In 1871, at the request of the Canadian government, French is sent to Canada as a military inspector, eventually becoming head of the School of Gunnery at Kingston, Ontario.
French is appointed to organise the North-West Mounted Police on its creation in 1873, and the next year he leads the force on its famous march to the foothills of the Rocky Mountains.
French resigns in 1876 and returns to duty in the British Army, eventually attaining the rank of major general. The organizational skills developed in Canada are used to establish local defence forces in India and Australia. In September 1883 he is appointed Commandant of the Queensland Local Forces with the local rank of colonel, and arrives in the colony on January 4, 1884. In 1862, he marries Janet Clarke, daughter of the late Robert Long Innes, formerly of the 37th Regiment. French retires in 1891 and returns to England.
Although a Protestant country-gentleman, O’Brien supports Catholic emancipation while remaining a supporter of British-Irish union. In 1843, in protest against the imprisonment of Daniel O’Connell, he joins O’Connell’s anti-union Repeal Association.
Three years later, O’Brien withdraws the Young Irelanders from the association. In January 1847, with Thomas Francis Meagher, he founds the Irish Confederation, although he continues to preach reconciliation until O’Connell’s death in May 1847. He is active in seeking relief from the hardships of the famine. In March 1848, he speaks out in favour of a National Guard and tries to incite a national rebellion. He is tried for sedition on May 15, 1848, but is not convicted.
On July 29, 1848, O’Brien and other Young Irelanders lead landlords and tenants in a rising in three counties, with an almost bloodless battle against police at Ballingarry, County Tipperary. In O’Brien’s subsequent trial, the jury finds him guilty of high treason. He is sentenced to be hanged, drawn, and quartered. Petitions for clemency are signed by 70,000 people in Ireland and 10,000 people in England. In Dublin on June 5, 1849, the sentences of O’Brien and other members of the Irish Confederation are commuted to transportation for life to Van Diemen’s Land (Tasmania in present-day Australia).
O’Brien attempts to escape from Maria Island off Tasmania but is betrayed by the captain of the schooner hired for the escape. He is sent to Port Arthur where he meets up with John Mitchel.
O’Brien is a founding member of the Ossianic Society, which is founded in Dublin on St. Patrick’s Day 1853, whose aim is to further the interests of the Irish language and to publish and translate literature relating to the Fianna. He writes to his son Edward from Van Diemen’s Land, urging him to learn the Irish language. He himself studies the language and uses an Irish-language Bible and presents to the Royal Irish Academy Irish-language manuscripts he has collected.
In 1854, after five years in Tasmania, O’Brien is released on the condition he never returns to Ireland. He settles in Brussels. In May 1856, he is granted an unconditional pardon and returns to Ireland that July. He contributes to the Nation newspaper but plays no further part in politics.
In 1864 he visits England and Wales, with the view of rallying his failing health, but no improvement takes place, and he dies at Bangor, in Wales on June 16, 1864.
A statue of William Smith O’Brien stands in O’Connell Street, Dublin. Sculpted in Portland limestone, it is designed by Thomas Farrell and erected in D’Olier Street, Dublin, in 1870. It is moved to its present position in 1929.
Alcock and Brown take off from Lester’s Field at around 1:45 PM on June 14. They fly the modified Vickers Vimy, powered by two Rolls-Royce Eagle 360 hp engines which are supported by an on-site Rolls Royce team led by engineer Eric Platford.
It is not an easy flight. The overloaded aircraft has difficulty taking off from the rough field and only barely misses the tops of the trees. A short time later the wind-driven electrical generator fails, depriving them of radio contact, their intercom and heating. An exhaust pipe bursts shortly afterwards, causing a frightening noise which makes conversation impossible without the failed intercom.
At 5:00 PM they have to fly through thick fog. This is serious because it prevents Brown from being able to navigate using his sextant. Blind flying in fog or cloud should only be undertaken with gyroscopic instruments, which they do not have, and Alcock twice loses control of the aircraft and nearly hits the sea after a spiral dive. Alcock also has to deal with a broken trim control that makes the plane become very nose heavy as fuel is consumed.
