seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Home Rule, Easter Rising & War of Independence (1912-1922)


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Éamon de Valera Visits Butte, Montana During His American Tour

President Éamon de Valera visits Butte, Montana, on July 25, 1919, during his American Tour of 1919-20. Montana Lieutenant Governor W. W. McDowell meets his train and rides with de Valera through the streets to where de Valera then addresses over 10,000 people who have come out to hear him. The next day, de Valera addresses a joint session of the Montana State Legislature.

De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.

After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen-month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.

Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15, The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”

De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.

The next stage of de Valera’s American odyssey begins on October 1, 1919, in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.

The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.

After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.

It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.

The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran Fenian John Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.

The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.

De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.

(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)


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Birth of Máire MacSwiney Brugha, Activist & Author

Máire MacSwiney Brugha, Irish activist who is the daughter of Terence MacSwiney and niece of Mary MacSwiney, is born in Cork, County Cork, on June 23, 1918. In addition to being an activist she is also an author and is now regarded as a person of historical importance.

MacSwiney Brugha is the daughter of the former Lord Mayor of Cork Terence MacSwiney and his wife Muriel Frances Murphy. Her father dies on hunger strike when she is two years old. Her father is in jail when she is born and does not see her until she is brought to see him when she is three months old. Her family’s republican and political activities leave a strong mark on her life.

Following the death of her father, her mother moves to Dublin. MacSwiney Brugha goes to live with Madame O’Rahilly, widow of The O’Rahilly, and sees her mother intermittently. Although as a child her parents decide she would speak the Irish language, her father’s death and her mother’s health results in her move to Germany in 1923 and there she is moved around a lot. She learns German and speaks no English and little or no Irish. In 1930 she is moved to Grainau in Bavaria, where she attends school. Her aunt, Mary MacSwiney, a legal guardian of hers, eventually comes to collect her and takes her back to Ireland. This causes a court case when it is claimed her aunt had kidnapped her. As a result of the court case her aunt is given custody, and she and her mother became estranged.

MacSwiney Brugha attends Scoil Íte and then St. Louis Secondary School in Monaghan where, in 1936, she completes her Leaving Certificate and gets a scholarship to University College Cork to study arts. In 1937 she plays the lead role in a play, The Revolutionist, published in 1914 and written by her father and produced by her aunt. She returns to Germany in 1938 to keep up her German and graduates with a first-class honours degree. She goes on to get her higher diploma and becomes a teacher. She spends some time teaching in Scoil Íte and then goes to Dublin in 1942 to get a master’s degree. She meets Ruairí Brugha while in Dublin. His father, Cathal Brugha, was killed in the Irish Civil War in 1922. They marry on July 10, 1945. The marriage produces four children: Deirdre, Cathal, Traolach and Ruairí.

MacSwiney Brugha’s husband has a strong political career with her support. He is a senator, a TD, and a member of the European Parliament. She leads her Fianna Fáil cumann and volunteers with the aid agency Gorta. With her husband as Official Opposition Spokesman on Northern Ireland from 1975 to 1977, the couple are very much involved in creating the policy of developing conciliation rather than aimed more at ending partition which they previously have been focused on.

At the age of 85 and after her sight has failed MacSwiney Brugha dictates her story to her daughter-in-law, Catherine Brugha. History’s Daughter: A Memoir from the Only Child of Terence MacSwiney is launched in 2005. Her own story is recorded in Irish Life and Lore. Her story is also the subject of a radio production. She dies unexpectedly at her home in Clonskeagh, County Dublin, at the age of 93 on May 20, 2012. She is buried in Glasnevin Cemetery.

Fianna Fáil leader Micheál Martin describes her as having made a “strong and valued” contribution to the development of Fianna Fáil while Gerry Adams says she “made her mark” on Irish history.

(Pictured: Máire MacSwiney Brugha on her wedding day, July 10, 1945)


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The Knocklong Ambush

Dan Breen and Seán Treacy rescue their comrade Seán Hogan from a Dublin-Cork train at Knocklong, County Limerick, on May 13, 1919, in what becomes known as the Knocklong Ambush. Two policemen guarding Hogan are killed.

