seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Arts & Music


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Birth of Helen Waddell, Poet & Playwright

helen-waddell

Helen Jane Waddell, Irish poet, translator and playwright, is born in Tokyo, Japan on May 31, 1889.

Waddell is the tenth and youngest child of Hugh Waddell, a Presbyterian minister and missionary who is lecturing in the Imperial University. She spends the first eleven years of her life in Japan before her family returns to Belfast. Her mother dies shortly afterwards, and her father remarries. Hugh Waddell himself dies and leaves his younger children in the care of their stepmother. Following the marriage of her elder sister Meg, she is left at home to care for her stepmother, whose health is deteriorating by this time.

Waddell is educated at Victoria College for Girls and Queen’s University Belfast, where she studies under Professor Gregory Smith, graduating in 1911. She follows her BA with first class honours in English with a master’s degree, and in 1919 enrolls in Somerville College, Oxford, to study for her doctorate. A traveling scholarship from Lady Margaret Hall in 1923 allows her to conduct research in Paris. It is at this time that she meets her life-long friend, Maude Clarke.

Waddell is best known for bringing to light the history of the medieval goliards in her 1927 book The Wandering Scholars and translating their Latin poetry in the companion volume Medieval Latin Lyrics. A second anthology, More Latin Lyrics, is compiled in the 1940s but not published until after her death. Her other works range widely in subject matter. For example, she also writes plays. Her first play is The Spoiled Buddha, which is performed at the Opera House, Belfast, by the Ulster Literary Society. Her The Abbe Prevost is staged in 1935. Her historical novel Peter Abelard is published in 1933. It is critically well received and becomes a bestseller.

Waddell also writes many articles for the Evening Standard, The Manchester Guardian and The Nation, and does lecturing and broadcasting.

Waddell is the assistant editor of The Nineteenth Century magazine. Among her circle of friends in London, where she is vice-president of the Irish Literary Society, are William Butler Yeats, Virginia Woolf, Rose Macaulay, Max Beerbohm and George William Russell. Her personal and professional friendship with Siegfried Sassoon apparently makes the latter’s wife suspicious. Although she never marries, she has a close relationship with her publisher, Otto Kyllmann of Constable & Company.

Waddell receives honorary degrees from Columbia, Belfast, Durham and St. Andrews and wins the Benson Medal of the Royal Society of Literature.

A serious debilitating neurological disease puts an end to her writing career in 1950. She dies in London on March 5, 1965, and is buried in Magherally churchyard, County Down, Northern Ireland. A prize-winning biography of her by the Benedictine nun Dame Felicitas Corrigan is published in 1986.


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Death of Playwright John Brendan Keane

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John Brendan Keane, playwright, novelist and essayist, dies in Listowel, County Kerry on May 30, 2002.

Keane is born on Church Street in Listowel on July 21, 1928, the son of a national school teacher, William B. Keane, and his wife Hannah (née Purtill). He is educated at Listowel National School and then at St. Michael’s College, Listowel. He works as a chemist’s assistant for A.H. Jones who dabbles in buying antiques. He has various jobs in the UK between 1951 and 1955 working as a street cleaner and a bartender, living in a variety of places including Northampton and London. It is while he is in Northampton that Keane is first published in an unnamed women’s magazine for which he receives £15.

After returning from the United Kingdom, Keane is a pub owner in Listowel from 1955.

Keane marries Mary O’Connor at Knocknagoshel Church on January 5, 1955 and they have four children: Billy, Conor, John and Joanna. He is an Honorary Life Member of the Royal Dublin Society from 1991, serves as president of Irish PEN and is a founder member of the Society of Irish Playwrights as well as a member of Aosdána. He is named the patron of the Listowel Players after the Listowel Drama Group fractures. He remains a prominent member of the Fine Gael party throughout his life, never being shy of political debate.

Keane cites many literary influences including Bryan MacMahon and George Fitzmaurice, fellow Kerry writers and playwrights. His personal influences are numerous but, most notably he thanks his father and his wife, Mary. He is grateful for his father’s help with early editing, allowing him access to his personal library, and encouraging him to continue his work until he is successful. He is also influenced by the local population and the patrons of his pub from which he bases some of his characters.

Keane dies on May 30, 2002 of complications from prostate cancer, which he had been battling for eight years. His death comes on the eve of the annual Listowel Writers’ Festival, a week-long event at which he had long been a dominating and avuncular presence.

Keane’s nephew is the investigative journalist Fergal Keane. His son John is a journalist with the Kilkenny People while his son Billy regularly writes a column for the Irish Independent.


