seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Monthly Archives: February 2021


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Birth of Ciarán Bourke, Founding Member of The Dubliners

Ciarán Bourke, Irish musician and one of the founding members of the Irish folk band The Dubliners, is born in Dublin on February 18, 1935.

Although born in Dublin, Bourke lives most of his life in Tibradden, County Dublin. His father, a doctor, is in practice in the city. The children have an Irish-speaking nanny. His early exposure to Irish continues throughout his education, attending Colaiste Mhuire, Parnell Square, Dublin. He later attends University College Dublin for a course in Agricultural Science. He does not take his degree but always retains an interest in farming.

After leaving university Bourke meets two of his future bandmates in The Dubliners, Ronnie Drew and Barney McKenna, who invite him to join their sessions in O’Donoghue’s Pub where he plays tin whistle, mouth organ and guitar, and sings. Luke Kelly, who had been singing around the clubs in England, returns to Dublin and joins them, with the four gaining local popularity. Taking the name The Dubliners, the group puts together the first folk concert of its kind in Dublin. The concert is a success, then a theatrical production called “A Ballad Tour of Ireland” is staged at the Gate Theatre shortly afterwards. In 1964 fiddle player John Sheahan joins the band and this becomes known as the original Dubliners line-up.

Bourke is responsible for bringing a Gaelic element to The Dubliners’ music with songs such as “Peggy Lettermore” and “Sé Fáth Mo Bhuartha” being performed in the Irish language. He also sings a number of the group’s more lighthearted and humorous numbers such as “Jar of Porter,” “The Dublin Fusiliers,” “The Limerick Rake,” “Mrs. McGrath,” “Darby O’Leary,” “All For Me Grog” and “The Ballad of Ronnie’s Mare,” as well as patriotic songs such as “Roddy McCorley,” “The Enniskillen Dragoons,” “Take It Down From The Mast” and “Henry Joy.”

On April 5, 1974 The Dubliners travel to Eastbourne where they are to appear in concert. Kelly is worried by the way Bourke keeps moving his head about, as if trying to alleviate increasing pain. Four minutes into the second half, it is decided he cannot continue with the show. Kelly insists that a doctor should be phoned and instructs to await their return to the Irish Club at Eaton Square. The roadie for the trip, John Corry, thinks that it is better to drive straight to St. George’s Hospital in London, where the doctors diagnose a brain aneurysm. He is transferred to the Atkinson Morley Hospital in Wimbledon, while doctors wait for his wife to return from a trip to Ghana, to get her signature before operating. She is told that there is danger of further haemorrhaging. He is operated on at the earliest opportunity. The bleeding begins again while he is on the table which means that they cannot repair the damage, only staunch the bleeding. This leaves him paralysed down his left side and confused as to where he is and what has happened.

Bourke receives intensive therapy, attending a clinic in Dún Laoghaire, County Dublin. He is heartened by his progress and insists on rejoining The Dubliners on their next tour of the Continent in November that year.

Bourke’s continued insistence that he is fit enough to join them on the forthcoming German tour causes them considerable disquiet. They prefer he ease himself back to work, with a few small shows in Ireland. The tour gradually begins to take its toll on him, and it is decided that for the sake of his health he should return home. He flies from Brussels to Dublin.

Bourke makes his last public appearance on Ireland’s RTÉ One during The Late Late Show‘s tribute to The Dubliners in 1987. Despite his lingering paralysis he recites “The Lament for Brendan Behan” after which everyone in the studio, led by Ronnie Drew, sing “The Auld Triangle.”

Bourke dies on May 10, 1988, after a long illness. From 1974 until his death, he is continued to be paid by the band. A fifth member of the group is not recruited until after his death.


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The 1987 Irish General Election

The 1987 Irish general election is held on Tuesday, February 17, 1987, four weeks after the dissolution of the Dáil. The general election takes place in 41 parliamentary constituencies throughout Ireland for 166 seats in the lower house of parliament, Dáil Éireann.

