McAuliffe’s parents are Cornelius McAuliffe and Jane Bailey, who are living at 5 Christ Church Lane, Cork, at the time of Jack’s birth. He emigrates to the United States in 1871, where he spends his early years in Bangor, Maine.
McAuliffe makes his first appearance as an amateur boxer in 1883. He turns professional soon after, fighting Jem Carney 78 rounds to a draw at Revere Beach, Massachusetts. He fights Billy Dacey for the lightweight championship and a $5,000 purse in 1888, knocking him out in eleven rounds. He is known as a strong two-handed fighter with “cat-like” reflexes.
McAuliffe is married twice, both times to stage actresses. His first wife is Katie Hart, who plays in farce comedies. After her death, he marries Catherine Rowe in 1894, whose stage name is Pearl Inman, of the song and dance team The Inman Sisters. Between marriages he dates a third actress, Sadie McDonald. McAuliffe and Rowe move back to Bangor, Maine, in 1894, where he undertakes preliminary training for a fight later that year at the Seaside Athletic Club on Coney Island.
McAuliffe retires in 1897. According to the International Boxing Hall of Fame, he has 36 professional fights. He finishes his career with 30 victories with 22 by knockout, five draws and one no decision.
Jack McAuliffe dies on November 5, 1937, at his home on Austin Street in Forest Hills, Queens.
Gibbons was born to architect Austin P. Gibbons and Veronica Fitzpatrick Simmons. He is privately tutored and studies at the Art Students League of New York. In 1911 he begins working in his father’s office as a junior draftsman. From 1915 he serves as art director at Edison Studios in New Jersey and then serves in the United States Navy during World War I. He then joins Goldwyn Studios and begins a long career with Metro-Goldwyn-Mayer in 1924, the year the studio is founded.
In 1930, Gibbons marries actress Dolores del Río and co-designs their house in Santa Monica, an intricate Art Deco residence influenced by Rudolf Schindler. They divorce in 1941. Three years later he marries actress Hazel Brooks, with whom he remains until his death.
Gibbons’s set designs, particularly those in such films as Born to Dance (1936) and Rosalie (1937), heavily inspire motion picture theater architecture in the late 1930s through 1950s. The style is found very clearly in the theaters that are managed by the Skouras brothers, whose designer Carl G. Moeller uses the sweeping scroll-like details in his creations. Among the more classic examples are the Loma Theater in San Diego, The Crest in Long Beach and Fresno, and the Culver Theater in Culver City. The style is sometimes referred to as Art Deco and Art Moderne.
Gibbons retires in 1956 with about 1,500 films credited to him, however, his contract with MGM dictates that he receives credit as art director for every MGM film released in the United States, even though other designers might do the bulk of the work. Even so, his actual hands-on art direction is believed to be about 150 films.
Gibbons’ second cousin, Frederick Gibbons, a musician, orchestra conductor, and entertainer who works with him at MGM, is the father of Billy Gibbons of the rock band ZZ Top.
Clarke is the younger son and third child of Joshua Clarke and Brigid Clarke (née MacGonigal). Church decorator Joshua Clarke moves to Dublin from Leeds in 1877 and starts a decorating business, Joshua Clarke & Sons, which later incorporates a stained-glass division. Through his work with his father, Clarke is exposed to many schools of art but Art Nouveau in particular.
Clarke is educated at the Model School in Marlborough Street, Dublin and Belvedere College, which he leaves in 1905. After his mother’s death in 1903, he is apprenticed into his father’s studio and attends evening classes in the Metropolitan College of Art and Design. His The Consecration of St. Mel, Bishop of Longford, by St. Patrick wins the gold medal for stained glass work in the 1910 Board of Education National Competition. At the art school in Dublin, he meets fellow artist and teacher Margaret Crilley. They marry on October 31, 1914.
Clarke moves to London to seek work as a book illustrator. Picked up by London publisher George G. Harrap and Co., he starts with two commissions which are never completed. Difficulties with these projects makes Fairy Tales by Hans Christian Andersen his first printed work, in 1916. It includes 16 colour plates and more than 24 halftone illustrations. This is followed by illustrations for an edition of Edgar Allan Poe‘s Tales of Mystery and Imagination, the second version of which, published in 1923, makes his reputation as a book illustrator. His work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac. His final book, Selected Poems of Algernon Charles Swinburne, is published in 1928.
Clarke also continues to work in stained-glass, producing more than 130 windows. His glass is distinguished by the finesse of its drawing and his use of rich colours. He is especially fond of deep blues. His use of heavy lines in his black-and-white book illustrations echoes his glass techniques.
