seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Arts & Music


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Birth of Fiona Shaw, Actress & Director

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Fiona Mary Shaw, accomplished classical actress and theatre and opera director, is born in Farranree, County Cork on July 10, 1958. She is best known for her role as Petunia Dursley in the Harry Potter films and her role portraying Marnie Stonebrook in the HBO series True Blood.

Shaw attends secondary school at Scoil Mhuire in Cork. She receives her degree at University College Cork. She trains at the Royal Academy of Dramatic Art (RADA) in London and is part of a ‘new wave’ of actors to emerge from the Academy. She receives much acclaim as Julia in the Royal National Theatre production of Richard Sheridan‘s The Rivals (1983).

Shaw’s theatrical roles include Celia in As You Like It (1984), Madame de Volanges in Les Liaisons Dangereuses (1985), Katherine in The Taming of the Shrew (1987), Lady Franjul in The New Inn (1987), Young Woman in Machinal (1993), for which she wins the Laurence Olivier Award for Best Actress, Winnie in Happy Days (2007), and the title roles in Electra (1988), The Good Person of Sechuan (1989), Hedda Gabler (1991), The Prime of Miss Jean Brodie (1998) and Medea (2000). She performs T. S. Eliot‘s poem The Waste Land as a one-person show at the Liberty Theatre in New York City to great acclaim in 1996, winning the Drama Desk Award for Outstanding One-Person Show for her performance.

Shaw plays Miss Morrison in the 1984 The Adventures of Sherlock Holmes episode “The Adventure of the Crooked Man” and Catherine Greenshaw in Agatha Christie’s Marple episode “Greenshaw’s Folly” in 2013.

Shaw notably plays the male lead in Richard II, directed by Deborah Warner in 1995. She has collaborated with Warner on a number of occasions, on both stage and screen. She has also worked in film and television, including My Left Foot (1989), Mountains of the Moon (1990), Three Men and a Little Lady (1990), Super Mario Bros. (1993), Undercover Blues (1993), Persuasion (1995), Jane Eyre (1996), The Butcher Boy (1997), The Avengers (1998), Gormenghast (2000), and five of the Harry Potter films in which she plays Harry Potter‘s aunt Petunia Dursley. She has a brief but key role in Brian DePalma‘s The Black Dahlia (2006).

In 2009, Shaw collaborates with Deborah Warner again, taking the lead role in Tony Kushner‘s translation of Bertolt Brecht‘s Mother Courage and Her Children. In a 2002 article for The Daily Telegraph, Rupert Christiansen describes their professional relationship as “surely one of the most richly creative partnerships in theatrical history.” Other collaborations between the two women include productions of Brecht’s The Good Woman of Szechuan and Henrik Ibsen‘s Hedda Gabler, the latter adapted for television.

Shaw appears in The Waste Land at Wilton’s Music Hall in January 2010 and in a Royal National Theatre revival of London Assurance in March 2010. In November 2010, she stars in Ibsen’s John Gabriel Borkman at the Abbey Theatre, Dublin alongside Alan Rickman and Lindsay Duncan. The play is also staged in New York’s Brooklyn Academy of Music in 2011.

Shaw appears in season four of American TV show True Blood. Her character, Marnie Stonebrook, has been described as an underachieving palm reader who is spiritually possessed by an actual witch. Her character leads a coven of necromancer witches who threaten the status quo in Bon Temps, erasing most of Eric Northman‘s memories and leaving him almost helpless when he tries to kill her and break up their coven.

In 2012, Shaw appears in the Royal National Theatre revival of Scenes from an Execution by Howard Barker.

The world’s largest solo theatre festival, United Solo Theatre Festival, recognizes her performance in The Testament of Mary on Broadway with the 2013 United Solo Special Award.

In 2018 Shaw begins portraying Carolyn Martens, head of the MI6 Russian Desk, in BBC America‘s Killing Eve, for which she wins the BAFTA Award for Best Actress in a Supporting Role in a Television Series. Later the same year, she plays a senior MI6 officer in Mrs. Wilson.


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Release of “Zooropa,” U2’s Eighth Studio Album

zooropaZooropa, the eighth studio album by Irish rock band U2, is released worldwide on July 5, 1993, except in North America which gets the album a day later. The album is produced by Flood, Brian Eno, and The Edge and released on Island Records.

