seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Creamery


by Leave a comment

Birth of Robert Greacen, Poet & Critic

Robert Henry Greacen, poet and critic, is born on October 24, 1920, in Bennett Street, Derry, County Londonderry.

Greacen is the only child of Henry Greacen and his wife Elizabeth (née McCrea). His father comes from a Presbyterian farming background in County Monaghan and, at one time, holds a position as a creamery manager, but is a heavy drinker and fails in several businesses. Most of his childhood is spent with his maternal grandmother and aunts when his parents temporarily separate. He briefly attends two local primary schools in Belfast, but when his father receives insurance compensation after his Belfast business burned down, he takes his family to the Castleblayney area in County Monaghan and for a short time goes back to farming. He goes to a national school there, but after another fire destroys the farmhouse, the Greacens return to Belfast to run the Kenilworth, a tobacconist’s shop on the Newtownards Road. He attends Templemore primary school and then enters Methodist College Belfast in 1933.

Greacen mostly enjoys school, though he is too short-sighted to participate with success in any sport, and sometimes, because of his background, feels out of his depth among middle-class children. He is always ashamed of his father’s drunken outbursts and is terrified of the violent temper which accompanies them. Literature provides both a temporary escape and the promise of future success. His first poems are published in school magazines, and he decides at a young age to try to make a career as a writer. He fails examinations and interviews for positions in a bank and an insurance company and instead starts studying history and English at Queen’s University Belfast.

At Queen’s, as earlier at Methodist College, the interests which characterise Greacen’s later career are apparent. Largely thanks to meeting John Boyd, he develops sympathies with left-wing political ideas, as well as a deepened commitment to poetry. His youthful 1930s enthusiasm for Marxism disappears after the Molotov-Ribbentrop Pact of 1939 between the Soviet Union and Nazi Germany, but up to his later years he describes himself as a socialist. The formation of enduring friendships and mutually supportive coteries, a phenomenon particularly characteristic of the Ulster literary scene of the period, continues to be of great importance throughout his life. He makes friends with almost all the significant figures in Belfast, especially Roy McFadden, John Hewitt and Sam Hanna Bell. At Queen’s, he and a friend take over in 1940 the editing of a student magazine, The Northman. They try with short-lived, limited success to make it a literary journal for the whole region, so as to enable aspiring poets to get work into print. His own early poems appear in The Bell, and he writes some pieces for the left-wing Irish Democrat newspaper. His poem The Bird (1941) is well reviewed and later appears in anthologies. In 1942 he publishes Poems from Ulster, a small anthology including work by his friends.

For several months, Greacen worships from afar a fellow student named Irene. When he fails to form a relationship with her, he stops going to lectures so that he does not have to see her and does not finish his degree. His McCrea relatives pay for him to go to Trinity College Dublin in 1943 to take a diploma in social work. He is glad to get away from wartime Belfast and never lives there again. At first, he enjoys Dublin, and again makes many friends, among them Brendan and Beatrice Behan, Blanaid Salkeld, Cecil ffrench Salkeld, Joseph and Mary O’Neill, Douglas Gageby, Arland Ussher and Hubert Butler. He and Patrick Kavanagh live in the same boarding house on Raglan Road for several months in 1945, but Kavanagh takes offence at a review in Horizon by Greacen of his poem The Great Hunger and calls him a “Protestant bastard.” Greacen is upset, as he had thought the review favourable, and is disappointed but not surprised when Kavanagh refuses to allow any of his poems to appear in the prestigious Faber and Faber book Contemporary Irish Poetry, edited by Greacen and Valentin Iremonger in 1949.

The collaborative compilation of anthologies of poetry is Greacen’s characteristic way of working. In 1942, he and Alex Comfort edit Lyra: An Anthology of New Lyric. With Roy McFadden, he edits Ulster Voices in 1943. He is sole editor of Northern Harvest in 1944 and, in the same year, he, Bruce Williamson and Valentin Iremonger publish their own work in On the Barricades. His own first solo collection, One Recent Evening, is also a 1944 imprint. In 1946, with support from Maurice Fridberg, a Jewish Dublin and London bookseller, his publishing company, New Frontiers Press, produces Irish Harvest, which, though designed on more ambitious lines, still consists chiefly of poems by his friends. He feels much more affinity with the modernism and social protest that he finds in contemporary English poetry, especially in the “new apocalypse” movement associated with Herbert Read, and later the “new romantics,” than with what he regards as the outmoded Celtic nationalism of W. B. Yeats and his followers. Like others of his contemporaries, he comes to resent the unquestioned shibboleths of life in Ireland, and particularly objects to the censorship of literature and film.

