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Birth of Willie Frazer, Northern Irish Loyalist Activist

William Frederick Frazer, Northern Irish Ulster loyalist activist and advocate for those affected by Irish republican violence in Northern Ireland, is born on July 8, 1960. He is the founder and leader of the advocacy group Families Acting for Innocent Relatives (FAIR). He is also a leader of the Love Ulster campaign and then, the Belfast City Hall flag protests.

Frazer grows up in the village of Whitecross, County Armagh, Northern Ireland, as one of nine children, with his parents Bertie and Margaret. He is an ex-member of the Territorial Army and a member of the Free Presbyterian Church of Ulster. He attends a local Catholic school and plays Gaelic football up to U14 level. He describes his early years as a “truly cross-community lifestyle.” Growing up, he is a fan of the American actor John Wayne and wrestling. His father, who is a part-time member of the British Army‘s Ulster Defence Regiment (UDR) and a council worker, is killed by the Provisional Irish Republican Army (IRA) on August 30, 1975. The family home had previously been attacked with petrol bombs and gunfire which Frazer claims were IRA men, due to his father’s UDR membership. He states that his family is well respected in the area including by “old-school IRA men” and receives Mass cards from Catholic neighbours expressing their sorrow over his father’s killing. Over the next ten years, four members of Frazer’s family who are members or ex-members of the Royal Ulster Constabulary (RUC) or British Army are killed by the IRA. An uncle who is also a member of the UDR is wounded in a gun attack.

Soon after his father’s death, the IRA begins targeting Frazer’s older brother who is also a UDR member. Like many South Armagh unionists, the family moves north to the village of Markethill. After leaving school, he works as a plasterer for a period before serving in the British Army for nine years. Following this he works for a local haulage company, then sets up his own haulage company, which he later sells.

During the Drumcree conflict, Frazer is a supporter of the Portadown Orange Order who demand the right to march down the Garvaghy Road against the wishes of local residents. He is president of his local Apprentice Boys club at the time.

For a brief period after selling his haulage firm, Frazer runs “The Spot,” a nightclub in Tandragee, County Armagh, which closes down after two Ulster Protestant civilians who had been in the club, Andrew Robb and David McIlwaine, are stabbed to death in February 2000 by the Ulster Volunteer Force (UVF), after one of them had allegedly made derogatory remarks about dead UVF Mid-Ulster Brigade leader Richard Jameson. Frazer is confronted in an interview on BBC Radio Ulster about the murders by the father of one of the victims, Paul McIlwaine. During the Smithwick Tribunal, set up to investigate allegations of collusion in the 1989 Jonesborough ambush, it is alleged by a member of Garda Síochána that Frazer is a part of a loyalist paramilitary group called the Red Hand Commando. Frazer denies this allegation, saying they put his life in danger.

Frazer applies for a licence to hold a firearm for his personal protection and is turned down, a chief inspector says, in part because he is known to associate with loyalist paramilitaries.

FAIR, founded by Frazer in 1998, claims to represent the victims of IRA violence in South Armagh. It has been criticised by some for not doing the same for victims of loyalist paramilitary organisations or for those killed by security forces.

In February 2006, Frazer is an organiser of the Love Ulster parade in Dublin that has to be cancelled due to rioting. In January 2007, he protests outside the Sinn Féin Ard Fheis in Dublin that votes to join policing structures in Northern Ireland. He expresses “outrage at the idea that the ‘law-abiding population’ would negotiate with terrorists to get them to support democracy, law and order.”

In January 2007, Frazer dismisses Police Ombudsman Nuala O’Loan‘s report into security force collusion with loyalist paramilitaries.

In March 2010, Frazer claims to have served a civil writ on deputy First Minister Martin McGuinness, of Sinn Féin, seeking damages arising from the killing of his father by the Provisional IRA. Both Sinn Féin and the courts deny that any such writ had been served, but in June 2010 Frazer announces that he will seek to progress his claim in the High Court. There has since been no report of any such litigation. He previously pickets McGuinness’s home in Derry in 2007 to demand support for calls for Libya to compensate victims of IRA attacks. Accompanied by two other men, he attempts to post a letter to the house but is confronted by local residents and verbally abused. When McGuinness stands for election in the 2011 Irish presidential election, Frazer announces that he and FAIR will picket the main Sinn Féin election events, however, no such pickets take place.

