Graham’s long time colleague and Hot Press editor Niall Stokes describes him, “In many ways, he was a founding father of modern Irish music. He inspired a whole generation of Irish fans and musicians to look at the world in a different and broader light. And he was good on more than music too. He felt a kinship with Northern Ireland and the people on both sides of the sectarian and political divide there that was unusual in those who were brought up within the narrow confines of the culture of Ireland in the ‘60s and ‘70s – and his political writing reflected this. And he was also ahead of the game in terms of his appreciation of the importance of the politics of food and the position of the developing world in the new era.”
Graham is instrumental in the formation of Irish rock band U2, having brought them to the attention of their manager Paul McGuinness. At an exhibition of early group photos, McGuinness remembers the role Bill Graham played by introducing him to the band. Despite being widely known as the man who “discovered” U2, it is a title he disavowed. He writes enthusiastically about the band, giving them their first exposure. Both guitarist The Edge and Bono have explained Graham’s role in the band’s development.
John Waters observes that “It is often said that Bill ‘discovered’ U2. This is untrue. Bill created U2, through his enthusiasm for them. He gave them a reflection of their own possibilities and they only looked back that once.” Graham has a deep knowledge of virtually every form of popular and roots music. Waters goes on to credit him as “the first Irish writer to write about the connection between Irish political culture and Irish rock’n’roll.”
A number of music critics/journalists have cited Graham as a primary influence, in some cases suggesting they got into the field as a direct result of his writing.
Members of Sinn Féin, the political wing of the republican Irish Republican Army (IRA), vote to accept the Good Friday Agreement on May 10, 1998, effectively acknowledging the north-south border. This marks a major shift in modern republicanism as, up until now, Sinn Féin has regarded participation in a Northern Ireland body as a tacit acceptance of partition.
The agreement comes at the party’s annual conference, which includes about thirty IRA prisoners granted special leave in order to vote.
The British and Irish governments welcome the decision to formally approve the peace agreement signed at Stormont in April to create the Northern Ireland Assembly and new cross-border institutions. TaoiseachBertie Ahern says he now looks forward to an overwhelming “yes” vote in referendums on the deal later in the month. The British government praises Sinn Féin leader Gerry Adams saying the decision marks a final realisation that violence does not pay.
Secretary of State for Northern IrelandMo Mowlam expresses her delight at the outcome, “I recognise how significant this decision is for republicans and pay tribute to the leadership of Gerry Adams in bringing his party to support the agreement, north and south of the border.” In what she describes as an “exceptional decision,” the IRA’s commanding officer, Patrick Wilson, who is confined in HM Prison Maze, is among the 30 republican inmates freed for the conference in an effort to bring about a “Yes” vote.
Sinn Féin also votes to amend its constitution to allow members to sit in a new Northern Ireland Assembly after Adams tells his members they have a real chance to influence the strategy of the party and the way towards a united Ireland.
Martin McGuinness, one of Sinn Féin’s UK Members of Parliament (MP), tells the BBC he is optimistic about achieving a “Yes” vote in the referendum due to be held on May 22. “I think there are concerns naturally among a small section of the Sinn Féin membership, but I have to say I think the mood all over the island is that moving into the assembly to further our republican objectives towards our ultimate goal of a united Ireland is at this moment in time the sensible thing to do,” he says.
(Pictured: Sinn Féin MP Martin McGuinness and Sinn Féin president Gerry Adams)
Wyatt has a prolific and distinguished career, being elected President of the Royal Institute of British Architects (1870–1873) and being awarded its Royal Gold Medal for Architecture in 1873. His reputation during his lifetime is largely as a safe establishment figure, and critical assessment has been less favourable more recently, particularly in comparison with his younger brother, the better-known Matthew Digby Wyatt.
Wyatt’s father, Matthew Wyatt (1773–1831), is a barrister and police magistrate for Roscommon and Lambeth. Wyatt is presumed to have moved to Lambeth with his father in 1825 and then initially embarks on a career as a merchant sailing to the Mediterranean, particularly Malta.
Wyatt marries his first cousin Arabella Montagu Wyatt (1807–1875). She is the second daughter of his uncle Arthur who is agent to the Duke of Beaufort. This consolidates his practice in Wales. He lives at and practises from 77 Great Russell Street in Bloomsbury, London.
Wyatt begins practice on his own account in 1832 when he is appointed District Surveyor for Hackney, a post he holds until 1861. By 1838 he has acquired substantial patronage from the Duke of Beaufort, the Earl of Denbigh and Sidney Herbert and David Brandon join him as partner. This partnership lasts until 1851. Wyatt’s son Matthew (1840–1892) becomes his father’s partner in 1860.
