Fermanagh County Council is formed under orders issued in accordance with the Local Government (Ireland) Act 1898 which comes into effect on April 18, 1899. Elections are held using proportional representation until 1922 when it is abolished in favour of first-past-the-post voting. On December 15, 1921, shortly before the partition of Ireland and transfer of power from the Dublin Castle administration, Fermanagh County Council passes a resolution on a 13–10 majority not to recognise the newly formed Parliament of Northern Ireland and pledges their allegiance to the unrecognised republicanSecond Dáil of the self-proclaimed Irish Republic in Southern Ireland before the ratification of the Anglo-Irish Treaty. The resolution states, “We, the County Council of Fermanagh, in view of the expressed desire of a large majority of people in this county, do not recognise the partition parliament in Belfast and do hereby direct our Secretary to hold no further communications with either Belfast or British Local Government Departments, and we pledge our allegiance to Dáil Éireann.” In response, the Royal Irish Constabulary evict them from their council offices and confiscate official documents. As a result, the council is temporarily dissolved. The council are replaced by Commissioners appointed by Sir Dawson Bates.
The council is reformed by the time of the 1924 Northern Ireland local elections. As a protest against the abolition of proportional representation nationalist parties boycott the election, allowing unionist parties to take control of the council uncontested. Due to the abolition of proportional representation and gerrymandering, the council always has a unionist majority of councillors elected up until abolition. In 1967, the Government of Northern Ireland passes the County Fermanagh (Transfer of Functions) Order 1967. This makes Fermanagh County Council amalgamate with the smaller Enniskillen Borough Council and the rural district councils in Enniskillen, Irvinestown and Lisnaskea to turn Fermanagh County Council into a unitary authority.
In 1969, the Fermanagh Civil Rights Association publishes a booklet criticising the council and accusing them of favouring the Protestant community over the Catholic community. Some of the accusations include that the council deliberately hires Protestants for skilled local government and school jobs and that they propose to build a new village for Catholics in a gerrymandered district that already has a Catholic majority. The council is abolished in accordance with the Local Government Act (Northern Ireland) 1972 on October 1, 1973 and replaced by Fermanagh District Council.
(Pictured: Coat of arms of Fermanagh County Council, Northern Ireland)
Cleeve is the second of three sons to Charles Edward Cleeve and his wife Josephine (née Talbot). His father, who was born in Limerick, County Limerick, is a scion of a famous and wealthy family that runs several successful Irish enterprises in the late-nineteenth and early twentieth centuries. His mother is a native of Essex. The Cleeves came from Canada originally and emigrated to Ireland in the mid-nineteenth century. As a result of labour troubles and the effects of the Irish Civil War, the Cleeve business fails, and the family moves to England.
Cleeve’s mother dies in 1924 and his maternal grandparents, Alfred and Gertrude Talbot, take over responsibility for his upbringing. At age eight, he is sent as a boarder to Selwyn House in Kent, followed at age 12 by three years at St. Edward’s School, Oxford. He is by nature a free-thinker and rejects the assumptions and prejudices that are then part of upper-middle class English life. His unwillingness to conform means that school life is very difficult for him. In the late summer of 1938, he decides not to return to St. Edward’s for his final year. Instead, he runs away to sea.
In 1945, Cleeve takes an Irish passport and comes to Ireland where, in the space of three weeks, he meets and marries Veronica McAdie. A year later, they leave Ireland with baby daughter Berenice on a protracted odyssey that takes them to London, Sweden, the West Indies, and finally South Africa. In 1948, the family settles in Johannesburg where they set up their own perfume business. A second daughter, Tanga, is born to the couple there in 1953. As a result of his friendship with Fr. Trevor Huddleston, he witnesses the conditions in which the black population has to live in townships such as Sophiatown. He becomes an outspoken critic of Apartheid, and, in 1954, he is branded by the authorities as a ‘political intractable’ and ordered to leave South Africa. He returns to Ireland where he lives for the remainder of his life.