In September 2010, the Special EU Programmes Body (SEUPB) revokes all funding to FAIR due to “major failures in the organisation’s ability to adhere to the conditions associated with its funding allocation” uncovered following a “thorough audit” of the tendering and administration procedures used by FAIR.

In November 2011, the SEUPB announces that it is seeking the return of funding to FAIR and another Markethill victims’ group, Saver/Naver. FAIR is asked to return £350,000 while Saver/Naver is asked to return £200,000. Former Ulster Unionist Party (UUP) leader Reg Empey demands that the conclusions about FAIR’s finances be released into the public domain.

In January 2012, Frazer announces a protest march to be held on February 25 through the mainly Catholic south Armagh village of Whitecross, to recall the killing of ten Protestant workmen by the South Armagh Republican Action Force (SARAF) in January 1976 in the Kingsmill massacre. He also names individuals whom he accuses of responsibility for the massacre. He later announces that the march is postponed “at the request of the Kingsmills families.” A 2011 report by the Historical Enquiries Team finds that members of the Provisional IRA carried out the attack despite the organisation being on ceasefire.

A delegation including Frazer, UUP politician Danny Kennedy and relatives of the Kingsmill families travel to Dublin in September 2012 to seek an apology from the Taoiseach, Enda Kenny. The apology is sought for what they describe as the Irish government‘s “blatant inaction” over the Kingmills killings. The Taoiseach says he cannot apologise for the actions of the IRA but assures the families there is no hierarchy for victims and their concerns are just as important as any other victims’ families. The families express disappointment although Frazer states he is pleased to have met the Taoiseach.

On November 16, 2012, Frazer announces that he is stepping down as director of FAIR, after he had reviewed a copy of the SEUPB audit report which, he claims, shows no grounds for demanding the reimbursement of funding. He adds, “I will still be working in the victims sector.”

In 2019, the BBC investigative journalism programme Spotlight reports that Frazer distributed assault rifles and rocket launchers from Ulster Resistance to loyalist terror groups who used them in more than 70 murders. A police report on the activities of the former Ulster Defence Association (UDA) boss Johnny Adair states he was receiving weapons from Ulster Resistance in the early 1990s and his contact in Ulster Resistance was Frazer.

In addition to his advocacy for Protestant victims, Frazer contests several elections in County Armagh. He is not elected and, on most occasions, loses his deposit. He runs as an Ulster Independence Movement candidate in the 1996 Forum Elections and the 1998 Assembly elections, and as an independent in the 2003 Assembly elections and a council by-election.

Frazer’s best electoral showing is 1,427 votes (25.9%) in a Newry and Mourne District Council by-election in August 2006, when he has the backing of the local UUP and Democratic Unionist Party (DUP).

In the 2010 United Kingdom general election, Frazer contests the Newry and Armagh Parliamentary constituency as an independent candidate. He received 656 votes (1.5%). The seat is retained by Sinn Féin’s Conor Murphy who received 18,857 votes.

In the 2011 Northern Ireland Assembly election Frazer is listed as a subscriber for the Traditional Unionist Voice (TUV) candidate for the Newry and Armagh constituency, Barrie Halliday, who secures 1.8% of the vote. At Newry Crown Court on Wednesday, June 21, 2017, Pastor Barrie Gordon Halliday is sentenced to nine months in prison, suspended for eighteen months, when he pleads guilty to seventeen counts of VAT repayment fraud.

In November 2012, Frazer announces his intention to contest the 2013 Mid Ulster by-election necessitated by Martin McGuinness’s decision to resign the parliamentary seat to concentrate on his Assembly role. He is quoted in The Irish News in January 2013 as stating that he will not condemn any paramilitary gunman who shoots McGuinness.

Despite his earlier advocacy of Ulster nationalism, in 2013 Frazer declares himself in favour of re-establishing direct rule in Northern Ireland.

