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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of James David Bourchier

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James David Bourchier, Irish journalist and political activist, is born at Baggotstown House, Bruff, County Limerick, on December 18, 1850. He works for The Times as the newspaper’s Balkan correspondent. He lives in Sofia, Bulgaria from 1892 to 1915. He is an honourable member of the Sofia Journalists’ Society and a trusted advisor of Tzar Ferdinand I of Bulgaria. He acts as an intermediary between the Balkan states at the conclusion of the Balkan Wars of 1912-1913.

Bourchier studies at Trinity College, Dublin, where he is elected a scholar in classics in 1871. Deeply engaged in the processes that are taking place on the Balkan peninsula at that time, Bourchier supports the idea that the island of Crete be annexed by Greece.

In his writings he criticises certain clauses of the 1913 Treaty of Bucharest, which he deems unfair to Bulgaria. As a result of the treaty, Bulgaria loses the southern part of Dobrudja, which is annexed by Romania, and part of Macedonia.

Bourchier also expresses his strong support for Bulgaria during the Paris Peace Conference of 1919-1920. The conference produces five treaties, including the Treaty of Neuilly-sur-Seine, the peace agreement between the Allies and Bulgaria. Under the terms of the treaty, Bulgaria has to cede part of Western Thrace to Greece and several border areas to Yugoslavia. Southern Dobrudja is confirmed in Romanian possession, reparations are required, and the Bulgarian Army is limited to 20,000 men.

With his numerous publications in the British press, and in his private and social correspondence, Bourchier repeatedly voices his sympathy towards Bulgaria and its people. After his death in Sofia on December 30, 1920, James Bourchier is buried near the Rila Monastery in southwestern Bulgaria.

Bourchier Peak on Rila Mountain, James Bourchier Boulevard and James Bourchier Metro Station in Sofia, and Bourchier Cove on Smith Island in the South Shetland Islands, Antarctica are named after James David Bourchier.


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Surrender of Rebel Leader Michael Dwyer

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United Irishmen leader Michael Dwyer, whose guerrilla attacks maddened the British Army from 1798, surrenders on December 17, 1803.

Dwyer is born in Camara, a townland in the Glen of Imaal County Wicklow in 1772 and he participates in the Irish Rebellion of 1798. However, unlike most of the leaders and soldiers in that Rising, he does not either leave the country or return to his normal life, nor is he captured. He retreats into the Wicklow Mountains with a band of men and drives the British to distraction in their attempts to apprehend him. A reward is placed on Dwyer’s head and another for each of his men, but he leads the British authorities on a merry chase for five years, with many daring narrow escapes, each adding to his legend. Some call him the “Outlaw of Glenmalure.”

In 1803, he plans to assist Robert Emmet in his rising but he never receives the signal to join the rising. At this point he recognizes the futility of his situation, and he also wishes to relieve the suffering of a number of his family members, including his sister, whom has been jailed for no offense other than their family relationship to him. Some claim that when he contacts the British to ask terms of surrender, he is promised he and his men will be sent to the United States. If so, and not for the first time, their word to an Irishman proves worthless. After two years of brutal treatment in Kilmainham Gaol, under the infamous Edward Trevor, Dwyer is transported to Botany Bay.

Dwyer and his family, along with a number of his men, set sail for Australia on board the Tellicherry on August 25, 1805, arriving in Sydney on February 14, 1806. However, the story of Michael Dwyer does not end there. In Sydney, Dwyer runs afoul of the Governor, a certain Capt. William Bligh, of HMS Bounty fame. Bligh accuses Dwyer of being the leader of a rebellious plot involving other United Irishmen in the area, which, if true, would certainly not be out of character. Bligh ships Dwyer off to Norfolk Island, one of the worst hellholes of the British penal system in Australia.