Consequently, when Greacen’s second small volume of poems, The Undying Day (1948), sells badly, and other avenues seem unpromising, he and his wife give up on Dublin and move to London. He finds a job with the United Nations Association, which suits his outlook and ideals. However, when he is made redundant, he has to take various jobs in adult education, in creative-writing courses, and in teaching English as a foreign language, in the City of London College, the City Literary Institute, and West London College. He retires in 1986. His involvement with the London literary world continues throughout his career, as he gets to know many of the leading figures, including Stephen Spender and T. S. Eliot, and he organises poetry readings and other projects, though he himself writes no poetry for more than twenty years. At one time he considers taking up journalism and continues to produce book reviews and articles in journals, as well as many letters to newspapers. He writes several, well-received short works of criticism, in particular, The Art of Noël Coward (1953) and The World of C. P. Snow (1962). After returning to Dublin in 1986, he writes an interesting memoir about his many friends and acquaintances, Brief Encounters: Literary Dublin and Belfast in the 1940s (1991) and Rooted in Ulster: Nine Northern Writers (2000).

Greacen marries Patricia Hutchins in Fisherwick Presbyterian Church in Belfast on April 10, 1946. She is from a Protestant family who has a small estate at Ardnagashel, near Bantry, County Cork, and is related to the botanist Ellen Hutchins. They have one daughter, Arethusa, but, after four years of separation, the marriage ends in divorce in 1966. He resents his wife’s conversion to vegetarianism and seems also to disapprove of her desire to achieve her own career goals. Probably also the depression he experiences throughout the 1950s contributes to the breakdown of the marriage, but he feels that twelve experiences in the early 1960s with the hallucinogenic drug LSD, under the guidance of a psychiatrist, had cured him. After the LSD treatments he feels that he is ready to begin working on an autobiography, Even Without Irene, published several years later in 1969. This comes out again in an enlarged version in 1995, and, still further augmented, as The Sash My Father Wore (1997).

Greacen begins to publish poetry again in his fifties, in A Garland for Captain Fox (1975). Poems about the career and friends of an imaginary, sophisticated adventurer do not always strike the exactly right note but are popular and mark a new beginning for him, who increasingly writes elegiacally about personalities, real and fictional, in more restrained diction and with careful irony. In interviews, he denies that Captain Fox is his own alter ego, but the interplay between the character of Fox and elements of his creator’s own life suggests a metaphor for the poet’s creative process, as well as reminding the reader of the poet friends whose support means much to his writing in real life. At the very least, Captain Fox becomes what could be called a character of virtual reality for his creator.

Greacen’s later poetry collections include Young Mr. Gibbon (1979), A Bright Mask (1985), Carnival at the River (1990), Collected Poems 1944–1994 (1995; awarded The Irish Times Literature Prize for Poetry in that year), Protestant Without a Horse (1997), Captain Fox: A Life (2000), Lunch at the Ivy (2002), Shelley Plain (2002), and Selected and New Poems (2006).

On his return to Dublin in 1986, Greacen for a time shares a flat on Anglesea Road with Beatrice Behan, until he finds her dead in her bed in 1993. In later years he lives in a flat in Sandymount. He is elected to membership of Aosdána in 1986, and during his later years in Dublin enjoys the status of a senior figure in the world of literature. He gives readings in the United States, appears often on RTÉ radio programmes, and has poems republished in anthologies. There was even one poem displayed on the Dublin Dart suburban rail network, St. Andrew’s Day: An Elegy for Patricia Hutchins, perhaps his best work. Perhaps only a few of his poems have been lodged in the public memory, but it is appropriate, given the themes of his career, that his work will be read with most attention by poets and by scholars, and that his reputation in the future may largely be based on his friendships with other poets.

Greacen dies in St. Vincent’s University Hospital, Dublin, on April 13, 2008. His body is cremated. His papers are in the library of Ulster University at Coleraine.

(From” “Greacen, Robert Henry” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


by 1 Comment

Capture of Mallow Barracks

The Cork No. 2 Brigade, Irish Republican Army (IRA), attacks and captures a military barracks in Mallow, County Cork, on September 28, 1920, the only military barracks to be captured during the Irish War of Independence. British forces later burn and sack the town.

