The Arts Council (An Chomhairle Ealaíon), sometimes called the Arts Council of Ireland, is established on May 8, 1951, by the Government of Ireland. The Council’s purpose is to encourage interest in Irish art, including visual art, music, performance, and literature, and to channel funding from the state to Irish artists and arts organisations. This includes encouragement of traditional Irish arts, support for contemporary Irish arts, and finance for international arts events in Ireland. The council is modeled on the Arts Council of Great Britain, founded in 1946, and works closely with the Arts Council of Northern Ireland, formed by the British government in Northern Ireland in 1962 to fulfil a similar role.
The Arts Council consists of twelve members and a chair, each appointed for a five-year term by the Minister for Arts, Heritage, Regional, Rural and Gaeltacht Affairs. The Chair of the Arts Council is entitled to an annual fee of €8,978 and ordinary members are entitled to a fee of €5,985, although some members choose to waive this fee.
The ongoing work of the Arts Council is delivered by the executive. In addition to the Director, a staff of 41 full-time equivalents carries out the daily functions of the organisation. Arts advisers, who provide additional expertise and strategic advice on different aspects of the arts, are retained on a consultancy basis.
On the morning of May 6, RMS Lusitania is 750 miles west of southern Ireland. By 5:00 AM on May 7 she reaches a point 120 miles west southwest of Fastnet Rock off the southern tip of Ireland, where she meets the patrolling boarding vesselPartridge. By 6:00 AM, heavy fog has arrived and extra lookouts are posted. As the ship comes closer to Ireland, Captain William Thomas Turner orders depth soundings to be made and at 8:00 AM for speed to be reduced to eighteen knots, then to 15 knots and for the foghorn to be sounded. Some of the passengers are disturbed that the ship appears to be advertising her presence. By 10:00 AM the fog begins to lift and by noon it has been replaced by bright sunshine over a clear smooth sea. The RMS Lusitania increases speed to 18 knots.
U-20 surfaces at 12:45 PM as visibility is now excellent. At 1:20 PM something is sighted and KapitänleutnantWalther Schwieger is summoned to the conning tower. At first it appears to be several ships because of the number of funnels and masts, but this resolves into one large steamer appearing over the horizon. At 1:25 PM the submarine submerges to periscope depth of 11 metres and sets a course to intercept the liner at her maximum submerged speed of 9 knots. When the ships have closed to 2 miles RMS Lusitania turns away. Schwieger fears he has lost his target, but she turns again, this time onto a near ideal course to bring her into position for an attack. At 2:10 PM with the target at 700m range he orders one gyroscopic torpedo to be fired, set to run at a depth of three metres.
The U-20‘s torpedo officer, Raimund Weisbach, views the destruction through the vessel’s periscope and feels the explosion is unusually severe. Within six minutes, RMS Lusitania‘s forecastle begins to submerge.
On board the RMS Lusitania, Leslie Morton, an eighteen-year-old lookout at the bow, spots thin lines of foam racing toward the ship. He shouts, “Torpedoes coming on the starboard side!” through a megaphone, thinking the bubbles come from two projectiles. The torpedo strikes RMS Lusitania under the bridge, sending a plume of debris, steel plating and water upward and knocking lifeboat number five off its davits. A second, more powerful explosion follows, sending a geyser of water, coal, dust, and debris high above the deck. Schwieger’s log entries attest that he had only launched one torpedo. Some doubt the validity of this claim, contending that the German government subsequently alters the published fair copy of Schwieger’s log, but accounts from other U-20 crew members corroborate it. The entries are also consistent with intercepted radio reports sent to Germany by U-20 once she has returned to the North Sea, before any possibility of an official coverup.
At 2:12 PM Captain Turner orders Quartermaster Johnston stationed at the ship’s wheel to steer “hard-a-starboard” towards the Irish coast, which Johnston confirms, but the ship can not be steadied on the course and rapidly ceases to respond to the wheel. Turner signals for the engines to be reversed to halt the ship, but although the signal is received in the engine room, nothing can be done. Steam pressure collapses from 195 PSI before the explosion, to 50 PSI and falling afterwards. RMS Lusitania‘s wireless operator sends out an immediate SOS, which is acknowledged by a coastal wireless station. Shortly afterward he transmits the ship’s position, 10 miles (16 km) south of the Old Head of Kinsale. At 2:14 PM electrical power fails, plunging the cavernous interior of the ship into darkness. Radio signals continue on emergency batteries, but electric lifts fail, trapping passengers and crew. Bulkhead doors closed as a precaution before the attack can not be reopened to release trapped men.