Cleeve starts writing poems in his teens, a few of which are published in his school paper, the St. Edward’s Chronicle. During the war he continues to produce poems of a spiritual or metaphysical nature, most of which are never published. In 1945, he turns to novel-writing. After his first two attempts are rejected, his third novel, The Far Hills, is published in 1952. Two further novels about South Africa follow and their unvarnished descriptions of the reality of life for the native population probably contributes to his eventual expulsion from the country.
In the mid-1950s, Cleeve begins to concentrate on the short story form. During the next 15 years over 100 of his short stories are published in magazines and periodicals across five continents. He sells nearly thirty to The Saturday Evening Post alone. In 1966, his story Foxer is honoured with a scroll at the annual Edgar Awards.
During the 1960s and 1970s, Cleeve returns to writing novels with considerable success. He produced a series of well-received mystery and spy thrillers that do not sacrifice character to plot. In 1971, he publishes Cry of Morning, his most controversial and successful novel to date. It is a panoramic depiction of the economic and social changes that affected Ireland during the 1960s as seen through the eyes of a disparate collection of well-drawn characters. He subsequently achieves even greater commercial success, especially in the United States, with a number of historical novels featuring a strong female character as protagonist.
Cleeve also writes several works of non-fiction, principally the Dictionary of Irish Writers. This is a 20-year project to provide to scholars and the general public alike a comprehensive resource on Irish writers at an affordable price. It is a labour of love that consumes a great deal of his time and is effectively subsidised by his more commercial pursuits. The last edition is published in 1985.
On December 31, 1961, Telefís Éireann is launched as the Republic of Ireland‘s first indigenous television station. Cleeve joins the station as a part-time interviewer on the current affairs programme, Broadsheet. Following appearances on two additional programmes, Telefís Éireann does not renew his contract when it expires in 1973.
Following his wife’s death in 1999, Cleeve moves to the village of Shankill, Dublin. His health deteriorates rapidly following a series of small strokes. In November 2001, he marries his second wife, Patricia Ledwidge, and she cares for him during his final months. He suddenly dies of a heart attack on March 11, 2003. His body now lies under a headstone bearing the inscription “Servant of God.”
The Sweepstake is generally referred to as the Irish Sweepstake or Irish Sweepstakes, frequently abbreviated to Irish Sweep or Irish Sweeps. The Public Charitable Hospitals (Temporary Provisions) Act, 1930 is the act that establishes the lottery. This act expires in 1934, in accordance with its terms, and the Public Hospitals Acts are the legislative basis for the scheme thereafter. The main organisers are Richard Duggan, Captain Spencer Freeman and Joseph McGrath. Duggan is a well known Dublinbookmaker who has organised a number of sweepstakes in the decade prior to setting up the Hospitals’ Sweepstake. Captain Freeman is a Welsh-born engineer and former captain in the British Army. After the Constitution of Ireland is enacted in 1937, the name Irish Hospitals’ Sweepstake is adopted.
The sweepstake is established because there is a need for investment in hospitals and medical services and the public finances are unable to meet this expense at the time. As the people of Ireland are unable to raise sufficient funds, because of the low population, a significant amount of the funds are raised in the United Kingdom and United States, often among the emigrant Irish. Potentially winning tickets are drawn from rotating drums, usually by nurses in uniform. Each such ticket is assigned to a horse expected to run in one of several horse races, including the Cambridgeshire Handicap, Epsom Derby and the Grand National. Tickets that draw the favourite horses thus stand a higher likelihood of winning and a series of winning horses have to be chosen on the accumulator system, allowing for enormous prizes.
The original sweepstake draws are held at the Mansion House, Dublin on May 19, 1939 under the supervision of the Chief Commissioner of Police, and are moved to a more permanent fixture at the Royal Dublin Society (RDS) in Ballsbridge later in 1940.
The Adelaide Hospital in Dublin is the only hospital at the time to not accept money from the Hospitals Trust, as the governors disapprove of sweepstakes.