Inspired by the band’s experiences on the Zoo TV Tour, Zooropa expands on many of the tour’s themes of technology and media oversaturation. The record is a continuation of the group’s experimentation with alternative rock, electronic dance music, and electronic sound effects that began with their previous album, Achtung Baby, in 1991.

U2 begins writing and recording Zooropa in Dublin in February 1993, during a six-month break between legs of the Zoo TV Tour. The record is originally intended as an EP to promote the “Zooropa” leg of the tour that is to begin in May 1993, but during the sessions, the group decides to extend the record to a full-length album. Pressed for time, U2 writes and records at a rapid pace, with songs originating from many sources, including leftover material from the Achtung Baby sessions. The album is not completed in time for the tour’s resumption, forcing the band to travel between Dublin and their tour destinations in May to complete mixing and recording.

Zooropa receives generally favourable reviews from critics. Despite none of its three singles —”Numb“, “Lemon“, and “Stay (Faraway, So Close!)” — being hits consistently across regions, the record sells well upon release and peaks at number one in multiple countries. The album’s charting duration and lifetime sales of 7 million copies, however, are less than those of Achtung Baby. In 1994, Zooropa wins the Grammy Award for Best Alternative Music Album. Although the record is a success and music journalists view it as one of the group’s most creative works, the band regards it with mixed feelings.

Continuing a campaign by U2 to reissue all of their records on vinyl, Zooropa is re-released on two 180-gram vinyl records on July 27, 2018. Remastered under The Edge’s direction, the reissue includes two remixes to commemorate the album’s 25th anniversary: “Lemon (The Perfecto Mix)” and “Numb (Gimme Some More Dignity Mix).”


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Birth of George M. Cohan

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George Michael Cohan, legendary song and dance man, is born to Irish Catholic parents in Providence, Rhode Island on July 3, 1878.

A baptismal certificate from St. Joseph’s Roman Catholic Church indicates that Cohan was born on July 3, but Cohan and his family always insist that he had been “born on the Fourth of July!” His parents are traveling vaudeville performers, and he joins them on stage while still an infant, first as a prop, learning to dance and sing soon after he could walk and talk. As a child, he and his family tour most of the year and spend summer vacations from the vaudeville circuit at his grandmother’s home in North Brookfield, Massachusetts.

In 1904 Cohan produces his first successful musical play, Little Johnny Jones, in which he plays the character The Yankee Doodle Boy. As a songwriter, he is a charter member of the American Society of Composers, Authors and Publishers (ASCAP). His popular song catalog includes “The Yankee Doodle Boy,” “Venus, My Shining Love,” “I Guess I’ll Have to Telegraph My Baby,” “My Musical Comedy Maid,” “Revolutionary Rag,” “Give My Regards to Broadway,” “You Remind Me of My Mother,” “Life’s a Funny Proposition After All,” “Mary’s a Grand Old Name,” “So Long, Mary,” “Forty-Five Minutes from Broadway,” “I Was Born in Virginia,” “Harrigan,” “Over There” (the song of World War I which earns Cohan the Congressional Medal of Honor), “In the Kingdom of Our Own,” “Nellie Kelly, I Love You,” “When June Comes Along With a Song,” “Molly Malone,” “Where Were You, Where Was I?,” “The Song and Dance Man,” “Billie” and the patriotic theme song and 2002 Towering Song Award winner, “You’re a Grand Old Flag.”

The more than 40 musical dramas Cohan writes, produces, directs and stars in on Broadway include The Governor’s Son, Forty-Five Minutes from Broadway, Little Johnny, George Washington, Jr., The Honeymooners, The Yankee Prince, The Little Millionaire, Hello, Broadway, The Talk of New York, Fifty Miles From Boston, The American Idea, The Man Who Owns Broadway, The Cohan Revue (1916, 1918), The Royal Vagabond, The Merry Malones, Little Nellie Kelly, The Rise of Rosie O’Reilly, Get-Rich-Quick Wallingford, Seven Keys to Baldpate, The Miracle Man, Hit the Trail Hailday, Broadway Jones, A Prince There Was, The Song and Dance Man, American Born, Gambling, Dear Old Darling, The Return of the Vagabond, The Tavern, Elmer the Great, The O’Brien Girl, Ah, Wilderness! and I’d Rather Be Right.