After six months he is transferred to Tasmania, where he remains for another two years. In 1808, Bligh leaves the Governorship and Dwyer finally makes it back to his family in Sydney and is granted 100 acres of land nearby. Like many transported Irish rebels, he eventually becomes part of the local establishment and, in a bit of irony, the “Outlaw of Glenmalure” is appointed constable.

Michael Dwyer dies in 1825, but his wife lives to be 93, not dying until 1861. With her passes the last connection to the “Boys of ’98” in Australia. Dwyer remains a legend among the people of the Wicklow Mountains to this day.


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Founding of the American Committee for Relief in Ireland

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The American Committee for Relief in Ireland (ACRI) is founded through the initiative of Dr. William J. Maloney and others on December 16, 1920, with the intention of giving financial assistance to civilians in Ireland who have been injured or suffer severe financial hardship due to the ongoing Irish War of Independence.

The Committee is only one of several U.S. based philanthropic organisations that emerge following World War I with a view to influencing the post-war settlement from their perspective of social justice, economic development and long term stability in Europe. Some of them concentrate their efforts on events in Ireland, and while activists of Irish ethnicity are well represented, membership is far from confined to Americans of Irish heritage. Apart from the ACRI, bodies such as the American Commission on Irish Independence and the American Commission on Conditions in Ireland raise money and attempt to influence U.S. foreign policy in a manner sympathetic to the goal of Irish secession from the United Kingdom.

This period of Irish political radicalism coincides with a Red Scare in the United States. Jim Larkin, an Irish trade unionist, who has been closely associated with James Connolly in Ireland and with the Wobblies in the U.S., is serving a five-year sentence in Sing Sing prison for promoting his socialist agenda. While his political views differ fundamentally from most of the Sinn Féin leadership, Irish republicanism is seen by many of the American establishment as based on a questionable ideology. During the Irish War of Independence, the activities of Irish-American fund-raising organisations are viewed with suspicion and kept under close scrutiny by the intelligence services including J. Edgar Hoover, head of the General Intelligence Division of the Federal Bureau of Investigation. U.S. policy towards Irish concerns, initially hostile or at best indifferent, become somewhat less so following the 1920 U.S. presidential election and the landslide victory of Warren G. Harding over James M. Cox.

Following the burning of parts of Cork on December 11, 1920 by elements of the British security forces known as the Black and Tans, approaches are made by the city’s Lord Mayor, Donal O’Callaghan, to the American Red Cross for humanitarian assistance. The society, having taken advice from President Woodrow Wilson, the British embassy, the Foreign Office and the British Red Cross, decline at this time to act on his appeal. Numerous organisations and committees across the United States, operating independently in raising humanitarian aid money for Ireland realise that their funds will not be channelled through the U.S. Committee of the Red Cross and so another distribution channel is needed.

Five days after the inferno at Cork, a widely publicised meeting takes place at the Banker’s Club in New York City. It is organised by William Maloney with the intention of establishing a single nationwide organisation. It will have as its goal, explicitly and solely for the purpose of humanitarian relief, the raising and distribution in Ireland of $10 million. The body which soon emerges styles itself “The American Committee for Relief in Ireland.” One of its founding members, Levi Hollingsworth Wood, approaches a Dublin-based businessman and fellow Quaker, James Douglas, requesting his assistance in the local distribution of the funds on a non-partisan basis. In Ireland, Douglas speaks with Laurence O’Neill, the Lord Mayor of Dublin, who in turn contacts senior members of Sinn Féin to inform them of the wishes of the American Committee. These meetings culminate in the establishment of the Irish White Cross, for the purpose of local distribution of the Committee’s funds.


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The Downing Street Declaration

major-and-reynoldsTaoiseach of the Republic of Ireland, Albert Reynolds, and Prime Minister of the United Kingdom, John Major, sign the Downing Street Declaration (DSD) on December 15, 1993, at the British Prime Minister’s office in 10 Downing Street. The joint declaration stipulates that, if the Irish Republican Army (IRA) stops its campaign for three months, Sinn Féin will be allowed to join all-party talks.