Clarke is plagued with ill health, in particular respiratory problems. He is diagnosed with tuberculosis in 1929 and goes to a sanatorium in Davos, Switzerland. Fearing that he will die abroad, he begins his journey back to Dublin in 1931, but dies on this journey on January 6, 1931, in Chur where he is buried. A headstone is erected but local law requires that the family pledge to maintain the grave 15 years after the death. This is not explained to the Clarke family and Harry Clarke’s remains are disinterred in 1946 and reburied in a communal grave.
Reeves is born at Charleville, County Cork, the eldest child of Boles D’Arcy Reeves, an attorney, whose wife Mary is a daughter of Captain Jonathan Bruce Roberts, land agent to the Edmund Boyle, 8th Earl of Cork. This grandfather had fought at the Battle of Bunker’s Hill, and Reeves is born at his house in Charleville.
From 1823, Reeves is educated at the school of John Browne in Leeson Street, Dublin, and after that at a school kept by the Rev. Edward Geoghegan. In October 1830, he enters Trinity College, Dublin, where he quickly gains a prize for Hebrew. In his third year, he becomes a scholar and goes on to graduate BA in 1835. He proceeds to read medicine, wins the Berkeley Medal, and graduates MB in 1837. His object in taking his second degree is that he intends to become a clergyman and to practice the medical profession among the poor of his parish.
In 1844, Reeves rediscovers the lost site of Nendrum Monastery when he visits Mahee Island in Strangford Lough, County Down, searching for churches recorded in 1306, and recognises the remains of a round tower. By 1845, he is corresponding with the Irish scholar John O’Donovan, and an archive of their letters between 1845 and 1860 is preserved at University College, Dublin. In July 1845, Reeves visits London.
Reeves resides in Ballymena from 1841 to 1858, when he is appointed vicar of Lusk following the success of his edition of Adomnán‘s Life of Saint Columba (1857), for which the Royal Irish Academy awards him their Cunningham Medal in 1858. In 1853, he purchases from the Brownlow family the important 9th-century manuscript known as the Book of Armagh, paying three hundred pounds for it. He sells the book for the same sum to Archbishop Beresford, who has agreed to present it to Trinity College, Dublin.
In 1875 Reeves is appointed Dean of Armagh, a position he holds until 1886 when he is appointed as Bishop of Down, Connor and Dromore. In 1891 he is elected as President of the Royal Irish Academy. As bishop, he resides at Conway House, Dunmurry, County Antrim, and signs his name “Wm. Down and Connor.”
William Reeves dies in Dublin on January 12, 1892, while still President of the Academy. At the time of his death, he is working on a diplomatic edition of the Book of Armagh, by then in the Trinity College Library. The work is completed by Dr. John Gwynn and published in 1913.
O’Neill receives some schooling in Drumgallon. He emigrates to New Jersey in 1848 at the height of the Great Famine in Ireland. He receives an additional year of education there and works in a number of jobs. In 1857 he enlists in the 2nd United States Dragoons and serves in the Utah War (May 1857 – July 1858), apparently deserting afterwards to California.
In California, he joins the 1st Cavalry and serves as a sergeant in the American Civil War with this regiment until December 1862, at which time he is commissioned as an officer in the 5th Indiana Cavalry. He is credited as being a daring fighting officer, but believes he has not received due promotion, which leads to a transfer to the 17th United States Colored Infantry as captain. He leaves the Union Army prior to the end of the conflict, marrying Mary Crow, with whom he has several children.
While in Tennessee, O’Neill joins the militant Irish American movement, the Fenian Brotherhood, which eschews politics in favor of militant action to expel the British presence in Ireland. He attaches himself to the group led by William Randall Roberts, who wishes to attack Canada.
O’Neill, ranked as colonel, travels to the Canada–US border with a group from Nashville to participate in the Fenian raids. The assigned commander of the expedition does not appear, so O’Neill takes command. On June 1, 1866, he leads a group of six hundred men across the Niagara River and occupies Fort Erie.
The following day, north of Ridgeway, Ontario, O’Neill’s group encounters a detached column of Canadian volunteers, commanded by Lt-Col. Alfred Booker. The inexperienced Canadians are routed by the Civil War veterans. O’Neill withdraws back to Fort Erie and fights a battle against a detachment led by John Stoughton Dennis. With overwhelming numbers of Canadian forces closing in, O’Neill oversees a successful evacuation on the night of June 2-3 back to United States territory. He is later charged with violating the neutrality laws of the United States, but the charges are later dropped.