In 1942, Cohan’s life is documented in the film Yankee Doodle Dandy.

George M. Cohan dies of cancer at his Manhattan apartment on Fifth Avenue on November 5, 1942, surrounded by family and friends. His funeral is held at St. Patrick’s Cathedral in New York and is attended by thousands of people, including five governors of New York, two mayors of New York City and the Postmaster General. The honorary pallbearers included Irving Berlin, Eddie Cantor, Frank Crowninshield, Sol Bloom, Brooks Atkinson, Rube Goldberg, Walter Huston, George Jessel, Connie Mack, Joseph McCarthy, Eugene O’Neill, Sigmund Romberg, Lee Shubert and Fred Waring. He is interred at Woodlawn Cemetery in The Bronx, New York City, in a private family mausoleum he had erected a quarter century earlier for his sister and parents.

On September 11, 1959, Oscar Hammerstein II presents an eight-foot high, bronze statue of Cohan in the heart of Times Square on Broadway.


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Death of Máire Ni Scolai, Singer & Actress

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Máire Ni Scolai, Irish language singer and actress, dies on June 29, 1985.

Ní Scolaí is born in May 24, 1909 in Dublin. She is the daughter of Michael Scully, a commercial traveler and Mary Scully (née Kavanagh). She attends the Central Model Schools, were she learns Irish through the pilot Irish language courses. She studies Irish further at Ring College, County Waterford. She moves to Galway with her sister Mona as a young adult, and begins teaching Irish singing and dancing. With the Irish language theatre, An Taibhdhearc, she plays a number of leading roles. In Micheál Mac Liammóir‘s 1928 production of Diarmaid agus Gráinne, she plays Gráinne.

Ní Scolaí’s interpretation of traditional Irish songs gains her fame, and she sings many times on 2RN as well as radio in France, Italy, the United States and the United Kingdom. She trains as a mezzo-soprano and licentiate of the Trinity College of Music, London, and is noted as one of the few people who combines classical music with sean-nós singing successfully. She wins awards at feiseanna such as Feis Chonnacht and Feis Shligigh, later becoming a judge. She is also an award winner at Aonach Tailteann, as well at the Welsh Eisteddfod, the Scottish mòd, the Manx Tynwald, and the Breton Bretagne celebrations. She performs at London’s Covent Garden and Queen’s Hall. She travels around Gaeltacht areas in Ireland to collect and save songs that might have otherwise been lost. The traditional singers she collects from included Cáit Uí Chonláin in Spiddal and Labhras “Binn” Ó Cadhla. HMV records and releases her performances of Seacht ndolas na Maighduine Mhuire, Caoineadh na dtrí Muire, and Eibhlín a Rún.

On September 9, 1931 she marries Liam Ó Buachalla at University Church, St. Stephen’s Green, Dublin. She dies on June 29, 1985, and is buried in Galway.

(Pictured: Ciarán Mac Mathúna and Máire Ní Scolaí (1976))


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Birth of Stage & Screen Actress Marie Kean

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Marie Kean, actress of stage and screen whose career spanned over 40 years, is born in the village of Rush, County Dublin on June 27, 1918. The Stage calls her one of Ireland’s most impressive actresses, and “an artist of considerable emotional depth and theatrical command.”

Kean grows up in Rush and is educated at Loreto College, North Great George’s Street, Dublin. She learns her craft at the Gaiety School of Acting and is part of the Abbey Theatre company until 1961.

Kean’s leading role as the kindly matriarch, Mrs. Kennedy, in the RTÉ Radio serial drama, The Kennedys of Castleross, makes her famous throughout Ireland. She stars in the programme for the duration of its 18-year run.

In 1968, Kean wins a Jacob’s Award for her performance as Winnie in RTÉ television’s production of Samuel Beckett‘s play Happy Days, a role she had previously performed on stage and which she describes later as her favourite part. Among her other television roles is that of Mrs. Conn Brickley, Bridget’s mother, in an episode of The Irish R.M. called “The Boat’s Share.”

Kean’s many stage appearances include performances in the plays of John Millington Synge, Seán O’Casey and Brian Friel. She takes the lead role of Maggie Polpin in the 1969 world première of John B. Keane‘s play Big Maggie at the Cork Opera House. In 1978 she wins the State of New York best actress award for her performance in what has become Keane’s most successful play.