The declaration affirms both the right of the people of Ireland to self-determination, and that Northern Ireland will be transferred to the Republic of Ireland from the United Kingdom only if a majority of its population is in favour of such a move. It also includes, as part of the prospective of the so-called “Irish dimension,” the principle of consent that the people of the island of Ireland, have the exclusive right to solve the issues between North and South by mutual consent.

The latter statement, which later becomes one of the points of the Good Friday Agreement, is key to produce a positive change of attitude by the republicans towards a negotiated settlement. The joint declaration also pledges the governments to seek a peaceful constitutional settlement, and promises that parties linked with paramilitaries, such as Sinn Féin, can take part in the talks, so long as they abandon violence.

The declaration, after a meeting between Sinn Féin President Gerry Adams and American congressman Bruce Morrison, which is followed by a joint statement issued by Adams and John Hume, is considered sufficient by the Provisional Irish Republican Army to announce a ceasefire on August 31, 1994 which is then followed on October 13 by an announcement of a ceasefire from the Combined Loyalist Military Command.

(Pictured: (L to R) John Major, Prime Minister of the United Kingdom, and Albert Reynolds, Taoiseach of the Republic of Ireland)


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Birth of Poet Charles Wolfe

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Charles Wolfe, Irish poet, is born at Blackhall, County Kildare, on December 14, 1791. He is chiefly remembered for “The Burial of Sir John Moore after Corunna” which achieves popularity in 19th century poetry anthologies.

Wolfe is the youngest son of Theobald Wolfe of Blackhall and his wife Frances, who is also his cousin and daughter of the Rev. Peter Lombard of Clooncorrick Castle, Carrigallen, County Leitrim. He is a brother of Peter Wolfe, High Sheriff of Kildare. His father is the godfather, but widely believed to be the natural father, of Theobald Wolfe Tone and the first cousin of Arthur Wolfe, 1st Viscount Kilwarden.

Not long after he is born, his father dies, and the family moves to England. In 1801, Wolfe is sent to a school in Bath but is sent home a few months later due to ill health. From 1802 to 1805, he is tutored by a Dr. Evans in Salisbury before being sent to Hyde Abbey School, Winchester. In 1808, his family returns to Ireland, and the following year he enters Trinity College, Dublin, graduating in 1814.

Wolfe is ordained as a Church of Ireland priest in 1817, first taking the Curacy of Ballyclog in County Tyrone before transferring almost immediately to Donaghmore, County Tyrone. There he develops a close friendship and deep respect for the Rev. Thomas Meredith, Rector of nearby Ardtrea, and a former Fellow of Trinity College Dublin. Wolfe writes two epitaphs for Meredith, one on his memorial in the parish church of Ardtrea, and another intended for his tomb.

Wolfe is best remembered for his poem “The Burial of Sir John Moore after Corunna”, written in 1816 and much collected in 19th and 20th century anthologies. The poem first appears anonymously in the Newry Telegraph of April 19, 1817, and is reprinted in many other periodicals. But it is forgotten until after his death when Lord Byron draws the attention of the public to it. Wolfe’s only volume of verse, Poetical Remains, appears in 1825 with “The Burial of Sir John Moore” and fourteen other verses of an equally high standard.

Wolfe remains at Donaghmore until 1820 but, rejected by the woman for whom he gave up his academic career, and with Meredith, his only real friend in County Tyrone, now dead, he moves to Southern France. Shortly before his death he returns to Ireland and lives at Cobh, County Cork, where he dies at the age of 31 of consumption, which he catches from a cow. He is buried in Cobh at Old Church Cemetery. There is also a plaque to his memory in the church at Castlecaulfield, the village where he lives whilst Curate at Donaghmore, as well as a marble monument to him at St. Patrick’s Cathedral, Dublin.