From the 1960s onwards, revenues decline. The offices are moved to Lotamore House in County Cork. Although giving the appearance of a public charitable lottery, with nurses featured prominently in the advertising and drawings, the Sweepstake is in fact a private for-profit lottery company, and the owners are paid substantial dividends from the profits. Fortune magazine describes it as “a private company run for profit and its handful of stockholders have used their earnings from the sweepstakes to build a group of industrial enterprises that loom quite large in the modest Irish economy. Waterford Glassworks, Irish Glass Bottle Company and many other new Irish companies are financed by money from this enterprise and up to 5,000 people are given jobs.” At the time of his death in 1966, Joe McGrath has interests in the racing industry, and holds the Renault dealership for Ireland in addition to large financial and property assets. He is notorious throughout Ireland for his ruthless business attitude and his actions during the Irish Civil War.
In 1986, the Irish government creates a new public lottery, the National Lottery, and the company fails to secure the new contract to manage it. The final sweepstake is held in January 1986 and the company is unsuccessful for a licence bid for the National Lottery, which is won by An Post later that year. The company goes into voluntary liquidation in March 1987. The majority of workers do not have a pension scheme but the sweepstake has fed many families during lean times and is regarded as a safe job. The Public Hospitals (Amendment) Act, 1990 is enacted for the orderly winding up of the scheme, which has by then almost £500,000 in unclaimed prizes and accrued interest.
A collection of advertising material relating to the Irish Hospitals’ Sweepstakes is among the Special Collections of National Irish Visual Arts Library.
McFadden is born to Roland Victor MCFadden and his wife Maud Steele. A short time after his birth the family relocates to Belfast. He is educated at Knock Grammar School, Regent House School in Newtownards, and later graduates in Law from Queen’s University Belfast in 1944. He becomes a prominent lawyer and an influential figure in the Belfast literary scene.
McFadden’s first poem is published before he is thirteen. His earliest influences are from magazines and journals that his father brings home, and by Francis Turner Palgrave‘s Golden Treasury. He first comes to prominence as a promoter of Ulster literature in the 1940s when he edits two anthologies of poetry, Ulster Voices and Irish Voices in 1943. In 1948, he co-founds with Barbara Edwards (née Hunter) the Northern Irish poetry magazine Rann and then, co-edits it with her during its whole run, until 1953. Like its predecessor Lagan, it is unapologetically regionalist.
McFadden is the author of nine volumes of poetry, from Swords and Ploughshares (1943) to the posthumously published Last Poems (2002). Among his poems are “Saint Francis and the Birds” and “Independence”. His book, The Garryowen, is published by Chatto & Windus in the Phoenix Living Poets series. Most recently, his poem “Post-War” has been anthologised in Armistice: A Laureate’s Choice of Poems of War and Peace (Faber Poetry) (2018). There is a long gap between 1947 and 1971 when he publishes no collections of his work, however he continues to write and publishes in periodicals and newspapers such as The Irish Times where in that time he has sixty poems printed. His voice is well known on local BBC Radio through the Poetry Notebooks series, and he also has several verse-plays broadcast.
In 1952 McFadden marries Margaret Ferguson. Together they produce three sons and two daughters. He lives for a number of years in Lisburn, County Antrim. Inspired by Herbert Read and Alex Comfort, he describes himself as a pacifist and an anarchist in 1999. McFadden dies at his Belfast home on September 15, 1999.
The Roy McFadden Papers, comprising the poet’s personal manuscripts and papers, are lodged at Queen’s University Belfast. The Roy McFadden Library at Trinity College Dublin comprises books and journals on Irish and world literature from his collection. A comprehensive collection of his published work is held at the National Poetry Library, Southbank Centre, London.
Barry’s execution inflames nationalist public opinion in Ireland, largely because of his age. The timing of the execution, only seven days after the death by hunger strike of Terence MacSwiney, the republicanLord Mayor of Cork, brings public opinion to a fever-pitch. His pending death sentence attracts international attention, and attempts are made by United States and Vatican officials to secure a reprieve. His execution and MacSwiney’s death precipitate an escalation in violence as the Irish War of Independence enters its bloodiest phase, and Barry becomes an Irish republican martyr.
Barry is born on January 20, 1902, at 8 Fleet Street, Dublin, to Thomas and Mary (née Dowling) Barry. The fourth of seven children, two boys and five sisters, he is baptised in St. Andrew’s Church, Westland Row. As a child he attends the National School in Rathvilly, County Carlow, and the O’Connell Schools in Dublin, before enrolling in the Preparatory Grade at St. Mary’s College, Dublin, in September 1915. He remains at that school until May 31, 1916, when it is closed by its clerical sponsors. With the closure of St. Mary’s College, he transfers to Belvedere College, a Jesuit school in Dublin.
