seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Irish Folklore


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Birth of Brendan Gleeson, Actor & Film Director

Brendan Gleeson, Irish actor and film director, is born in Dublin on March 29, 1955. He is the recipient of three Irish Film & Television Academy (IFTA) Awards, two British Independent Film Awards (BIFA), and a Primetime Emmy Award and has been nominated twice for a BAFTA Award, five times for a Golden Globe Award and once for an Academy Award. In 2020, he is listed at number 18 on The Irish Times list of Ireland’s greatest film actors. He is the father of actors Domhnall Gleeson and Brian Gleeson.

Gleeson is the son of Frank and Pat Gleeson. He has described himself as having been an avid reader as a child. He receives his second-level education at St. Joseph’s CBS in Fairview, Dublin, where he is a member of the school drama group. He receives his Bachelor of Arts at University College Dublin (UCD), majoring in English and Irish. After training as an actor, he works for several years as a secondary school teacher of Irish and English at the now defunct Catholic Belcamp College in north County Dublin. He works simultaneously as an actor while teaching, doing semi-professional and professional productions in Dublin and surrounding areas. He leaves the teaching profession to commit full-time to acting in 1991. In an NPR interview to promote Calvary in 2014, he states he was molested as a child by a Christian Brother in primary school but was in “no way traumatised by the incident.”

As a member of the Dublin-based Passion Machine Theatre company, Gleeson appears in several of the theatre company’s early and highly successful plays such as Brownbread (1987), written by Roddy Doyle and directed by Paul Mercier, Wasters (1985) and Home (1988), written and directed by Paul Mercier. He also writes three plays for Passion Machine: The Birdtable (1987) and Breaking Up (1988), both of which he directs, and Babies and Bathwater (1994) in which he acts. Among his other Dublin theatre work are Patrick Süskind‘s one-man play The Double Bass and John B. Keane‘s The Year of the Hiker.

Gleeson starts his film career at the age of 34. He first comes to prominence in Ireland for his role as Michael Collins in The Treaty, a television film broadcast on RTÉ One, and for which he wins a Jacob’s Award in 1992. He acts in such films as Braveheart, I Went Down, Michael Collins, Gangs of New York, Cold Mountain, 28 Days Later, Troy, Kingdom of Heaven, Lake Placid, A.I. Artificial Intelligence, Mission: Impossible 2, and The Village. He wins critical acclaim for his performance as Irish gangster Martin Cahill in John Boorman‘s 1998 film The General.

In 2003, Gleeson is the voice of Hugh the Miller in an episode of the Channel 4 animated series Wilde Stories. While he portrays Irish statesman Michael Collins in The Treaty, he later portrays Collins’ close collaborator Liam Tobin in the film Michael Collins with Liam Neeson taking the role of Collins. He later goes on to portray Winston Churchill in Into the Storm, winning a Primetime Emmy Award for his performance. He plays Barty Crouch, Jr. impersonating Hogwarts professor Alastor “Mad-Eye” Moody in the fourth, and Alastor Moody himself in fifth and seventh Harry Potter films. His son Domhnall plays Bill Weasley in the seventh and eighth films.

Gleeson provides the voice of Abbot Cellach in The Secret of Kells, an animated film co-directed by Tomm Moore and Nora Twomey of Cartoon Saloon, which premieres in February 2009 at the Jameson Dublin International Film Festival. He stars in the short film Six Shooter in 2006, written and directed by Martin McDonagh, which wins an Academy Award for Best Live Action Short Film. In 2008, he stars in the comedy crime film In Bruges, also written and directed by McDonagh. The film, and his performance, enjoy huge critical acclaim, earning him several award nominations, including his first Golden Globe nomination. In the movie, he plays a mentor-like figure for Colin Farrell‘s hitman. In his review of In Bruges, Roger Ebert describes the elder Gleeson as having a “noble shambles of a face and the heft of a boxer gone to seed.”

In July 2012, Gleeson starts filming The Grand Seduction, with Taylor Kitsch, a remake of Jean-François Pouliot‘s French-Canadian La Grande Séduction (2003) directed by Don McKellar. The film is released in 2013. In 2016, he appears in the video game adaptation Assassin’s Creed and Ben Affleck‘s crime drama Live by Night. In 2017, he finishes Psychic, a short in which he directs and stars. From 2017 to 2019 he stars in the crime series Mr. Mercedes. He receives a Golden Globe Award nomination for his performance as Donald Trump in the Showtime series The Comey Rule (2020). In 2022, he reunites with Martin McDonagh in the tragic comedy The Banshees of Inisherin starring opposite Colin Farrell. For his performance as Colm Doherty, he receives numerous awards nominations, including the Academy Award, Golden Globe, and Critics’ Choice Movie Award for Best Supporting Actor. He receives an Emmy Award nomination for Stephen Frears‘s Sundance TV series State of the Union (2022).