The general election of 1987 is precipitated by the withdrawal of the Labour Party from the Fine Gael-led government on January 20, 1987. The reason is a disagreement over budget proposals. Rather than attempt to press on with the government’s agenda, the Taoiseach and leader of Fine Gael, Garret FitzGerald, decides to dissolve the Dáil. An unusually long period of four weeks is set for the campaign. It is hoped that the electorate will warm to Fine Gael’s budget proposals during the campaign.

Fianna Fáil‘s campaign involves a refusal to make any definite commitments. However, it attempts to convince the electorate that the country will be better under Fianna Fáil. Charles Haughey‘s attitudes toward Northern Ireland and the Anglo-Irish Agreement are both attacked. However, the campaign is mostly fought on economic issues.

The Labour Party decides against any pre-election pact, particularly with Fine Gael. The Progressive Democrats (PD), founded only two years earlier, surpass Labour as the third-biggest political party in the Dáil. Although the majority of the PD party consists of Fianna Fáil defectors, it mainly takes seats from Fine Gael. The Labour Party fails to make any impact with its leader, Dick Spring, almost losing his seat.

In spite of the opinion polls suggesting otherwise, Fianna Fáil once again fails to win an overall majority. However, it is able to form a minority government and Charles Haughey is back for his third and final term as Taoiseach. The Fianna Fáil government of 1987 to 1989 is the last time to date that a government composed only of members of one party has been formed in Ireland.

The newly elected 166 members of the 25th Dáil assemble at Leinster House on March 10, 1987, when a new Taoiseach and a Fianna Fáil minority government are appointed.


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Birth of Richard Busteed, Union Army General & U.S. Federal Judge

Richard Busteed, Union Army general during the American Civil War and United States federal judge, is born in County Cavan on February 16, 1822. Busteed comes first to Canada, then the United States with his family while a child. They settle in New York City.

Busteed reads law in 1846. He enters private practice in New York City from 1846 to 1856 and is Corporation Counsel for New York City from 1856 to 1859. He serves as a Captain in the United States Army in 1861, and a Brigadier General from 1862 to 1863, during the American Civil War.

Once when confronted with black men being thrown out of a white railroad car by the conductor, Busteed pulls his pistol and defends the black men allowing them to stay.

Busteed receives a recess appointment from President Abraham Lincoln on November 17, 1863, to a joint seat on the United States District Court for the Middle District of Alabama, the United States District Court for the Northern District of Alabama and the United States District Court for the Southern District of Alabama vacated by Judge George Washington Lane. He is nominated to the same position by President Lincoln on January 5, 1864. He is confirmed by the United States Senate on January 20, 1864, and receives his commission the same day. His service terminates on October 20, 1874, due to his resignation.

Alabamians generally consider Busteed corrupt and pro-Northern. In December 1867, he is shot on the street in Mobile, Alabama by United States Attorney Lucien V. B. Martin, who fires two more shots into him after he falls. Martin goes to Texas and is never prosecuted, while Busteed recovers rapidly.

Busteed is nominated by President Ulysses S. Grant to the Supreme Court of the District of Columbia (now the United States District Court for the District of Columbia) on January 13, 1873. At the same time, President Grant nominates Judge David Campbell Humphreys, an Alabama native serving on the Supreme Court of the District of Columbia, to assume Busteed’s seat, each nomination made contingent on the other’s resignation. The Senate returns the nominations to the President as irregular in form on February 13, 1873.

In 1873, Busteed is the subject of an impeachment inquiry by the United States House of Representatives Judiciary Committee. The Committee recommends his impeachment on charges of failing to maintain a residence in his judicial district, failing to hold scheduled terms of court, and using his official position to promote his personal interests, specifically, by remitting a fine due to the Federal government in order to obtain release from a personal judgment against him in a State court. He resigns before the full House can vote on the recommendation.

Following his resignation from the federal bench, Busteed resumes private practice in New York City starting in 1874. He dies on September 14, 1898, in New York City and is interred in Woodlawn Cemetery in the Bronx, New York.