The penetration of O’Neill’s organisation by British and Canadian spies ensures that his next venture into Canada, the Battle of Eccles Hill, in 1870 is known in advance, and Canada is accordingly prepared. After the Battle of Trout River ends in a disorganized rout, O’Neill is arrested by United States MarshalGeorge P. Foster and charged with violating neutrality laws. He is sentenced to two years in prison in July 1870 but he and other Fenians are pardoned by President Ulysses S. Grant that October.
Though he renounces the idea of further attacks on Canada, he changes his mind at the urging of an associate of Louis Riel, William Bernard O’Donoghue. With the latter, and without the backing of the bulk of the Fenians, he leads an attack on the Hudson’s Bay Company‘s post at Pembina, Manitoba, on October 5, 1871. The area is then disputed between America and Canada. He is arrested by American troops.
In 1874 O’Neill embarks on a lecture tour along the east coast, encouraging the poor Irish that they would have a better standard of living if they would resettle with him in Nebraska. The first Irish colony in Nebraska is set up in Holt County in the town that bears his name today – O’Neill, Nebraska. His legacy is in the communities that exist in Nebraska today. These settlements are thriving and successful farming communities. John O’Neill can claim credit for the spirit of generosity that is still part of these communities today.
In 1877, while on a speaking tour in Little Rock, Arkansas, O’Neill becomes ill and returns to his home in Nebraska. His condition continues to deteriorate and, after been admitted to St. Joseph’s Hospital Omaha in November 1877, suffers a paralytic stroke and dies on January 8, 1878.
Nano Reid, Irish landscape artist, figure painter and portraitist, is born in Drogheda, County Louth on March 1, 1900. An individual, expressionistic artist, Reid is acknowledged to be one of the finest Irish woman painters of twentieth-century visual art in Ireland. Her works are represented in many public collections throughout Ireland.
In 1920, Reid wins a scholarship to study fine art painting and drawing at the Dublin Metropolitan School of Art, now the National College of Art and Design, under Harry Clarke. At the time, she is, in the words of fellow student Hilda van Stockum, “a fierce redhead…uncompromising and looking for truth.” In 1925 she starts showing at the Royal Hibernian Academy (RHA), submitting a total of 42 canvases until the late 1960s.
In 1950, with Norah McGuinness, Reid represents Ireland at the Venice Biennale. This is followed by the Exhibition of Contemporary Irish Art in Aberystwyth, Wales (1953), and the Mostra Internazionale di Bianco e Nero in Lugano, Switzerland (1956), the Guggenheim International Award Exhibition in New York City (1960) and the Twelve Irish Painters show in New York City (1963). In 1974, the Arts Council and the Arts Council of Northern Ireland stage a major retrospective of Reid’s artworks.
Nano Reid dies in Drogheda in 1981. Retrospectives are held at Taylor Galleries in Dublin (1984), Droichead Arts Centre in Drogheda (1991), and at Linenhall Arts Centre in Castlebar, County Mayo (1999).
O’Leary is born around 1800 in Cork, County Cork. His father is Jeremiah O’Leary, a butter merchant. Little is known of his early life.
In 1817, O’Leary travels to London to enlist in a regiment being formed by Henry Wilson. Wilson is recruiting officers and NCOs to go to South America and form a Hussar regiment in service to Simón Bolívar, who goes on to liberate much of South America from Spanish rule.
O’Leary sails for Venezuela with Wilson near the end of 1817, arriving in March 1818. Unlike many of the Irish who fight for Simón Bolívar in his many campaigns to win South American independence, he has not served in the Napoleonic Wars. He first meets Bolívar away from the front shortly his arrival and Bolívar is apparently impressed with the young Irish officer.
In March 1819, O’Leary sees his first action and is promoted to captain. In July, after Bolívar’s famous crossing through the Casanare Swamps and over the Andes, he receives a saber wound in the battle of Pantano de Vargas but he quickly recovers and takes part in the Battle of Boyacá on August 9. Shortly after this, he becomes aide-de-camp to Bolívar. Two years later, after much more fighting, Venezuela is freed.
During the next few years, as the fight continues to free the rest of South American from Spanish domination, O’Leary performs many dangerous missions for “The Liberator,” rising ever higher in his esteem. He continues to serve Bolívar well through the political and military intrigues that follow the freeing of South America from the Spanish.
After Bolívar’s death in December 1830, O’Leary disobeys orders to burn the general’s personal documents and is exiled to Jamaica by the new Venezuelan government. There he writes extensive memoirs that are later edited by his son, Simon Bolivar O’Leary, and published in the 1870s and 1880s. Simon is the eldest of six children O’Leary has with his South American wife. He also writes his own very extensive memoirs, spanning thirty-four volumes, of his time fighting in the revolutionary wars with Bolívar.