In October 1917, during his second year at Belvedere, Barry joins Company C, 1st Battalion of the Dublin Brigade of the Irish Volunteers. When Company C is later reorganized, he is reassigned to the newly formed Company H, under the command of Captain Seamus Kavanagh. The following year he is introduced by Seán O’Neill and Bob O’Flanagan to the Clarke Luby Club of the Irish Republican Brotherhood (IRB), and at some point in time he is sworn as a member of this secret society which is led by Michael Collins.
Two Dublin Volunteers notice that a British army lorry guarded by an armed party of soldiers makes twice weekly trips to Monk’s Bakery on Church Street to obtain bread. Based on these observations, John Joe Carroll of Company H conducts a reconnaissance of the bakery. In addition to its main entrance on Church Street, he observes that the bakery yard is also accessible by a corridor leading from a shop on North King Street. He concludes that this makes the bakery an attractive site for an ambush.
On the morning of September 20, 1920, Barry goes to Mass, then joins a party of IRA volunteers on Bolton Street in Dublin. Their orders are to ambush a British army lorry as it picks up a delivery of bread from the bakery and capture their weapons. The ambush is scheduled for 11:00 AM, which gives him enough time to take part in the operation and return to class in time for an examination he has at 2:00 PM. The truck arrives late and is under the command of Sergeant Banks.
Armed with a .38 MauserParabellum, Barry and members of C Company are to surround the lorry, disarm the soldiers, take the weapons and escape. He covers the back of the vehicle and, when challenged, the five soldiers comply with the order to lay down their weapons. A shot is then fired, possibly a warning shot from an uncovered soldier in the front. Barry and the rest of the ambush party then open fire. His gun jams twice and he dives for cover under the vehicle. His comrades flee and he is left behind. He is then spotted and arrested by the soldiers. One soldier is killed and two other later die of their wounds.
The War Office orders that Barry be tried by court-martial under the Restoration of Order in Ireland Act 1920, which received royal assent on August 9, 1920. Barry is charged on three counts of the murder of Private Marshall Whitehead. In accordance with military procedure the verdict is not announced in court. He is returned to Mountjoy Prison. Later that night the district court-martial officer enters his cell and reads out the sentence: death by hanging. The public learns on October 28 that the date of execution has been fixed for November 1.
Barry is hanged on November 1, 1920, after hearing two Masses in his cell. Canon Waters, who walks with him to the scaffold, writes to Barry’s mother later, “You are the mother, my dear Mrs. Barry, of one of the bravest and best boys I have ever known. His death was one of the most holy, and your dear boy is waiting for you now, beyond the reach of sorrow or trial.”
Barry’s body is buried at 1:30 PM, in a plot near the women’s prison. His comrade and fellow-student Frank Flood is buried alongside him four months later. A plain cross marks their graves and those of Patrick Moran, Thomas Whelan, Thomas Traynor, Patrick Doyle, Thomas Bryan, Bernard Ryan, Edmond Foley and Patrick Maher who are hanged in the same prison before the Anglo-Irish Treaty of July 1921 which ends hostilities between Irish republicans and the British. The men are buried in unconsecrated ground on the jail property and their graves are unidentified until 1934. They become known as the Forgotten Ten by republicans campaigning for the bodies to be reburied with honour and proper rites. On October 14, 2001, the remains of these ten men are given a state funeral and moved from Mountjoy Prison to be re-interred at Glasnevin Cemetery in Dublin.
Michael Fitzgerald also known as Mick Fitzgerald, dies on hunger strike in Cork County Gaol on October 17, 1920. He is among the first members of the Irish Republican Army and plays an important role in organizing it. His death is credited with bringing world-wide attention to the Irish cause for independence.
