After an episode of The IT Crowd is criticised as transphobic, Linehan becomes involved in anti-transgender activism. He argues that transgender activism endangers women, and likens the use of puberty blockers to Nazi eugenics. He says his views have lost him work and ended his marriage.
Linehan attends Catholic University School, a Roman Catholic secondary school for boys. In the 1980s, he joins the staff of the Dublin politics and music magazine Hot Press, where he meets his future writing partner, Arthur Mathews. In their early collaborations, they create segments in sketch shows including Alas Smith and Jones, Harry Enfield & Chums, The All New Alexei Sayle Show, The Day Today and the Ted and Ralph characters in The Fast Show. They continue their collaboration with Paris (one series, 1994), Father Ted (three series, 1995–1998), and the first series of the sketch show Big Train. They also write the “Dearth of a Salesman” episode for the series Coogan’s Run, which features the character Gareth Cheeseman. In late 2003, he and Mathews are named one of the 50 funniest acts to work in television by The Observer. Father Ted wins BAFTA awards for Best Comedy in 1996 and 1999.
Linehan writes for the satirical series Brass Eye (1997), Blue Jam (1997–1999) and Jam (2000). With the actor Dylan Moran, he creates the sitcom Black Books (2000–2004). He writes and directs the 2006 Channel 4 sitcom The IT Crowd, in which he seeks to move away from the British trend towards mockumentary comedies. Unlike many series of the time, it is recorded before a studio audience. In November 2008, he is awarded an International Emmy for The IT Crowd. In 2013, he writes and directs the sitcom The Walshes. He co-writes the first series of the BBC sitcom Motherland and directs its pilot episode. In 2014, he wins his fifth BAFTA, for Best Writer, Comedy, for his work on The IT Crowd. He is also nominated for Count Arthur Strong.
In 2018, Linehan and Mathews announce plans for a Father Ted musical. Lineham says it will finish the series as they had planned it before the death of the lead actor, Dermot Morgan. The musical is cancelled by producers following the controversy over Linehan’s views on transgender rights. In December 2024, he announces plans to move to Arizona to work on a sitcom and create a production company with the comedians Rob Schneider and Andrew Doyle.
During the first part of 1879, O’Neill responds to an item in The Washington Star calling for men to migrate to the Arizona Territory. He arrives in Phoenix, riding a burro, in September of the same year. Upon his arrival in town, he is hired as a printer by the Phoenix Herald. By late 1880, he has become bored with the position and seeks to experience the “Real West” in the boomtown of Tombstone, Arizona.
In Tombstone, O’Neill takes the opportunity to experience the local saloons before taking a job with The Tombstone Epitaph. By mid-1881 he again feels a wanderlust and leaves town. Where he goes next is unknown, one story having him journey to Hawaii, unlikely due to the travel time, and then traveling through California. He is known to visit Santa Fe before going to Albuquerque, New Mexico and works briefly as a court reporter. In early 1882, he is back in Phoenix working as a deputy to Marshal Henry Garfias. Several weeks later he moves to Prescott, his home for the next fifteen years.
In Prescott O’Neill rapidly progresses in his journalistic career. Starting as a court reporter, he soon founds his own newspaper, Hoof and Horn, a paper for the livestock industry. He becomes the editor of the Arizona Miner weekly newspaper in 1884 to February 1885.
In 1886, O’Neill becomes captain of the Prescott Grays, the local unit of the Arizona Militia. On February 5, 1886, Dennis Dilda, a convicted murderer, is hanged. O’Neill and the Prescott Grays stand honor guard for the event. When the trap drops, O’Neill faints, which causes him severe embarrassment. He later writes a story called “The Horse of the Hash-Knife Brand.” In it, a member of a posse admits to nearly fainting at the hanging of a horse thief.
On April 27, 1886, O’Neill marries Pauline Schindler. They have a son, but he dies shortly after being born premature.
On March 20, 1889, four masked men, William Sterin, John Halford, Daniel Harvick, and J. J. Smith, rob the Atlantic and Pacific Railroad passenger train in Canyon Diablo. A four-man posse, made up of O’Neill, Jim Black, Carl Holton, and Ed St. Clair, is soon formed and they take off after the robbers. On April 1, the posse catches up with the robbers. After exchanging rifle shots, the posse captures the four men. During the fight, no men are injured, but one of the robber’s horses is killed. All four are sent to the Yuma Territorial Prison but are pardoned eight years later. There is unfounded speculation that, in 1898, Sterin enlists under a false name in the Rough Riders and is killed in action in the Battle of San Juan Hill.