At 12:15 AM on June 15 Brown gets a glimpse of the stars and is able to use his sextant and finds that they are still on course. By this point, their electric heating suits have failed, making them very cold in the open cockpit.
Then at 3:00 AM they fly into a large snowstorm. They are drenched by rain, their instruments ice up, and the plane is in danger of icing and becoming unflyable. The carburetors also ice up.
Alcock and Brown make landfall in County Galway at 8:40 AM on June 15, not far from their intended landing place, after less than sixteen hours of flying time. The aircraft is damaged upon arrival because of an attempt to land on what appears from the air to be a suitable green field, but which turns out to be a bog, near Clifden, but neither of the airmen is hurt. Brown says that if the weather had been good, they could have pressed on to London.
Alcock and Brown are treated as heroes on the completion of their flight. In addition to the Daily Mail award of £10,000, the crew receives 2,000 guineas (£2,100) from the Ardath Tobacco Company and £1,000 from Lawrence R. Phillips for being the first British subjects to fly the Atlantic Ocean. The two aviators are awarded the honour of Knight Commander of the Most Excellent Order of the British Empire (KBE) a week later by King George V at Windsor Castle.
John Alcock is killed on December 18, 1919, when he crashes near Rouen while flying the new Vickers Viking amphibian to the Paris Air Show. Arthur Brown dies on October 4, 1948. Two memorials commemorating the flight are sited near the landing spot in County Galway. The first is an isolated cairn four kilometres south of Clifden, around 500 metres from the spot where they land, on the site of Guglielmo Marconi‘s first transatlantic wireless station from which the aviators transmit their success to London. In addition, there is a sculpture of an aircraft’s tailfin on Errislannan Hill two kilometres north of their landing spot, dedicated on June 15, 1959, the fortieth anniversary of their landing.
Mary Colum (née Maguire), literary critic and author, is born in Collooney, County Sligo on June 14, 1884, the daughter of Charles Maguire and Catherine Gunning. She is the author of several books, including the autobiographical Life and the Dream (1947), and From These Roots: The Ideas that Have Made Modern Literature (1937), a collection of her criticism.
Maguire’s mother dies in 1895, leaving her to be reared by her grandmother, Catherine, in Ballysadare, County Sligo. She attends boarding school in St. Louis’ Convent in Monaghan, County Monaghan.
Educated at Royal University of Ireland Maguire is founder of the Twilight Literary Society which leads her to meet William Butler Yeats. She regularly attends the Abbey Theatre and is a frequent visitor amongst the salons, readings and debates there. After graduation in 1909 she teaches with Louise Gavan Duffy at St. Ita’s, a companion school to Patrick Pearse‘s St. Enda’s School. She is active with Thomas MacDonagh and others in national and cultural causes and co-founds The Irish Review (1911–14) with David Houston, MacDonagh and others. She, along with her husband, Padraic Colum, whom she marries in July 1912, edit the magazine for some months of its four-year run. She is encouraged by Yeats to specialise in French literary criticism and to translate Paul Claudel.
Colum associates with James Joyce in Paris and discourages him from duping enquirers about the origins of the interior monologue in the example of Édouard Dujardin. She accepts Joyce’s very ill daughter, Lucia, for a week in their Paris flat at the height of her “hebephrenic” attack, while herself preparing for an operation in May 1932. She serves as the literary editor of The Forum magazine from 1933–1941 and commences teaching comparative literature with Padraic at Columbia University in 1941.
She rebuts Oliver St. John Gogarty‘s intemperate remarks about Joyce in The Saturday Review of Literature in 1941.
Colum’s publications become increasingly sparse in the 1950s as her arthritis and neuralgia grow more and more severe. She dies in New York City on October 22, 1957. At the time of her death, she is working on Our Friend James Joyce with her husband, each writing various chapters. It is assembled posthumously by Padraic Colum and is published by Doubleday on August 22, 1958.
Yeats is the oldest child of John Butler Yeats and Susan Mary Pollexfen. Although John trained as a lawyer, he abandons the law for art soon after his first son is born. Yeats spends much of his early years in London, where his father is studying art, but frequently returns to Ireland.
In the mid-1880s, Yeats pursues his own interest in art as a student at the Metropolitan School of Art in Dublin. Following the publication of his poems in the Dublin University Review in 1885, he soon abandons art school for other pursuits.