On April 24, 2013, Frazer and others, including former British National Party (BNP) fundraiser Jim Dowson and David Nicholl, a former member of the paramilitary-linked Ulster Democratic Party (UDP), announce the launch of a new political party called the Protestant Coalition.

Frazer dies of cancer in Craigavon, County Armagh, Northern Ireland, on June 28, 2019. Traditional Unionist Voice (TUV) leader Jim Allister and DUP Assembly member Jim Wells pay tribute to his memory.


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Death of John Ford, Irish American Film Director

John Ford, American film director of Irish descent and one of the most important and influential filmmakers of his generation, dies in Palm Desert, California, on August 31, 1973.

Ford is born John Martin Feeney on February 1, 1894, at Cape Elizabeth, Maine. He is the fourth son among five sons and six daughters of Seán Feeney, Roman Catholic farmer and saloonkeeper, and Barbara ‘Abby’ Feeney (née Curran). His father had emigrated to the United States from Spiddal, County Galway, and his mother from Kilronan, Inishmore, one of the Aran Islands.

From an early age Ford has an interest in painting and sailing, and in July 1914 moves to California, where his older brother Francis is an actor with a small film company. Adopting the name ‘Jack Ford,’ he learns his trade as a filmmaker and acts in a number of silent films. Reveling in his Irish heritage, he makes his director’s debut with The Tornado (1917) and follows it with more than forty movies over the next six years. On July 3, 1920, he marries Mary McBryde Smith, a former officer in the army medical corps. They meet at a party thrown by the director Rex Ingram and have one son and one daughter.

In 1921 Ford visits Ireland for the first time and later claims to have travelled on the same boat that brought Michael Collins back from the treaty negotiations. He meets his relatives at Spiddal, falls in love with the countryside, and becomes a fervent Irish nationalist. It is later claimed that he brought over funds for his cousin Martin Feeney, a member of an Irish Republican Army (IRA) flying column.

Returning to Hollywood, Ford becomes friends with the retired marshal Wyatt Earp and makes a number of commercially successful films, now as ‘John Ford’. In 1926 he directs The Shamrock Handicap, a horse-racing yarn partly set in Ireland. In 1928 he shoots Mother Machree, a movie about Irish emigration, starring Victor McLaglen, a regular collaborator. McLaglen also stars in Hangman’s House, made the same year, Ford’s first major movie about Ireland.

In 1934 Ford purchases a luxury yacht which he names the Araner after the Aran Islands. He also begins shooting The Informer, a film set in Ireland during the Irish War of Independence and based on a short novel by Liam O’Flaherty. The picture is a major box office success and wins four Academy Awards, including Best Director. O’Flaherty is so impressed with the film that he dedicates his next book, Famine, to Ford.

In 1934 Ford visits Ireland for the second time, and approaches Seán O’Casey about directing a version of The Plough and the Stars. Released in 1936, the film stars Barry Fitzgerald as Fluther, but it is reedited by the studio, much to Ford’s fury, and is a commercial and critical flop.

Stagecoach, shot in 1938, is one of Ford’s masterpieces. It was a western starring his protégé, John Wayne, and marks the beginning of his golden decade. In 1940 and 1941 he wins Best Director Oscars successively for The Grapes of Wrath and How Green Was My Valley. With American entry into World War II, he serves in the U.S. Navy, and makes important documentaries such as The Battle of Midway (1942).

In 1952 Ford returns to Ireland to film The Quiet Man, starring Wayne, McLaglen, and Maureen O’Hara. Shot at Ashford Castle, County Mayo, the picture becomes one of the most popular Irish films of all time. He is immensely proud of the work and is in tears leaving Ireland. The following year he makes Mogambo, with Clark Gable, Grace Kelly and a young English actor, Donald Sinden, who later recalls that Ford berated him personally for all the problems of Ireland from the time of William of Orange. Ford’s strong sense of Irishness is central to his character and is crucial for any understanding of his work. Back in Ireland in 1956, he shoots The Rising of the Moon, a portmanteau film for which he takes no salary, starring Tyrone Power, Cyril Cusack, and Noel Purcell. A minor film, it makes no impact at the box office.