About one minute after the electrical power fails, Captain Turner gives the order to abandon ship. Water has flooded the ship’s starboard longitudinal compartments, causing a 15-degree list to starboard.
RMS Lusitania‘s severe starboard list complicates the launch of her lifeboats. Ten minutes after the torpedoing, when she has slowed enough to start putting boats in the water, the lifeboats on the starboard side swing out too far to step aboard safely. While it is still possible to board the lifeboats on the port side, lowering them presents a different problem. As is typical for the period, the hull plates of RMS Lusitania are riveted, and as the lifeboats are lowered they drag on the inch high rivets, which threatens to seriously damage the boats before they land in the water.
Many lifeboats overturn while loading or lowering, spilling passengers into the sea. Others are overturned by the ship’s motion when they hit the water. RMS Lusitania has 48 lifeboats, more than enough for all the crew and passengers, but only six are successfully lowered, all from the starboard side. A few of her collapsible lifeboats wash off her decks as she sinks and provides floatation for some survivors.
There is panic and disorder on the decks. Schwieger has been observing this through U-20‘s periscope, and by 2:25 PM, he drops the periscope and heads out to sea.
Captain Turner is on the deck near the bridge clutching the ship’s logbook and charts when a wave sweeps upward towards the bridge and the rest of the ship’s forward superstructure, knocking him overboard into the sea. He manages to swim and find a chair floating in the water which he clings to. He survives, having been pulled unconscious from the water after spending three hours there. RMS Lusitania‘s bow slams into the bottom about 330 feet below at a shallow angle because of her forward momentum as she sinks. Along the way, some boilers explode, including one that causes the third funnel to collapse. The remaining funnels collapse soon after. The ship travels about two miles from the time of the torpedoing to her final resting place, leaving a trail of debris and people behind. After her bow sinks completely, RMS Lusitania‘s stern rises out of the water, enough for her propellers to be visible, and then goes under.
RMS Lusitania sinks in only 18 minutes. It takes several hours for help to arrive from the Irish coast and by that time many in the 52° F water have succumbed to the cold. By the days’ end, 764 passengers and crew from the RMS Lusitania are rescued and land at Queenstown. Eventually, the final death toll for the disaster comes to a catastrophic number. Of the 1,959 passengers and crew aboard RMS Lusitania at the time of her sinking, 1,195 have been lost.
In the days following the disaster, the Cunard line offers local fishermen and sea merchants a cash reward for the bodies floating all throughout the Irish Sea, some floating as far away as the Welsh coast. In all, only 289 bodies are recovered, 65 of which are never identified. The bodies of many of the victims are buried at either Queenstown, where 148 bodies are interred in the Old Church Cemetery, or the Church of St. Multose in Kinsale. The bodies of the remaining 885 victims are never recovered.
Artist William Conor is born on May 6, 1881, in the Old Lodge Road area of north Belfast, the son of a wrought-iron worker.
Celebrated for his warm and sympathetic portrayals of working-class life in Ulster, Conor studies at the Government School of Design in Belfast in the 1890s. His artistic talents are recognized at the early age of ten when a teacher of music, Louis Mantell, notices the merit of his chalk drawings and arranges for him to attend the College of Art.
Conor is one of the first Academicians when the Belfast Art Society becomes the Ulster Academy of Arts in 1930. He becomes an Associate RHA in 1938 and a full member in 1946. Exhibitions at the Victor Waddington Galleries are held in 1944 and 1948. In 1952 he is awarded the Order of the British Empire (OBE) and in 1957 he is elected President of the Royal Ulster Academy, an office he holds until 1964.
More than 50 works of his in crayon and watercolour are in the permanent collections of the Ulster Museum.
(Pictured: Bronze statue of William Conor at Conor’s Corner, Shankill Road, Belfast)
Born in Belfast on March 9, 1954, Sands is the oldest of four children born to John and Rosaleen Sands, and the couple’s first son. Sands grows up in Belfast under the cloud of nationalist and loyalist divisions. At an early age, Sands’s life is affected by the sharp divisions that shape Northern Ireland. At the age of ten, he is forced to move with his family out of their neighborhood due to repeated intimidation by loyalists.
“I was only a working-class boy from a Nationalist ghetto,” Sands later writes about his childhood. “But it is repression that creates the revolutionary spirit of freedom.” Loyalist intimidation proves to be a theme throughout Sands’ life. At the age of 18, he is forced out of his job as an apprentice car builder. Not long afterwards, he and his family have to move again, as a result of political trouble.
