Sir Arthur Rawdon, 2nd Baronet, soldier, and horticulturalist, is born on October 17, 1662. He builds a large part of Moira, County Down in the seventeenth century. Known as the “Father of Irish Gardening” and “The Cock of the North,” he is a keen botanist, and brings over 400 different species of plants to Moira from Jamaica.
Rawdon marries Ellen Graham, daughter of Sir James Graham of Congleton in Cheshire. They have at least two children, John and Isabella.
Rawdon inherits the lands at Moira after his father dies. He rebuilds a mansion, surrounded by trees, sheep and huge gardens. On this estate, he builds the first hothouse in Europe.
Rawdon is a botanist and imports 400 plant species from Jamaica, earning the name “Father of Irish Gardening.” His garden has a labyrinth, ponds, and canals. The trees include the “Locust of Virginia” which is 30 feet high and has a trunk of at least a foot and a half in diameter. For two generations the garden is maintained.
Rawdon dies on October 17, 1695, his thirty-third birthday, and John succeeds to the baronetcy and estate as a minor. The plant collections, perhaps inevitably, decline after his death, though his wife and sisters share his interest in natural history. Some of his plant specimens are still preserved in Hans Sloane‘s herbarium in the Natural History Museum, London.
Today in Moira many places are named after Sir Arthur Rawdon, including Rawdon Court, off Main Street. Off Meeting Street there is Rawdon Place which is a housing street. Parts of the remains of his mansion are still visible.
Thompson is the eldest son of William Thompson, a prosperous linen merchant, and Elizabeth Thompson (née Callwell). He has at least two older sisters and several younger brothers. His mother’s father is Robert Callwell, a printer, book-collector, partner in the Commercial Bank, Belfast, and one of the owners of the Northern Star newspaper.
After attending the Royal Belfast Academical Institution (RBAI) from 1818, Thompson is apprenticed in the linen business of William Sinclair in 1821. When his apprenticeship ends, he goes with his cousin George Langtry, later a wealthy shipowner, on a four-month tour (May–September 1826) of the Low Countries, the Rhine, Switzerland, and Italy. On his return to Belfast, he sets up his own business in linen bleaching. Despite early success, losses are incurred. As family and economic circumstances change, he increasingly concentrates on his natural history studies. By 1831 he has given up business. A self-taught naturalist, related by ties of kinship or friendship to most of the liberal and cultivated families of the “northern Athens,” he is shy and fastidious, but is persuaded in 1826 to join the Belfast Natural History Society by its founder, his friend James Lawson Drummond. He reads his first scientific paper, The Birds of the Copeland Islands, to the society on August 13, 1827. In that year he becomes a member of the Belfast Natural History Society’s council, and in 1833 he is chosen as one of the society’s vice-presidents. He is president from 1843 until his death.
Thompson becomes the most important naturalist in mid nineteenth-century Ireland. From 1827 to 1852 he contributes almost eighty papers on Irish natural history to the Magazine of Zoology and Botany and the Proceedings of the Zoological Society of London. From 1836 to 1851 he contributes to The Magazine of Natural History. Invited to travel to the Levant and the Aegean Sea in April–July 1841 with Edward Forbes, professor of natural history at the University of Edinburgh, on HMS Beacon, he observes twenty-three species of birds on migratory flights and publishes “Notice of migratory birds” in The Annals of Natural History. His authoritative observations add considerably to knowledge of the still-to-be-ascertained details of migratory patterns. Indeed, some people refuse to believe, even at that date, that birds do migrate. He publishes other papers in the same journal during 1841–43. At a meeting of the British Association for the Advancement of Science in Glasgow in 1840 his Report on the fauna of Ireland (Vertebrata) attracts favourable notice. He presents and publishes a second and final part enumerating the invertebrates at the Cork meeting of the British Association in August 1843. The two reports form the most complete catalogue of Irish fauna yet published. Thanks to an assiduous correspondence with a network of informants, as well as his own extensive observations, he adds perhaps more than 800 species to Irish fauna lists.
Thompson’s chief work, The Natural History of Ireland, becomes the standard text in Irish zoology in the nineteenth century. The first three volumes, published between 1849 and 1851, deal with birds, particularly their habits and habitats rather than physical descriptions. He is one of the first naturalists to note the effects of industrialisation and other human activities on birdlife. He leaves instructions for his manuscripts on the remaining vertebrates and all the invertebrates to be prepared for publication by Robert Patterson and James Ramsey Garrett. Robert Ball and George Dickie also assist. His notes, though detailed and comprehensive, all require checking, and are found on tiny scraps of paper, even scribbled on the flaps of old envelopes. James Thompson of Macedon, Belfast, painstakingly gums them all into blank notebooks to facilitate the work of his brother’s literary executors, who preface the posthumous publication in 1856 with a lengthy memoir of their friend.