One of the most famous photographs (left) of the Irish War of Independence (1919-21) is taken at Breen’s wedding in June 1921. Breen is already burnishing his reputation as the romantic guerilla campaigner three years before the publication of his bestselling autobiography My Fight for Irish Freedom. On his lap there is a Luger pistol, an incongruity in a wedding photograph, but in keeping with his penchant for self-mythologising. In the background on the left is his best man Hogan who is dressed in the uniform of the Irish Volunteers. Unlike Breen, he looks shy and awkward, his body tilted as if to convey how ill at ease with himself he is.

Had Hogan shown the same diffidence in May 1919, he might have saved himself and his comrades a great deal of trouble. He is the youngest of those involved in the Soloheadbeg ambush on January 21, 1919, the event that is viewed in retrospect as the event that starts the Irish War of Independence.

Hogan is only 18, according to most reports, but to date no birth certificate has been found for him. His youth may explain his lack of caution in early May 1919 when he slips his minder after a dance in Kilshenane, County Tipperary, and ends up, not in the arms of his sweetheart Bridie O’Keeffe, but in the embrace of the Royal Irish Constabulary (RIC). He escorts O’Keeffe back to her relative’s farmhouse where she is spending the night. He sleeps on the sofa. When he wakes up, the house is surrounded. He flees, but is picked up by the RIC in a laneway near the house. He, along with the others involved in the Soloheadbeg ambush, are the most wanted men in Ireland. He faces interrogation and possible execution.

The Knocklong ambush, which occurs on May 13, 1919, saves Hogan from such a fate, but it comes at a terrible price for all those involved. He is put on the 6:00 p.m. train from Thurles to Cork where he is due to be interrogated in the military prison. Knocklong Station, just over the border in County Limerick, is chosen as the place for the escape attempt because of its distance from the nearest RIC barracks.

Four volunteers of the Irish Republican Army (IRA) East Limerick Brigade get on the train at Emly in order to signal to the men waiting at Knocklong Station the carriage in which Hogan is being detained. He is being escorted to Cork by four RIC men. They face five volunteers, three of whom are armed. A ferocious gun battle ensues, lasting 14 minutes. Constable Michael Enright (30), from Ballyneety, County Limerick, is shot dead immediately.

Sgt. Peter Wallace and Treacy, another of those involved at Soloheadbeg, wrestle over Treacy’s gun. Wallace, who is a huge man, shoots Treacy in the throat before the gun is turned on Wallace, who later dies from his wounds. Hogan smashes his mangled chains in the head of another of his armed guards who is then thrown out of the window of the train. The last remaining guard picks up a rifle and opens fire on the IRA party through the carriage window wounding three volunteers waiting on the platform, including Breen. Hogan is taken immediately to a butcher’s shop where his chains are smashed with a cleaver, setting him free.

Knocklong becomes an exalted event in the iconography of Irish republicanism. At Soloheadbeg, eight armed and ready volunteers faced two unwary policemen. It was not a fair fight. Hogan’s rescue from the train at Knocklong demands organisation, courage and daring of the highest order.

Hogan continues to serve in the Irish War of Independence and on the anti-Treaty side in the Irish Civil War (1922-23). By the time hostilities cease in 1923, he is only 23, but has spent the previous five years in armed combat. The toll on his mind and body are huge. In 1924, he is admitted to St. Bricin’s Military Hospital suffering from “attacks of restlessness and depression – inability to concentrate his mind on anything.” His wife at the time, Christina, runs a nursing home in Tipperary, where her patients include many shellshocked Irish veterans of World War I. The couple later separates.

Hogan’s fortunes change with the change of government in 1932 bringing to power Fianna Fáil, a party which Hogan supports. He is given a job in the Board of Works, but his mental health continues to deteriorate. He complains of the “nerves and all the ailments that go with them.” His circumstances are such that he spends two years living in the family home of Séumas Robinson, the officer commanding at Soloheadbeg.

In early 2019, Robinson’s daughter, Dimphne Brennan, tells The Irish Times, “He had nowhere else to go. He never got over what happened. His nerves were shattered. We were all just kids and we didn’t disturb him in his room. He didn’t talk to us.”