Wyatt works in many styles ranging from the Italianate of Wilton through to the Gothic of many of his churches. His practice is extensive with a large amount of work in Wiltshire largely as a result of his official position and the patronage of the Herbert family and in Monmouthshire through the Beaufort connection.
Thomas Henry Wyatt dies at his Great Russell Street home on August 5, 1880, leaving an estate of £30,000. He is buried at St. Lawrence’s Church, Weston Patrick.
The Arts Council (An Chomhairle Ealaíon), sometimes called the Arts Council of Ireland, is established on May 8, 1951, by the Government of Ireland. The Council’s purpose is to encourage interest in Irish art, including visual art, music, performance, and literature, and to channel funding from the state to Irish artists and arts organisations. This includes encouragement of traditional Irish arts, support for contemporary Irish arts, and finance for international arts events in Ireland. The council is modeled on the Arts Council of Great Britain, founded in 1946, and works closely with the Arts Council of Northern Ireland, formed by the British government in Northern Ireland in 1962 to fulfil a similar role.
The Arts Council consists of twelve members and a chair, each appointed for a five-year term by the Minister for Arts, Heritage, Regional, Rural and Gaeltacht Affairs. The Chair of the Arts Council is entitled to an annual fee of €8,978 and ordinary members are entitled to a fee of €5,985, although some members choose to waive this fee.
The ongoing work of the Arts Council is delivered by the executive. In addition to the Director, a staff of 41 full-time equivalents carries out the daily functions of the organisation. Arts advisers, who provide additional expertise and strategic advice on different aspects of the arts, are retained on a consultancy basis.
On the morning of May 6, RMS Lusitania is 750 miles west of southern Ireland. By 5:00 AM on May 7 she reaches a point 120 miles west southwest of Fastnet Rock off the southern tip of Ireland, where she meets the patrolling boarding vesselPartridge. By 6:00 AM, heavy fog has arrived and extra lookouts are posted. As the ship comes closer to Ireland, Captain William Thomas Turner orders depth soundings to be made and at 8:00 AM for speed to be reduced to eighteen knots, then to 15 knots and for the foghorn to be sounded. Some of the passengers are disturbed that the ship appears to be advertising her presence. By 10:00 AM the fog begins to lift and by noon it has been replaced by bright sunshine over a clear smooth sea. The RMS Lusitania increases speed to 18 knots.
U-20 surfaces at 12:45 PM as visibility is now excellent. At 1:20 PM something is sighted and KapitänleutnantWalther Schwieger is summoned to the conning tower. At first it appears to be several ships because of the number of funnels and masts, but this resolves into one large steamer appearing over the horizon. At 1:25 PM the submarine submerges to periscope depth of 11 metres and sets a course to intercept the liner at her maximum submerged speed of 9 knots. When the ships have closed to 2 miles RMS Lusitania turns away. Schwieger fears he has lost his target, but she turns again, this time onto a near ideal course to bring her into position for an attack. At 2:10 PM with the target at 700m range he orders one gyroscopic torpedo to be fired, set to run at a depth of three metres.
The U-20‘s torpedo officer, Raimund Weisbach, views the destruction through the vessel’s periscope and feels the explosion is unusually severe. Within six minutes, RMS Lusitania‘s forecastle begins to submerge.
On board the RMS Lusitania, Leslie Morton, an eighteen-year-old lookout at the bow, spots thin lines of foam racing toward the ship. He shouts, “Torpedoes coming on the starboard side!” through a megaphone, thinking the bubbles come from two projectiles. The torpedo strikes RMS Lusitania under the bridge, sending a plume of debris, steel plating and water upward and knocking lifeboat number five off its davits. A second, more powerful explosion follows, sending a geyser of water, coal, dust, and debris high above the deck. Schwieger’s log entries attest that he had only launched one torpedo. Some doubt the validity of this claim, contending that the German government subsequently alters the published fair copy of Schwieger’s log, but accounts from other U-20 crew members corroborate it. The entries are also consistent with intercepted radio reports sent to Germany by U-20 once she has returned to the North Sea, before any possibility of an official coverup.