From about 1820 to 1852 Thompson lives with his mother at 1 Donegall Square West, Belfast, commuting from Holywood House, Holywood, County Down, during the summer. His daily routine begins with research, correspondence, or writing for publications for four hours after breakfast. After a two- or three-hour exercise period and dinner, he returns to work for a further two to three hours. He is president of the Belfast Literary Society (1837–39) and also an enthusiastic patron of the visual arts in the city. He enjoys hunting, wildfowling, shooting in Scotland, and gardening, though his health deteriorates from the 1840s.
Early in 1852 Thompson travels to London to make arrangements for that year’s Belfast meeting of the British Association. On February 15 he becomes ill, having suffered a minor stroke. He dies, unmarried, at his Jermyn Street lodgings on the day he is due to return home, February 17, 1852. He is buried in Clifton Street Cemetery, Belfast. He bequeaths his collection to the Belfast Natural History Society, and in March 1852 the Society adds a memorial Thompson Room to its museum, paid for by subscription.
Thompson is a corresponding member of natural history societies in Boston and Philadelphia and has many friends. He is known to assist many other researchers in Ireland, Britain, and the Continent. One of those who thinks highly of his work is Charles Darwin, with whom he corresponds. He also helps many local people, including the poet Francis Davis, with money and practical assistance. He is much loved, and his friends are deeply saddened by his death. His niece, Sydney Mary Thompson, later known by her married surname, Christen, who is born in Belfast, is an amateur naturalist, geologist, and artist, one of the first women to achieve distinction in geology.
(From: “Thompson, William” by Andrew O’Brien and Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Thomas George Farquhar Paterson, local historian, folklore collector and museum curator, is born on February 29, 1888, in or near Toronto, Ontario, Canada.
Paterson is the eldest child in a family of seven sons and one daughter born to John and Rachel (née Farquhar) Paterson. His parents had emigrated from County Armagh, in what is now Northern Ireland. Their first three children are born in Canada, but the family returns to Ireland in the early 1890s, to the family farm in Cornascreeb, five miles south of Portadown, County Armagh. Also known as George, he attends Aghory national school, and leaves at age 14 to be apprenticed to a grocer in Portadown. In 1911, he takes a position in Couser’s, the leading grocery and wine merchant’s business in Armagh. In time becoming the manager, he is acquainted with the local gentry and clergy.
However, the grocery trade is never Paterson’s main interest. From an early age, he is fascinated by the history and folklore of his native place. He becomes an expert on the genealogy of the gentry as well as of the farming families around Armagh, and also collects material on many aspects of Armagh life. His notebooks eventually contain well over a million words of notes on history, archaeology, dialect, folkways and natural history, as well as drawings and plans of traditional houses, fireside accoutrements and farm implements. His knowledge of history, archaeology and natural history is widely recognised, and in 1931 Armagh County Council asks him to become honorary curator of the small museum established by the Armagh Natural History and Philosophical Society. Four years later, he leaves Couser’s and becomes full-time curator of the museum, re-named the Armagh County Museum. He greatly augments and improves the collections, and in the late 1950s oversees the enlargement of the building. His life’s work culminates in the opening of the new building in 1962. He retires a year later at the age of 75.
Paterson’s work wins the respect of scholars, including Emyr Estyn Evans, a lifelong friend, and material that he records has been cited in a wide variety of books and journal articles. Over one hundred citations are listed in a posthumous bibliography in 1972, and since then hundreds of scholarly works have drawn on his published and unpublished material. His manuscripts are in Armagh County Museum, where they form an important resource.
Paterson publishes a book, Country Cracks: Old Tales from the County of Armagh (1939), and a very large number of articles in newspapers and journals, especially in Seanchas Ardmhacha, Ulster Journal of Archaeology and Ulster Folklife. He sometimes uses the pseudonym “Cornascreeb.” He greatly assists researchers interested in the Armagh background of Alexander Campbell and his father Thomas Campbell and is made an honorary member of the Disciples of Christ Historical Society, based in Nashville, Tennessee.