After his term is up, O’Neill is unanimously elected mayor of Prescott. In 1894 and 1896 he runs for Delegate to the United States House of Representatives from Arizona Territory, running on the People’s Party ticket.
In 1897, after years of speculating on mines, O’Neill sells a group of claims near the Grand Canyon to Chicago backers, who also propose building a railroad from Williams to the mines and the South Rim. He becomes a director of the development companies, and soon begins railroad surveys, mine developments, and building a smelter. He also uses profits to begin building rental buildings, leading him to financial independence.
O’Neill also helps introduce a bill allowing women to vote in municipal elections in 1897. Although he convinces his Populist friends to sign the bill into law, the high court dismisses the bill in 1899.
In 1898, war breaks out between the United States and Spain. O’Neill joins Theodore Roosevelt‘s Rough Riders and becomes Captain of Troop A. First Lieutenant Frank Frantz serves as O’Neil’s Deputy Commander. Along with Alexander Brodie and James McClintock, he tries to make an entire regiment made up of Arizona cowboys. Eventually though, only three troops are authorized.
The Rough Riders land at Daiquirí on June 22, 1898. Two Buffalo Soldiers of the 10th Cavalry Regiment fall overboard. Upon seeing this, O’Neill jumps into the water in full uniform and sabre. He searches for the men for two minutes before having to come up for breath.
On June 25, 1898, the Rough Riders see their first action. O’Neill leads his men at the front of the line in the Battle of Las Guasimas, capturing the Spanish flank. During the action he sees several men, who he believes to be Spaniards, across the road from him, and shouts “Hostiles on our right, fire at will!” He learns after the firing ceases that the men he exchanged shots with were Cuban rebels.
On July 1, 1898, at about 10:00 a.m., the Rough Riders and the 10th Cavalry are stationed below Kettle Hill. The Spaniards, who are on top of the hill, pour Mauser rifle fire down on the Americans. O’Neill is killed in action.
Before the fighting is over, O’Neill’s men bury him on the slope of San Juan Hill. After the war, his family and friends enlist help from the United States Department of War to find and recover his body. After six men fail to find the site, the War Department sends Henry Alfred Brown, the Rough Riders’ Chaplain, to find him. Despite it being eight months since O’Neill’s death, Chaplain Brown locates the site within two hours after arriving in Santiago de Cuba. The well-preserved body is exhumed, placed in a coffin, and returned to the United States on the Army transport Crook. He is buried at Arlington National Cemetery, in Arlington County, Virginia. The epitaph on his gravestone reads, “Who would not die for a new star on the flag?”
On July 3, 1907, a monument by sculptor Solon Borglum is dedicated to O’Neill and the other Rough Riders in their memory in Prescott, Arizona. Seven thousand people gather to witness the unveiling.
After moving to Houston in 1994, Devlin tends bar in Irish pubs and music venues for a number of years before starting his first band. From his perspective behind the bar, he realizes there is a local demand for Irish rock music that nobody is fulfilling. In 1996, to this end he forms a band called On the Dole. Although the band does well for several years, opening for legendary Irish touring acts like The Wolfe Tones and The Saw Doctors, eventually he decides it is time to clear the decks and start again.
In 2003, while hosting a weekly open mic at an Irish pub, Devlin meets bassist and singer Chad Smalley, son of Nobel laureateRichard Smalley and a veteran of the Houston music scene who had recently returned from New York and is looking for a new project. The two of them soon begin singing and performing together every week, developing a tight vocal harmony style.
In July 2004, Devlin and Smalley form Blaggards, along with violinist Turi Hoiseth and drummer Brian Vogel. Hoiseth and Vogel have since left the band, leaving Devlin and Smalley as the only original members.
The song “Big Strong Man” from Blaggards’ first album Standards (2005) appears in the 2010 British film The Kid, directed by Nick Moran.
“Big Strong Man” and “Drunken Sailor” (also from Standards) are both featured in episode 86 of the CBS series The Good Wife, aired on March 24, 2013.
Blaggards’ second album, Live in Texas, is released in 2010. It is a recording of a live performance at Houston’s Continental Club on June 13, 2009. The band’s latest album, Blagmatic, is released on July 14, 2021.
Blaggards, with Arizona-based fiddle player Heide Riggs and drummer Kevin “Turbo” Newton in the current lineup, continue to maintain a rigorous schedule, playing constantly throughout Texas and touring nationally several times a year. Beginning in 2010 (excluding the COVID years), the band does a 10-day Ireland tour every year in the early fall.