At 2:12 PM Captain Turner orders Quartermaster Johnston stationed at the ship’s wheel to steer “hard-a-starboard” towards the Irish coast, which Johnston confirms, but the ship can not be steadied on the course and rapidly ceases to respond to the wheel. Turner signals for the engines to be reversed to halt the ship, but although the signal is received in the engine room, nothing can be done. Steam pressure collapses from 195 PSI before the explosion, to 50 PSI and falling afterwards. RMS Lusitania‘s wireless operator sends out an immediate SOS, which is acknowledged by a coastal wireless station. Shortly afterward he transmits the ship’s position, 10 miles (16 km) south of the Old Head of Kinsale. At 2:14 PM electrical power fails, plunging the cavernous interior of the ship into darkness. Radio signals continue on emergency batteries, but electric lifts fail, trapping passengers and crew. Bulkhead doors closed as a precaution before the attack can not be reopened to release trapped men.
About one minute after the electrical power fails, Captain Turner gives the order to abandon ship. Water has flooded the ship’s starboard longitudinal compartments, causing a 15-degree list to starboard.
RMS Lusitania‘s severe starboard list complicates the launch of her lifeboats. Ten minutes after the torpedoing, when she has slowed enough to start putting boats in the water, the lifeboats on the starboard side swing out too far to step aboard safely. While it is still possible to board the lifeboats on the port side, lowering them presents a different problem. As is typical for the period, the hull plates of RMS Lusitania are riveted, and as the lifeboats are lowered they drag on the inch high rivets, which threatens to seriously damage the boats before they land in the water.
Many lifeboats overturn while loading or lowering, spilling passengers into the sea. Others are overturned by the ship’s motion when they hit the water. RMS Lusitania has 48 lifeboats, more than enough for all the crew and passengers, but only six are successfully lowered, all from the starboard side. A few of her collapsible lifeboats wash off her decks as she sinks and provides floatation for some survivors.
There is panic and disorder on the decks. Schwieger has been observing this through U-20‘s periscope, and by 2:25 PM, he drops the periscope and heads out to sea.
Captain Turner is on the deck near the bridge clutching the ship’s logbook and charts when a wave sweeps upward towards the bridge and the rest of the ship’s forward superstructure, knocking him overboard into the sea. He manages to swim and find a chair floating in the water which he clings to. He survives, having been pulled unconscious from the water after spending three hours there. RMS Lusitania‘s bow slams into the bottom about 330 feet below at a shallow angle because of her forward momentum as she sinks. Along the way, some boilers explode, including one that causes the third funnel to collapse. The remaining funnels collapse soon after. The ship travels about two miles from the time of the torpedoing to her final resting place, leaving a trail of debris and people behind. After her bow sinks completely, RMS Lusitania‘s stern rises out of the water, enough for her propellers to be visible, and then goes under.
RMS Lusitania sinks in only 18 minutes. It takes several hours for help to arrive from the Irish coast and by that time many in the 52° F water have succumbed to the cold. By the days’ end, 764 passengers and crew from the RMS Lusitania are rescued and land at Queenstown. Eventually, the final death toll for the disaster comes to a catastrophic number. Of the 1,959 passengers and crew aboard RMS Lusitania at the time of her sinking, 1,195 have been lost.
In the days following the disaster, the Cunard line offers local fishermen and sea merchants a cash reward for the bodies floating all throughout the Irish Sea, some floating as far away as the Welsh coast. In all, only 289 bodies are recovered, 65 of which are never identified. The bodies of many of the victims are buried at either Queenstown, where 148 bodies are interred in the Old Church Cemetery, or the Church of St. Multose in Kinsale. The bodies of the remaining 885 victims are never recovered.
Artist William Conor is born on May 6, 1881, in the Old Lodge Road area of north Belfast, the son of a wrought-iron worker.
Celebrated for his warm and sympathetic portrayals of working-class life in Ulster, Conor studies at the Government School of Design in Belfast in the 1890s. His artistic talents are recognized at the early age of ten when a teacher of music, Louis Mantell, notices the merit of his chalk drawings and arranges for him to attend the College of Art.
Conor is one of the first Academicians when the Belfast Art Society becomes the Ulster Academy of Arts in 1930. He becomes an Associate RHA in 1938 and a full member in 1946. Exhibitions at the Victor Waddington Galleries are held in 1944 and 1948. In 1952 he is awarded the Order of the British Empire (OBE) and in 1957 he is elected President of the Royal Ulster Academy, an office he holds until 1964.
More than 50 works of his in crayon and watercolour are in the permanent collections of the Ulster Museum.