(Pictured: Bas-relief of Charles Wolfe in St. Patrick’s Cathedral, Dublin)


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Birth of James Henry, Scholar & Poet

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James Henry, Irish classical scholar and poet, is born in Dublin on December 13, 1798.

Henry is the son of a woolen draper, Robert Henry, and his wife Kathleen Elder. He is educated by Unitarian schoolmasters and then at Trinity College, Dublin. At age 11 he falls in love with the poetry of Virgil and gets into the habit of always carrying a copy of the Aeneid in his left breast-pocket.

Henry graduates from Trinity with the gold medal for Classics. He then turns to medicine and practises as a physician in Dublin until 1845. In spite of his unconventionality and unorthodox views on religion and his own profession, he is very successful. He marries Anne Jane Patton, from Donegal, and has three daughters, only one of whom, Katherine, born in 1830, survives infancy.

His accession to a large fortune in 1845 enables him to devote himself entirely to the absorbing occupation of his life – the study of Virgil. Accompanied by his wife and daughter, he visits all those parts of Europe where he is likely to find rare editions or manuscripts of the poet. When his wife dies in Tyrol he continues his work with his daughter, who becomes quite a Virgil expert in her own right, and crosses the Alps seventeen times. After the death of his daughter in 1872 he returns to Dublin and continues his research at Trinity College, Dublin.

As a commentator on Virgil, Henry will always deserve to be remembered, notwithstanding the occasional eccentricity of his notes and remarks. The first fruits of his researches are published at Dresden in 1853 under the quaint title Notes of a Twelve Years Voyage of Discovery in the first six Books of the Eneis. These are embodied, with alterations and additions, in the Aeneidea, or Critical, Exegetical and Aesthetical Remarks on the Aeneis (1873-1892), of which only the notes on the first book are published during Henry’s lifetime. As a textual critic Henry is exceedingly conservative. His notes, written in a racy and interesting style, are especially valuable for their wealth of illustration and references to the less-known classical authors.

Henry is also the author of five collections of verse plus two long narrative poems describing his travels, and various pamphlets of a satirical nature. At its best his poetry has something of the flavour of Robert Browning and Arthur Hugh Clough while at its worst it resembles the doggerel of William McGonagall. His five volumes of verse are all published at his own expense and receive no critical attention either during or after his lifetime.

James Henry dies at Dalkey, County Dublin, on July 14, 1876.


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The Cork Opera House Fire

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The Cork Opera House is destroyed by fire on December 12, 1955. It is originally built in 1855 and is built on a template that the architect had used for the exhibition buildings at the Irish Industrial Exhibition. Since then, it survives the burning of much of Cork by British forces in 1920.

“The final curtain has fallen. The Cork Opera House is no more. A hundred years of stage history has come to an end. Never had the last moments of any drama, played on this stage, such an audience as last night’s farewell one. In heavy rain, a vast crowd stood silently as flames enveloped a proud landmark in our city. They watched it from the short first burst of fire on its roof until the building crumbled before their eyes.”

So reads the main news in The Cork Examiner on Tuesday, December 13, 1955, after the disastrous fire tore at the heartstrings of the people of Cork, leaving the city without a major theatre for the first time in 250 years. It is the boast of the Opera House that its tradition is continuous. When fighting in the South was at its bitterest, even when most of Cork was burned down, the Opera House kept running, only closing for pantomime rehearsals and in Holy Week. It is during the rehearsals for the forthcoming Christmas pantomime that the fatal fire starts. Fortunately, all people are evacuated, but the building built entirely from wood does not stand a chance from the merciless fire. What begins as an electrical fault, blazes into an inferno within minutes. Soon the skyline of the city is lit up as the fire does its worst.

Ten years later, on February 23, 1963, the tender of Messrs. O’Shea, South Mall is accepted for the rebuilding of the Opera House. A month later the work begins, and the foundation stone is laid by Lord Mayor Seán Casey on June 21, 1963. The citizens watch the building construction with keen interest as the new building gradually takes shape. Finally, the day arrives for the casting aside of hoardings and scaffoldings.