Gleeson is a fiddle and mandolin player, with an interest in Irish folklore. He plays the fiddle during his roles in Cold Mountain, Michael Collins, The Grand Seduction, and The Banshees of Inisherin, and also features on Altan‘s 2009 live album. In the Coen brothers‘ The Ballad of Buster Scruggs (2018), he sings “The Unfortunate Rake.” He also makes a contribution in 2019 to the album by Irish folk group Dervish with a version of “Rocky Road to Dublin.”

Gleeson has been married to Mary Weldon since 1982. They have four sons: Domhnall, Fergus, Brían, and Rory. Domhnall and Brían are also actors. He speaks fluent Irish and is an advocate of the promotion of the Irish language. He is a fan of the English football club Aston Villa, as is his son Domhnall.


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Death of Patrick Weston Joyce, Historian, Writer & Music Collector

Patrick Weston “P. W.” Joyce, Irish historian, writer and music collector, dies in Dublin on January 7, 1914. He is known particularly for his research in Irish etymology and local place names of Ireland.

Joyce is born in Ballyorgan, County Limerick, in the Ballyhoura Mountains, on the border of counties Limerick and Cork, and grows up in nearby Glenosheen. The family claims descent from one Seán Mór Seoighe (fl. 1680), a stonemason from Connemara, County Galway. Robert Dwyer Joyce is a younger brother.

Joyce is a native Irish speaker who starts his education at a hedge school. He then attends school in Mitchelstown, County Cork.

Joyce starts work in 1845 with the Commission of National Education. He becomes a teacher and principal of the Model School, Clonmel. In 1856 he is one of fifteen teachers selected to re-organize the national school system in Ireland. Meanwhile he earns his B.A. in 1861 and M.A. in 1863 from Trinity College Dublin.

Joyce is principal of the Training College, Marlborough Street, in Dublin from 1874 to 1893. As a member of the Society for the Preservation of the Irish Language he writes an Irish Grammar in 1878. He is President of the Royal Society of Antiquaries of Ireland from 1906 to 1908, an association of which he is a member from 1865.

Joyce is a key cultural figure of his time. His wide interests include the Irish language, Hiberno-English, music, education, Irish literature and folklore, Irish history and antiquities, place names and much else. He produces many works on the history and culture of Ireland. His most enduring work is the pioneering The Origin and History of Irish Names of Places (first edition published in 1869). He is a member of the Royal Irish Academy.

In 1856 Joyce marries Caroline Waters of Baltinglass, County Wicklow, with whom he has two daughters and three sons, one of whom is the author Weston St. John Joyce. He dies on January 7, 1914, at his home, Barnalee, Rathmines, Dublin, and is buried two days later in Glasnevin Cemetery.

The P.W. Joyce collection at the Cregan Library in St. Patrick’s College, Drumcondra, Dublin, reflects many of Joyce’s interests and includes several rarities. These include autographed presentation copies by Joyce and his brother Robert, as well as books from Joyce’s own library. The collection also contains nine manuscripts associated with Joyce and his family members, including a manuscript in P.W. Joyce’s own hand of Echtra Cormaic itir Tairngiri agus Ceart Claíd Cormaic (Adventures of Cormac in the Land of Promise), a passage from the Book of Ballymote, which Joyce translated into English.


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Death of Gerald Griffin, Novelist, Poet & Playwright

Gerald Griffin (Irish: Gearóid Ó Gríofa), Irish novelist, poet and playwright, dies of typhus fever on June 12, 1840. His novel The Collegians is the basis of Dion Boucicault‘s play The Colleen Bawn, or The Brides of Garryowen. Feeling he is “wasting his time” writing fiction, he joins the Congregation of Christian Brothers, a Catholic religious congregation founded by Edmund Ignatius Rice, to teach the children of the poor.