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Birth of Thomas Moore, Poet, Satirist & Composer

thomas-moore

Thomas Moore, poet, satirist, composer, and political propagandist, is born in Dublin on May 28, 1779. He is best remembered for the lyrics of “The Minstrel Boy” and “The Last Rose of Summer.” He is a close friend of Lord Byron and Percy Bysshe Shelley. As Lord Byron’s named literary executor, along with John Murray, Moore is responsible for burning Lord Byron’s memoirs after his death. In his lifetime he is often referred to as Anacreon Moore.

The son of a Roman Catholic wine merchant, Moore graduates from Trinity College, Dublin, in 1799 and then studies law in London. His major poetic work, Irish Melodies (1807–34), earns him an income of £500 annually for a quarter of a century. It contains such titles as “The Last Rose of Summer” and “Oft in the Stilly Night.” The Melodies, a group of 130 poems set to the music of Moore and of Sir John Stevenson and performed for London’s aristocracy, arouses sympathy and support for the Irish nationalists, among whom Moore is a popular hero.

Lalla-Rookh (1817), a narrative poem set in an atmosphere of Oriental splendour, gives Moore a reputation among his contemporaries rivaling that of Byron and Sir Walter Scott. It is perhaps the most translated poem of its time, and it earns what was until then the highest price paid by an English publisher for a poem (£3,000). His many satirical works, such as The Fudge Family in Paris (1818), portray the politics and manners of the Regency era.

In 1824 Moore becomes a participant in one of the most celebrated episodes of the Romantic era. He is the recipient of Byron’s memoirs, but he and the publisher John Murray burn them, presumably to protect Byron. He later brings out the Letters and Journals of Lord Byron (1830), in which he includes a life of the poet. His lifelong espousal of the Catholic cause leads him to produce such brilliant works as his parody of agrarian insurgency, The Memoirs of Captain Rock (1824), and his courageous biography of the revolutionary leader of the 1798 rebellion, The Life and Death of Lord Edward Fitzgerald (1831).

Moore’s personal life is dogged by tragedy including the deaths of all five of his children within his lifetime and a stroke in later life, which disables him from performances, the activity for which he is most renowned. Moore dies while being cared for by his wife, Elizabeth (nee Dyke), at Sloperton Cottage, Bromham, Wiltshire, England on February 26, 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home and beside his daughter Anastasia.

(Pictured: Thomas Moore, after a painting by Thomas Lawrence)


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Birth of Andrea Corr, Musician & Songwriter

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Andrea Jane Corr MBE, Irish musician, songwriter, and actress, is born in Dundalk, County Louth on May 17, 1974.

Corr, the youngest of four children, is born to Gerry Corr, a manager of the payroll department of the Irish Electricity Supply Board (ESB), and his wife, Jean, a housewife. Gerry and Jean have their own band, Sound Affair, which plays songs by ABBA and the Eagles in local pubs in Dundalk where they would often bring along their children.

With the encouragement of her parents, Corr takes up the tin whistle and is taught the piano by her father. Throughout their teenage years, she and her siblings often practise in her brother Jim‘s bedroom at a house he had rented. She sings lead vocals; her sister Sharon plays the violin and sister Caroline and Jim both play keyboards. She takes part in school plays at her school, Dundalk’s Dún Lughaidh Convent.

Corr debuts in 1990 as the lead singer of the Celtic folk rock and pop rock group The Corrs along with her three siblings. Aside from singing lead vocals she plays the tin whistle, the ukulele, and the piano.

With the others, Corr releases six studio albums, two compilation albums, one remix album and two live albums. She also pursues a solo career, releasing her debut album, Ten Feet High, in 2007. The album moves away from the sound of the Corrs and features a dance-pop sound. Her next album, released on May 30, 2011, is entirely made up of covers of songs that were important to her when younger.

Corr is involved in charitable activities. She plays charity concerts to raise money for the Pavarotti & Friends Liberian Children’s Village, Freeman Hospital in Newcastle upon Tyne, England, the victims of the Omagh bombing in Northern Ireland and The Prince’s Trust in 2004. She is an ambassador for Nelson Mandela‘s “46664” campaign, raising awareness towards AIDS in Africa. During the Edinburgh Live 8 on July 2, 2005, The Corrs perform “When the Stars Go Blue” alongside Bono to promote the Make Poverty History campaign. Along with her siblings, she is appointed an honorary MBE in 2005 by Queen Elizabeth II for her contribution to music and charity.


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The Death of Ernest Ball, Singer & Songwriter

ernest-ball

Ernest Roland Ball, American singer and songwriter, most famous for composing the music for the song “When Irish Eyes Are Smiling” in 1912, dies in Santa Ana, California on May 3, 1927. He is not himself Irish.