In 1836, Minty’s father, also named Robert, is promoted to lieutenant in the 1st West India Regiment of Foot, which is a regiment of black enlisted men with white officers. The whole family leaves Ireland and travels with him through Minty’s later childhood and teenage years. They move all around the Caribbean and West Africa ultimately being sent to Sierra Leone.
Minty’s father becomes judge advocate general in Jamaica in 1846 but dies after falling victim to yellow fever in 1848. Though he is only 17 at the time, he is allowed to take over his father’s commission in the regiment. After serving five years in the regiment he resigns his commission, possibly because he nearly becomes a victim of a tropical disease himself.
Minty immigrates to Ontario, Canada, where his mother and the family had moved after his father’s death. He is hired by the Great Western Railroad Company at a time when the railroad business is exploding in both the United States and Canada. He is involved with railroads for the rest of his life, with time out for the American Civil War.
Minty is honorably mustered out of the Union Army on April 15, 1865, at Nashville, Tennessee, and becomes a successful railroad executive in his post-war career. He dies at the age of 74 on August 24, 1906, in Jerome, Arizona. He is buried at Aultorest Memorial Park in Ogden, Utah.
Bell is born in Belfast, Northern Ireland. He is something of a child prodigy, composing his first concerto at the age of twelve. He graduates from the Royal College of Music in 1957. While studying there, he became friends with the flautistJames Galway. From 1958 to 1990 he composes several classical works, including three piano sonatas, two symphonies, Three Images of Ireland in Druid Times (in 1993) for harp, strings and timpani, Nocturne on an Icelandic Melody (1997) for oboe d’amore and piano and Three Transcendental Concert Studies (2000) for oboe and piano.
As manager of the Belfast Symphony Orchestra, Bell is responsible for maintaining the instruments and keeping them in tune. Out of curiosity, he asks Sheila Larchet-Cuthbert to teach him how to play the harp. In 1965 he becomes an oboist and harpist with the BBC Northern Ireland Orchestra. He serves as a professor of harp at the Academy of Music in Belfast.
Bell is briefly featured in a 1986 BBCdocumentary, The Celts, in which he discusses the role and evolution of the harp in Celtic Irish and Welsh society. He also appears with Van Morrison at the Riverside Theatre at the University of Ulster in April 1988.
Bell is an admirer of the music of Nikolai Karlovich Medtner and is the co-founder, with the bass-baritone Hugh Sheehan, of the first British Medtner Society which gives a series of successful concerts of Medtner’s music in the 1970s long before Medtner’s music is recognised as it is today.
On St. Patrick’s Day in 1972 Bell performs on the radio the music of Turlough O’Carolan, an 18th-century blind Irish harpist. At that time O’Carolan’s music is virtually unknown, though today almost every album of harp music contains one of his compositions. Working with him on the project are several members of The Chieftains. Bell becomes friends with the leader of The Chieftains, Paddy Moloney. For two precarious years, he records both with the BBC Northern Ireland Orchestra and with The Chieftains, until finally becoming a full-time member of the Chieftains in 1975.
Bell is the only member of the band to wear a necktie at every public performance. He favours socks with novelty designs, such as images of Looney Tunes characters. He wears scruffy suits, often with trousers that are too short. He is eccentric and tells obscene jokes. The title of his 1981 solo album Derek Bell Plays With Himself has a conscious double entendre.
While touring in Moscow he grabs his alarm clock and puts it in his pocket while rushing to catch a plane. He is then stopped by the Soviet police on suspicion of carrying a concealed weapon. Paddy Moloney affectionately calls him “Ding Dong” Bell. He relishes the eclectic collaborations, such as those with Van Morrison, Sting and the Chinese orchestra. In 1991 he records with his old friend James Galway. He is awarded an MBE in the 2000 Queen’s Birthday Honours for services to traditional music.
The second leg plays in European arenas and outdoor stadiums from late May through early August, starting at the Stadio Flaminio in Rome on May 27. The final show of the European leg is at Páirc Uí Chaoimh in Cork, County Cork on August 8.
The third leg returns to North American arenas and stadiums beginning in New York’s Nassau Coliseum on September 10. The tour ends on December 20 back where it started in Tempe, Arizona, but this time at Sun Devil Stadium.
The Joshua Tree Tour sells out stadiums around the world, the first time the band had consistently played venues of that size. The Joshua Tree and its singles become huge hits, and the band reaches a new height in their popularity. Tickets for shows are often very hard to get, especially on the first American leg when they only play in arenas.
The 79 North American shows on the tour sell 2,035,539 tickets and gross US$35 million. In total, the tour grosses US$40 million and draws 3 million attendees.