Griffin is born in Limerick, County Limerick, on December 12, 1803, the youngest son of thirteen children of a substantial Catholic farming family. Patrick Griffin, his father, also makes a living through brewing, and he participates as one of Henry Grattan‘s Irish Volunteers (18th century). His mother comes from the ancient O’Brien dynasty, and first introduces him to English literature. When he is aged seven, the family moves to Fairy Lawn, a house near Loghill, County Clare, which sits on a hill above the bank of the Shannon Estuary, about twenty-seven miles from Limerick. Here he has an idyllic childhood and receives a classical education.

In 1820 the family at Fairy Lawn is broken up. The parents with several of the children emigrate to the United States and settle in Pennsylvania. Griffin, with one brother and two sisters, is left behind under the care of his elder brother William, a practicing physician in Adare, County Limerick. He meets John Banim in Limerick. Inspired by the successful production of Banim’s play Damon and Pythias (1821), Griffin, at nineteen years of age, moves to London in 1823. After an unsuccessful attempt at becoming a playwright, he endures years of poverty in London, managing only to scrape by through writing reviews for periodicals and newspapers. At the end of two years he obtains steady employment in the publishing house as reader and reviser of manuscripts, and in a short time becomes frequent contributor to some of the leading periodicals and magazines. His early pieces in The Literary Gazette vividly describe the rural setting of his childhood, recount Irish folklore, translate the Celtic Irish language for the English readers, and, as Robert Lee Wolff observes, “waxed richly sardonic about Irishmen who tried to be more English than the English.”

Griffin’s Holland-Tide or Munster Popular Tales is published by Simpkin & Marshall in 1827. Holland-Tide is a collection of seven short stories, all of which are told in the house of a hospitable Munster farmer during All Hallows’ Eve in Munster. Holland-Tide establishes his reputation and he returns to Ireland, where he writes Tales of the Munster Festivals in Pallaskenry to which his brother William has moved.

Experience leads Griffin to modify his expectations in relation to literary work, and, with a view to the legal profession, he enters the University of London as a law student, but in a short time removes to Dublin for the study of ancient Irish history, preparatory to his work The Invasion, which is published in 1832. This work has a good sale and is highly praised by scholars, but never becomes popular.

With the exception of a tour through Scotland and a short trip on the European continent, Griffin lives with his brother, keeping up to some extent his literary labours. By 1833, he is increasingly concerned that he is wasting his time, and begins to devote himself to teaching the poor children of the neighborhood. In 1838, hes all of his unpublished manuscripts and joins the Congregation of Christian Brothers, a Catholic religious order which has as its special aim the education of children of the poor. Writing to an old friend he says he feels a great deal happier in the practice of this daily routine than he ever did while roving about the great city, absorbed in the modest project of rivaling Shakespeare and throwing Scott in the shade. In June 1839, he is transferred from Dublin to Cork, where he dies of typhus fever at the age of thirty-six on June 12, 1840.

Griffin’s play Gisippus is produced posthumously at Theatre Royal, Drury Lane on February 23, 1842 by William Macready, and it runs to a second edition in print.

One of Griffin’s most famous works is The Collegians, a novel based on a trial that he had reported on, involving the murder of a young Irish Catholic girl (Ellen Hanley) by a Protestant Anglo-Irish man (John Scanlon). The novel is later adapted for the stage as The Colleen Bawn by Dion Boucicault.

Griffin has a street named after him in Limerick and another in Cork. Loughill/Ballyhahill GAA club in west Limerick plays under the name of Gerald Griffins.

(Pictured: “Portrait of Gerald Griffin (1803-1840), Poet and Novelist,” painting by Richard Rothwell (1800-1868), National Gallery of Ireland)


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Birth of Lady Jane Francesca Wilde, Poet & Nationalist

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Jane Francesca Agnes, Lady Wilde, Irish poet who writes under the pen name “Speranza” and a supporter of the nationalist movement, is born on December 27, 1821, in Wexford, County Wexford.

Jane is the last of the four children of Charles Elgee, the son of Archdeacon John Elgee, a Wexford solicitor, and his wife Sarah (née Kingsbury). Her great-grandfather is an Italian who had come to Wexford in the 18th century. She has a special interest in Irish folktales, which she helps to gather. She marries Sir William Wilde on November 12, 1851, and they have three children, William Charles Kingsbury Wilde (1852–1899), Oscar Fingal O’Flahertie Wills Wilde (1854–1900), and Isola Francesca Emily Wilde (1857–1867).