(Pictured: Bronze statue of William Conor at Conor’s Corner, Shankill Road, Belfast)
Born in Belfast on March 9, 1954, Sands is the oldest of four children born to John and Rosaleen Sands, and the couple’s first son. Sands grows up in Belfast under the cloud of nationalist and loyalist divisions. At an early age, Sands’s life is affected by the sharp divisions that shape Northern Ireland. At the age of ten, he is forced to move with his family out of their neighborhood due to repeated intimidation by loyalists.
“I was only a working-class boy from a Nationalist ghetto,” Sands later writes about his childhood. “But it is repression that creates the revolutionary spirit of freedom.” Loyalist intimidation proves to be a theme throughout Sands’ life. At the age of 18, he is forced out of his job as an apprentice car builder. Not long afterwards, he and his family have to move again, as a result of political trouble.
The steady number of conflicts pushes Sands to join the republican movement in 1972. His ties to the movement soon capture the attention of the authorities, and later that year, he is arrested and charged with possessing firearms in his house. He spends the next three years of his life in prison. Upon his release, Sands immediately returns to the Republican Movement. He signs on as a community activist in Belfast’s rough Twinbrook area, quickly becoming a popular go-to person for a range of issues affecting the neighborhood.
In late 1976, authorities arrest Sands again, this time in connection with the bombing of a large furniture company and an ensuing gun battle. After weathering a brutal interrogation and then a court proceeding that offers up questionable evidence connecting Sands and three others to the attack, a judge sentences Sands to 14 years in prison at Long Kesh Prison, a facility used to house Republican prisoners from 1971 until 2000, located just outside of Belfast.
As a prisoner, Sands’s stature only grows. He pushes hard for prison reforms, confronting authorities, and for his outspoken ways he is frequently given solitary confinement sentences. Sands contention is that he and others like him, who are serving prison sentences, are actually prisoners of war, not criminals as the British government insists.
Beginning on March 1, 1981, Sands leads nine other Republican prisoners in the H Block section of the Maze prison on a hunger strike that lasts until death. Their demands range from allowing prisoners to wear their own clothes to permitting visits and mail, all of which are central in improving the inmates’ way of life.
Unable to move authorities to give in to his requests, and unwilling himself to end his hunger strike, Sands’s health begins to deteriorate. During the first seventeen days of the strike alone, he loses 16 pounds. A hero among his fellow nationalists, Sands is elected as a Member of Parliament (MP) for Fermanagh and South Tyrone while in prison. Sands becomes the youngest MP at the time. However, he dies less than one month later without ever having taken his seat in the House of Commons.
Only days after slipping into a coma, on the morning of May 5, 1981, Sands dies from malnutrition due to starvation. He is 27 years old and has refused to eat for 66 days. He becomes so fragile over his final weeks that he spends his final days on a waterbed to protect his deteriorating and fragile body. At time of his death, Sands is married to Geraldine Noade, with whom he has one son, Gerard.
The announcement of Sands’s death prompts several days of rioting in nationalist areas of Northern Ireland. Over 100,000 people line the route of Sands’s funeral. He is buried in the ‘New Republican Plot’ alongside 76 others. Their graves are maintained by the National Graves Association, Belfast.
While loyalists dismiss Sands’s death, others are quick to recognize its significance. Over the next seven months, nine other IRA supporters die on hunger strike. Eventually, the British government gives proper political recognition to the prisoners, many of them earning their release under the 1998 Good Friday Agreement.
During the late 1860s and early 1870s many of the lodges of the order in Pennsylvania are infiltrated by the Molly Maguires. However, the Molly Maguires and their criminal activities are condemned at the 1876 national convention of the AOH, and the Order is reorganised in the Pennsylvania coal areas.
In 1884 there is a split in the organisation. The Order has previously been governed by the Board of Erin, which has governed the order in Ireland, Great Britain and the United States, but is composed of officers selected exclusively by the organisations in Ireland and Great Britain. The majority leave in 1884 and become the Ancient Order of Hibernians of America, while the small group calls itself Ancient Order of Hibernians, Board of Erin. In 1897 the Ancient Order of Hibernians, Board of Erin, has approximately 40,000 members concentrated in New York, New Jersey, Ohio, Illinois, and Michigan, while the Ancient Order of Hibernians of America has nearly 125,000 members scattered throughout nearly every state in the union. The two groups reunite in 1898.
A female auxiliary, the Daughters of Erin, is formed in 1894, and has 20,000 members in 1897. It is attached to the larger, “American” version of the order. The AOH has 181,000 members in 1965 and 171,000 in 736 local units of “Divisions” in 1979. John F. Kennedy joins the AOH in 1947.