After returning to London in the late 1880s, Yeats meets writers Oscar Wilde, Lionel Johnson and George Bernard Shaw. He also becomes acquainted with Maud Gonne, a supporter of Irish independence. This revolutionary woman serves as a muse for Yeats for years. He even proposes marriage to her several times, but she turns him down. He dedicates his 1892 drama The Countess Cathleen to her.
Around this time, Yeats founds the Rhymers’ Club poetry group with Ernest Rhys. He also joins the Hermetic Order of the Golden Dawn, an organization that explores topics related to the occult and mysticism. While he is fascinated with otherworldly elements, Yeats’s interest in Ireland, especially its folktales, fuels much of his output. The title work of The Wanderings of Oisin and Other Poems (1889) draws from the story of a mythic Irish hero.
In addition to his poetry, Yeats devotes significant energy to writing plays. He teams with Lady Gregory to develop works for the Irish stage, the two collaborating for the 1902 production of Cathleen ni Houlihan. Around that time, he helps found the Irish National Theatre Society, serving as its president and co-director, with Lady Gregory and John Millington Synge. More works soon follow, including On Baile’s Strand, Deirdre and At the Hawk’s Well.
Following his marriage to Georgie Hyde-Lees in 1917, Yeats begins a new creative period through experiments with automatic writing. The newlyweds sit together for writing sessions they believe to be guided by forces from the spirit world, through which Yeats formulates intricate theories of human nature and history. They soon have two children, daughter Anne and son Michael.
Yeats then becomes a political figure in the new Irish Free State, serving as a senator for six years beginning in 1922. The following year, he receives an important accolade for his writing as the recipient of the Nobel Prize in Literature. According to the official Nobel Prize website, he is selected “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”
Todd spends a few of his childhood years in India, where his father, an officer in the British Army, serves as a physician. Later his family moves to Devon, and he attends Shrewsbury School. Upon leaving school, he trains for a potential military career at Royal Military Academy Sandhurst before beginning his acting training at the Italia Conti Academy of Theatre Arts in London. This change in career leads to estrangement from his mother. When he learns at age 19 that she has committed suicide, he does not grieve long for her, he admits in later life.
After the war, Todd is unsure what direction to take in his career. His former agent, Robert Lennard, has become a casting agent for Associated British Picture Corporation and advises him to try out for the Dundee Repertory Company. He does so, performing in plays such as Claudia, where he appears with Claudia Grant-Bogle. Lennard arranges for a screen test and Associated British offers him a long-term contract in 1948. He is cast in the lead in For Them That Trespass (1949), directed by Alberto Cavalcanti. The film is a minor hit and his career is launched.
Having portrayed the role of Yank in the Dundee Repertory stage version of John Patrick‘s play The Hasty Heart, Todd is subsequently chosen to appear in the 1948 London stage version of the play, this time in the leading role of Cpl. Lachlan McLachlan. This leads to his being cast in that role in the Warner Bros. film adaptation of the play, which is filmed in the United Kingdom, alongside Ronald Reagan and Patricia Neal. He is nominated for the Academy Award for Best Actor for the role in 1949.
Todd’s career in films rapidly declines in the 1960s as the counter-culture movement in the Arts becomes fashionable in England, with social-realist dramas commercially replacing the more middle-class orientated dramatic productions that Todd’s performance character-type had previously excelled in.
In retirement, Todd lives in the village of Little Ponton and later in Little Humby, eight miles from Grantham, Lincolnshire. Suffering from cancer, he dies at his home on December 3, 2009. He is buried between his two sons, Seamus and Peter, at St. Guthlac’s Church in Little Ponton, Lincolnshire, England.
The play receives its world premiere when the Druid Theatre Company opens the production at the Town Hall Theatre, Galway on February 1, 1996. It then tours Ireland, stopping off in Longford, Kilkenny and Limerick. It transfers to London‘s West End, where it opens at the Royal Court Theatre on February 29, 1996.
The Druid production returns to Ireland to embark on an extensive national tour, playing in Galway, Cork, Kerry, Limerick, Fermanagh, Donegal and Derry amongst others. The play returns to London where it is revived at the Duke of York’s Theatre on November 29, 1996, for several months.