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Birth of Mary Swanzy, Landscape & Genre Artist

Mary Swanzy, Irish landscape and genre artist, is born in Dublin on February 15, 1882. Noted for her eclectic style, she paints in many styles including cubism, futurism, fauvism, and orphism, she is one of Ireland’s first abstract painters.

Swanzy is the second of three daughters of Sir Henry Rosborough Swanzy, an eye surgeon, and his wife Mary (née Denham). She attends Alexandra College, Earlsfort Terrace, a finishing school at the Lycée in Versailles, France, and a day school in Freiburg, Germany. This education means that she is fluent in French and German. She goes on to take art classes at Mary Manning‘s studio, under the direction of John Butler Yeats. Manning encourages her to study modelling with John Hughes at the Dublin Metropolitan School of Art.

Living within walking distance of the National Gallery of Ireland, she spends a lot of time studying and copying the great masters. Her first exhibition is with the Royal Hibernian Academy (RHA) in 1905 with Portrait of a child, continuing to exhibit portraits every year until 1910. In 1905 she goes to Paris and works at the Académie Delécluse, an atelier-style art school. She goes on to attend the studio of Antonio de La Gándara in 1906 and takes classes at Académie de la Grande Chaumière and Académie Colarossi. While in Paris she is exposed to the works of Gauguin, Matisse, and Picasso, which make a lasting impression on her.

On her return to Dublin, Swanzy paints portraits and genre scenes and holds her first show at Mill’s Hall, Merrion Row in 1913. She holds another show there in 1919, where she exhibits nearly 50 pieces. This exhibition is reviewed by Sarah Purser who notes the lack of melancholy and light optimism in Swanzy’s Irish landscapes. Swanzy paints in a number of styles, often reflecting the major art developments in Paris.

After the deaths of her parents, she is financially independent and can travel, spending her time between Dublin and Saint-Tropez during World War I while continuing to paint. She also exhibits with the Société des Artistes Indépendants in 1914 and 1916, being elected to the committee in 1920. While visiting her sister who is involved with the Protestant relief mission in Yugoslavia and Czechoslovakia, she paints landscapes, village life, and peasant scenes. These works are shown in the autumn of 1921 in the Dublin Painters’ Gallery with six other artists including Jack Butler Yeats, Paul Henry, and Clare Marsh with whom she shares a studio.

Swanzy begins to travel to more exotic countries from the 1920s, Honolulu around 1923, and later Samoa. As a result, she paints local tropical flowers, trees, and native women, with a palette and style similar to that of Fauvism. She stays for a time in Santa Barbara, California, working in a local studio and exhibiting some of her Samoan work at the Santa Barbara Arts Club Gallery. She returns to Ireland in February 1925 and exhibits three of her Samoan paints at the RHA, and 14 at her one-woman show in the Galerie Bernheim-Jeune, Paris in October 1925. Gertrude Stein writes her to congratulate her on her Paris exhibition.

In the mid 1920s Swanzy settles in Blackheath, London, making regular trips to Dublin and abroad. In 1932 Purser holds an exhibition of Swanzy’s work for invited guests in her house. At this time her painting is influenced by orphism and is reviewed positively. Her work becomes more allegorical in later years, with The message in the Hugh Lane Gallery demonstrating this. During World War II she stays with her sister in Coolock for three years. In 1943, she holds a one-woman show at the Dublin Painters’ Gallery, and is also featured at the first Irish Exhibition of Living Art. She is exhibited at St. George’s Gallery, London in 1946 along with Henry Moore, Marc Chagall, and William Scott.

Swanzy is made an honorary member of the RHA in 1949, showing with them in 1950 and 1951. She does not exhibit in Ireland for a number of years, but the Hugh Lane Gallery holds a major retrospective of her work in 1968. Following this she holds two one-woman shows at the Dawson Gallery in 1974 and 1976. In 1975 she is featured at the Cork ROSC art exhibition and resumes showing with the RHA. She continues to paint until her death at her home in London on July 7, 1978.