In 1846 Lane joins the First Regiment, Texas Mounted Riflemen, as a first lieutenant to fight in the Mexican American War. He fights with honors at the Battle of Monterey and is later given the rank of major and command of his own battalion. After the Mexican American War, he wanders about doing various things in Arizona, California, and Peru before opening a mercantile business in Marshall, Texas, in 1858.
After the Civil War, Lane returns to Marshall where he helps to establish the Texas Veterans Association. After Reconstruction, he and his brother George, a local judge, found the first White Citizens Party in Texas and run Republicans and African Americans out of Marshall. With Democratic white hegemony brutally reestablished in Marshall and Harrison County, he declares the city and county “redeemed.”
Lane dies in Marshall, Texas on January 28, 1892, and is buried in the Marshall Cemetery near downtown Marshall. His memoirs, The Adventures and Recollections of General Walter P. Lane, are published posthumously in 1928.
Cashman is born in Midleton, County Cork, one of two daughters of Patrick and Frances “Fanny” (Cronin) Cashman. Along with her sister, she is brought to the United States around 1850 by her mother, first settling in Boston. As an adolescent, she works as a bellhop in a Boston hotel. In 1865 she and her family migrate to San Francisco, California.
Of the thousands lured by the gold rush fever of the 19th century, few had the staying power or generous spirit of Cashman. She follows gold miners into British Columbia, where, during the early 1870s, she operates a boarding house while learning elementary mining techniques and geology. For the next 50 years, the precious metal leads her to Arizona, Nevada, Mexico, the Canadian Yukon, and north of the Arctic Circle in Alaska. In addition to successfully prospecting and running mines, one time owning 11 mines in the Koyukuk District of Alaska, she operates boarding houses, restaurants, and supply depots.
The quality that truly establishes Cashman’s place in mining lore is her charity, which earns her the titles “Angel of Tombstone” and “Saint of the Sourdoughs” while sometimes obscuring her career as a successful miner. As early as 1874, while visiting Victoria, she leads a dangerous rescue effort to free a group of miners trapped by a severe winter storm. Later, during the glory days of Tombstone, Arizona, she helps establish the town’s first hospital and Sacred Heart Church, its first Roman Catholic church. Although she is known to be tough and aggressive in defending her claims, she is also big-hearted. Upon the deaths of her sister and brother-in-law, she takes in her nieces and nephews and raises them as her own.
Around 1889, Cashman is active in the gold camp at Harqua Hala, Arizona, and comes close to marrying Mike Sullivan, one of the original discoverers of gold in that area. Along with mining, she contributes a number of excellent articles to Tucson‘s Arizona Daily Star, in which she discusses history, techniques, types of claims, and personalities in the field.
Cashman spends the last 20 years of her life on Nolan Creek, in the Koyukuk River Basin of Alaska, then the farthest north of any mining camp in the world. She is among about eight women who join a group of approximately 200 miners to brave the harsh environment and isolation in hopes of striking the “big bonanza.” Once a year, she leaves for supplies and equipment, traveling hundreds of miles to Fairbanks, by sled, boat, or wagon. Her spirit of adventure apparently never dies. In 1921, during one of her trips to the outside, she is interviewed for Sunset, a California publication. Then 76, Cashman tells the writer that, although she loves Alaska, she is not so tied to it that she would not pull up stakes if something turned up elsewhere.
Nellie Cashman dies on January 4, 1925, in Sisters of St. Anne hospital in Victoria, one of the hospitals she had helped fund some 40 years earlier. The United States Postal Service honors her with a stamp on October 18, 1994, as part of its “Legends of the West” series.
O’Sullivan is born in Boyle, County Roscommon on May 17, 1911, the daughter of Evangeline “Mary Eva” Lovatt and Charles Joseph O’Sullivan, an officer in the Connaught Rangers who serves in World War I. She attends a convent school in Dublin, then the Convent of the Sacred Heart at Roehampton, England. One of her classmates there is Vivian Mary Hartley, future Academy Award-winning actress Vivien Leigh. After attending finishing school in France, O’Sullivan returns to Dublin to work with the poor.
O’Sullivan’s film career begins when she meets motion picture director Frank Borzage, who is doing location filming on Song o’ My Heart for 20th Century Fox. He suggests she take a screen test, which she does, and wins a part in the movie, which stars Irish tenor John McCormack. She travels to the United States to complete the movie in Hollywood. O’Sullivan appears in six movies at Fox, then makes three more at other movie studios.