Two of Ford’s finest movies are made in his later years. The Searchers (1956) is a powerful study of vengeance, while The Man Who Shot Liberty Valance (1962) is an elegiac revisionist western which concludes with the famous line, “When the legend becomes fact, print the legend.”

Struck with cancer in his final years, Ford dies on August 31, 1973 at his home in Palm Desert, California, and is buried at Holy Cross Cemetery, Culver City. His will disinherits his son, Michael Patrick Roper, and leaves everything to his wife, daughter, and grandchildren.

When asked to name the finest American directors, Orson Welles replies simply, “John Ford, John Ford, and John Ford.” An alcoholic, Ford is a difficult and often tyrannical director, but he makes films of extraordinary power and vision. He ranks as one of the greatest filmmakers of the twentieth century. As Frank Capra concludes, “John is half-tyrant, half-revolutionary; half-saint, half-Satan; half-possible, half-impossible; half-genius, half-Irish.”

(From: “Ford, John,” contributed by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie)


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Death of Maurice Walsh, Author of “The Quiet Man”

Maurice Walsh, Irish novelist best known for the short story The Quiet Man which is later made into an Oscar-winning movie, dies on February 18, 1964, in Blackrock, Dublin.

Walsh is born on April 21, 1879, in Ballydonoghue near Listowel, County Kerry, the third child of ten and the first son born to John Walsh, a local farmer, and his wife Elizabeth Buckley who live in a three-room thatched farmhouse. John Walsh’s main interests are books and horses and he himself does little work about the farm, preferring to have a hired man. The most famous of these hired men is Paddy Bawn Enright, whose name is immortalised by Walsh in his story The Quiet Man, although the name is not used in the later motion picture. John Walsh passes on to his son not only a love of books but also legends and folk tales that are later featured of many of Walsh’s books.

Walsh goes to school in Lisselton, a mile or so up the road from Ballydonoghue, and later goes to St. Michael’s College in Listowel to prepare for the Civil Service entrance examination. He enters the service on July 2, 1901, as an Assistant Revenue Officer in the Customs and Excise Service. He is posted to Scotland before the year is out and, although he subsequently has a number of postings outside Scotland, he spends most of his time there while in the British service.

Walsh has a life-long interest in writing and, during his early years in Scotland, this interest starts to bear fruit. He submits some of his stories and has two published in the Irish Emerald in 1908. Later that year, on August 8, 1908, Walsh marries Caroline Begg in Dufftown, Banffshire, Scotland.

When the Irish Free State is formed in 1922, Walsh transfers to its excise service and moves to Dublin. Fighting is still going on there at the time, and he leaves his family in Scotland until it is safe for them to join him in 1923. The story The Key Above the Door is written during the months of separation although it is not published until some years later, appearing first in Chambers’ Edinburgh Journal as a serial between December 1925 and May 1926 and then in book form, published by W & R Chambers Ltd., in July 1926.

Sales of Walsh’s books grow steadily, especially in the wake of an unsolicited and generous letter from J. M. Barrie, the creator of Peter Pan, praising The Key Above the Door, which Chambers is subsequently able to use on dust covers of Walsh’s books.

Walsh retires from government service in 1933 but his success as a writer continues. In that same year he sells a story to The Saturday Evening Post, then a well-known weekly magazine published in the United States. That story, later to be incorporated in the collection of stories published under the title Green Rushes, is The Quiet Man.

Director John Ford reads the story in 1933 and soon purchases the rights to it for $10. Walsh is paid another $2,500 when Republic Pictures buys the idea and receives a final payment of $3,750 when the film is actually made. Filming commences on June 7, 1951, with John Wayne and Maureen O’Hara in the leading roles. All of the outdoor scenes are shot on location in County Mayo and County Galway. The inside scenes are filmed in late July at the Republic Studios in Hollywood. The Quiet Man wins the Academy Award for Best Director for John Ford, his fourth, and for Best Cinematography.

Walsh becomes President of the Irish branch of PEN International in 1938 and visits the United States for an international meeting that year as the Irish delegate. His wife Caroline is able to accompany him although she has been in failing health for some years and ultimately dies in January 1941. Walsh himself dies on February 18, 1964, in Blackrock, a suburb of Dublin, and is buried in the Esker cemetery at Lucan, County Dublin. President Éamon de Valera attended Walsh’s funeral Mass.