Immediately controversy begins regarding the much-disputed North-Wall. Unfavorable comment and criticism are levelled at the lack of architectural or artistic embellishment on the exterior of the new building and the square, squat tower on top of the roof designed to ease set changing. This is a very natural reaction as the old Opera House had a very special place in the hearts of Corkonians of every generation during its existence. Most of the criticism is uninformed, for few are aware of the difficulties, financially and technically, that the project incurred. Despite the criticism about the exterior appearance, everyone who has an opportunity to inspect the interior of the theatre can find no fault. There is nothing but praise for the design, the decor, the layout of the seating accommodation and, above all, the intimate atmosphere which has been a traditional part of the venerable old building, and which is now faithfully preserved in the new.


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The Balmoral Furniture Company Bombing

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The Balmoral Furniture Company bombing, a paramilitary attack, takes place on December 11, 1971, in Belfast, Northern Ireland. The bomb explodes without warning outside a furniture showroom on the Shankill Road in a predominantly unionist area, killing four civilians, two of them babies.

At 12:25 PM on December 11, 1971, when the Shankill Road is packed with Saturday shoppers, a green car pulls up outside the Balmoral Furniture Company at the corner of Carlow Street and Shankill Road. The shop is locally known as “Moffat’s” although Balmoral Furniture Company is its official name. One of the occupants gets out of the car and leaves a box containing a bomb on the step outside the front door. The person gets back into the car, and it speeds away. The bomb explodes moments later, bringing down most of the building on top of those inside the shop and on passersby outside.

Four people are killed as a result of the massive blast, including two babies, Tracey Munn (age 2 years) and Colin Nichol (age 17 months), who both die instantly when part of the wall crashes down upon the pram they are sharing. Two employees working inside the shop are also killed, Hugh Bruce (age 70 years) and Harold King (age 29 years). Unlike the other three victims, who are Protestant, King is a Catholic. Bruce, a former soldier and a Corps of Commissionaires member, is the shop’s doorman and is nearest to the bomb when it explodes. Nineteen people are injured in the bombing, including Tracey’s mother. The building, which was built in the Victorian era, has load-bearing walls supporting upper floors on joists. It is unable to withstand the blast and collapses, adding to the devastation and injury count.

The bombing causes bedlam in the crowded street. Hundreds of people rush to the scene where they form human chains to help the British Army and Royal Ulster Constabulary (RUC) free those trapped beneath the rubble by digging with their bare hands. Peter Taylor describes the scene as “reminiscent of the London Blitz” in World War II.

It is widely believed that the bombing is carried out by members of the Provisional Irish Republican Army (IRA) in retaliation for the McGurk’s bar bombing one week earlier, which killed 15 Catholic civilians. The Ulster Volunteer Force (UVF) had carried out the McGurk’s bombing.

The Balmoral Furniture Company bombing is one of the catalysts that spark the series of tit-for-tat bombings and shootings by loyalists, republicans and the security forces that make the 1970s the bloodiest decade in the 30-year history of The Troubles.

(Pictured: Fireman is shown removing the body of one of the victims of the bombing at the Balmoral Furniture Showroom, December 11, 1971)


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Birth of Actress Fionnghuala Flanagan

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Fionnghuala Manon “Fionnula” Flanagan, Irish actress and political activist, is born in Dublin on December 10, 1941.

Flanagan is the daughter of Rosanna (née McGuirk) and Terence Niall Flanagan, an Irish Army officer and Communist who had fought in the International Brigade in the Spanish Civil War against General Francisco Franco. Although her parents are not Irish speakers, they want Fionnula and her four siblings to learn the Irish language, thus she grows up speaking English and Irish fluently. She is educated in Switzerland and England. She trains extensively at the Abbey Theatre in Dublin and travels throughout Europe before settling in Los Angeles, California in early 1968.