Arguably her most memorable film role is as Barry’s scheming mother in Stanley Kubrick‘s Barry Lyndon. She also plays a bigoted Irish shopkeeper in David Lean‘s Ryan’s Daughter. Her final movie appearance is in John Huston‘s The Dead (1987), in which she plays the part of Mrs. Malins.

Marie Kean dies in Donnybrook, Dublin at the age of 75 on December 30, 1993. Her husband, William Mulvey, predeceases her in 1977.


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Paintings Again Stolen from Russborough House

russborough-house-theft-2001A pair of paintings valued at more than £3,000,000 are stolen by an armed gang from Russborough House in County Wicklow on June 26, 2001. The stolen paintings are Thomas Gainsborough‘s Madame Baccelli, the more valuable of the pair, and Bernardo Belotto‘s Scene of Florence.

Three masked men burst their way into the house after ramming the front door with a Mitsubishi at midday. After grabbing the paintings the men set fire to their getaway vehicle and attempt to hijack a car at gunpoint but its driver refuses to give it up. They are last seen running from the scene.

Chief Superintendent Sean Feely says that there were people in the house at the time of the robbery but no one was hurt. He adds that, because they are so well known, the paintings will be near impossible to sell. Raymond Keaveney, the Director of the National Gallery of Ireland, describes the theft as “an outrage.”

The robbery is a case of history repeating itself for Russborough House, twenty miles from Dublin, which has been the scene of two previous major art thefts.

In 1974, an Irish Republican Army (IRA) gang which includes Dr. Rose Dugdale, the British heiress, steal 19 paintings, valued at IR£8 million, from Russborough House which, at the time, is the home of the late Sir Alfred Beit, a member of the De Beers diamond family, and his wife. The couple are bound and gagged during the raid. The paintings are later found in County Cork. Dugdale and the others involved are ultimately jailed.

In 1986, a 13-strong gang headed by Martin Cahill, the Dublin crime chief who is later shot dead by the IRA, steals 18 works including some of those taken and recovered in the earlier raid. The paintings taken on this occasion include those by Johannes Vermeer, Gabriël Metsu, Francisco Goya, Thomas Gainsborough and Peter Paul Rubens. All but three of the paintings are recovered over a period of years at a number of locations, including London, Belgium, Holland and Turkey, after apparent unsuccessful attempts to sell them. The Gainsborough painting stolen on June 26 was also taken in the 1986 raid.

The Beit collection is made over to the Irish nation and many of the works are still on display at Russborough House.

(Pictured: The Mitsubishi used to ram the entrance of Russborough House sits near the front steps. The thieves torch this car before fleeing in another car. Note the gas can to the right of the car.)


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The Dublin Society Renamed Royal Dublin Society

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The Dublin Society for Improving Husbandry, Manufactures and Other Useful Arts, which is originally founded on June 25, 1731, becomes the Royal Dublin Society on June 19, 1820.

The society is founded by members of the Dublin Philosophical Society, chiefly Thomas Prior. On July 1, 1731, at the second meeting of the Society, the designation “and Sciences” is added to the end of its name. The Society’s broad agenda is to stimulate economic activity and aid the creation of employment in Ireland. For the first few years of its existence, the Dublin Society concentrates on tillage technology, land reclamation, forestry, the production of dyestuffs, flax cultivation and other agricultural areas.

In 1738, following the publication of his pamphlet entitled Reflections and Resolutions Proper for the Gentlemen of Ireland, Samuel Madden initiates a grant or “premium” scheme to create incentives for improvements in Irish agricultural and arts. He proposes that a fund of £500 be raised for this purpose and he personally contributes £130. By 1740 the premium scheme has raised £900 and is adjudicated upon the following January and awarded to enterprises in earthenware, cotton, leatherwork, flax, surveying, as well as a number of painters and sculptors.

In 1761 the Irish Parliament votes for £12,000 to be given to the Dublin Society for the promotion of agriculture, forestry, arts and manufactures. This funding is used to increase the amount of premiums distributed by the Dublin Society. Further funds are given by Parliament to the Dublin Society on a sporadic basis until 1784 when an annual parliamentary vote of £5,000 is put in place and remains so until the dissolution of Grattan’s Parliament in 1800.

The “Royal” prefix is adopted in 1820 when George IV becomes Society patron.