Born in December 1881 in Ballyoran, Fermoy, County Cork, Fitzgerald is educated at the Christian Brothers School in the town and subsequently finds work as a mill worker in the locality. He joins the Irish Volunteers in 1914 and plays an important role in building the local organisation which is soon to become the Irish Republican Army (IRA). He soon rises to the rank of Battalion Commandant, 1st Battalion, Cork No.2 Brigade.
On Easter Sunday, April 20, 1919, Fitzgerald leads a small group of IRA volunteers who capture Araglin, Cork Royal Irish Constabulary Barracks located on the border with County Tipperary. He is subsequently arrested and sentenced to three months imprisonment at Cork County Gaol. He is released from prison in August 1919 and immediately returns to active IRA duty. He is involved in the holding up of a party of British Army troops at the Wesleyan Church in Fermoy. The troops are disarmed although one of them is killed. Arrested and held on remand, Fitzgerald feels that the only chance he has for release is via a hunger strike.
Fitzgerald, along with Terence MacSwiney and nine other IRA volunteers, are arrested on August 8, 1920. On August 11, MacSwiney begins a hunger strike in Brixton Gaol. Fitzgerald and the other nine volunteers at Cork County Gaol join in. At the age of 24, he is the first to die on October 17, 1920 as a result of his sixty-seven day fast. His death is followed by the deaths of Joe Murphy and Terence MacSwiney. Their deaths are credited with bringing world-wide attention to the Irish cause for independence.
Fitzgerald is buried at Kilcrumper Cemetery, on the outskirts of Fermoy, County Cork. In addition, a road is named after him in Togher, Cork.
During a November 2008 visit to Fermoy, Sinn Féin Vice-President Pat Doherty lays a wreath at Fitzgerald’s grave. Doherty says Fitzgerald’s sacrifice was like that of the hunger strikers in 1981. He says it is a great honour for him to pay homage to a man “to whom we owe so much.” Also buried in the Republican Plot in Fermoy is General Liam Lynch, who was Chief of Staff of the IRA when he was shot dead by Irish Free State troops in the Knockmealdown Mountains on April 12, 1923. His last wish was to be buried with his great friend and comrade, Mick Fitzgerald.
The Cork No. 2 Brigade, Irish Republican Army (IRA), attacks and captures a military barracks in Mallow, County Cork, on September 28, 1920, the only military barracks to be captured during the Irish War of Independence. British forces later burn and sack the town.
Mallow had been a garrison town for several hundred years. Eight miles to the north lay Buttevant where one of the largest military barracks in the country is located. Not far from Buttevant are the great military training camps of Ballyvonaire, while nineteen miles to the northeast is Fermoy with its large permanent military garrisons and huge barracks adjacent to the big training centres of Kilworth and Moorepark. Twenty miles to the southeast is the city of Cork with its many thousands of troops both in the posts within the city and at Ballincollig, about six miles west of it, on the Macroom road. Thirteen miles westward a detachment from a British machine gun corps holds Kanturk. Every town and village has its post of Royal Irish Constabulary (RIC) men armed to the teeth.
The idea of capturing the barracks comes from two members of the Mallow IRA Battalion, Dick Willis, a painter, and Jack Bolster, a carpenter, who are employed on the civilian maintenance staff of the barracks which is occupied by the 17th Lancers. Willis and Bolster are able to observe the daily routine of the garrison and form the opinion that the capture of the place would not be difficult. They are instructed by their local battalion officers to make a sketch map of the barracks. After that is prepared, Liam Lynch and Ernie O’Malley go with Willis and Tadhg Byrnes to Mallow to study the layout of the surrounding district. Among the details of the garrison’s routine that Willis and Bolster report to the Column leaders, is the information that each morning the officer in charge, accompanied by two-thirds of the men, take the horses for exercise outside the town. It is obvious to the two Mallow volunteers that this is the ideal time for the attack.
Situated at the end of a short, narrow street and on the western verge of the Town Park, Mallow barracks stand on an unusually low-lying location and is relatively small in size. Surrounded by a high stone wall, the barracks can be approached from the town park as well as from the main street. The various details are carefully studied by Lynch and O’Malley. While Willis and Bolster are allotted tasks within the walls of the barracks, Byrnes and Jack Cunningham are chosen to attack with the main body of the column which includes Commandant Denny Murphy of Kanturk.