Wilde, who is the niece of Charles Maturin, writes for the Young Ireland movement of the 1840s, publishing poems in The Nation under the pseudonym of “Speranza.” Her works include pro-Irish independence and anti-British writing. She is sometimes known as “Speranza of the Nation.” Charles Gavan Duffy is the editor when “Speranza” writes commentary calling for armed revolution in Ireland. The authorities at Dublin Castle shut down the paper and bring the editor to court. Duffy refuses to name who has written the offending article. “Speranza” reputedly stands up in court and claims responsibility for the article. The confession is ignored by the authorities. But in any event the newspaper is permanently shut down by the authorities.

Wilde is an early advocate of women’s rights, and campaigns for better education for women. She invites the suffragist Millicent Fawcett to her home to speak on female liberty. She praises the passing of the Married Women’s Property Act 1882, preventing women from having to enter marriage “as a bond slave, disenfranchised of all rights over her fortune.”

William Wilde is knighted in January 1864, but the family celebrations are short-lived, for in the same year Sir William and Lady Wilde are at the centre of a sensational Dublin court case regarding a young woman called Mary Travers, the daughter of a colleague of Sir William’s, who claims that he had seduced her and who then brings an action against Lady Wilde for libel. Mary Travers wins the case and costs of £2,000 are awarded against Lady Wilde. Then, in 1867, their daughter Isola dies of fever at the age of nine. In 1871 the two illegitimate daughters of Sir William are burned to death and in 1876 Sir William himself dies. The family discovers that he is virtually bankrupt.

Lady Wilde leaves Dublin for London in 1879, where she joins her two sons, Willie, a journalist, and Oscar, who is making a name for himself in literary circles. She lives with her older son in poverty, supplementing their meagre income by writing for fashionable magazines and producing books based on the researches of her late husband into Irish folklore.

Lady Wilde contracts bronchitis in January 1896 and, dying, asks for permission to see Oscar, who is in prison. Her request is refused. It is claimed that her “fetch” appears in Oscar’s prison cell as she dies at her home, 146 Oakley Street, Chelsea, on February 3, 1896. Willie Wilde, her older son, is penniless, so Oscar pays for her funeral, which is held on February 5, at Kensal Green Cemetery in London. A headstone proves too expensive and she is buried anonymously in common ground. A monument to her, in the form of a Celtic cross, is erected at Kensal Green Cemetery by the Oscar Wilde Society in 1999.


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Birth of Joseph Thomas Sheridan Le Fanu, Journalist & Novelist

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Joseph Thomas Sheridan Le Fanu, journalist, novelist, and short story writer, often called the father of the modern ghost story, is born in Dublin on August 28, 1814. He is the leading ghost story writer of the nineteenth century and is central to the development of the genre in the Victorian era. His best-known works include Uncle Silas (1864), a suspense story, and The House by the Churchyard (1863), a murder mystery. His vampire story Carmilla, which influences Bram Stoker’s Dracula, has been filmed several times.

Le Fanu is born at 45 Lower Dominick Street in Dublin to Thomas Philip Le Fanu and Emma Lucretia Dobbin, a literary family of Huguenot, Irish, and English descent. Within a year of his birth the family moves to the Royal Hibernian Military School in Phoenix Park where his father, a Church of Ireland clergyman, is appointed to the chaplaincy of the establishment.

In 1826, the family moves to Abington, County Limerick, where Le Fanu’s father takes up his second rectorship. Le Fanu uses his father’s library to educate himself and by the age of fifteen he was writing poetry.

The disorders of the Tithe War (1831–1836) affect the region in 1832 and the following year the family temporarily moves back to Dublin, where Le Fanu works on a government commission. Although Thomas Le Fanu tries to live as though he is well-off, the family is in constant financial difficulty. At his death, Thomas has almost nothing to leave to his sons and the family has to sell his library to pay off some of his debts.

Le Fanu studies law at Trinity College, Dublin, where he is elected Auditor of the College Historical Society. He is called to the bar in 1839, but never practices and soon abandons law for journalism. In 1838 he begins contributing stories to the Dublin University Magazine, including his first ghost story, The Ghost and the Bone-Setter (1838). He becomes owner of several newspapers from 1840, including the Dublin Evening Mail and the Warder.

In 1847, Le Fanu supports John Mitchel and Thomas Francis Meagher in their campaign against the indifference of the government to the Irish Famine. Others involved in the campaign include Samuel Ferguson and Isaac Butt. Butt writes a forty-page analysis of the national disaster for the Dublin University Magazine in 1847. Le Fanu’s support costs him the nomination as Tory Member of Parliament (MP) for County Carlow in 1852.