The society purchases Leinster House, home of the Duke of Leinster, in 1815 and founds a natural history museum there. The society acquires its current premises at Ballsbridge in 1879 and has since increased from the original fifteen to forty acres. The premises consist of a number of exhibition halls, a stadium, meeting rooms, bars, restaurants, and RDS Simmonscourt Pavilion, a multi-purpose venue.

The Boyle Medal, named after Robert Boyle (1627–1691), is inaugurated in 1899 and is awarded jointly by the RDS and The Irish Times for scientific research of exceptional merit in Ireland. As of 2014 the medal has been awarded to 39 scientists.


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Birth of Boomtown Rats Guitarist Garry Roberts

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Garrick “Garry” Roberts, founding member and former lead guitarist of The Boomtown Rats, is born in Dublin on June 17, 1950.

Roberts’s father, Rex Roberts, played double bass with a dance band called The Melodists in the 1940s. The headmaster at The High School, Dublin, calls his father in one day to suggest that he consider move his son to a boarding school as he is spending a lot of time in detention.

After being bribed with the promise of a bicycle, Roberts is moved to a Quaker-run boarding school, Newtown School, Waterford. The move proves successful but not for the anticipated reasons. He quickly takes notice of the electric guitars of the school band and realizes that is to be his future.

In 1976, Roberts and Johnnie Fingers (Moylett) decide to put a band together and, between them, they recruit the other four members, Pete Briquette (bass), Gerry Cott (guitar), Simon Crowe (drums) and singer Bob Geldof to form The Boomtown Rats.

Following the breakup of The Boomtown Rats in 1986, Roberts works with Simply Red, Orchestral Manoeuvres in the Dark and Flesh For Lulu in the role of audio engineer on tours in the UK and the United States. He avoids playing the guitar in public for ten years, after which he and Simon Crowe play together for four years in the rhythm and blues four-piece band The Velcro Flies.

After fifteen successful years as an Independent Financial Adviser, Roberts becomes disillusioned with the life insurance industry and becomes a central heating engineer to keep himself occupied between gigs. Roberts and Crowe, with Darren Beale on second lead guitar, and Peter Barton on bass guitar and lead vocals, are now playing together as Boomtown Rats Roberts and Crowe, and are performing material from the Boomtown Rats’ first three albums across Europe and the UK.

Garry Roberts currently lives in Bromyard, Herefordshire, England.


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Death of Rory Gallagher, Irish Blues & Rock Guitarist

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William Rory Gallagher, Irish blues and rock multi-instrumentalist, songwriter, and bandleader, dies at the age of 47, in London on June 14, 1995 of complications following a liver transplant.

Gallagher is born in Ballyshannon, County Donegal, on March 2, 1948. Both he and his brother Dónal are musically inclined and encouraged by their parents. At age nine, Gallagher receives his first guitar from them. After winning a talent contest when he is twelve, he begins performing with both his acoustic guitar and an electric guitar that he purchases with his prize money. It is, however, his purchase three years later of a 1961 Fender Stratocaster for £100 that becomes his primary instrument and most associated with him for the span of his lifetime.

Gallagher is initially attracted to skiffle after hearing Lonnie Donegan on the radio. While still in school, playing songs by Buddy Holly and Eddie Cochran, he discovers his greatest influence in Muddy Waters. He begins experimenting with folk, blues, and rock music.

While still a young teenager, Gallagher begins playing after school with Irish showbands. In 1963, he joins one named Fontana, a sextet playing the popular hit songs of the day. The band tours Ireland and the United Kingdom, earning enough money for Gallagher to make the payments on his Stratocaster guitar. Gallagher begins to influence the band’s repertoire and successfully moulds Fontana into The Impact, changing the line-up into a rhythm and blues group. The band plays gigs in Ireland and Spain until it disbands in London, with Gallagher and the bassist and drummer continuing to perform as a trio in Hamburg, Germany.

In 1966, Gallagher returns to Ireland and forms Taste, a blues rock and R&B power trio. Initially, the band is composed of Gallagher and Cork musicians Norman Damery and Eric Kitteringham. However, by 1968, Damery and Kitteringham are replaced by Belfast musicians John Wilson on drums and Richard McCracken on bass. Performing extensively in the UK, the group supports both Cream at their Royal Albert Hall farewell concert and the blues supergroup Blind Faith on a tour of North America.