Ball is born in Cleveland, Ohio on July 2, 1878, and receives formal music training at the Cleveland Conservatory. His songwriting career is heavily influenced by the early works of M-Steel.

Ball’s nascent career is much buoyed when James J. Walker, then a state senator of New York, asks him to write music for some lyrics he had written. He does, and the song “Will You Love Me in December as You Do in May?” becomes a hit. Walker later becomes known as “Dapper Jimmy Walker”, Mayor of New York City, a fortunate event for Ball’s career.

Ball accompanies singers, sings in vaudeville and writes sentimental ballads, mostly with Irish themes. He collaborates with Chauncey Olcott on many songs including “When Irish Eyes are Smiling,” for which Olcott writes the lyrics. He writes other Irish favorites including “Mother Machree,” “A Little Bit of Heaven,” “Dear Little Boy of Mine” and “Let the Rest of the World Go By.” “Mother Machree” is made popular by the famous Irish tenor, John McCormick. He also works with J. Keirn Brennan on songs like “For Dixie and Uncle Sam” and “Good Bye, Good Luck, God Bless You.”

Ball becomes a charter member of the American Society of Composers, Authors and Publishers (ASCAP) in 1907, and writes many American standards. He is also a fine pianist, and his playing is preserved on several piano roll recordings he makes for the Vocalstyle Music Company, based in Cincinnati in his home state of Ohio.

Ernest Ball dies on May 3, 1927, just after walking off stage at the Yost Theater in Santa Ana, California while on tour with “Ernie Ball and His Gang,” an act starring Ball and a male octet. He is posthumously inducted into the Songwriters Hall of Fame in 1970.

A 1944 musical Irish Eyes Are Smiling tells the story of Ball’s career and stars Dick Haymes and June Haver. His grandson is the guitar string entrepreneur Ernie Ball, great-grandson is singer-songwriter/content producer Sherwood Ernest Ball, and his great-great-granddaughters are actress Hannah Marks and singer/songwriter Tiare’ Ball.


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Death of Joe Heaney, Traditional Irish Singer

joe-heaney

Joe Heaney, traditional Irish singer also known as Joe Éinniú or Seosamh Ó hÉanaí, dies in Seattle, Washington on May 1, 1984. He spends most of his adult life abroad, living in England, Scotland and New York City, in the course of which he records hundreds of songs.

Heaney is born Carna, a remote village in the Irish-speaking district of Connemara, County Galway, along the west coast of Ireland on October 15, 1919. He starts singing at the age of five, but his shyness keeps him from singing in public until he is 20. He learns English at school in Carna. When he is 16 years old, he wins a scholarship to attend school in Dublin. While there he wins first and second prizes at a national singing competition. Most of his repertoire, estimated to exceed 500 songs, is learned while growing up in Carna.

In 1949, Heaney goes to London where he works on building sites and becomes involved in the folk-music scene. He records for the Topic Records and Gael Linn Records labels. He is married for six years until his wife dies of tuberculosis.

Heaney is recorded by Pádraic Ó Raghallaigh for Raidió Teilifís Éireann, and by Peter Kennedy for the BBC in 1959. The BBC recordings are assembled on a BBC LP, not commercially issued, as BBC LP 22570.

Heaney comes to the United States in 1965 at the invitation of the Newport Folk Festival. After singing at Newport, he decides to move to America and settles in New York City. From 1982 until 1984, Heaney is an artist-in-residence at the University of Washington in Seattle after previously having taught at Wesleyan University in Middletown, Connecticut.

Joe Heaney dies of emphysema in Seattle on May 1, 1984. The Joe Heaney Collection of the University of Washington Ethnomusicology Archives is established after his death. The Féile Chomórtha Joe Éinniú (Joe Heaney Commemorative Festival) is held every year in Carna. An Irish-language biography of him has been written by Liam Mac Con Iomaire, and a biography that discusses his work in the larger context of Ireland and the United States was published in 2011 by Sean Williams and Lillis Ó Laoire.


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The Suicide of Reverend William Jackson

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The Reverend William Jackson, noted Irish preacher, journalist, playwright, radical, and spy, commits suicide on April 30, 1795, after being found guilty of high treason.

Jackson was born in Newtownards, County Down, in 1737. Much is unclear about his early life. He studies at Oxford and becomes an Anglican curate. In the 1760s, he moves to London, where he preaches at the Tavistock Chapel and St. Mary-le-Strand. Although he gains some popularity as a preacher, he remains unbeneficed and eventually turns to journalism to support himself.