In 1856 the family moves from Warrington Place to the house of his wife Susanna’s parents at 18 Merrion Square. His personal life becomes difficult at this time, as his wife suffers from increasing neurotic symptoms. She suffers from anxiety after the deaths of several close relatives, including her father two years previous. In April 1858, Susanna suffers a “hysterical attack” and dies the following day. She is buried in the Bennett family vault in Mount Jerome Cemetery beside her father and brothers. He does not write any fiction from this point until the death of his mother in 1861.

He becomes the editor and proprietor of the Dublin University Magazine in 1861 and begins to take advantage of double publication, first serializing in the Dublin University Magazine, then revising for the English market. He publishes both The House by the Churchyard and Wylder’s Hand in this manner. After lukewarm reviews of The House by the Churchyard, which is set in the Phoenix Park area of Dublin, Le Fanu signs a contract with Richard Bentley, his London publisher, which specifies that future novels be stories “of an English subject and of modern times,” a step Bentley thinks necessary for Le Fanu to satisfy the English audience. Le Fanu succeeds in this aim in 1864, with the publication of Uncle Silas, which is set in Derbyshire. In his very last short stories, however, Le Fanu returns to Irish folklore as an inspiration and encourages his friend Patrick Kennedy to contribute folklore to the Dublin University Magazine.

Le Fanu dies in his native Dublin on February 7, 1873, at the age of 58. Today there is a road and a park in Ballyfermot, near his childhood home in south-west Dublin, named after him.


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First Production of the Irish Literary Theatre

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The first production of the Irish Literary Theatre, The Countess Cathleen, is performed on May 8, 1899. Like many of William Butler Yeats’ plays, it is inspired by Irish folklore. In a time of famine, demons sent by Satan come to Ireland to buy the souls of the starving people. The saintly Cathleen disposes of her vast estates and wealth in order to feed the peasants, yet the demons thwart her at every turn. At last, she sacrifices her own soul to save those of the poor.

Yeats, Lady Gregory and Edward Martyn publish a “Manifesto for Irish Literary Theatre” in 1897, in which they proclaim their intention of establishing a national theatre for Ireland. The Irish Literary Theatre is founded by Yeats, Lady Gregory, Martyn and George Moore in Dublin in 1899. It proposes to give performances in Dublin of Irish plays by Irish authors.

In 1899 Lady Gregory secures a temporary licence for a play to be given at the Antient Concert Rooms in Great Brunswick Street (now Pearse Street) in Dublin, and so enables the Irish Literary Theatre to give its first production. The play chosen is The Countess Cathleen by Yeats. It is done by a very efficient London company that includes May Whitty (Dame May Webster) and Ben Webster. The next production given is Martyn’s play The Heather Field.

In the following year the Irish Literary Theatre produces three plays at the Gaiety Theatre in Dublin: Maeve by Edward Martyn, The Last Feast of Fianna by Alice Milligan and The Bending of the Bough by George Moore. The Bending of the Bough is staged during the Second Boer War which begins on October 11, 1899.

The Irish Literary Theatre project lasts until 1901, when it collapses due to lack of funding.

The use of non-Irish actors in these productions is perceived to be a failure, and a new group of Irish players is put together by the brothers William and Frank Fay, among others. These go on to form the Irish National Theatre Society, which leads to the founding of the Abbey Theatre in Dublin in 1904.


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Birth of Peadar Toner Mac Fhionnlaoich, Irish Language Writer

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Peadar Toner Mac Fhionnlaoich, Irish language writer during the Gaelic revival known as Cú Uladh (The Hound of Ulster), is born in Allt an Iarainn, County Donegal on October 5, 1857. He writes stories based on Irish folklore, some of the first Irish language plays, and regularly writes articles in most of the Irish language newspapers such as An Claidheamh Soluis.

Mac Fhionnlaoich is the son of Micheal McGinley and Susan Toner. He attends school locally until he is seventeen. He then attends Blackrock College in Dublin for two years. Upon leaving school he enters into the British Civil Service becoming an Inland Revenue Officer. In 1895 he marries Elizabeth Woods (Irish: Sibhéal Ní Uadhaigh) and they have twelve children. He speaks Irish from an early age and keeps an interest in the language throughout his life, first publishing an Irish language short story and poem in The Donegal Christmas Annual 1883. It is not until 1895 while living in Belfast that he becomes involved in the Gaelic Movement.