After the break-up of Taste in 1970, Gallagher tours under his own name. He hires former Deep Joy bass player Gerry McAvoy to play on his self-titled debut album, Rory Gallagher. This is the beginning of a twenty-year musical relationship between Gallagher and McAvoy. The 1970s are Gallagher’s most prolific period, producing ten albums in the decade. In 1971 he is voted Melody Maker‘s International Top Guitarist of the Year, ahead of Eric Clapton. However, despite a number of his albums reaching the UK Albums Chart, Gallagher does not attain major star status. Though he sells over thirty million albums worldwide, it is his marathon live performances that win him the greatest acclaim.

In the 1980s Gallagher continues recording and embarks on a tour of the United States. In addition, he plays with Box of Frogs, a band formed in 1983 by former members of The Yardbirds.

In the later years of his life, Gallagher develops a phobia of flying. To overcome this he receives a prescription for a powerful sedative. This medication, combined with his alcohol use, results in severe liver damage. Despite his condition he continues touring. By his final performance on January 10, 1995 in the Netherlands, he is visibly ill and the remainder of the tour is cancelled. He is admitted to King’s College Hospital in London in March 1995. His liver is failing and the doctors determine that a liver transplant is the only possible course of action. After 13 weeks in intensive care, his health suddenly worsens when he contracts a Staphylococcal infection. Gallagher dies on June 14, 1995, and is buried in St. Oliver’s Cemetery just outside Ballincollig near Cork.


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Birth of Ninette de Valois, Dancer & Choreographer

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Dame Ninette de Valois, Irish-born British ballet dancer, choreographer, and founder of the company that in October 1956 becomes the Royal Ballet, is born Edris Stannus at Baltyboys House in Blessington, County Wicklow on June 6, 1898. She is influential in establishing ballet in England.

In 1908, at the age of ten, de Valois starts attending ballet lessons. At the age of thirteen she begins her professional training at the Lila Field Academy for Children. It is at this time that she changes her name and makes her professional debut as a principal dancer in pantomime at the Lyceum Theatre in the West End.

In 1919, at the age of 21, de Valois is appointed principal dancer of the Beecham Opera Company, which is then the resident opera company at the Royal Opera House. She continues to study ballet with notable teachers, including Edouard Espinosa, Enrico Cecchetti and Nicholas Legat.

In 1923, de Valois joins Sergei Diaghilev’s Ballets Russes as a soloist. At age 26, however, she quits performing after learning she is suffering from an undiagnosed case of childhood polio. In 1926 she founds her own school, the Academy of Choreographic Art, in London. She also produces dances for Lennox Robinson at the Abbey Theatre in Dublin and for Terence Gray at the Cambridge Festival Theatre.

The success of de Valois’s ballet Job: A Masque for Dancing for the Camargo Society in 1931, followed by her association with Lilian Baylis, director of the Old Vic Theatre, leads to the founding in 1931 of the Vic-Wells Ballet Company and the Sadler’s Wells School. She traces the history of the company, from its founding until it becomes the Royal Ballet in 1956, in Invitation to the Ballet (1937) and Come Dance with Me (1957).

Besides directing the company that she created, de Valois choreographs numerous ballets, including Checkmate (1937) and Don Quixote (1950). By drawing from English tradition for her choreographic material, as in The Rake’s Progress (1935), inspired by William Hogarth’s series of engravings, and The Prospect Before Us (1940), modeled on Thomas Rowlandson’s caricature of the same name, she creates a uniquely national ballet company. Her narrative ballets include prominent roles for male dancers, giving them artistic opportunities often neglected by other choreographers.

In 1963 de Valois retires as director of the Royal Ballet, although she remains head of the school until 1972. She is created a Dame of the British Empire in 1951 and is named Companion of Honour in 1980.

de Valois keeps her private life very distinct from her professional life, making only the briefest of references to her marriage to Dr. Arthur Blackall Connell, a physician and surgeon from Wandsworth, in her autobiographical writings. In April 1964 she is the subject of This Is Your Life, when she is surprised by Eamonn Andrews at the home of the dancer Frederick Ashton in London. She continues to make public appearances until her death in London on March 8, 2001 at the age of 102.

(Pictured: Ninette de Valois, circa early 1920s)