The steady number of conflicts pushes Sands to join the republican movement in 1972. His ties to the movement soon capture the attention of the authorities, and later that year, he is arrested and charged with possessing firearms in his house. He spends the next three years of his life in prison. Upon his release, Sands immediately returns to the Republican Movement. He signs on as a community activist in Belfast’s rough Twinbrook area, quickly becoming a popular go-to person for a range of issues affecting the neighborhood.
In late 1976, authorities arrest Sands again, this time in connection with the bombing of a large furniture company and an ensuing gun battle. After weathering a brutal interrogation and then a court proceeding that offers up questionable evidence connecting Sands and three others to the attack, a judge sentences Sands to 14 years in prison at Long Kesh Prison, a facility used to house Republican prisoners from 1971 until 2000, located just outside of Belfast.
As a prisoner, Sands’s stature only grows. He pushes hard for prison reforms, confronting authorities, and for his outspoken ways he is frequently given solitary confinement sentences. Sands contention is that he and others like him, who are serving prison sentences, are actually prisoners of war, not criminals as the British government insists.
Beginning on March 1, 1981, Sands leads nine other Republican prisoners in the H Block section of the Maze prison on a hunger strike that lasts until death. Their demands range from allowing prisoners to wear their own clothes to permitting visits and mail, all of which are central in improving the inmates’ way of life.
Unable to move authorities to give in to his requests, and unwilling himself to end his hunger strike, Sands’s health begins to deteriorate. During the first seventeen days of the strike alone, he loses 16 pounds. A hero among his fellow nationalists, Sands is elected as a Member of Parliament (MP) for Fermanagh and South Tyrone while in prison. Sands becomes the youngest MP at the time. However, he dies less than one month later without ever having taken his seat in the House of Commons.
Only days after slipping into a coma, on the morning of May 5, 1981, Sands dies from malnutrition due to starvation. He is 27 years old and has refused to eat for 66 days. He becomes so fragile over his final weeks that he spends his final days on a waterbed to protect his deteriorating and fragile body. At time of his death, Sands is married to Geraldine Noade, with whom he has one son, Gerard.
The announcement of Sands’s death prompts several days of rioting in nationalist areas of Northern Ireland. Over 100,000 people line the route of Sands’s funeral. He is buried in the ‘New Republican Plot’ alongside 76 others. Their graves are maintained by the National Graves Association, Belfast.
While loyalists dismiss Sands’s death, others are quick to recognize its significance. Over the next seven months, nine other IRA supporters die on hunger strike. Eventually, the British government gives proper political recognition to the prisoners, many of them earning their release under the 1998 Good Friday Agreement.
During the late 1860s and early 1870s many of the lodges of the order in Pennsylvania are infiltrated by the Molly Maguires. However, the Molly Maguires and their criminal activities are condemned at the 1876 national convention of the AOH, and the Order is reorganised in the Pennsylvania coal areas.
In 1884 there is a split in the organisation. The Order has previously been governed by the Board of Erin, which has governed the order in Ireland, Great Britain and the United States, but is composed of officers selected exclusively by the organisations in Ireland and Great Britain. The majority leave in 1884 and become the Ancient Order of Hibernians of America, while the small group calls itself Ancient Order of Hibernians, Board of Erin. In 1897 the Ancient Order of Hibernians, Board of Erin, has approximately 40,000 members concentrated in New York, New Jersey, Ohio, Illinois, and Michigan, while the Ancient Order of Hibernians of America has nearly 125,000 members scattered throughout nearly every state in the union. The two groups reunite in 1898.
A female auxiliary, the Daughters of Erin, is formed in 1894, and has 20,000 members in 1897. It is attached to the larger, “American” version of the order. The AOH has 181,000 members in 1965 and 171,000 in 736 local units of “Divisions” in 1979. John F. Kennedy joins the AOH in 1947.
In 1982, in a revival of Hibernianism, the Thomas Francis Meagher Division No. 1 forms in Helena, Montana, dedicated to the principles of the Order and to restoring a historically accurate record of Brigadier General Meagher’s contributions to Montana. Soon after, six additional divisions form in Montana.
The Order organises the New York City St. Patrick’s Day Parade for 150 years, emphasising a conservative Catholic interpretation of the Irish holiday. In 1993 control is transferred to an independent committee amid controversy over the exclusion of Irish American gay and lesbian groups.
In 2013, The Ancient Order of Hibernians raises and distributes over $200,000 to aid victims of Hurricane Sandy.
In 2014, the AOH calls for a boycott of Spencer’s Gifts, for selling products the AOH says promote anti-Irish stereotypes and irresponsible drinking.