It is in Mac Fhionnlaoich’s Belfast home that the first meeting of the Ulster branch of the Conradh na Gaeilge takes place in 1895. From this point on he becomes very involved in Conradh na Gaeilge becoming the organisations president on several occasions.

Mac Fhionnlaoich is a member of Seanad Éireann from 1938 to 1942 when he is nominated by Taoiseach Éamon de Valera.

Mac Fhionnlaoich dies at the age of 84 on July 1, 1942, in Dublin. He is buried in Glasnevin Cemetery, Dublin.


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Birth of Thomas Crofton Croker

thomas-crofton-crokerThomas Crofton Croker, antiquarian and folklorist, is born on January 15, 1798 in Cork, County Cork. His collections of songs and legends form a storehouse for writers of the Irish Literary Revival.

The son of an army major, Croker has little school education but does read widely while working in merchant trade. For some years Croker holds a position in the Admiralty, where his distant relative, John Wilson Croker, is his superior.

Croker devotes himself largely to the collection of ancient Irish poetry and Irish folklore. He assists in founding the Percy Society and the Camden Society. He and his wife’s testimonies about funereal customs, particularly the tradition of keening the deceased are among the earliest and most significant contributions to the understanding of the Irish language lament and the accompanying traditions. The first part of his Fairy Legends and Traditions of the South of Ireland is published in 1825. It grows to six editions and is translated into German by the Brothers Grimm (Irische Elfenmärchen, 1826). Parts two and three follow in 1828, the latter including Croker’s translation of the long Grimm preface to part one.

Croker publishes Legends of the Lakes: Or, Sayings and Doings at Killarney in 1829, in which he features discussions of the music of his friend, the Irish piper James Gandsey.

Thomas Crofton Croker dies on August 8, 1854 and is buried in Brompton Cemetery, London.


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Death of Philologist Eugene O’Curry

eugene-ocurryEugene O’Curry, philologist and antiquary, dies of a heart attack in Dublin on July 30, 1862.

O’Curry is born at Doonaha, near Carrigaholt, County Clare, the son of Eoghan Ó Comhraí, a farmer, and his wife Cáit. Eoghan has spent some time as a traveling peddler and has developed an interest in Irish folklore and music. Unusual for someone of his background, he is literate and is known to possess a number of Irish manuscripts. It is likely that Eoghan is primarily responsible for his son’s education.

Having spent some years working on his father’s farm and as a school teacher, O’Curry moves to Limerick in 1824 and spends seven years working there at a psychiatric hospital. He marries Anne Broughton, daughter of John Broughton of Killaderry near Broadford, County Limerick on October 3, 1824. He is a supporter of Catholic emancipation and in 1828 writes a poem congratulating Daniel O’Connell on his election as an MP.

During this period O’Curry is establishing a reputation for his knowledge of the Irish language and Irish history, and, by 1834, is in correspondence with the antiquary John O’Donovan. He is employed, from 1835 to 1842, on O’Donovan’s recommendation, in the topographical and historical section of Ordnance Survey Ireland. O’Donovan goes on to marry O’Curry’s sister-in-law, Mary Anne Broughton, in 1840. O’Curry spends much of the remainder of his life in Dublin and earns his living by translating and copying Irish manuscripts. The catalogue of Irish manuscripts in the British Museum (1849) is compiled by him for a fee of £100. He is responsible for the transcripts of Irish manuscripts from which O’Donovan edits the Annals of the Four Masters between 1848 and 1851.

In 1851 O’Curry is elected a member of the Royal Irish Academy and, on the founding of the Catholic University of Ireland in 1854, he is appointed professor of Irish history and archaeology. He works with George Petrie on the Ancient Music of Ireland (1855). In 1852, he and O’Donovan propose the Dictionary of the Irish Language, which is eventually begun by the Royal Irish Academy in 1913 and finally completed in 1976.

O’Curry’s lectures are published by the university in 1860, and give a better knowledge of Irish medieval literature than can be obtained from any other one source. Three other volumes of lectures are published posthumously, under the title On the Manners and Customs of the Ancient Irish (1873). His voluminous transcripts, notably eight huge volumes of early Irish law, testify to his unremitting industry. The Celtic Society, of the council of which he is a member, publishes two of his translations of medieval tales.

Eugene O’Curry dies of a heart attack at his home in Dublin on July 30, 1862, and is survived by two sons and two daughters. He is buried at Glasnevin Cemetery in Dublin. O’Curry Road in the Tenters area of Dublin 8 is named in his honour.