Cook is born to Francis John Granville Cook and Jocelyn McKay (née Stewart) in Leicester, England. As a child, he moves to Northern Ireland with his parents and sisters after his father is appointed headmaster of Campbell College in 1954.
Cook works as a solicitor, eventually becoming a senior partner at Sheldon and Stewart Solicitors.
In 1970, Cook is a founder member of the Alliance Party of Northern Ireland, a nonsectarian party, while he is elected to the party’s Central Executive in 1971.
Cook is elected to Belfast City Council in 1973, a position he holds until 1985. In 1978, he becomes the first non-Unionist Lord Mayor of Belfast since William James Pirrie, a Home RuleLiberal, in 1896–1898.
In 1994, Cook becomes the Chairman of the Police Authority of Northern Ireland, but he is sacked from this role in 1996 after losing a vote of confidence. After a critical account of his role in an internal row in that authority appears in newspapers in 1998, he undertakes a lengthy libel case which is ultimately settled out of court. He subsequently sits on the Craigavon Health and Social Services Trust.
On September 20, 2020, it is announced that Cook has died after being diagnosed with COVID-19 during the pandemic. According to his family, he dies on September 19, 2020, at Craigavon Area Hospital. He had had a stroke two years earlier. He is survived by his wife Fionnuala, his sisters Alison and Nora, his daughter Barbary, his sons John, Patrick, Julius, and Dominic, and his granddaughters Romy and Imogen.
The youngest daughter of Captain Henry Butler, a grandson of the Edmund Butler, 11th Viscount Mountgarret, and Clara Butler (née Taylor) of the Newarke, Leicester, England. Her father is himself an enthusiastic painter, known for his publication South African sketches: illustrative of the wildlife of a hunter on the frontier of Cape Colony (1841). Her early artistic efforts are mainly copies of romantic subjects, but the influence of the London artist Paul Jacob Naftel, with whom she begins corresponding in the early 1880s, proves to be crucial to her artistic development. Studies with William Frank Calderon, an expert in animal painting, are also significant. She subsequently spends the summers of 1894 and 1895 in Newlyn, Cornwall, England, with the Irish artist Norman Garstin, who introduces her to contemporary French painting.
In 1885, Butler makes her first visit to the continent, traveling through France, Switzerland, and Italy. From 1905 to 1914 she travels regularly to Europe, most particularly Aix-les-Bains and Wiesbaden, during which time she produces genre views of French and German villages. After 1914 her life at the family home is interrupted only by visits to London exhibitions. She is best known for her paintings of Kilmurry and its environs, many of which display an interest in botany. Much of her work is dominated by detailed representations of animals and birds, often drawn from photographs and stuffed specimens.
Butler’s career as an exhibitor begins in 1882 with the Irish Fine Arts Society, later known as the Water Colour Society of Ireland (WCSI), with which she has a long association. She exhibits regularly with the society from 1892 onward and is a member of its committee for many years. She is also closely associated with the Dudley Museum and Art Gallery in London. Her work is first shown there in 1888, and on this evidence, she is elected to their society. The purchase by the Chantrey bequest for the Tate Gallery of The Morning Bath for £50 in 1896 is a high point in her career. The first painting by a woman to be selected by the council, its purchase is followed by almost consistently good press reviews for her work. The Athenaeum of May 5, 1897, writes: “The young lady knows how to look at her subjects with the eyes of a well-trained artist.”
Butler also comes to the attention of the American artistic press. She contributes to the portfolio of drawings given by the Society of Lady Artists to Princess May on her marriage to the Duke of York in 1893, while in 1922 her work is included in the portfolio presented to Princess Mary on her marriage. Her patrons include Queen Alexandra, and the grand duke of Hesse, who purchases two of her paintings after she is invited to exhibit in Hesse Darmstadt in 1911. In 1914 she is made a member of the Union Internationale des Beaux Arts, and in 1921 her paintings are shown in Japan. She regularly exhibits with the Belfast Ramblers, the Royal Ulster Academy, the Royal Academy of Arts (RA), the Royal Hibernian Academy (RHA), the Society of Lady Artists, and the Royal Watercolour Society, of which she is made an associate member in 1896, and a full member in 1937.