On the morning of September 27, at their Burnfort headquarters, the men are ordered to prepare for action. Under cover of darkness they move into the town and enter the Town Hall by way of the park at the rear. The eighteen men of the column are strengthened by members of the Mallow battalion, a number of men posted in the upper storey of the Town Hall, from which they can command the approaches to the nearby RIC barracks. Initially it is planned that Willis and Bolster will enter the military barracks that morning in the normal manner, accompanied by an officer of the column who will pose as a contractor’s overseer. The officer is Paddy McCarthy of Newmarket, who would die a few months later in a gun battle with the Black and Tans at Millstreet.
McCarthy, Willis and Bolster enter the barracks without mishap. Members of the garrison follow their normal routine, with the main body of troops under the officer in charge leaving the barracks with the horses. In the barracks remain about fifteen men under the command of a senior N.C.O., Sergeant Gibbs.
Once the military has passed, the attackers, numbering about twenty men and led by Liam Lynch, advance toward the bottom of Barrack Street. All are armed with revolvers which are considered the most convenient and suitable weapons for the operation. Lynch has issued strict instructions that there is to be no shooting by the attackers, unless as a last resort. Inside the walls are McCarthy, Willis and Bolster, their revolvers concealed. Then Ernie O’Malley presents himself at the wicket gate with a bogus letter in his hand. Behind him and out of sight of the sentry are the other members of the main attacking party, led by Lynch, O’Brien and George Power. When the gate is opened sufficiently, O’Malley wedges his foot between it and the frame and the soldier is overpowered and the attackers rush in. McCarthy, Bolster and Willis immediately go to the guardroom where they hold up the guard. Realising what is happening, Sergeant Gibbs, rushes toward the guardroom in which rifles are kept. Although called upon to halt, he continues even though a warning shot is fired over his head. As he reaches the guardroom door, the IRA officer and one of the volunteers in the guardroom fire simultaneously. Mortally wounded, the sergeant falls at the guardroom door.
By this time the majority of the attacking party is inside the gate. Military personnel in different parts of the barracks are rounded up and arms are collected. Three waiting motor cars pull up to the gate and all the rifles, other arms and equipment found in the barracks are loaded into them. The prisoners are locked into one of the stables, with the exception of a man left to care for Sergeant Gibbs. The whole operation goes according to plan, except for the shooting of the sergeant. Twenty minutes after the sentry had been overpowered the pre-arranged signal of a whistle blast is sounded and the attackers withdraw safely to their headquarters at Burnfort, along the mountain road out of Mallow.
Expecting reprisals, the column moves to Lombardstown that night, and positions are taken up around the local co-operative creamery as it is the custom of the British to wreak their vengeance on isolated country creameries after incidents such as what had just occurred. The Mallow raid, however, has greater repercussions than the destruction of a creamery and co-operative stores. The following night, large detachments of troops from Buttevant and Fermoy enter Mallow. They rampage through the town, burning and looting at will. High over the town, the night sky is red with the flames of numerous burning buildings.
Townspeople run through the blazing streets, in search of refuge. A number of women and children are accorded asylum in the nearby convent schools. Another group of terrified women, some with children in arms, take refuge in the cemetery at the rear of St. Mary’s Church, where they kneel or lay above the graves. It is a night of terror such as which had never before been endured by the people of Mallow.
The extent of the wanton destruction outrages fair-minded people all over the world. Details of the havoc that had been wrought and pictures of the scenes of destruction are published worldwide.
(Pictured: Townspeople gather in front of one of the many buildings in Mallow which were reduced to ruins during British Army reprisals)
Potter is born to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.
Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicatorArnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.
In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.
In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969 in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.
Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.
Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.
On June 21, 1854, in the Baltic Sea during the Crimean War, HMS Hecla, along with two other ships, is bombarding Bomarsund, a fort in the Åland Islands off Finland. The fire is returned from the fort, and, at the height of the action, a live shell lands on HMS Hecla‘s upper deck with its fuse still hissing. All hands are ordered to fling themselves flat on the deck, but 20-year-old Lucas with great presence of mind runs forward and hurls the shell into the sea where it explodes with a tremendous roar before it hits the water. Thanks to his action no one on board is killed or seriously wounded by the shell and, accordingly, he is immediately promoted to lieutenant by his commanding officer. His act of bravery is the first to be rewarded with the Victoria Cross in 1857.