In 1766, Jackson becomes the editor of The Public Ledger. Under his editorship, the London paper becomes increasingly strident and oppositional in its politics. He is forced to flee to France in April 1777 to avoid a trial for libel that the popular actor and playwright Samuel Foote had initiated. He does not have to stay long in exile because Foote dies on October 21 of that same year.

After Foote’s death, Jackson returns to England. He resumes his political activities by publishing The Constitutions of the Several Independent States of America in 1783, with a dedication to the opposition leader, William Bentinck, 4th Duke of Portland. But the following year, he is secretly hired by the Prime Minister, William Pitt the Younger, to support the government in The Morning Post. Publishing anonymously, he attacks his former allies with his usual vehemence until he is discovered and is soundly damned for his apostasy and finds himself generally excluded from English politics.

Jackson’s next appearance in the public results in yet another scandal. In 1787 he joins forces with “Gentleman” John Palmer. Their goal is to build a new theatre in London. Jackson and Palmer persuade investors to sink more than eighteen thousand pounds into the construction of the Royalty Theatre. However, while there is no law against building a theatre in London, there is a law against operating one without the Lord Chamberlain‘s authorisation. Jackson and Palmer have no such authorisation so the theatre is shut down after just one night. The duped investors initiated legal action. Jackson again flees to France, where he arrives on the eve of revolution.

During his stay in Paris, Jackson is swept up in the revolutionary fervour and becomes involved with the radical British expatriate set there. Swept up in the general arrest of British subjects in 1793, he is released from prison on the strength of his radical commitments. Upon his release, he becomes inspector of horses for Meaux and later in 1793 is commissioned as a spy for the French. Nicholas Madgett, an Irishman who works in the Marine Ministry, recruits Jackson to go to England and Ireland to assess the public’s inclination towards armed revolution.

Jackson arrives in London in early 1794 and becomes reacquainted with John Cockayne, a lawyer he had met two decades earlier. He reveals his mission to Cockayne, who promptly reveals it to the Prime Minister out of fear of being tried for treason himself. When Jackson leaves London for Dublin, he is accompanied by Cockayne. In Ireland they meet with several radical leaders of the Society of United Irishmen, including Theobald Wolfe Tone, James Reynolds and Archibald Hamilton Rowan. Hamilton Rowan, in particular, is tempted by Jackson’s talk of French assistance, and persuades Tone to write up a report for the French, indicating Irish willingness to rise up. Jackson makes the fatal mistake of placing Tone’s report and other letters in the public mail, where they are seized by the authorities. This seizure leads to Jackson’s arrest on April 28, 1794.

Jackson remains in prison for a year before his trial takes place. The delays are at his request, allowing him time to assemble a defence and procure witnesses. During his imprisonment, he writes his last work, Observations in Answer to Mr. Paine’s Age of Reason (1795). His trial takes place in Dublin on April 23, 1795, and he is found guilty. One week later, on the morning of his sentencing hearing Jackson steps into the dock looking terribly ill. As his lawyers make drawn out speeches, hoping to avoid judgment on the technicality of an improperly filed indictment, Jackson’s condition steadily worsens. The judges order that a chair be provided for him and ask that a doctor attend him. He then collapses and dies. An autopsy finds that Jackson had ingested a large quantity of a “metallic poison.” This is likely administered by his second wife, but the inquest pointedly refuses to assign blame.

The effect of Jackson’s suicide is that he had not actually been pronounced guilty of treason by the court, and so his family can inherit his goods and a pension.


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Birth of Nathaniel Hone the Elder

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Nathaniel Hone the Elder, Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy of Arts in 1768, is born in Dublin on April 24, 1718.

The son of a Dublin-based Dutch merchant, Hone moves to England as a young man and, after marrying Molly Earle, daughter of the John Campbell, 4th Duke of Argyll, in 1742, eventually settles in London, by which time he has acquired a reputation as a portrait-painter. While his paintings are popular, his reputation is particularly enhanced by his skill at producing miniatures and enamels. He interrupts his time in London by spending two years (1750–52) studying in Italy.

As a portrait painter, several of Hone’s works are now held at the National Portrait Gallery in London. His sitters include magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait. He often uses his son John Camillus Hone (1745-1836) in some of his works, including his unique portrait of “The Spartan Boy,” painted in 1774.

Hone courts controversy in 1775 when his satirical picture The Conjurer (National Gallery of Ireland, Dublin) is seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds, leading the Royal Academy to reject the painting. It also originally includes a nude caricature of fellow Academician Angelica Kauffman in the top left corner, which is painted out by Hone after Kauffman complains to the academy. The combination of a little girl and an old man has also been seen as symbolic of Kauffman and Reynolds’s closeness, age difference, and rumoured affair. To show that his reputation is undamaged, Hone organises a one-man retrospective in London, the first such solo exhibition of an artist’s work.