Paterson is a founder member of the committee that re-establishes the Ulster Journal of Archaeology. He is active in local history societies, and for many years is a member of the Ancient Monuments Advisory Council. He records many local sites for the register of ancient monuments. He is a member of the Northern Ireland committee of the National Trust and seeks to preserve Armagh’s architectural heritage and local industrial archaeology. He donates much important archive material to the Public Record Office of Northern Ireland. He describes and collects folk artefacts, at least thirty years before most academic historians are interested in such objects, and he is a foundation trustee of the Ulster Folk Museum in Cultra, County Down. He is also a member of the first board of the Institute of Irish Studies in Queen’s University Belfast (QUB), from 1965.
Membership of the Royal Irish Academy is an honour not often accorded to someone who has not had a university education, still less to someone who leaves school at the age of 14, but Paterson is elected MRIA in 1941. He is conferred with an honorary MA by QUB in 1944. His service on many public bodies is acknowledged by the award of an Order of the British Empire (OBE).
Paterson never marries and dies in Armagh on April 6, 1971. Hundreds of people contribute to a memorial fund. Some of the money subscribed is used to purchase nineteenth-century drawings for the county museum, and in 1975 the memorial committee also publishes Harvest home: the last sheaf: a selection from the writings of T. G. F. Paterson relating to County Armagh, edited by Emyr Estyn Evans.
An Taisce – The National Trust for Ireland – a non-governmental organisation (NGO) active in the areas of the environment and built heritage in the Republic of Ireland, is established on June 28, 1948. It considers itself the oldest environmental and non-governmental organisation in the Republic of Ireland. NaturalistRobert Lloyd Praeger is its first president.
An Taisce is a membership organisation and charity, not a state or semi-state organisation. However, it receives government funding for specific programmes, such as Blue Flag beaches, Green Schools and the annual National Spring Clean, and it has a statutory role in certain planning and environmental processes in the country.
An Taisce’s range of expertise extends across the Republic of Ireland’s natural, built, and social heritage. It seeks to educate, inform, and lead public opinion on the environment, to advocate and influence policy, and to manage a small portfolio of heritage properties. It does not operate in Northern Ireland.
The Planning Acts provide for An Taisce, and about twenty other prescribed bodies, to be informed of all planning applications in areas of scenic beauty or high amenity significance or where architectural, archaeological or environmental issues need to be considered. Local authorities are required, in certain defined circumstances under the Planning & Development Regulations, to consult An Taisce on development proposals.
The organisation is split into three operational divisions:
The Environmental Advocacy Unit monitors roughly 5% of all planning (local authority development approval) applications made annually, making submissions on a small number of those received, and appealing about 300 decisions a year to An Bord Pleanála, the statutory planning appeals board. The Advocacy Unit also monitors environmental standards and co-ordinates policy formation from the elected advocacy committees amongst the membership.
The Properties Unit takes ownership of and looks after properties that have either historical significance or are environmentally sensitive. The trust properties are taken care of by both professional staff and volunteers who are involved with the day-to-day management of income generating properties such as Tailors’ Hall, which it also makes available for private hire, and the restoration of important resources such as the Boyne Navigation.
The organisation comprises over 5,000 members, with a range of membership fees. Some members are also organised in local organisations. Overall steering of the organisation is in the hands of a council, which in turn elects a board of management, and other internal policy and operational committees.
Mary Ward (née King), Irish naturalist, astronomer, microscopist, author, and artist, is born in Ballylin near present-day Ferbane, County Offaly, on April 27, 1827. She is killed in 1869 when she falls under the wheels of an experimental steam car built by her cousins, thereby becoming the first person known to be killed by a motor vehicle.
King is the youngest child of the Reverend Henry King and his wife Harriette. She and her sisters are educated at home, as are most girls at the time. However, her education is slightly different from the norm because she is of a renowned scientific family. She is interested in nature from an early age, and by the time she is three years old she is collecting insects.
King is a keen amateur astronomer, sharing this interest with her cousin, William Parsons, 3rd Earl of Rosse, who builds the Leviathan of Parsonstown, a reflecting telescope with a six-foot mirror which remains the world’s largest until 1917. She is a frequent visitor to Birr Castle, producing sketches of each stage of the process. Along with photographs made by Parson’s wife, Mary Rosse, her sketches are used to aid in the restoration of the telescope.
King also draws insects, and the astronomer James South observes her doing so one day. She is using a magnifying glass to see the tiny details, and her drawing so impresses him that he immediately persuades her father to buy her a microscope. A compound microscope made by Andrew Ross is purchased for £48 12s 8d. This is the beginning of a lifelong passion. She begins to read everything she can find about microscopy, and teaches herself until she has an expert knowledge. She makes her own slides from slivers of ivory, as glass is difficult to obtain, and prepares her own specimens. The physicistDavid Brewster asks her to make his microscope specimens, and uses her drawings in many of his books and articles.