Hogan dies on Christmas Eve 1968 from a cerebral hemorrhage and chronic bronchitis. At the funeral reception, his estranged widow supposedly tells a niece of Hogan, “Well, but wasn’t that some waste of a life.”

Hogan and Christina are buried 50 paces from each other in St. Michael’s Cemetery in Tipperary, divided in death as they were in life. Seán Hogan: His Life: A Troubled Journey, by John Connors, is published by Tipp Revolution.

(From: “Knocklong ambush, on May 13th, 1919 involved a 14-minute gun battle” by Ronan McGreevy, The Irish Times, http://www.irishtimes.com, May 20, 2019)


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Birth of Eoghan Ó Tuairisc, Poet & Writer

Eoghan Ó Tuairisc (Eugene Rutherford Watters), Irish poet and writer, is born at Dunlo Hill, Ballinasloe, County Galway, on April 3, 1919.

Eugene Rutherford Watters is the eldest of two sons and two daughters born to Thomas Watters, a soldier, and his wife, Maud Sproule. His second name comes from his grandfather, Rutherford Sproule. He is educated at Garbally College. He enters St. Patrick’s Teacher Training College, Drumcondra, Dublin, in 1939, graduating with a Diploma in Education in 1945. He is awarded an MA, by University College Dublin in 1947.

Ó Tuairisc holds a commission in the Irish Army during the Emergency from 1939 to 1945. He is a teacher in Finglas, County Dublin from 1940 to 1969. From 1962 to 1965, he is editor of Feasta, the journal of Conradh na Gaeilge.

Ó Tuairisc writes novels, verse, drama and criticism in both Irish and English. His first major publication is his controversial novel Murder in Three Moves (1960), followed by the Irish-language prose epic L’Attaque (1962), which wins an Irish Book Club award. Both works have a strong poetic flavour. His next book is a volume of verse entitled Week-End. His narrative poem The Weekend of Dermot and Grace (1964), an Irish version of Venus and Adonis, is considered his finest work.

Ó Tuairisc’s first wife, the Irish artist Una McDonnell, dies in 1965. He produces little during the five years following McDonnell’s death, which is an unsettled period of limited productivity, changing residence and jobs, and, ultimately, serious depression. In 1972 he marries the writer Rita Kelly, also of Ballinasloe. They live in the lock house at the Maganey Lock on the River Barrow that he had bought near Carlow, County Carlow.

In 1981 Ó Tuairisc publishes The Road to Brightcity: and other stories (Swords: Poolbeg Press, 1981), a translation of nine of the best short stories written originally in Irish by Máirtín Ó Cadhain. Also in 1981, he and Rita Kelly publish a joint collection of their poems, Dialann sa Díseart.

Like Diarmaid Ó Súilleabháin, Ó Tuairisc “challenged the critical orthodoxy by openly proclaiming that their standards could not be those of the Gaeltacht and by demanding a creative freedom that would acknowledge hybridity and reject the strictures of the linguistic purists.”

Ó Tuairisc is an inaugural member of Aosdána, when it is founded in 1981, and the first of its members to die. He is a recipient of an Arts Council of Ireland prize, as well as an Abbey Theatre prize for a Christmas pantomime in Irish.

Ó Tuairisc dies on August 24, 1982. He is survived by his second wife, Rita. A bibliography of his work, together with biographical information, is published in Irish in 1988.


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Murder of Vincent Patrick Fovargue

Vincent Patrick Fovargue, a company officer in the Dublin brigade of the Irish Republican Army (IRA) during the Irish War of Independence, is shot dead at a golf course near London, England by the IRA on April 2, 1921. The IRA accuses him of being a British spy.

Fovargue is born on August 22, 1900, at 2 Rutland Place, Clontarf, Dublin, to Robert Fovargue, an engineer/fitter, and Elizabeth (Lillie) Larkin.

An intelligence officer with the 4th Battalion of the Dublin Brigade of the IRA in the Ranelagh area, he is captured by the British Army in Dublin. Under interrogation, he allegedly leaks information that results in the arrest of the other members of his unit a few days later. In return for this information, the Intelligence Corps allegedly allow him to escape during a staged ambush in Dublin’s South Circular Road.