In 2013, The Quiet Man is selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”


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Birth of John Ford, Award Winning Irish American Film Director

John Ford, film director, is born as John Martin Feeney on February 1, 1894 at Cape Elizabeth, Maine. He is the fourth son among five sons and six daughters of Seán Feeney, Roman Catholic farmer and saloon-keeper, and Barbara ‘Abby’ Feeney (née Curran). His father had emigrated to the United States from Spiddal, County Galway, and his mother from Kilronan, Inishmore, one of the Aran Islands.

From an early age Ford has an interest in painting and sailing, and in July 1914 moves to California, where his older brother Francis is an actor with a small film company. Adopting the name ‘Jack Ford,’ he learns his trade as a filmmaker and acts in a number of silent pictures. Reveling in his Irish heritage, he makes his director’s debut with The Tornado (1917) and follows it with more than forty movies over the next six years. On July 3, 1920, he marries Mary McBryde Smith, a former officer in the army medical corps. They meet at a party thrown by the director Rex Ingram and have one son and one daughter.

In 1921 Ford visits Ireland for the first time and later claims to have travelled on the same boat that brought Michael Collins back from the treaty negotiations. He meets his relatives at Spiddal, falls in love with the countryside, and becomes a fervent Irish nationalist. It is later claimed that he brought over funds for his cousin Martin Feeney, a member of an Irish Republican Army (IRA) flying column.

Returning to Hollywood, Ford becomes friends with the retired marshal Wyatt Earp and makes a number of commercially successful films, now as ‘John Ford’. In 1926 he directs The Shamrock Handicap, a horse-racing yarn partly set in Ireland. In 1928 he shoots Mother Machree, a movie about Irish emigration, starring Victor McLaglen, a regular collaborator. McLaglen also stars in Hangman’s House, made the same year, Ford’s first major movie about Ireland.

In 1934 Ford purchases a luxury yacht which he names the Araner after the Aran Islands. He also begins shooting The Informer, a film set in Ireland during the Irish War of Independence, and based on a short novel by Liam O’Flaherty. The picture is a major box office success and wins four Academy Awards, including Best Director. O’Flaherty is so impressed with the film that he dedicates his next book, Famine, to Ford.

In 1934 Ford visits Ireland for the second time, and approaches Seán O’Casey about directing a version of The Plough and the Stars. Released in 1936, the film stars Barry Fitzgerald as Fluther, but it is reedited by the studio, much to Ford’s fury, and is a commercial and critical flop.

Stagecoach, shot in 1938, is one of Ford’s masterpieces. It was a western starring his protégé, John Wayne, and marks the beginning of his golden decade. In 1940 and 1941 he wins Best Director Oscars successively for The Grapes of Wrath and How Green Was My Valley. With American entry into World War II, he serves in the U.S. Navy, and makes important documentaries such as The Battle of Midway (1942).

In 1952 Ford returns to Ireland to film The Quiet Man, starring Wayne, McLaglen, and Maureen O’Hara. Shot at Ashford Castle, County Mayo, the picture becomes one of the most popular Irish films of all time. He is immensely proud of the work and is in tears leaving Ireland. The following year he makes Mogambo, with Clark Gable, Grace Kelly and a young English actor, Donald Sinden, who later recalls that Ford berated him personally for all the problems of Ireland from the time of William of Orange. Ford’s strong sense of Irishness is central to his character and is crucial for any understanding of his work. Back in Ireland in 1956, he shoots The Rising of the Moon, a portmanteau film for which he takes no salary, starring Tyrone Power, Cyril Cusack, and Noel Purcell. A minor film, it makes no impact at the box office.

Two of Ford’s finest movies are made in his later years. The Searchers (1956) is a powerful study of vengeance, while The Man Who Shot Liberty Valance (1962) is an elegiac revisionist western which concludes with the famous line, “When the legend becomes fact, print the legend.”