In her later years, severe rheumatism prevents Butler from painting. She has a keen interest in music. She survives all five of her siblings, and inherits Kilmurry, where she dies on October 11, 1941. She is buried at Thomastown, County Kilkenny. Her paintings are represented in the collections of the National Gallery of Ireland, Dublin City Gallery the Hugh Lane, the Ulster Museum, and the Tate, London.
(From: “Butler, Mildred Anne” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Myers grows up in England. His father, an Irish GP, dies when he is 15 and away at Ratcliffe College, a Catholicboarding school. His father’s early death creates financial difficulties, though he manages to stay at the school with the help of both the school and the Local Education Authority (LEA). He moves to Ireland to go to university, and graduates from University College Dublin (UCD) in 1969.
Myers subsequently works as a journalist for Irish broadcaster RTÉ, and reports from Northern Ireland during the height of the Troubles. He later works for three of Ireland’s major newspapers, The Irish Times, the Irish Independent, and the Irish edition of The Sunday Times. In 2000, a collection of his An Irishman’s Diary columns is published, with a second volume following in 2007. He is also a presenter of the Challenging Times television quiz show on RTÉ during the 1990s.
In 2001, Myers publishes Banks of Green Willow, a novel, which is met with negative reviews. In 2006, he publishes Watching the Door, about his time as a journalist in Northern Ireland during the 1970s. The book receives positive reviews in The Times, The Guardian, and the New Statesman, while The Independent publishes a more mixed review that wonders whether there is “an element of hyperbole” in Myers’ account.
Myers is a regular contributor to radio programmes on News Talk 106, particularly Lunchtime with Eamon Keane and The Right Hook. He regularly appears on The Last Word on Today FM. He is also a member of the Film Classification Appeals Board, formerly known as the Censorship Board.
In 2005, Myers attracts considerable criticism for his column, An Irishman’s Diary, in which he refers to children of unmarried mothers as “bastards.” Former Minister of StateNuala Fennell describes the column as “particularly sad.” She says the word “bastard” is an example of pejorative language that is totally unacceptable. Myers issues an unconditional apology two days later. The Irish Times editor, Geraldine Kennedy, also apologises for having agreed to publish the article.
In July 2008, Myers writes an article arguing that providing aid to Africa only results in increasing its population, and its problems. This produces strong reactions, with the Immigrant Council of Ireland making an official complaint to the Garda Síochána alleging incitement to hatred. Hans Zomer of Dóchas, an association of NGOs, and another complainant, take a complaint to the Press Council on the grounds that it breaches four principles of the Council’s Code of Practice: accuracy, fairness and honesty, respect for rights, and incitement to hatred.
At the end of July 2017, Myers contributes an article entitled “Sorry, ladies – equal pay has to be earned” to the Irish edition of The Sunday Times about the BBC gender-pay-gap controversy. He further alleges that Claudia Winkleman and Vanessa Feltz are higher paid than other female presenters because they are Jewish. The editor of the Irish edition, Frank Fitzgibbon, issues a statement saying in part “This newspaper abhors anti-Semitism and did not intend to cause offence to Jewish people.” Martin Ivens, editor of The Sunday Times, says the article should not have been published. Ivens and Fitzgibbon apologise for publishing it. After complaints from readers and the Campaign Against Antisemitism, the article is removed from the website. The newspaper announces that Myers will not write for The Sunday Times again. Myers is defended by the chair of the Jewish Representative Council of Ireland, Maurice Cohen, who states, “Branding Kevin Myers as either an antisemite or a Holocaust denier is an absolute distortion of the facts.”
Myers is married to Rachel Nolan and lives in County Kildare. He is the brother-in-law of TV presenter, producer and UK Big Brother housemate Anna Nolan.
After completing his secondary education at St. Joseph’s College, Galway, he enrolls at University College Dublin in 1900 where he receives an arts degree and then studies medicine. He transfers to University College, Galway and graduates in 1913. He is a member of the college Literary and Debating Society and participates in drama.