Mallow had been a garrison town for several hundred years. Eight miles to the north lay Buttevant where one of the largest military barracks in the country is located. Not far from Buttevant are the great military training camps of Ballyvonaire, while nineteen miles to the northeast is Fermoy with its large permanent military garrisons and huge barracks adjacent to the big training centres of Kilworth and Moorepark. Twenty miles to the southeast is the city of Cork with its many thousands of troops both in the posts within the city and at Ballincollig, about six miles west of it, on the Macroom road. Thirteen miles westward a detachment from a British machine gun corps holds Kanturk. Every town and village has its post of Royal Irish Constabulary (RIC) men armed to the teeth.

The idea of capturing the barracks comes from two members of the Mallow IRA Battalion, Dick Willis, a painter, and Jack Bolster, a carpenter, who are employed on the civilian maintenance staff of the barracks which is occupied by the 17th Lancers. Willis and Bolster are able to observe the daily routine of the garrison and form the opinion that the capture of the place would not be difficult. They are instructed by their local battalion officers to make a sketch map of the barracks. After that is prepared, Liam Lynch and Ernie O’Malley go with Willis and Tadhg Byrnes to Mallow to study the layout of the surrounding district. Among the details of the garrison’s routine that Willis and Bolster report to the Column leaders, is the information that each morning the officer in charge, accompanied by two-thirds of the men, take the horses for exercise outside the town. It is obvious to the two Mallow volunteers that this is the ideal time for the attack.

Situated at the end of a short, narrow street and on the western verge of the Town Park, Mallow barracks stand on an unusually low-lying location and is relatively small in size. Surrounded by a high stone wall, the barracks can be approached from the town park as well as from the main street. The various details are carefully studied by Lynch and O’Malley. While Willis and Bolster are allotted tasks within the walls of the barracks, Byrnes and Jack Cunningham are chosen to attack with the main body of the column which includes Commandant Denny Murphy of Kanturk.

On the morning of September 27, at their Burnfort headquarters, the men are ordered to prepare for action. Under cover of darkness they move into the town and enter the Town Hall by way of the park at the rear. The eighteen men of the column are strengthened by members of the Mallow battalion, a number of men posted in the upper storey of the Town Hall, from which they can command the approaches to the nearby RIC barracks. Initially it is planned that Willis and Bolster will enter the military barracks that morning in the normal manner, accompanied by an officer of the column who will pose as a contractor’s overseer. The officer is Paddy McCarthy of Newmarket, who would die a few months later in a gun battle with the Black and Tans at Millstreet.

McCarthy, Willis and Bolster enter the barracks without mishap. Members of the garrison follow their normal routine, with the main body of troops under the officer in charge leaving the barracks with the horses. In the barracks remain about fifteen men under the command of a senior N.C.O., Sergeant Gibbs.

Once the military has passed, the attackers, numbering about twenty men and led by Liam Lynch, advance toward the bottom of Barrack Street. All are armed with revolvers which are considered the most convenient and suitable weapons for the operation. Lynch has issued strict instructions that there is to be no shooting by the attackers, unless as a last resort. Inside the walls are McCarthy, Willis and Bolster, their revolvers concealed. Then Ernie O’Malley presents himself at the wicket gate with a bogus letter in his hand. Behind him and out of sight of the sentry are the other members of the main attacking party, led by Lynch, O’Brien and George Power. When the gate is opened sufficiently, O’Malley wedges his foot between it and the frame and the soldier is overpowered and the attackers rush in. McCarthy, Bolster and Willis immediately go to the guardroom where they hold up the guard. Realising what is happening, Sergeant Gibbs, rushes toward the guardroom in which rifles are kept. Although called upon to halt, he continues even though a warning shot is fired over his head. As he reaches the guardroom door, the IRA officer and one of the volunteers in the guardroom fire simultaneously. Mortally wounded, the sergeant falls at the guardroom door.

By this time the majority of the attacking party is inside the gate. Military personnel in different parts of the barracks are rounded up and arms are collected. Three waiting motor cars pull up to the gate and all the rifles, other arms and equipment found in the barracks are loaded into them. The prisoners are locked into one of the stables, with the exception of a man left to care for Sergeant Gibbs. The whole operation goes according to plan, except for the shooting of the sergeant. Twenty minutes after the sentry had been overpowered the pre-arranged signal of a whistle blast is sounded and the attackers withdraw safely to their headquarters at Burnfort, along the mountain road out of Mallow.

Expecting reprisals, the column moves to Lombardstown that night, and positions are taken up around the local co-operative creamery as it is the custom of the British to wreak their vengeance on isolated country creameries after incidents such as what had just occurred. The Mallow raid, however, has greater repercussions than the destruction of a creamery and co-operative stores. The following night, large detachments of troops from Buttevant and Fermoy enter Mallow. They rampage through the town, burning and looting at will. High over the town, the night sky is red with the flames of numerous burning buildings.