Struck with cancer in his final years, Ford dies on August 31, 1973 at his home in Palm Desert, California, and is buried at Holy Cross Cemetery, Culver City. His will disinherits his son, Michael Patrick Roper, and leaves everything to his wife, daughter, and grandchildren.

When asked to name the finest American directors, Orson Welles replies simply, “John Ford, John Ford, and John Ford.” An alcoholic, Ford is a difficult and often tyrannical director, but he makes films of extraordinary power and vision. He ranks as one of the greatest film-makers of the twentieth century. As Frank Capra concludes, “John is half-tyrant, half-revolutionary; half-saint, half-Satan; half-possible, half-impossible; half-genius, half-Irish.”

(From: “Ford, John,” contributed by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie)


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Death of Actress Maureen O’Hara

maureen-ohara

Maureen O’Hara, Irish actress and singer, dies peacefully in her sleep at her home in Boise, Idaho on October 24, 2015. The famously red-headed O’Hara is known for her beauty and playing fiercely passionate but sensible heroines, often in westerns and adventure films. She works on numerous occasions with director John Ford and longtime friend John Wayne and is one of the last surviving stars from the Golden Age of Hollywood.

O’Hara is born Maureen FitzSimons on August 17, 1920, in Ranelagh, County Dublin and grows up in an “eccentric” devout Catholic family and aspires to become an actress from a very young age. She trains with the Rathmines Theatre Company from the age of 10 and at the Abbey Theatre from the age of 14. She is given a screen test, which is deemed unsatisfactory, but Charles Laughton sees potential and arranges for her to co-star with him in Alfred Hitchcock‘s Jamaica Inn in 1939. She moves to Hollywood the same year to appear with him in the production of The Hunchback of Notre Dame and is given a contract by RKO Pictures. From there, she goes on to enjoy a long and highly successful career, and acquires the nickname “The Queen of Technicolor,” which she detests, believing that people see her only for her beauty rather than talent.

O’Hara gains a reputation in Hollywood for bossiness and prudishness, avoiding the partying lifestyle. She appears in films such as How Green Was My Valley (1941), her first collaboration with John Ford, The Black Swan (1942) with Tyrone Power, The Spanish Main (1945), Sinbad the Sailor (1947), the Christmas classic Miracle on 34th Street (1947) with John Payne and Natalie Wood and Comanche Territory (1950).

O’Hara appears in her first film with John Wayne, the actor with whom she is most closely associated, with Rio Grande (1950). This is followed by The Quiet Man (1952), her best-known film, and The Wings of Eagles (1957), by which time her relationship with Ford has deteriorated. Such is her strong chemistry with Wayne that many assume they are married or in a relationship. In the 1960s O’Hara increasingly turns to more motherly roles as she ages, appearing in films such as The Deadly Companions (1961), The Parent Trap (1961), and The Rare Breed (1966).

O’Hara retires from the industry in 1971 after starring with Wayne one final time in Big Jake but returns 20 years later to appear with John Candy in Only the Lonely (1991). In the late 1970s, O’Hara helps run her third husband’s flying business in St. Croix in the American Virgin Islands, and edits a magazine, but later sells them to spend more time in Glengariff in Ireland. She is married three times and has one daughter, Bronwyn, born in 1944 to her second husband.

Her autobiography, ‘Tis Herself, is published in 2004 and becomes a New York Times Bestseller. In November 2014, she is presented with an Honorary Academy Award with the inscription “To Maureen O’Hara, one of Hollywood’s brightest stars, whose inspiring performances glowed with passion, warmth and strength.”

Maureen O’Hara dies of natural causes in her sleep at the age of 95 on October 24, 2015, at her home in Boise, Idaho. O’Hara is buried at Arlington National Cemetery in Virginia next to her late husband Charles F. Blair, Jr.


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Birth of Actor Arthur Shields

arthur-shields

Arthur Shields, Irish actor on television, stage, and film, is born on February 15, 1896, into an Irish Protestant family in Portobello, Dublin. Shields starts acting in the Abbey Theatre when he is 17 years old. He is the younger brother of Oscar-winning actor Barry Fitzgerald. They are the sons of Adolphus Shields, who is well-known in Dublin as a labor organizer although the 1901 census lists his occupation as “press reader,” and Fanny Sophia Sheilds.