Flanagan comes to prominence in Ireland in 1965 as a result of her role as Máire in the Telefís Éireann production of the Irish language play An Triail, for which she receives the Jacob’s Award in Dublin for her “outstanding performance.” With her portrayal of Gerty McDowell in the 1967 film version of Ulysses, she establishes herself as one of the foremost interpreters of James Joyce. She makes her Broadway debut in 1968 in Brian Friel‘s Lovers, then appears in The Incomparable Max (1971) and such Joycean theatrical projects as Ulysses in Nighttown and James Joyce’s Women (1977-1979), a one-woman show written by Flanagan and directed for the stage by Burgess Meredith. It is subsequently filmed in 1983, with Flanagan both producing and playing all six main female roles.

Flanagan is a familiar presence in American television, as she has appeared in several made-for-TV movies including The Legend of Lizzie Borden (1975) starring Elizabeth Montgomery, Mary White (1977), The Ewok Adventure (1984) and A Winner Never Quits (1986). She wins an Emmy Award for her performance as Clothilde in the 1976 network miniseries Rich Man, Poor Man. Her weekly-series stints include Aunt Molly Culhane in How the West Was Won (1977), which earns her a second Emmy Award nomination. She does multiple appearances on Murder, She Wrote. She plays Lt. Guyla Cook in Hard Copy (1987), and as Kathleen Meacham, wife of a police chief played by John Mahoney in H.E.L.P. (1990).

Flanagan makes guest appearances in three of the Star Trek spin-offsStar Trek: Deep Space Nine episode “Dax,” Star Trek: The Next Generation episode “Inheritance,” and Star Trek: Enterprise episode “Fallen Hero.”

Flanagan guest-stars in several episodes of Lost as Eloise Hawking, a recurring character. She appears in such films as The Others opposite Nicole KidmanDivine Secrets of the Ya-Ya Sisterhood as the eldest Teensy and Waking Ned. She appears in television series and stage productions including the Emmy-nominated miniseries Revelations, starring Bill Pullman and Natascha McElhone, and in Transamerica, starring Felicity Huffman. From 2006–08, she plays Rose Caffee, the matriarch of an Irish American Rhode Island family on the Showtime drama Brotherhood.


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Irish Ferries Protest

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Nearly 150,000 people take to the streets on December 9, 2005, as the Irish Ferries protest mushrooms into the largest public demonstration the country has seen for two decades.

The national day of protest is called by the Irish Congress of Trade Unions, which is demanding Government action to combat exploitation of migrant workers and the displacement of jobs. There are rallies in Dublin, Cork, Waterford, Limerick, Galway, Sligo, Athlone and Rosslare.

An Garda Síochána estimate that 40,000 people take part in the march in Dublin, although organisers claim the figure is far higher. Gerry Adams of Sinn Féin, Pat Rabbitte of the Labour Party and John Gormley of the Green Party participate in the march in the capital. Staff on board the MS Isle of Inismore in Pembroke and the four engineers holed up in the ships control room say they are overwhelmed by the level of support shown by marchers in the rallies.

Bus and rail services are disrupted during the protest but return to normal for evening rush hour.

The Irish Small & Medium Enterprises Association (ISME) strongly criticises the National Day of Protest. In a statement, ISME Chief Executive Mark Fielding says the protest is undermining the industrial relations process in this country and has very little to do with the Irish Ferries dispute and is in fact an attempt by the unions to influence negotiations in advance of any new national pay agreement.

Speaking on RTÉ Radio’s Morning Ireland, Services Industrial Professional Technical Union (SIPTU) President Jack O’Connor says the rallies give workers the chance to take a stand.

Director General of the Irish Business and Employers Confederation (IBEC) Turlough O’Sullivan says there is nothing to be gained from disrupting business and the general public. He adds that whatever one’s views on the Irish Ferries dispute, nothing can justify calling a national work stoppage when discussions are already underway in a bid to resolve the row.