In 1879 Lucas marries Frances Russell Hall, daughter of Admiral William Hutcheon Hall, who had been captain of HMS Hecla in 1854. The couple has three daughters together. Lucas serves for a time as Justice of the Peace for both Kent and Argyllshire.
Lucas’s campaign medals, including his Victoria Cross, are displayed at the National Maritime Museum in Greenwich, London. They are not the original medals, which were left on a train and never recovered. Replacement copies were made, though the reverse of the Victoria Cross copy is uninscribed.
Born on August 19, 1887, to a poor family in Slane, County Meath, Ledwidge starts writing at an early age, and is first published in a local newspaper at the age of fourteen. Finding work as a labourer and miner, he is also a trade union activist and a keen patriot and nationalist, associated with Sinn Féin. He becomes friendly with a local landowner, the writer Lord Dunsany, who gives him a workspace in the library of Dunsany Castle and introduces him to literary figures including William Butler Yeats and Katherine Tynan, with whom he has a long-term correspondence. He is elected to a local authority post and helps organise the local branch of the Irish Volunteers, while Dunsany edits and helps him secure publication for a first volume of his poetry.
Having sided with the faction of the Irish Volunteers which oppose participation in the war, he enlists in the Royal Inniskilling Fusiliers in October 1914, and continues to write poetry on assignment, sending work to Lord Dunsany and to family and other friends. The poems he writes on active service reveal his pride at being a soldier, as he believes, in the service of Ireland. He often wonders whether he would find a soldier’s death.
On July 31, 1917, a group from Ledwidge’s battalion of the Royal Inniskilling Fusiliers are road-laying in preparation for an assault during the Third Battle of Ypres, near the village of Boezinge, northwest of Ypres.
According to Irish author and lecturer Alice Curtayne, “Ledwidge and his comrades had been toiling since the early morning at roadmaking. The army’s first need was men; their second, guns; their third roads. These latter consisted mainly of heavy beech planks bolted together, which could be rapidly laid down. No advance could be supported in that sodden land without a sufficiency of these communications tracks, six or seven feet wide. Supplies were conveyed by pack mules over the wooden paths. Survivors concur in placing the road work done by B Company that day one mile northeast of Hellfire Corner, so called because it was very exposed to German shelling. There was a violent rainstorm in the afternoon, shrouding the region in a gray monochrome. Sullenly, the enemy’s long-range guns continued to fling their shells far behind the lines. Roadwork could not be suspended, however, as the tracks were in use as fast as they were laid down. Tea was issued to the men and, drenched to the skin, they stopped to swallow it. A shell exploded beside Ledwidge and he was instantly killed.”
A Roman Catholicmilitary chaplain, Father Devas, is the first on the scene. That night, Father Devas writes in his diary, “Crowds at Holy Communion. Arranged for service but washed out by rain and fatigues. Walk in rain with dogs. Ledwidge killed, blown to bits; at Confession yesterday and Mass and Holy Communion this morning. R.I.P.”
Ledwidge is first buried at Carrefour de Rose, and later re-interred in the nearby Artillery Wood Military Cemetery, at Boezinge, where the Welsh poet Hedd Wyn, who was killed in action on the same day, also lies buried.
Dunsany arranges for the publication of more of Ledwidge’s poems, and a collected edition in 1919. Further poems, from the archives at Dunsany Castle and some material held by family, are later published by Ledwdige’s biographer, Alice Curtayne, and by one of the Ledwidge memorial societies. Ledwidge is selected as one of twelve prominent war poets for the exhibition Anthem for Doomed Youth at the Imperial War Museum in London in 2002, and memorialised at an event in Inchicore, Dublin, in 2017, with his work set to music by Anúna. A museum of his life and work is opened in his birthplace cottage in 1982. Some of his manuscripts are held in the National Library of Ireland and more in the archives of Dunsany Castle.
seamus dubhghaill 