An Irish nationalist, Shields fights in the Easter Rising of 1916. He is captured and held for six months in the Frongoch internment camp in Frongoch, Wales. His obituary in the San Mateo County Times of San Mateo, California, reports, “upon his release he was decorated by the Republic of Eire.”

Shields returns to the Abbey Theatre and has a varied career there from 1914-1939 as actor, assistant director, director, and stage manager. He appears in more than 300 roles in 350 plays while he is at the Abbey. Three of the productions he appears in are by Irish playwright Teresa Deevy – The Reapers, Temporal Powers, and Katie Roche. Three times he brings the Abbey Company to the United States.

In 1936, John Ford brings him to the United States to act in a film version of The Plough and the Stars in the role of Patrick Pearse. Some of his memorable roles are in Ford films. Shields portrays the Reverend Playfair in Ford’s The Quiet Man, opposite John Wayne, Maureen O’Hara, and his brother, Barry Fitzgerald. He plays Dr. Laughlin in She Wore a Yellow Ribbon with Wayne and Joanne Dru and appears yet again with Wayne and Barry Fitzgerald in Ford’s The Long Voyage Home. His other films include Little Nellie Kelly, The Keys of the Kingdom, The Fabulous Dorseys, Gallant Journey, The Shocking Miss Pilgrim, Drums Along the Mohawk, Lady Godiva, National Velvet, and The River. He also makes television appearances including a 1958 role on Perry Mason as Dr. George Barnes in “The Case of the Screaming Woman.”

Shields dies of complications related to emphysema on April 27, 1970, in Santa Barbara, California. He is survived by his wife, actress Laurie Bailey, a daughter, a son, and four great-grandchildren. His body is cremated, with the ashes taken to Dublin, where a burial with full military honors takes place.


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Birth of Actress Maureen O’Hara

maureen-ohara

Maureen O’Hara, Irish actress and singer, is born Maureen FitzSimons on August 17, 1920, in Ranelagh, County Dublin. The famously red-headed O’Hara is known for her beauty and playing fiercely passionate but sensible heroines, often in westerns and adventure films. She works on numerous occasions with director John Ford and longtime friend John Wayne and is one of the last surviving stars from the Golden Age of Hollywood.

O’Hara grows up in the Dublin suburb of Ranelagh to an “eccentric” devout Catholic family and aspires to become an actress from a very young age. She trains with the Rathmines Theatre Company from the age of 10 and at the Abbey Theatre from the age of 14. She is given a screen test, which is deemed unsatisfactory, but Charles Laughton sees potential and arranges for her to co-star with him in Alfred Hitchcock‘s Jamaica Inn in 1939. She moves to Hollywood the same year to appear with him in the production of The Hunchback of Notre Dame and is given a contract by RKO Pictures. From there, she goes on to enjoy a long and highly successful career, and acquires the nickname “The Queen of Technicolor,” which she detests, believing that people see her only for her beauty rather than talent.

O’Hara gains a reputation in Hollywood for bossiness and prudishness, avoiding the partying lifestyle. She appears in films such as How Green Was My Valley (1941), her first collaboration with John Ford, The Black Swan (1942) with Tyrone Power, The Spanish Main (1945), Sinbad the Sailor (1947), the Christmas classic Miracle on 34th Street (1947) with John Payne and Natalie Wood and Comanche Territory (1950).

O’Hara appears in her first film with John Wayne, the actor with whom she is most closely associated, with Rio Grande (1950). This is followed by The Quiet Man (1952), her best-known film, and The Wings of Eagles (1957), by which time her relationship with Ford has deteriorated. Such is her strong chemistry with Wayne that many assume they are married or in a relationship. In the 1960s O’Hara increasingly turns to more motherly roles as she ages, appearing in films such as The Deadly Companions (1961), The Parent Trap (1961), and The Rare Breed (1966).