He begins his medical career in the County Infirmary in Galway and then moves to Holles Street Hospital. He joins the Royal Army Medical Corps and is badly affected by mustard gas in India. After the war he settles in Leicester, where he spends the rest of his career as a neurological specialist.
Colahan is also a composer of popular songs. He is a quiet man who is often homesick for his beloved Galway Bay. These feelings lead him to write his most famous work, “Galway Bay.” Popularised by Bing Crosby, it becomes the biggest selling record of all time at one point. Theories abound as to where the song is written or where it is first heard. Some say it is in the home of Dr. Morris at 1 Montpelier Terrace, while others believe it is in The Vicars Croft on Taylor’s Hill, from where one can see Galway Bay.
Other songs written by Colahan include “Maccushla Mine,” “Asthoreen Bawn,” “Until God’s Day,” “The Kylemore Pass” and “The Claddagh Ring.” Sadly, before his music is selling in the High Street he dies on September 15, 1952, and is buried in an unmarked grave back in his Irish birthplace.
The last British troops leave the Irish Free State on December 17, 1922. They are the remnants of a 5,000 strong garrison maintained up to that point in Dublin, commanded by Nevil Macready.
It appears to be a friendly farewell, even while Ireland is embroiled in its own Civil War. The Union Jack is lowered at the hospital and Macready goes to review the final contingent of troops as they leave the Royal barracks, later known as the Collins barracks. He then motors to Kingstown, now Dún Laoghaire, where he receives a 17-gun salute and joins Admiral Cecil Fox, the Sligo-born naval commander in the area, on board the cruiser HMS Dragon to sail home to England and retirement.
Meanwhile, the troops, 3,500 men mostly from the Leicester, Worchester, and Border regiments, march to the port. At Beresford Place they are greeted by 500 members of the Legion of Irish Ex-Servicemen, in civilian clothes but wearing their decorations. Thousands of other people line the quays and the armoured cars and the Dublin Metropolitan Police stand by, but there is no trouble. Embarkation onto six ships begins around 1:15 PM. At 3:10 PM, the last ship to leave, the steamer Arvonia chartered from the London and North Western Railway, weighs anchor while a band on deck plays “God Save the King” and a crowd breaks into the North Wall Extension to wave a final farewell as it enters Alexandra Basin.
The armoured cars them drive north to Ulster and the evacuation of the Irish Free State, apart from the Treaty ports, is over. General Richard Mulcahy, who takes over the Royal barracks that day, claims “the incubus of occupation that has lain as a heavy hand on the country for years has been removed.”
In his memoirs, Macready expresses annoyance that a photograph of Fox and himself published in The Irish Times on December 18 has the caption “two gallant Irishmen.” Although he has an Irish grandfather, he cordially loathes Ireland.
The British leave fully outfitted barracks to the Irish Army and artifacts including a large card in the Headquarters in Parkgate Street printed with the admonition “LOVE ONE ANOTHER.”
Father Willie Doyle, an Irish Jesuit priest, is killed in action on August 16, 1917, during the World War I.
Born William Joseph Gabriel Doyle in Dalkey, County Dublin, on March 3, 1873, Doyle is the youngest of seven children of Hugh and Christine Byrne Doyle. He is educated at Ratcliffe College, Leicester. After reading St. Alphonsus’ book Instructions and Consideration on the Religious State he is inspired to enter the priesthood and is ordained a Jesuit priest in 1907. He serves for five years on the mission staff.
General William Bernard Hickie, the commander-in-chief of the 16th Irish Division, describes Doyle as “one of the bravest men who fought or served out here.” Doyle is awarded the Military Cross for his bravery during the assault on the village of Ginchy. He is recommended for a posthumous Victoria Cross and Distinguished Service Order but is awarded neither. Doyle is proposed for canonisation in 1938, but this is not followed through.
A stained-glass window dedicated to his memory is present in St. Finnian’s Church, Dromin, County Louth.
seamus dubhghaill 