Townspeople run through the blazing streets, in search of refuge. A number of women and children are accorded asylum in the nearby convent schools. Another group of terrified women, some with children in arms, take refuge in the cemetery at the rear of St. Mary’s Church, where they kneel or lay above the graves. It is a night of terror such as which had never before been endured by the people of Mallow.

The extent of the wanton destruction outrages fair-minded people all over the world. Details of the havoc that had been wrought and pictures of the scenes of destruction are published worldwide.

(Pictured: Townspeople gather in front of one of the many buildings in Mallow which were reduced to ruins during British Army reprisals)


by Leave a comment

German Bombing of the Shelburne Co-op

campile-bombing

German aircraft bomb a creamery at Campile, County Wexford, a small village located fourteen kilometres outside the town of New Ross, on August 26, 1940 killing three women.

Ireland remains officially neutral during World War II. However, on August 26, 1940, the German Luftwaffe bombs Campile in daylight. Three women are killed – Mary Ellen Kent (30), her sister Catherine Kent (26), both from Terrerath, and Kathleen Hurley (27) from Garryduff. Four German bombs are dropped on the creamery and restaurant sections of Shelburne Co-op on that day. The railway is also targeted by the bombers. The 20-minute ordeal terrorises the peaceful village and leaves behind a trail of devastation. The attack has never been fully explained, although there are numerous theories as to why the bombing occurred.

One theory is that the German pilots were lost and had mistaken the southeast coast of Wexford for Wales. It is also suggested that butter boxes emblazoned with the Shelburne Co-op name were discovered by the Nazis a few months earlier following the evacuation of Dunkirk and that the bombing was in retaliation for supplying foodstuffs to the Allied armies.

However, Campile historian John Flynn, who wrote a book to mark the 70th anniversary of the disaster, argues that the bombing was a message from Adolf Hitler to Taoiseach Éamon de Valera warning him to keep his promise on Ireland’s neutrality.

On the occasion of the 50th anniversary of the bombing, a plaque is erected on the co-op walls in memory of the three women.

The local Harts bar and lounge contains many artifacts relating to the bombing. The description and history related to each artifact can be found in an old leather-bound book kept underneath the counter in the adjoining sweet shop.


by Leave a comment

Birth of Sir Horace Curzon Plunkett

Sir Horace Curzon Plunkett, Anglo-Irish agricultural reformer, pioneer of agricultural cooperatives, Unionist Member of Parliament (MP), supporter of Home Rule, Irish Senator and author, is born on October 24, 1854.

Plunkett is the third son of Admiral the 16th Baron of Dunsany, of Dunsany Castle, Dunsany, near Dunshaughlin, County Meath, and the Honourable Anne Constance Dutton, daughter of John Dutton, 2nd Baron Sherborne. He is educated at Eton College and University College, Oxford, of which he becomes an honorary fellow in 1909.

Threatened by lung trouble in 1879, Plunkett goes to the United States and spends ten years as a cattle rancher in the Bighorn Mountains of Wyoming. He returns to Ireland in 1889 and devotes himself to the agricultural cooperative movement, first organizing creameries and then, in 1894, the Irish Agricultural Organisation Society, a forerunner of similar societies in England, Wales, and Scotland. A moderate Unionist member of Parliament for South County Dublin from 1892 to 1900, he becomes vice president (1899–1907) of the new Department of Agriculture and Technical Instruction for Ireland, which he has been instrumental in creating.

Plunkett’s later experience convinces him of the need for the independence of an Ireland without partition inside the Commonwealth, and he fights strongly for this goal, as chairman of the Irish Convention (1917–18) and, in 1919, as founder of the Irish Dominion League and of the Plunkett Foundation for Cooperative Studies, an agricultural research and information centre. He is appointed to the first Senate of the Irish Free State (1922–23). His house in Dublin is bombed and burned during in the Irish Civil War and he lives in England thereafter. In 1924 the Plunkett Foundation also moves to England. In 1924 he presides over a conference in London on agricultural co-operation in the British Commonwealth and in 1925 he visits South Africa to help the movement there.

Plunkett is made a Fellow of the Royal Society in 1902 and Knight Commander of the Royal Victorian Order in 1903. His writings include Ireland in the New Century (1904) and The Rural Life Problem of the United States (1910).

Sir Horace Plunkett dies at Weybridge, Surrey, England on March 26, 1932.