On May 10, 2014, a memorial to Commodore John Barry, an immigrant from Wexford who is a naval hero of the American Revolution and who holds commission number one in the subsequent United States Navy, is dedicated on the grounds of the United States Naval Academy. The memorial and associated “Barry Gate” are presented to the Academy by the members of the Ancient Order of Hibernians.
Walter Macken, writer of short stories, novels and plays, is born at 18 St. Joseph’s Terrace in Galway, County Galway on May 3, 1915.
Macken’s father, Walter Macken, Sr., formerly a carpenter, joins the British Army in 1915 and is killed in March of the following year at St Eloi. The family therefore has to rely on lodgers and a small service pension to sustain them.
Macken attends the Presentation Convent for Infants from (1918-1921), St. Mary’s, a Diocesan College where they train people who want to become priests (1923-1924), and Patrician Brothers both Primary and Secondary (1921-1922 and 1924-1934), where he takes his Leaving Certificate. He is writing short stories, novels, and plays in exercise books from the age of eight and carries on these works well into his teens.
Macken is originally an actor, principally with the Taibhdhearc na Gaillimhe in Galway, where he meets his wife Peggy, and The Abbey Theatre in Dublin. He also plays lead roles on Broadway in M. J. Molloy‘s The King of Friday’s Men and his own play Home Is the Hero. The success of his third book, Rain on the Wind, winner of the Literary Guild award in the United States, enables him to focus his energies on writing.
His son Ultan Macken is a well-known journalist in the print and broadcast media of Ireland, and wrote a biography of his father, Walter Macken: Dreams on Paper.
Walter Macken dies of heart failure at the age of 51 in Menlo, County Galway, on April 22, 1967.
Edith Anna Œnone Somerville, Irish novelist who habitually signs herself as “E. Œ. Somerville,” is born on May 2, 1858, on the island of Corfu, then part of the United States of the Ionian Islands, a British protectorate where her father is stationed. She writes in collaboration with her cousin “Martin Ross” (Violet Martin) under the pseudonym “Somerville and Ross.” Together they publish a series of fourteen stories and novels, the most popular of which are The Real Charlotte, and The Experiences of an Irish R. M., published in 1899.
In January 1886 she meets her cousin Violet Martin, and their literary partnership begins the following year. Their first book, An Irish Cousin, appears in 1889, under the names Geilles Herring (from the maiden name of her ancestor, the wife of Sir Walter de Somerville of Linton and Carnwath) and Martin Ross, though the pen names are dropped after the first edition. In 1898, Somerville goes to paint at the Etaples art colony, accompanied by Violet. There they profit from their stay by conceiving together the stories later gathered in Some Experiences of an Irish R. M., completed the following year. By the time Violet dies in 1915, they have published fourteen books together. Her cousin’s death stuns Somerville, who continues to write as “Somerville and Ross,” claiming that they keep in contact through spiritualist séances.
Somerville is a devoted sportswoman who in 1903 becomes master of the Carbery West Foxhounds. She is also active in the suffrage movement, corresponding with Dame Ethel Smyth. She is in London still recovering from the shock of Violet’s death when the Easter Rising of 1916 breaks out. On May 9, 1916, she writes a letter to The Times, blaming the British government for the state of affairs in Ireland. After that she tends towards Nationalism, and as an adept musician at parties, she specializes in Irish tunes and Nationalist songs.
She has exhibitions of her pictures in Dublin and in London between 1920 and 1938 and is active as an illustrator of children’s picture books and sporting picture books.
Edith Somerville dies at Castletownshend on October 8, 1949, at the age of 91. She is buried alongside Violet Florence Martin at Saint Barrahane’s Church, Castletownsend, County Cork.
Diarmait and the Normans seize Leinster within weeks and launch raids into neighbouring kingdoms. This military intervention has the backing of King Henry II of England and is authorized by Pope Adrian IV.
And there and then the high king stood strong and lay down too led by Richard de Clare, 2nd Earl of Pembroke, more commonly known as Strongbow. By May 1171, Strongbow has assumed control of Leinster and seized the Norse-Irishcity kingdoms of Dublin, Waterford, and Wexford. That summer, High King Ruaidrí Ua Conchobair (Rory O’Connor) leads an Irish counteroffensive against the Normans, but they manage to hold most of their conquered territory. In October 1171, King Henry lands a large Anglo-Norman army in Ireland to establish control over both the Cambro-Normans and the Irish. The Norman lords hand their conquered territory to Henry. He lets Strongbow hold Leinster in fief and declares the cities to be crown land. Many Irish kings also submit to him, likely in the hope that he will curb Norman expansion. Henry, however, grants the unconquered Kingdom of Meath to Hugh de Lacy. After Henry’s departure in 1172, Norman expansion and Irish counteroffensives continue.
