is a slave state. With the help of John Bernard Fitzpatrick, he enters a Sulpician seminary in Montreal. In 1852, he transfers to study at Saint-Sulpice Seminary in Paris, working toward a doctorate and a career as a seminary professor. After a change of heart, he decides to become a pastor. On June 10, 1854, he is ordained at Notre-Dame de Paris as a priest to serve in Boston, Massachusetts. He is the first African American to be ordained a Roman Catholic priest although at the time he identifies as and is accepted as white Irish Catholic.

When Healy returns to the United States, he becomes an assistant pastor in Boston. He serves the archbishop, who helps establish his standing in the church. In 1866 he becomes the pastor of St. James Church, the largest Catholic congregation in Boston. In 1874 when the Boston legislature is considering taxation of churches, he defends Catholic institutions as vital organizations that help the state both socially and financially. He also condemns certain laws that are generally enforced only on Catholic institutions. He founds several Catholic charitable institutions to care for the many poor Irish immigrants who had arrived during the Great Famine years.

Healy’s success in the public sphere leads to his appointment by Pope Pius IX to the position of second bishop of Portland, Maine. He is consecrated as Bishop of Portland on June 2, 1875, becoming the first African American to be consecrated a Catholic bishop. For 25 years he governs his large diocese, supervising also the founding of the Diocese of Manchester, New Hampshire, when it is split from Portland in 1885. During his time in Maine, which is a period of extensive immigration from Catholic countries, he oversees the establishment of 60 new churches, 68 missions, 18 convents, and 18 schools. During that period, he also serves his Abenaki and French-Canadian parishioners.

Healy is the only member of the American Catholic hierarchy to excommunicate men who joined the Knights of Labor, a national union, which reaches its peak of power in 1886.

Two months before his death on August 5, 1900, Healy is called as assistant to the Papal throne by Pope Leo XIII, a position in the Catholic hierarchy just below that of cardinal.


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Patrick Francis Healy Becomes President of Georgetown University

Patrick Francis Healy, Jesuit priest and educator, becomes the 29th President of Georgetown University on July 31, 1874. He is known for expanding the school following the American Civil War. Healy Hall is constructed during his tenure and is named after him. It is designated as a National Historic Landmark in the late 20th century.

Healy is born into slavery in 1834 in Macon, Georgia, the third son of Irish American plantation owner Michael Healy and his African American slave Mary Eliza, who is the multiracial daughter of a black slave and white slaveowner. The law establishes during colonial slavery in the United States that children are to take the legal status of the mother. By the principle of partus sequitur ventrum, Patrick and his siblings are legally considered slaves in Georgia, although their father is free, and they are three-quarters or more European in ancestry.

Discriminatory laws in Georgia prohibit the education of slaves and require legislative approval for each act of manumission, making these essentially impossible to gain. Michael Healy arranges for all his children to leave Georgia and move to the North to obtain their educations and have opportunities in their lives. They are raised as Irish Catholics. Patrick’s brothers and sisters are nearly all educated in Catholic schools and colleges. Many achieve notable firsts for Americans of mixed-race ancestry during the second half of the 19th century, and the Healy family of Georgia is remarkably successful.

Healy sends his older sons first to a Quaker school in Flushing, New York. Despite the Quakers’ emphasis on equality, Patrick encounters some discrimination during his grade school years, chiefly because his father is a slaveholder, which by the late antebellum years the Quakers consider unforgivable. Patrick also meets resistance in the school as an Irish Catholic. When Michael Healy hears of a new Jesuit college, the College of the Holy Cross in Worcester, Massachusetts, he sends his four oldest sons, including Patrick, to study there in 1844. They are joined at Holy Cross by their younger brother Michael in 1849.

Following Patrick’s graduation in 1850, he enters the Jesuit order, the first African American to do so, and continues his studies. The order sends him to Europe to study in 1858. His mixed-race ancestry has become an issue in the United States, where tensions are rising over slavery. He attends the Catholic University of Leuven in Belgium, earning his doctorate, becoming the first American of openly acknowledged part-African descent to do so. During this period, he is also ordained to the priesthood on September 3, 1864.

In 1866 Healy returns to the United States and teaches philosophy at Georgetown University in Washington, D.C. On July 31, 1874, he is selected as the school’s twenty-ninth president. He is the first college president in the United States of African American ancestry. At the time, he identifies as Irish Catholic and is accepted as such.

Patrick Healy’s influence on Georgetown is so far-reaching that he is often referred to as the school’s “second founder,” following Archbishop John Carroll. Healy helps transform the small nineteenth-century college into a major university for the twentieth century, likely influenced by his European education.

He modernizes the curriculum by requiring courses in the sciences, particularly chemistry and physics. He expands and upgrades the schools of law and medicine. The most visible result of Healy’s presidency is the construction of the university’s flagship building designed by Paul J. Pelz, begun in 1877 and first used in 1881. The building is named in his honor as Healy Hall.

Healy leaves the College in 1882 and travels extensively through the United States and Europe, often in the company of his brother James, a bishop in Maine. In 1908 he returns to the campus infirmary, where he dies on January 10, 1910. He is buried on the grounds of the university in the Jesuit cemetery.