O’Hara retires from the industry in 1971 after starring with Wayne one final time in Big Jake but returns 20 years later to appear with John Candy in Only the Lonely (1991). In the late 1970s, O’Hara helps run her third husband’s flying business in St. Croix in the American Virgin Islands, and edits a magazine, but later sells them to spend more time in Glengariff in Ireland. She is married three times and has one daughter, Bronwyn, born in 1944 to her second husband.

Her autobiography, ‘Tis Herself, is published in 2004 and becomes a New York Times Bestseller. In November 2014, she is presented with an Honorary Academy Award with the inscription “To Maureen O’Hara, one of Hollywood’s brightest stars, whose inspiring performances glowed with passion, warmth and strength.”

Maureen O’Hara dies of natural causes in her sleep at the age of 95 on October 24, 2015, at her home in Boise, Idaho. O’Hara is buried at Arlington National Cemetery in Virginia next to her late husband Charles Blair.


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Birth of Maurice Walsh, Author of “The Quiet Man”

maurice-walsh

Maurice Walsh, Irish novelist best known for the short story The Quiet Man which is later made into an Oscar-winning movie, is born on April 21, 1879, in Ballydonoghue near Listowel, County Kerry.

Walsh is the third child of ten and the first son born to John Walsh, a local farmer, and his wife Elizabeth Buckley who live in a three-room thatched farmhouse. John Walsh’s main interests are books and horses and he himself does little work about the farm, preferring to have a hired man. The most famous of these hired men is Paddy Bawn Enright, whose name is immortalised by Walsh in his story The Quiet Man, although the name is not used in the later motion picture. John Walsh passes on to his son not only a love of books but also legends and folk tales that are later featured of many of Walsh’s books.

Walsh goes to school in Lisselton, a mile or so up the road from Ballydonoghue, and later goes to St. Michael’s College in Listowel to prepare for the Civil Service examination. He enters the service on July 2, 1901, as an Assistant Revenue Officer in the Customs and Excise Service. He is posted to Scotland before the year is out and, although he subsequently has a number of postings outside Scotland, he spends most of his time there while in the British service.

Walsh has a life-long interest in writing and, during his early years in Scotland, this interest starts to bear fruit. He submits some of his stories and has two published in the Irish Emerald in 1908. Later that year, on August 8, 1908, Walsh marries Caroline Begg in Dufftown, Banffshire, Scotland.

When the Irish Free State is formed in 1922, Walsh transfers to its excise service and moves to Dublin. Fighting is still going on there at the time, and he leaves his family in Scotland until it is safe for them to join him in 1923. The story The Key Above the Door is written during the months of separation although it is not published until some years later, appearing first in Chambers Journal as a serial between December 1925 and May 1926 and then in book form, published by W & R Chambers Ltd., in July 1926.

Sales of Walsh’s books grow steadily, especially in the wake of an unsolicited and generous letter from J. M. Barrie, the creator of Peter Pan, praising The Key Above the Door, which Chambers is subsequently able to use on dust covers of Walsh’s books.

Walsh retires from government service in 1933 but his success as a writer continues. In that same year he sells a story to The Saturday Evening Post, then a well-known weekly magazine published in the United States. That story, later to be incorporated in the collection of stories published under the title Green Rushes, is The Quiet Man.

Director John Ford reads the story in 1933 and soon purchases the rights to it for $10. Walsh is paid another $2,500 when Republic Pictures buys the idea and receives a final payment of $3,750 when the film is actually made. Filming commences on June 7, 1951, with John Wayne and Maureen O’Hara in the leading roles. All of the outdoor scenes are shot on location in County Mayo and County Galway. The inside scenes are filmed in late July at the Republic Studios in Hollywood. The Quiet Man wins the Academy Award for Best Director for John Ford, his fourth, and for Best Cinematography.

Walsh becomes President of the Irish branch of PEN International in 1938 and visits the United States for an international meeting that year as the Irish delegate. His wife Caroline is able to accompany him although she has been in failing health for some years and ultimately dies in January 1941. Walsh himself dies on February 18, 1964, in Blackrock, a suburb of Dublin, and is buried in the Esker cemetery at Lucan, County Dublin. President Éamon de Valera attended Walsh’s funeral Mass.

In 2013, The Quiet Man is selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”