In 1982 the Taylor Galleries holds an exhibition to mark the centenary of Swanzy’s birth. More recently she is featured in the Irish Museum of Modern Art (IMMA) 2013 exhibition Analysing Cubism. From October 2018-February 2019, also in IMMA, she is the subject of the solo exhibition Mary Swanzy Voyages.

(Pictured: Sunlit Landscape, oil-on-canvas, by Mary Swanzy)


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The Ballytrain Barracks Attack

An Irish Republican Army (IRA) unit commanded by Ernie O’Malley and Eoin O’Duffy captures a Royal Irish Constabulary (RIC) barracks at Ballytrain, County Monaghan, on February 14, 1920 during the Irish War of Independence.

After a month of intense IRA activity across the country, the War of Independence continues unabated in February 1920. Becoming more daring in the process, the IRA continues to target the RIC and their barracks. Elsewhere, local issues and tensions also surface, and in some cases, they become embroiled in the struggle for Independence. February 1920 is a month of chaos across the country.

Described by the newspapers of the day as a ‘fierce affray’ the three-hour assault on the RIC barracks at Ballytrain, County Monaghan is a significant engagement for the Monaghan IRA during the War of Independence. Launched at 2:00 AM on a Sunday morning and led by Eoin O’Duffy, later a Commissioner of An Garda Siochana, the attack had been carefully planned.

Located eight miles from Castleblayney, the RIC barracks in Ballytrain is manned by Sergeants Lawson and Graham and four constables, Roddy, Gallagher, Murtagh, and Nelson, all of whom it is said fight against the odds for over three hours. At 5:00 AM, when ‘the leader’ of the IRA party demands the officers surrender it is met by continued firing from the police. O’Duffy then gives the order to plant explosives at the gable wall, which instantly collapses. Four RIC officers are buried in the rubble of the building and are later transferred to Carrickmacross hospital for treatment. About fifty men then rush the building carrying off a quantity of weapons.

A house belonging to a man named Mitchell is raided before the attack, where four members of the family are held hostage throughout the night. The IRA smashes all of the windows in the house allowing them to fire on the barracks. As many as 150 men take part in the raid, which also sees some men taking up position in cattle byres, which had been cleaned out in order to give protection. It is later alleged that O’Duffy had told the RIC men that he was glad no one had been killed in the exchange, saying, “We did not come here to do injury, but only for arms.” It is hardly the welcome Sergeant Graham had expected having only arrived in the barracks three days earlier.

(From: Irish Newspaper Archives, irishnewsarchive.com, February 17, 2020)


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Birth of Irish Footballer Liam Brady

William Brady, former Irish footballer who also serves as assistant manager of the Republic of Ireland national football team from 2008 to 2010, is born in Dublin on February 13, 1956.

Brady is raised in Dublin and attends St. Aidan’s C.B.S., leaving before his Intermediate Certificate. He alleges at the time that he had been expelled for missing a school Gaelic football match to play a schoolboy soccer international, however the school denies this.

Brady is a talented offensive midfielder renowned for his left foot and elegant technical skills such as his high-quality passing, vision, and close control, which makes him an excellent playmaker. He combines these abilities with significant tenacity, an eye for goal from midfield, and accurate penalty-taking. In addition to his footballing ability, he also stands out throughout his career for his professionalism.

Brady starts his career at Arsenal F.C., moving to London to join the side on schoolboy forms in 1971, at the age of 15. He turns professional on his 17th birthday in 1973, and makes his debut on October 6, 1973 against Birmingham City F.C. as a substitute for Jeff Blockley. Arsenal reaches three FA Cup finals in a row between 1978 and 1980. Arsenal wins only the 1979 final against Manchester United F.C., with Brady starting the move that ends in Alan Sunderland‘s famous last-minute winner.

Brady spends two seasons with Juventus F.C. in Italy, picking up two Italian Championship medals, in 1981 and 1982. He scores the only goal (a penalty) in the 1–0 win against Catanzaro that wins the 1982 title.