The play is produced as part of Druid’s Leenane Trilogy, which includes two other plays by Martin McDonagh, in 1997 where it plays as part of another Irish and UK tour, which includes stops at the Olympia Theatre, Dublin and the Royal Court Theatre in London again.
The play receives its American premiere opening Off-Broadway on February 11, 1998, presented by the Atlantic Theatre Company at the Linda Gross Theater. It transfers to the Walter Kerr Theater on Broadway where it opens on April 14, 1998. It receives six Tony Award nominations, winning four for Best Supporting Actor (Tom Murphy), Best Actress (Marie Mullen), Best Supporting Actress (Anna Manahan), and Best Director (Garry Hynes), the first female recipient of a Tony Award for directing a play.
The play is produced in Australia in 1998 and again in 1999. The 1999 production is a tour by the Royal Court Theatre Company, appearing at the Adelaide Festival Centre (May – June 1999) and Wharf 1 (July 1999) and directed by Garry Hynes. The production returns to Ireland in 2000 as part of a final national tour.
The play is revived in July 2010 at the Young Vic Theatre in the West End, starring Irish actress Rosaleen Linehan. The production transfers to Dublin’s Gaiety Theatre where Linehan reprises her role opposite Derbhle Crotty. It then returns to the Young Vic for another run, closing in September 2011.
The Druid Theatre Company presents a revival in 2016–2017. The production starts in Ireland in Galway at the Town Hall Theatre in September 2016, and then tours to The Everyman in Cork, the Lime Tree Theatre in Limerick and the Gaiety Theatre, Dublin. The play then tours in the United States starting in November 2016. The play runs at the Mark Taper Forum in Los Angeles in November 2016 then opens at the Brooklyn Academy of Music in New York City, running from January 11, 2017, to February 5. The production returns to Ireland, playing at The Gaiety Theatre from March 28 to April 15, 2017.
Within two years of their marriage, both of their sons, Cyril and Vyvyan, are born. In 1888 Constance publishes a book based on children’s stories she has heard from her grandmother, called There Was Once. Both Oscar and Constance are involved in the Victorian dress reform movement.
It is unknown at what point Constance becomes aware of her husband’s homosexual relationships. In 1891 she meets his lover Lord Alfred Douglas when Wilde brings him to their home for a visit. Around this time Wilde is living more in hotels, such as the Avondale Hotel, than at their home in Tite Street. After the birth of their second son they become sexually estranged. It is claimed that on one occasion, when Wilde warns his sons about naughty boys who make their mamas cry, they ask him what happens to absent papas who make mamas cry. Nevertheless, by all accounts, Wilde and Constance remain on good terms.
After Wilde’s imprisonment, Constance changes her and her sons’ last name to Holland to dissociate them from Wilde’s scandal. The couple never divorces and though Constance visits Oscar in prison so she can tell him the news of his mother‘s death, she also forces him to give up his parental rights and later, after he has been released from prison, refuses to send him any money unless he no longer associates with Douglas.
(Pictured: Oscar, Constance and Cyril Wilde in 1892)
Herbert is born in Dublin on February 1, 1859, to Protestants Edward Herbert and Fanny Herbert (née Lover). At age three and a half, shortly after the death of his father, he and his mother move to live with his maternal grandparents in London, England, where he received encouragement in his creative endeavours. His grandfather is the Irish novelist, playwright, poet and composer Samuel Lover. The Lovers welcome a steady flow of musicians, writers and artists into their home. He joins his mother in Stuttgart, Germany in 1867, a year after she marries a German physician, Carl Schmidt of Langenargen. In Stuttgart he receives a strong liberal education at the Eberhard-Ludwigs-Gymnasium, which includes musical training.
Herbert initially plans to pursue a career as a medical doctor. Although his stepfather is related by blood to the German royal family, his financial situation is not good by the time Herbert is a teenager. Medical education in Germany is expensive, and so he focuses instead on music. He initially studies the piano, flute and piccolo but ultimately settles on the cello, beginning studies on that instrument with Bernhard Cossmann from age 15 to age 18. He then attends the Stuttgart Conservatory. After studying cello, music theory and composition under Max Seifritz, he graduates with a diploma in 1879.