Universities and most societies do not accept women at the time, but King obtains information any way she can. She writes frequently to scientists, asking them about papers they had published. During 1848, Parsons is made president of the Royal Society, and visits to his London home allows her to meet many scientists.
When Ward writes her first book, Sketches with the microscope (privately printed in 1857), she apparently believes that no one will print it because of her gender or lack of academic credentials. She publishes 250 copies of it privately, and several hundred handbills are distributed to advertise it. The printing sells during the next few weeks, which prompts a London publisher to take the risk and contract for future publication. The book is reprinted eight times between 1858 and 1880 as A World of Wonders Revealed by the Microscope. A new full-colour facsimile edition at €20 is published in September 2019 by the Offaly Historical and Archaeological Society, with accompanying essays.
Her books are A Windfall for the Microscope (1856), A World of Wonders, Revealed by the Microscope (1857), Entomology in Sport, and Entomology in Earnest (1857, with Lady Jane Mahon), Microscope Teachings (1864), Telescope Teachings (1859). She illustrates her books and articles herself, as well as many books and papers by other scientists.
Ward is the first known automobile fatality. William Parsons’ sons had built a steam-powered car and on August 31, 1869, she and her husband are traveling in it with the Parsons boys, Richard Clere Parsons and the future steam turbine pioneer Charles Algernon Parsons, and their tutor, Richard Biggs. She is thrown from the car on a bend in the road at Parsonstown (present-day Birr, County Offaly). She falls under its wheel and dies almost instantly. A doctor who lives near the scene arrives within moments, and finds her cut, bruised, and bleeding from the ears. The fatal injury is a broken neck. It is believed that the grieving family destroys the car after the crash.
Ward’s microscope, accessories, slides and books are on display in her husband’s home, Castle Ward, County Down. William Parsons’ home at Birr Castle, County Offaly, is also open to the public.
Praeger is born on April 15, 1867, in Holywood, County Down. She is the daughter of Willem Emilius Praeger, a Dutch linen merchant who had settled in Ireland in 1860, and Marie Patterson. She has five brothers of who Robert goes on to become a distinguished naturalist. Within months of her birth the family moves to Woodburn House, Croft Road, Holywood, where they have as a neighbour Rev. Charles McElester, a Non-subscribing Presbyterian minister who runs a day school in his church. She both attends this school, and later teaches there. She receives her secondary education at Sullivan Upper School, Holywood, the Belfast School of Art, and the Slade School of Fine Art, London. Before returning to Ireland to open a studio in Belfast and then in Holywood, she studies art in Paris.
Praeger writes and illustrates children’s books but achieves fame with her sculpture The Philosopher which is exhibited at the Royal Academy of Arts in London, bought by an American collector, and is now on display in the Colorado Springs Museum and Art Gallery. She mostly works in plaster, but also uses stone, marble, terracotta and bronze, and her work includes relief panels, memorial plaques and stones. She exhibits in London and Paris, at the Royal Hibernian Academy, as well as at the Irish Decorative Art Association Exhibitions. She is a member of the Guild of Irish Art Workers.
Among Praeger’s other works are The Wai, Johnny the Jig, These Little Ones, St. Brigid of Kildare and The Fairy Fountain. For the Causeway School near Bushmills, County Antrim, she carves Fionnula the Daughter of Lir in stone. She models a heraldic figure for the Northern Bank in Donegall Square West, Belfast, and bronze plaques for the front door of the Carnegie library, Falls Road, Belfast, as well as the angels on Andrews Memorial Hall in Comber, County Down, and some work in St. Anne’s Cathedral, Belfast. She illustrates three books for her brother, Robert Praeger. She is President of the Royal Ulster Academy, an honorary Fellow of the Royal Hibernian Academy, and she receives an honorary doctorate from Queen’s University, Belfast. In 1939 she is awarded the MBE.
Praeger maintains her studio in Hibernian Street, Holywood, up until 1952, at the age of 85. She dies at Rock Cottage, County Down, on April 17, 1954. She is buried in the Priory Cemetery, Holywood. Her work in included in the collections of the Ulster Museum and the National Gallery of Ireland, and some private collections around the world
(From: “Sophia Rosamond Praeger (1867 – 1954): Sculptor” by Kate Newmann and Richard Froggatt, Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)
seamus dubhghaill 