In 1833, O’Leary is able to return to Venezuela. He holds a number of diplomatic posts for the Venezuelan government for the next 20 years, and on at least two occasions is able to visit his boyhood home of Cork.
Daniel O’Leary dies in Bogotá on February 24, 1854. The Venezuelans name a plaza after him in Caracas. In 1882, they obtain permission to take O’Leary’s body from Bogotá to Caracas, where it is laid to rest in the National Pantheon of Venezuela to lie forever in death next to the man he had served so faithfully in life, Don Simón Bolívar. A bust and plaque honouring O’Leary are presented by the Venezuelan Government to the people of Cork and unveiled on May 12, 2010 by the Venezuelan Ambassador to Ireland, Dr. Samuel Moncada.
Ó Faoláin writes his first stories in the 1920s, eventually completing 90 stories over a period of 60 years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill in Twickenham, England, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterwards returns to his native Ireland. He publishes novels, short stories, biographies, travel books, translations, and literary criticism – including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947.
Haughton, son of Samuel Pearson Haughton (1748–1828), by Mary, daughter of James Pim of Rushin, Queen’s County (now County Laois), is born in Carlow, County Carlow, and educated at Ballitor, County Kildare, from 1807 to 1810, under James White, a quaker. After filling several situations to learn his business, in 1817 he settles in Dublin, where he becomes a corn and flour factor, in partnership with his brother William. He retires in 1850. Although educated as a Friend, he joins the Unitarians in 1834 and remains throughout his life a strong believer in their tenets.
Haughton supports the anti-slavery movement at an early period and takes an active part in it until 1838, going in that year to London as a delegate to a convention. Shortly after the Temperance campaigner Father Theobald Mathew takes the pledge, on April 10, 1838, Haughton becomes one of his most devoted disciples. For many years he gives most of his time and energies to promoting total abstinence and to advocating legislative restrictions on the sale of intoxicating drinks.
In December 1844 Haughton is the chief promoter of a fund which is raised to pay some of the debts of Father Mathew and release him from prison. About 1835 he commences a series of letters in the public press which make his name widely known. He writes on temperance, slavery, British India, peace, capital punishment, sanitary reform, and education. His first letters are signed “The Son of a Water Drinker,” but he soon commences using his own name and continues to write until 1872.
Haughton takes a leading part in a series of weekly meetings which are held in Dublin in 1840, when so numerous are the social questions discussed that a newspaper editor calls the speakers the “Anti-everythingarians.” In association with Daniel O’Connell, of whose character he has a very high opinion, he advocates various plans for the amelioration of the condition of Ireland and the Repeal of the Union but is always opposed to physical force.
Haughton becomes a vegetarian in 1846, both on moral and sanitary grounds. For two or three years before his death he is president of the Vegetarian Society of the United Kingdom. He is one of the first members of the Statistical Society of Dublin (1847), a founder of the Dublin Mechanics’ Institute (1849), in the same year is on the committee of the Dublin Peace Society, aids in abolishing Donnybrook Fair in 1855, and takes a chief part in 1861 in opening the National Botanic Gardens at Glasnevin on Sundays.
James Haughton dies at 35 Eccles Street, Dublin, on February 20, 1873, and is buried in Mount Jerome Cemetery on February 24 in the presence of an immense crowd of people.
Haughton’s son, Samuel Haughton, publishes a memoir of his father’s life including extracts from his public correspondence in 1877.
Delia Murphy Kiernan, singer and collector of Irish ballads, is born on February 16, 1902, in Ardroe, Roundfort, County Mayo. She records several 78 rpm records in the 1930s, 1940s and 1950s. In 1962 she records her only LP, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title.
Delia’s father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. John encouraged Delia’s interest in singing ballads from a young age. He also allows Irish travelers to camp on the estate. According to her own account, she learns her first ballads at their campfires.
Delia is educated at Presentation Convent in Tuam, Dominican College in Dublin and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. In UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Delia sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel and Three Lovely Lassies for HMV.
In 1941 Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Delia becomes one of those who assist Hugh O’Flaherty in hiding Jews and escapes allied soldiers from the Nazis. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy. In 1946 she is awarded to Dame Commander of the Equestrian Order of the Holy Sepulchre.
Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while she is living in Ottawa, Delia makes the recording of The Queen of Connemara produced by Ken Goldstein. The Kiernans purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.
By 1969 Delia’s health is in decline. In November of that year, she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin. She dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records upwards of 100 songs during her lifetime.
seamus dubhghaill 