In 1932, she signs a contract with Metro-Goldwyn-Mayer. After several roles there and at other movie studios, she is chosen by Irving Thalberg to appear as Jane Parker in Tarzan the Ape Man, opposite co-star Johnny Weissmuller. She is one of the more popular ingenues at MGM throughout the 1930s and appears in a number of other productions with various stars. In all, O’Sullivan plays Jane in six features between 1932 and 1942.
She plays another Jane in Pride and Prejudice (1940) with Laurence Olivier and Greer Garson and supports Ann Sothern in Maisie Was a Lady (1941). After appearing in Tarzan’s New York Adventure (1942), O’Sullivan asks MGM to release her from her contract so she can care for her husband who has just left the Navy with typhoid. She retreats from show business, devoting her time to her family. In 1948, she re-appears on the screen in The Big Clock, directed by her husband for Paramount Pictures. She continues to appear occasionally in her husband’s movies and on television. However, by 1960 she believes she has permanently retired. In 1958, Farrow’s and O’Sullivan’s eldest son, Michael, dies in a plane crash in California.
Actor Pat O’Brien encourages her to take a part in summer stock, and the play A Roomful of Roses opens in 1961. That leads to another play, Never Too Late, in which she co-stars with Paul Ford in what is her Broadway debut. Shortly after it opens on Broadway, John Farrow dies of a heart attack. O’Sullivan sticks with acting after Farrow’s death. She is also an executive director of a bridal consulting service, Wediquette International. In June and July 1972, O’Sullivan is in Denver, Colorado, to star in the Elitch Theatre production of Butterflies are Free with Karen Grassle and Brandon deWilde. The show ends on July 1, 1972. Five days later, while still in Denver, deWilde is killed in a motor vehicle accident.
When her daughter, actress Mia Farrow, becomes involved with Woody Allen both professionally and romantically, she appears in Hannah and Her Sisters, playing Farrow’s mother. She has roles in Peggy Sue Got Married (1986) and the science fiction oddity Stranded (1987). Mia Farrow names one of her own sons Ronan O’Sullivan Farrow for her mother. In 1994, she appears with Robert Wagner and Stefanie Powers in Hart to Hart: Home Is Where the Hart Is, a feature-length made-for-TV movie with the wealthy husband-and-wife team from the popular weekly detective series Hart to Hart.
Maureen O’Sullivan dies in Scottsdale, Arizona, of complications from heart surgery on June 23, 1998, at the age of 87. O’Sullivan is buried at Most Holy Redeemer Cemetery, Niskayuna, New York. She is survived by six of her children, 32 grandchildren, and 13 great-grandchildren. Michael, her oldest son, is killed at age 19 in a plane crash in 1958.
As a child, Murphy is a loner with mood swings and an explosive temper. He grows up in Texas, around Farmersville, Greenville, and Celeste, where he attends elementary school. His father drifts in and out of the family’s life and eventually deserts them. He drops out of school in fifth grade and gets a job picking cotton for a dollar a day to help support his family. After his mother dies of endocarditis and pneumonia in 1941, he works at a radio repair shop and at a combination general store, garage and gas station in Greenville.
After the attack on Pearl Harbor, Murphy’s older sister helps him to falsify documentation about his birthdate in order to meet the minimum-age requirement for enlisting in the military. Turned down by the Navy and the Marine Corps, he enlists in the Army. He first sees action in the 1943 Allied invasion of Sicily. Then, in 1944, he participates in the Battle of Anzio, the liberation of Rome, and Operation Dragoon, the invasion of Southern France. He fights at Montélimar and leads his men on a successful assault at the L’Omet quarry near Cleurie in northeastern France in October.
Murphy receives every military combat award for valor available from the U.S. Army, as well as French and Belgian awards for heroism. He receives the Medal of Honor for valor that he demonstrates at the age of 19 for single-handedly holding off an entire company of German soldiers for an hour at the Colmar Pocket in France in January 1945, then leading a successful counterattack while wounded and out of ammunition.
After the war, Murphy embarks on a 21-year acting career. He plays himself in the 1955 autobiographical film To Hell and Back, based on his 1949 memoirs of the same name, but most of his roles are in westerns. He makes guest appearances on celebrity television shows and stars in the series Whispering Smith. He is a fairly accomplished songwriter. He breeds American Quarter Horses in California and Arizona and becomes a regular participant in horse racing.
Suffering from what would today be described as posttraumatic stress disorder (PTSD), Murphy sleeps with a loaded handgun under his pillow. He looks for solace in addictive sleeping pills. In his last few years, he is plagued by money problems but refuses offers to appear in alcohol and cigarette commercials because he does not want to set a bad example.
seamus dubhghaill 