The 1175 Treaty of Windsor acknowledges Henry as overlord of the conquered territory and Ruaidrí as overlord of the rest of Ireland, with Ruaidrí also swearing fealty to Henry. However, the Treaty soon falls apart. The Anglo-Norman lords continue to invade Irish kingdoms and they in turn launch counter-attacks. In 1177, Henry adopts a new policy. He declares his son John to be “Lord of Ireland” (i.e. of the whole country) and authorizes the Norman lords to conquer more land. The territory they hold becomes the Lordship of Ireland and forms part of the Angevin Empire. The largely successful nature of the invasion has been attributed to a number of factors. These include the Normans’ military superiority and programme of castle-building, the lack of a unified opposition from the Irish, and the Church’s support for Henry’s intervention.
The Norman invasion is a watershed in the history of Ireland, marking the beginning of more than 700 years of direct English and, later, British involvement in Ireland.
Ryan is born in Clontarf, County Dublin on June 4, 1956. He describes his father, Vinnie, as a “slightly eccentric” dentist from a Presbyterian background and his mother, Maureen, as “a flamboyant woman” who comes from a theatrical background and works in the theatre. His godfather is broadcaster Eamonn Andrews. He is educated at St. Paul’s College, Raheny.
Ryan marries Morah Brennan in 1988 and they have five children: Lottie, Rex, Bonnie, Elliott and Babette. In 1997, Morah famously telephones her husband’s show and, under the name Norah, tells half a million listeners intimate details concerning his personal household habits. Gerry and Morah announce their separation in March 2008, which Ryan calls “a very painful experience.” He soon begins a relationship with the former South African Ambassador to Ireland and the then UNICEF Ireland executive director, Melanie Verwoerd.
Ryan is noted for his love of fine food and wine. He battles a weight problem for several years and takes Reductil (Sibutramine), a “slimming pill,” which he says is effective and safe. Ryan concedes in his autobiography Would the Real Gerry Ryan Please Stand Up, released in October 2008, that he drinks too much for his own good.
Among the dignitaries to send tributes following Ryan’s death are Bono, Bill and Hillary Clinton, TaoiseachBrian Cowen, and President Mary McAleese. His funeral takes place on May 6, 2010, and is broadcast on 2fm, the home of Ryan’s radio show and a first for the predominantly youthpop-oriented station. His death also comes sixteen years to the day after he hosted Eurovision 1994.
An inquest shows that the cause of Ryan’s death is cardiac arrhythmia and that traces of cocaine found in Ryan’s system are the “likely trigger” of Ryan’s death. A considerable public controversy erupts when Ryan’s long-term use of cocaine comes to light. RTÉ eventually admits to having given insufficient coverage of Ryan’s cocaine habit in the aftermath of the inquest.
Growing up in London, he excels on stage at the National Youth Theatre, before being accepted at the Bristol Old Vic Theatre School, which he attends for three years. Despite his traditional actor training at the Bristol Old Vic, he is considered to be a method actor, known for his constant devotion to and research of his roles. He often remains completely in character for the duration of the shooting schedules of his films, even to the point of adversely affecting his health. He is one of the most selective actors in the film industry, having starred in only five films since 1998, with as many as five years between roles. Protective of his private life, he rarely gives interviews and makes very few public appearances.
In 2008, while receiving the Academy Award for Best Actor for There Will Be Blood from Helen Mirren, who presented the award, Day-Lewis kneels before her and she taps him on each shoulder with the Oscar statuette, to which he quips, “That’s the closest I’ll come to ever getting a knighthood.” In November 2014, Day-Lewis is formally knighted by Prince William, Duke of Cambridge at Buckingham Palace for services to drama.
The Arts Council (An Chomhairle Ealaíon), sometimes called the Arts Council of Ireland, is established on May 8, 1951, by the Government of Ireland. The Council’s purpose is to encourage interest in Irish art, including visual art, music, performance, and literature, and to channel funding from the state to Irish artists and arts organisations. This includes encouragement of traditional Irish arts, support for contemporary Irish arts, and finance for international arts events in Ireland. The council is modeled on the Arts Council of Great Britain, founded in 1946, and works closely with the Arts Council of Northern Ireland, formed by the British government in Northern Ireland in 1962 to fulfil a similar role.
seamus dubhghaill 