Brady makes his debut for the Republic of Ireland national football team on October 30, 1974, in a 3–0 win against the Soviet Union at Dalymount Park in a European Championship qualifier. Due to a suspension accrued before UEFA Euro 1988 he is not eligible to play within the tournament. During qualifications for the 1990 FIFA World Cup he retires from the international game. As Ireland advances to the World Cup he declares himself available to play once again. However, manager Jack Charlton goes on to declare that only those who played in the qualifiers will make the trip to Italy. Brady wins 72 international caps for the Republic of Ireland with 70 within the starting line-up, scoring 9 goals.

Brady goes on to manage two clubs – Celtic F.C. and then Brighton and Hove Albion F.C. – together with being the assistant manager of Ireland’s national football team. He also holds the post of Head of Youth Development at Arsenal F.C. from 1996 to 2013, and is a frequent television pundit with RTÉ Sport.

While at Arsenal F.C., and particularly early in his career, Brady is nicknamed “Chippy”, not for his ability to chip the ball but for his fondness for fish and chips. He also becomes involved in an anti-drugs campaign in the early 1990s, called “give drugs the boot”, encouraging young boys to play sport as a healthy pastime.


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Birth of Fergus Slattery, Rugby Union Player

John Fergus Slattery, former rugby union player who represented Ireland, is born in Dún Laoghaire, the county town of Dún Laoghaire–Rathdown, on February 12, 1949.

Slattery plays club rugby for Blackrock College and University College Dublin before embarking on an international career that takes in 61 caps for Ireland, 18 as captain, and four for the British and Irish Lions. He makes his international debut in a draw against South Africa at Lansdowne Road in 1970.

In 1971, Slattery first tours with the British and Irish Lions squad that toured New Zealand, missing out on a start in the third Test due to illness. With the back-row berths claimed by John Taylor, Peter Dixon and Mervyn Davies and still being a newcomer at international level he has to wait until 1974 for his shot at a Lions Test jersey. In the meantime, he plays for the Barbarian F.C. in the famous 1973 game against the All Blacks in Cardiff.

Slattery tours with the Lions again in 1974, playing in all four Tests and captaining the side for two provincial matches. In South Africa he is an invaluable member of the touring party that comes to be known as “the invincibles.” He starts all four Tests as the Lions win the series 3-0 and skippers the side twice during midweek tour matches.

For Ireland, Slattery captains their hugely successful touring side in Australia in 1979 when they win seven of the eight matches including the two Tests in Brisbane and Sydney. In 1982 he starts all four games of Ireland’s Triple Crown season, being denied the Grand Slam by France in the final game of the Five Nations Championship.

Slattery is inducted into the International Rugby Hall of Fame in 2007.


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Oscar Wilde’s “Salomé” Opens in Paris

Oscar Wilde languishes in jail as his play Salomé opens in Paris on February 11, 1896. Salomé is a one act play based on the biblical tale of Salomé, stepdaughter of the tetrarch Herod Antipas, who asks for the head of Jokanaan (John the Baptist) on a platter as a reward for dancing the Dance of the Seven Veils. The original 1891 version of the play is in French. Three years later an English translation, with illustrations by Aubrey Beardsley, is published.

Rehearsals for the play’s debut on the London stage, for inclusion in Sarah Bernhardt‘s London season, begin in 1892, but are halted when the Lord Chamberlain‘s licensor of plays bans Salomé on the basis that it is illegal to depict Biblical characters on the stage. The play eventually premiers on February 11, 1896, while Wilde is in prison, in Paris at the Théâtre de la Comédie-Parisienne in a staging by Lugné-Poe‘s theatre group, the Théâtre de l’Œuvre.

In The Pall Mall Gazette of June 29, 1892 Wilde explains why he had written Salomé in French:

“I have one instrument that I know I can command, and that is the English language. There was another instrument to which I had listened all my life, and I wanted once to touch this new instrument to see whether I could make any beautiful thing out of it. […] Of course, there are modes of expression that a Frenchman of letters would not have used, but they give a certain relief or colour to the play. A great deal of the curious effect that Maeterlinck produces comes from the fact that he, a Flamand by grace, writes in an alien language. The same thing is true of Rossetti, who, though he wrote in English, was essentially Latin in temperament.”