The Hone family is related to the old Dutch landed family the van Vianens, who hold the hereditary title of Vrijheer. His great-grand-nephew shares the same name and is also a notable Irish painter, known as Nathaniel Hone the Younger (1831–1917). He is also a relation to painter Evie Hone.

Nathaniel Hone the Elder dies on August 14, 1784.

(Pictured: Self-portrait by Nathaniel Hone, circa 1760)


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Birth of Stage Actress George Anne Bellamy

george-anne-bellamy

George Anne Bellamy, English actress whose stage career and personal life are, in their irregularity, not entirely atypical of her era, is born in County Fingal on April 23, 1727. Her best performances are in such tragic roles as Desdemona in Othello and Juliet in Romeo and Juliet.

Bellamy is the illegitimate daughter of a Quaker lady who elopes from boarding school with the diplomat James O’Hara, 2nd Baron Tyrawley. She is named George Anne through a mishearing of the name Georgiana at her christening. Though her mother marries a Captain Bellamy in Lisbon, Bellamy is acknowledged by Tyrawley as his daughter and he provides for her needs, including her education at a convent in Boulogne-sur-Mer. While living with her mother in London, she meets the theatrical manager John Rich and other leading stars of the stage, and she soon determines to pursue an acting career.

Bellamy’s early roles at Covent Garden, beginning about 1744, are as Miss Prue in Love for Love and with James Quin in The Orphan. Her reputation as an actress rests largely on her good looks and her “soft” feminine manner. Her career reaches its pinnacle when, in 1750, her performance of Juliet to David Garrick’s Romeo at Theatre Royal, Drury Lane is said to surpass the work of the revered Susannah Cibber in a rival production of the play at Covent Garden.

Riotous living, including a legal and a bigamous marriage, takes its toll on Bellamy’s beauty and her appeal to managers. Her later life is marred by ill health and credit troubles. Her last appearance is at Drury Lane on May 24, 1785, at her own benefit concert. She is unable to act but speaks briefly to the audience.

In the same year Bellamy publishes “An Apology for the Life of George Anne Bellamy” in six volumes. The salacious work is said to be ghost written by Alexander Bicknell.

George Anne Bellamy dies in poverty on February 16, 1788, in London.

(Pictured: George Anne Bellamy by F Lindo exhibited in 1833 now owned by Garrick Club)


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Premiere of “Cathleen ni Houlihan”

cathleen-ni-houlihan

Cathleen ni Houlihan, a one-act play written by William Butler Yeats and Lady Gregory, is first performed in Dublin on April 2, 1902, with Maud Gonne in the leading role. It is first published in the October 1902 number of Samhain magazine.

The play centers on the Irish Rebellion of 1798. The play is startlingly nationalistic, in its last pages encouraging young men to sacrifice their lives for the heroine Cathleen ni Houlihan, who represents an independent and separate Irish state. The title character first appears as an old woman at the door of a family celebrating their son’s wedding. She describes her four “beautiful green fields,” representing the four provinces of Ireland, that have been unjustly taken from her. With little subtlety, she requests a blood sacrifice, declaring that “many a child will be born and there will be no father at the christening” and that “they that have red cheeks will have pale cheeks for my sake, and for all that, they will think they are well paid.” She convinces the future groom, Michael, to give up the wedding and go fight.

After the youth leaves the safety of his home to fight for her, she appears as an image of youth with “the walk of a queen,” professing of those who fight for her: “They shall be remembered forever, They shall be alive forever, They shall be speaking forever, The people shall hear them forever.”

Death is common during the time around the rising, but becoming a martyr is somethings that is admirable, so oftentimes people welcome death so they can create themselves a heroic memory. The martyrs will be remembered forever, which is why this theme is so ingrained into this play.

Cathleen ni Houlihan is such a simple play that contains many symbols and has the goal of convincing men to fight for Ireland. While the play is written about the rising of 1798, it is meant to inspire people for the 1916 Easter Rising. Throughout the whole play, there is constant reference to memory and its influence on the public. The men that die while fighting for Ireland are considered heroes, which is why memory and martyrdom are such important themes that are incorporated into works about revolution.

Cathleen ni Houlihan is about Irish Independence, but there are themes of martyrdom in other works, like the musicals about American Independence, Hamilton and 1776.

(Pictured: Scene from a production of “Cathleen ni Houlihan,” circa 1912)