In 1982, in a revival of Hibernianism, the Thomas Francis Meagher Division No. 1 forms in Helena, Montana, dedicated to the principles of the Order and to restoring a historically accurate record of Brigadier General Meagher’s contributions to Montana. Soon after, six additional divisions form in Montana.
The Order organises the New York City St. Patrick’s Day Parade for 150 years, emphasising a conservative Catholic interpretation of the Irish holiday. In 1993 control is transferred to an independent committee amid controversy over the exclusion of Irish American gay and lesbian groups.
In 2013, The Ancient Order of Hibernians raises and distributes over $200,000 to aid victims of Hurricane Sandy.
In 2014, the AOH calls for a boycott of Spencer’s Gifts, for selling products the AOH says promote anti-Irish stereotypes and irresponsible drinking.
On May 10, 2014, a memorial to Commodore John Barry, an immigrant from Wexford who is a naval hero of the American Revolution and who holds commission number one in the subsequent United States Navy, is dedicated on the grounds of the United States Naval Academy. The memorial and associated “Barry Gate” are presented to the Academy by the members of the Ancient Order of Hibernians.
Walter Macken, writer of short stories, novels and plays, is born at 18 St. Joseph’s Terrace in Galway, County Galway on May 3, 1915.
Macken’s father, Walter Macken, Sr., formerly a carpenter, joins the British Army in 1915 and is killed in March of the following year at St Eloi. The family therefore has to rely on lodgers and a small service pension to sustain them.
Macken attends the Presentation Convent for Infants from (1918-1921), St. Mary’s, a Diocesan College where they train people who want to become priests (1923-1924), and Patrician Brothers both Primary and Secondary (1921-1922 and 1924-1934), where he takes his Leaving Certificate. He is writing short stories, novels, and plays in exercise books from the age of eight and carries on these works well into his teens.
Macken is originally an actor, principally with the Taibhdhearc na Gaillimhe in Galway, where he meets his wife Peggy, and The Abbey Theatre in Dublin. He also plays lead roles on Broadway in M. J. Molloy‘s The King of Friday’s Men and his own play Home Is the Hero. The success of his third book, Rain on the Wind, winner of the Literary Guild award in the United States, enables him to focus his energies on writing.
His son Ultan Macken is a well-known journalist in the print and broadcast media of Ireland, and wrote a biography of his father, Walter Macken: Dreams on Paper.
Walter Macken dies of heart failure at the age of 51 in Menlo, County Galway, on April 22, 1967.
Edith Anna Œnone Somerville, Irish novelist who habitually signs herself as “E. Œ. Somerville,” is born on May 2, 1858, on the island of Corfu, then part of the United States of the Ionian Islands, a British protectorate where her father is stationed. She writes in collaboration with her cousin “Martin Ross” (Violet Martin) under the pseudonym “Somerville and Ross.” Together they publish a series of fourteen stories and novels, the most popular of which are The Real Charlotte, and The Experiences of an Irish R. M., published in 1899.
In January 1886 she meets her cousin Violet Martin, and their literary partnership begins the following year. Their first book, An Irish Cousin, appears in 1889, under the names Geilles Herring (from the maiden name of her ancestor, the wife of Sir Walter de Somerville of Linton and Carnwath) and Martin Ross, though the pen names are dropped after the first edition. In 1898, Somerville goes to paint at the Etaples art colony, accompanied by Violet. There they profit from their stay by conceiving together the stories later gathered in Some Experiences of an Irish R. M., completed the following year. By the time Violet dies in 1915, they have published fourteen books together. Her cousin’s death stuns Somerville, who continues to write as “Somerville and Ross,” claiming that they keep in contact through spiritualist séances.
Somerville is a devoted sportswoman who in 1903 becomes master of the Carbery West Foxhounds. She is also active in the suffrage movement, corresponding with Dame Ethel Smyth. She is in London still recovering from the shock of Violet’s death when the Easter Rising of 1916 breaks out. On May 9, 1916, she writes a letter to The Times, blaming the British government for the state of affairs in Ireland. After that she tends towards Nationalism, and as an adept musician at parties, she specializes in Irish tunes and Nationalist songs.
She has exhibitions of her pictures in Dublin and in London between 1920 and 1938 and is active as an illustrator of children’s picture books and sporting picture books.
Edith Somerville dies at Castletownshend on October 8, 1949, at the age of 91. She is buried alongside Violet Florence Martin at Saint Barrahane’s Church, Castletownsend, County Cork.
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