A performance of the play is arranged by the New Stage Club at the Bijou Theatre in Archer Street, London, on May 10 and 13, 1905, starring Millicent Murby as Salomé and directed by Florence Farr. In June 1906 the play is presented privately with A Florentine Tragedy by the Literary Theatre Society at King’s Hall, Covent Garden. The Lord Chamberlain’s ban is not lifted for almost forty years. The first public performance of Salomé in England is produced by Nancy Price at the Savoy Theatre on October 5, 1931. She takes the role of Herodias herself and casts her daughter, Joan Maude, as Salomé.

In 1992 the play is performed on Broadway at the Circle in the Square Theatre, under the direction of Robert Allan Ackerman. Sheryl Lee stars as the title role alongside Al Pacino. The play costars Suzanne Bertish, Esai Morales and Arnold Vosloo.

Al Pacino says in an interview that a new production of the play where he will star as King Herod is to open in London’s West End in 2016.

In 2018 a production by Lazarus Theatre is performed at Greenwich Theatre. Directed by Ricky Dukes, the performance portrays Salomé as male.


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House of Lords Votes for the Acts of Union

The House of Lords votes on February 10, 1800, for the Acts of Union which sees Ireland lose its own parliament, direct rule is imposed on Ireland, and the United Kingdom of Great Britain and Ireland is created. The acts come into force on January 1, 1801, and the merged Parliament of the United Kingdom has its first meeting on January 22, 1801. Both acts remain in force, with amendments, in the United Kingdom of Great Britain and Northern Ireland but have been repealed in the Republic of Ireland.

Before these Acts, Ireland had been in personal union with England since 1541, when the Parliament of Ireland had passed the Crown of Ireland Act 1542, proclaiming King Henry VIII of England to be King of Ireland. Since the 12th century, the King of England had been technical overlord of the Lordship of Ireland, a papal possession. Both the Kingdoms of Ireland and England later came into personal union with that of Scotland upon the Union of the Crowns in 1603.

In 1707, the Kingdom of England and the Kingdom of Scotland were united into a single kingdom: the Kingdom of Great Britain. The Irish Parliament at that time was subject to a number of restrictions that placed it subservient to the Parliament of England and, following the union of England and Scotland, the Parliament of Great Britain. Ireland, however, gained effective legislative independence from Great Britain through the Constitution of 1782.

By this time access to institutional power in Ireland was restricted to a small minority, the Anglo-Irish of the Protestant Ascendancy, and frustration at the lack of reform among the Catholic majority eventually led, along with other reasons, to the Irish Rebellion in 1798, involving a French invasion of Ireland and the seeking of complete independence from Great Britain. This rebellion was crushed with much bloodshed, and the subsequent drive for union between Great Britain and Ireland that passes in 1800 is motivated at least in part by the belief that the rebellion was caused as much by reactionary loyalist brutality as by the Society of United Irishmen.

Furthermore, Catholic emancipation is being discussed in Great Britain, and fears that a newly enfranchised Catholic majority will drastically change the character of the Irish government and parliament also contributes to a desire from London to merge the Parliaments.

Complementary acts have to be passed in the Parliament of Great Britain and in the Parliament of Ireland. The Parliament of Ireland had recently gained a large measure of legislative independence under the Constitution of 1782. Many members of the Irish Parliament jealously guard this autonomy and a motion for union is legally rejected in 1799.

Only Anglicans are permitted to become members of the Parliament of Ireland, though the great majority of the Irish population are Roman Catholic, with many Presbyterians in Ulster. In 1793 Roman Catholics regain the right to vote if they own or rent property worth £2 per acre. The Catholic hierarchy is strongly in favour of union, hoping for rapid emancipation and the right to sit as MPs, which is delayed after the passage of the acts until the passage of the Roman Catholic Relief Act 1829.

From the perspective of Great Britain, the union is desirable because of the uncertainty that followed the Irish Rebellion of 1798 and the French Revolution of 1789. If Ireland adopted Catholic Emancipation, willingly or not, a Roman Catholic Parliament could break away from Britain and ally with the French. Also the Irish and British Parliaments, when creating a regency during King George III‘s “madness”, gave the Prince Regent different powers. These considerations lead Great Britain to decide to attempt merger of the two kingdoms and their Parliaments.