This attempted ruse however does not go unnoticed by Michael Collins‘ informants in the Crown’s security forces. On the night of the escape, Detective Constable David Neligan of the Dublin Metropolitan Police‘s “G” Division is on duty in Dublin Castle when he is passed a telephone message on a police form. The message, issued by the British Military Headquarters, states that a “Sinn Féin” suspect named Fovargue had escaped from three Intelligence Corps officers in a car while en route to prison. It gives a description of his appearance and asks that the British Army be notified in the event of his recapture by the Dublin Metropolitan Police.

Joe Kinsella is the I/O of the 4th Battalion. He is temporarily transferred to take care of munitions under Seán Russell for a few weeks and Fovargue is put in his place. In Kinsella’s statement to the BMH, he writes:

“From the outset I personally did not place a lot of trust in him, because on the morning that he took over from me he appeared to me, to be too inquisitive about the movements of Michael Collins and the GHQ staff generally. He wanted to know where they could be located at any time. He said that he had big things in view, and that it would be to the advantage of the movement generally if he was in a position to get in touch with the principal men with the least possible delay. From his attitude I there and then formed the opinion, rightly or wrongly, that he was inclined to overstep his position. I did not feel too happy about him and I discussed him with Sean Dowling. It transpired that my impressions of this man were correct. I told him of two meeting places of Intelligence staff, one of Company Intelligence held at Rathmines Road and one of Brigade Intelligence held at Saville Place. A short time after giving him this information both these places were raided…I was now confirmed in my suspicions that Fovargue was giving away information. He was later shot in England by the IRA.”

Neligan is not fooled by this either, as he explains:

“Now if they had said that this man (who was completely unknown to both of us) had escaped from one I.O. it might have sounded reasonable enough. But to tell us that an unarmed man had escaped out of a motor-car in the presence of three presumably armed men was imposing a strain on our credulity. Both of us thought this story too good to be true.”

The two men retype the message and pass it to Collins the following day. Meanwhile, Fovargue has been sent to England where he adopts the alias of Richard Staunton. Fovargue has in fact been sent to England by Intelligence Corps Colonel Ormonde Winter to infiltrate the IRA in Britain.

Sean Kavanagh, a Kilkenny IRA man, claims that Fovargue is put in a cell with him in Kilmainham in 1921 in order to try to extract information from him.

On April 2, 1921, a boy walking on the golf links of the Ashford Manor Golf Club in Ashford, Middlesex discovers the body of Fovargue, who had been shot through the chest. Discovered near the corpse is a small piece of paper on which had been scribbled in blue pencil the words “Let spies and traitors beware – IRA.”

In the Neil Jordan film Michael Collins, Fovargue’s assassination is depicted onscreen. Fovargue is tracked down while working out at the golf course, allowed to say the Act of Contrition, and then fatally shot by Liam Tobin (Brendan Gleeson).


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The Death of Stopford Brooke, Chaplain & Writer

Stopford Augustus Brooke, churchman, royal chaplain and writer, dies in Ewhurst, Surrey, England, on March 18, 1916.

Brooke is born in the rectory of Glendoen, near Letterkenny, County Donegal on November 14, 1832, the eldest son of the Rev. Richard Sinclair Brooke, later incumbent of the Mariners’ Church, Kingstown (now Dún Laoghaire). His maternal grandfather, Joseph Stopford, is then rector of the parish. He is educated at Trinity College, Dublin. He is ordained in the Church of England in 1857 and holds various charges in London. From 1863 to 1865 he is chaplain to Victoria, Princess Royal in Berlin. In 1869, with his brother Edward, he makes long tours of Counties Donegal and Sligo, and spends much time at Kells, County Meath studying Irish antiquities. Between 1866 and 1875 he is the minister at St. James’s Chapel, a proprietary chapel. After it closes, he takes services at Bedford Chapel, Bloomsbury where he continues to attract large congregations. In 1875, he becomes chaplain in ordinary to Queen Victoria. But in 1880 he secedes from the Church, being no longer able to accept its leading dogmas, and officiates as an independent preacher for some years at Bedford Chapel, Bloomsbury.