Although Herbert enjoys important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiere on Broadway from the 1890s to World War I. He is also prominent among the Tin Pan Alley composers and is later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produces two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
In the early 1880s, Herbert begins a career as a cellist in Vienna, Austria, and Stuttgart, Germany, during which he begins to compose orchestral music. Herbert and his opera singer wife, Therese Förster, move to the United States in 1886 when both are engaged by the Metropolitan Opera. He continues his performing career, while also teaching at the National Conservatory of Music of America, conducting and composing. His most notable instrumental compositions are his Cello Concerto No. 2 in E minor, Op. 30 (1894), which enters the standard repertoire, and his Auditorium Festival March (1901). He leads the Pittsburgh Symphony Orchestra from 1898 to 1904 and then founds the Victor Herbert Orchestra, which he conducts throughout the rest of his life.
Herbert begins to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Some of the operettas that he writes after the turn of the 20th century are even more successful: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, he begins to compose musicals and contributes music to other composers’ shows. While some of these are well-received, he never again achieves the level of success that he enjoyed with his most popular operettas.
A healthy man throughout his life, Herbert dies suddenly of a heart attack at the age of 65 on May 26, 1924, shortly after his final show, The Dream Girl, began its pre-Broadway run in New Haven. He is survived by his wife and two children, Ella Victoria Herbert Bartlett and Clifford Victor Herbert. He is entombed in Woodlawn Cemetery in The Bronx, New York City.
John Henry Foley, sculptor often referred to as JH Foley, is born on May 24, 1818, at 6 Montgomery Street, Dublin, in what is then the city’s artists’ quarter. The street has since been renamed Foley Street in his honour. He is best known for his statues of Daniel O’Connell in Dublin and of Prince Albert for the Albert Memorial in London.
Foley’s father is a glassblower and his step-grandfather, Benjamin Schrowder, is a sculptor. At the age of thirteen he begins to study drawing and modelling at the Royal Dublin Society, where he takes several first-class prizes. In 1835 he is admitted as a student in the schools of the Royal Academy of Arts in London. He exhibits there for the first time in 1839 and comes to fame in 1844 with his Youth at a Stream. Thereafter commissions provide a steady career for the rest of his life. In 1849 he is made an associate, and in 1858 a full member of the Royal Academy of Arts.
In 1851, inspired by the recently closed Great Exhibition, the Corporation of London votes a sum of £10,000 to be spent on sculpture to decorate the Egyptian Hall in the Mansion House. Foley is commissioned to make sculptures of Caractacus and Egeria.
In 1864 he is chosen to sculpt one of the four large stone groups, each representing a continent, at the corners of George Gilbert Scott‘s Albert Memorial in Kensington Gardens. His design for Asia is approved in December of that year. In 1868, he is also asked to make the bronze statue of Prince Albert himself, to be placed at the centre of the memorial, following the death of Carlo Marochetti, who had originally received the commission, but had struggled to produce an acceptable version.
Foley exhibits at the Royal Academy of Arts between 1839 and 1861. Further works are shown posthumously in 1875. His address is given in the catalogues as 57 George St., Euston Square, London until 1845, and 19 Osnaburgh Street from 1847.
John Henry Foley dies at Hampstead, north London on August 27, 1874, and is buried in St. Paul’s Cathedral on September 4. He leaves his models to the Royal Dublin Society, where he had his early artistic education, and a large part of his property to the Artists’ Benevolent Fund. He does not see the Albert Memorial completed before his death. A statue of Foley himself, on the front of the Victoria and Albert Museum, depicts him as a rather gaunt figure with a moustache, wearing a floppy cap.
Following the creation of the Irish Free State in 1922, a number of Foley’s works are removed or destroyed without notice, because the persons portrayed are considered hostile to the process of Irish independence. They include those of Lord Carlisle, Lord Dunkellin (in Galway) and Field Marshal Gough in Phoenix Park. The statue of Lord Dunkellin is decapitated and dumped in the river as one of the first acts of the short-lived “Galway Soviet” of 1922.
seamus dubhghaill 