The final passage of the Act in the Irish Parliament is achieved with substantial majorities, in part according to contemporary documents through bribery, namely the awarding of peerages and honours to critics to get their votes. Whereas the first attempt had been defeated in the Irish House of Commons by 109 votes against to 104 for, the second vote in 1800 produces a result of 158 to 115.

In the first Parliament of the United Kingdom of Great Britain and Ireland, the members of the House of Commons are not elected afresh. By royal proclamation authorised by the Act, all the members of the last House of Commons from Great Britain take seats in the new House, and from Ireland 100 members are chosen from the last Irish House of Commons: two members from each of the 32 counties and from the two largest boroughs, and one from each of the next 31 boroughs (chosen by lot) and from the University of Dublin. The other 84 Irish parliamentary boroughs are disfranchised, all being pocket boroughs, whose patrons receive £15,000 compensation for the loss of what is considered their property.

(Pictured: Coat of Arms of the United Kingdom from 1837 to 1952 used by Queen Victoria, King Edward VII, George V, Edward VIII and George VI)


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Death of Author Benedict “Ben” Kiely

Benedict “Ben” Kiely, Irish writer and broadcaster, dies in St. Vincent’s University Hospital in Dublin on February 9, 2007.

Kiely is born in Dromore, County Tyrone on August 15, 1919, the youngest of six children. In 1920, the family moves from Dromore to Omagh. After living for a short time in Castle Street and Drumragh, the family finally settles in St. Patrick’s Terrace in the Gallows Hill area of Omagh. This area is to be a lasting inspiration for Kiely.

Kiely begins to feel the urge to become a writer during his teenage years. He has a keen interest in the work of George Bernard Shaw, H. G. Wells and Jonathan Swift. In 1936, after completing his education at Mount St. Columba Christian Brothers School in Omagh, he goes to work as a sorting clerk in the Omagh Post Office.

However, Kiely soon realises that the post office will not provide him with the life of the scholar which he so desires. In the spring of 1937, he leaves Omagh and begins a new life in Emo Park, Portarlington, County Laois, where he decides to train as a Jesuit priest. His life as a Jesuit is not meant to be for, exactly a year later, in the spring of 1938, he suffers a serious spinal injury, which results in a lengthy stay in Cappagh National Orthopaedic Hospital in Finglas, Dublin. During his hospitalisation, he is given plenty of time to think about the course his life has already taken, and about a course it might take. He also realises that he lacks a vocation to the priesthood and abandons his training as a Jesuit.

When Kiely gets out of hospital in 1939, he returns to Omagh to recover from his back problem. The following year, he begins working as a part-time journalist in the weekly Catholic Standard newspaper. In 1943, he graduates from National University of Ireland with a B.A. in History and Letters.

In 1945, Kiely begins working for the Irish Independent, where he is employed as a journalist and critic. In 1950, he joins The Irish Press as a literary editor. In 1964, he moves to the United States where, over a period of four years, he is a Writer-in-Residence at Emory University, visiting professor at the University of Oregon, and Writer-in-Residence at Hollins College (Virginia). In 1968, he returns to Ireland. In the spring of 1976, he is Distinguished Visiting Professor at the University of Delaware. He continues to receive acclaim for his writing and journalism, a career which spans over six decades, receiving the Award for Literature from the Irish Academy of Letters. By now, he is one of Ireland’s best-known writers. In 1996, he is named Saoi of Aosdána, the highest honour given by the Arts Council of Ireland.

Kiely visits Omagh in 2001 which is marked by the unveiling of a plaque outside his childhood home on Gallows Hill by Omagh’s Plain Speaking Community Arts group. Every September an event is held in Omagh called The Benedict Kiely Literary Weekend to celebrate his many achievements.

Benedict Kiely dies in St. Vincent’s University Hospital in Dublin on February 9, 2007.