Bedford Chapel is pulled down about 1894, and from that time Brooke has no church of his own, but his eloquence and powerful religious personality continues to make themselves felt among a wide circle. A man of independent means, he is always keenly interested in literature and art, and a fine critic of both. The two-volume Life and Letters of Stopford Brooke, written by his son-in-law L. P. Jacks and published in 1917, contains many details of different facets of his life.

In 1890-1891 Brooke takes the lead in raising the funds to purchase Dove Cottage, William Wordsworth’s home in Grasmere from 1800 to 1808, and establishing it “for the eternal possession of those who love English poetry all over the world.” Dove Cottage is now administered by the Wordsworth Trust.

Brooke publishes in 1865 his Life and Letters of FW Robertson (of Brighton), and in 1876 writes an admirable primer of English Literature, followed in 1892 by The History of Early English Literature down to the accession of Alfred the Great, and English Literature from the Beginnings to the Norman Conquest (1898).

Brooke gives the inaugural lecture to the Irish Literary Society, London, on “The Need and Use of Getting Irish Literature into the English Tongue” at Bloomsbury House, March 11, 1893. He delivers a sermon on “The Kingdom of God Within” to the International Council of Unitarian and Other Liberal Religious Thinkers and Workers, meeting in London in May 1901. He continues preaching at Bedford Chapel and to unitarian congregations throughout Britain until forced to retire because of ill-health in 1895.

Brooke lives in London until 1914 and then retires to Ewhurst, Surrey, where he dies on March 18, 1916. His published letters record that his work brought him into touch with most of his famous contemporaries – including Alfred, Lord Tennyson, Philip Burne-Jones, William Morris, James Bryce, 1st Viscount Bryce, James Martineau and Matthew Arnold.


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Execution of Bernard Ryan, One of “The Forgotten Ten”

Bernard Ryan is one of six men hanged in Mountjoy Prison, Dublin on March 14, 1921. He is a member of the Irish Republican Army (IRA) and part of the Dublin Brigade’s Active Service Unit (ASU). He is one of the Forgotten Ten.

Ryan is born in Dublin c. 1901, the son of Joseph Ryan and Anne Ryan, née Plummer. Affectionately known as Bertie, he is recorded with his widowed mother and his two sisters, Katie and Sarah, in Quarry Lane, Glasnevin, Dublin in the 1911 Census of Ireland. He also has a foster brother, Paddy. He attends St. Gabriel’s National School in Cowper Street. By trade he is an apprentice tailor and is only 20 years old when he wis hanged.

Ryan, together with Patrick Doyle, Thomas Bryan, and Frank Flood, are tried by court-martial on February 24, 1921, and convicted of high treason and ‘levying war against the King,’ following an attempted ambush at Drumcondra, Dublin on January 21, 1921. The four of them, along with Thomas Whelan and Patrick Moran, are hanged at Mountjoy Prison by executioner John Ellis on March 14, 1921, while a crowd of over 20,000 people protest outside. They are hanged in pairs with Whelan and Moran hanged at 6:00 a.m., Doyle and Ryan at 7:00 a.m., and Bryan and Flood at 8:00 a.m.

Ryan is one of a group of men hanged in Mountjoy Prison in the period 1920-1921 commonly referred to as the Forgotten Ten. In 2001 he and the other nine, including Kevin Barry, are exhumed from their graves in the prison and given a full State Funeral. He is now buried in Glasnevin Cemetery, Dublin.


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Birth of Anne Butler Yeats, Painter and Costume and Stage Designer

Anne Butler Yeats, Irish painter, costume and stage designer, is born in Dublin on February 26, 1919.

Yeats is the daughter of the poet William Butler Yeats and Georgie Hyde-Lees, a niece of the painter Jack B. Yeats, and of Lily Yeats and of Elizabeth Corbet Yeats. Her birth is commemorated by her father with the poem A Prayer for My Daughter. Her aunts are associated with the arts and crafts movement in Ireland and are associated with the Dun Emer Press, Cuala Press, and Dun Emer industries. Her brother Michael Yeats is a politician. She is known as “feathers” by her family.

Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.

Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).

In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production, but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.

In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.

Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).

Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.

Yeats participates in group exhibitions in the United States, Canada, Germany, the Netherlands, Monaco, and Scotland, along with the Irish Exhibition of Living Art and Taispeántas an Oireachtas.

Yeats dies at the age of 82 on July 4, 2001, and is buried in Shanganagh Cemetery, south Dublin.

The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.

(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)


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The Upton Train Ambush

The Upton train ambush takes place on February 15, 1921, during the Irish War of Independence. The Irish Republican Army (IRA) mounts an attack on a train carrying British soldiers at Upton, County Cork. The action is a disaster for the IRA with three of its volunteers killed and two wounded. Six British soldiers are wounded, three seriously. Six civilian passengers are killed and ten wounded in the crossfire.

According to a study of the region, Cork is “by far the most violent county in Ireland” during the War of Independence and has several active guerrilla brigades. Of these, the 3rd Cork Brigade is one of the most effective and it is a unit from this Brigade that carries out the Upton ambush.

Up until the end of 1920, the British had been unable to move troops by train, due to a nationwide boycott by railway workers of trains carrying the British military. However, the strike is lifted in December 1920. While this helps the British military’s mobility, it also gives the IRA a new target: trains carrying soldiers. A week before the Upton ambush, the local IRA had made a successful attack on a train travelling from Killarney to Millstreet near Drishanbeg, killing one sergeant and wounding five more soldiers.

Five days after the Drishanbeg ambush, plans are made for an attack at Upton and Innishannon railway station on a train traveling between Cork city and Bandon. The ambushers, led by Charlie Hurley, are thirteen strong. Seven are armed with rifles and the remainder with revolvers or semi-automatic pistols. They take up position at the station ten minutes before the train pulls in, imprisoning the station master, clearing the station and taking cover behind sacks of grain and flour taken from a store.

The train is carrying approximately 50 British soldiers of the Essex Regiment, who are mingled with civilian passengers throughout the train’s carriages. The IRA party is therefore quite heavily outnumbered and out-gunned, but are unaware of this, as two IRA scouts, who were supposed to have been on the train and signaled to them the British numbers, never turn up. They also wrongly believe that the British troops are all in the central carriage. As a result, when the IRA opens fire on the train, there are heavy civilian casualties, including two commercial travelers killed by the first volley. The New York Times reports that “a shower of bullets was rained on the train, practically every compartment being swept.”

The firefight lasts only ten minutes, but in that time six civilian passengers are killed and ten wounded. Six British soldiers are injured, three of them seriously. Two IRA volunteers are killed outright and another is fatally wounded. Two more are badly wounded but survive. Charlie Hurley, who had led the ambush, is struck in the face by a bullet. IRA leader Tom Barry later writes, “Through some miracle, the nine unwounded and two wounded got away across country, in small parties, with the British following close behind.” Three civilian passengers, one unwounded and two wounded, are detained by the British on suspicion of belonging to the ambush party.

The Upton ambush is part of what Tom Barry describes as “twelve dark days” for the 3rd Cork Brigade of the IRA. Between February 4 and February 16, eleven members of the Brigade are killed. One is shot dead by British troops when they raid a safehouse on February 4, another dies in an accidental shooting on February 7, two more (brothers James and Timothy Coffey) are assassinated in their beds on February 14 by Black and Tans or Auxiliaries, three die at Upton on February 15 and four are killed on February 16 when they are arrested by the Essex Regiment in Kilbrittain while digging a trench and shot dead. Of the eleven dead, only those at Upton are killed in combat.

The Upton attack also highlights the dangers, and particularly the risk to civilians, of attacking trains carrying troops. Only a month later at the Headford Ambush in neighbouring County Kerry, an IRA column successfully attacks a train-load of troops, but again, there are civilian casualties alongside the IRA and British Army losses. One of the three men captured by the British at Upton is reported to give information leading to the 3rd Cork Brigade’s main column of over 100 fighters almost being encircled at the Crossbarry Ambush. Hurley is killed in this action.

The Upton ambush is later made famous in a popular 1960s Irish ballad titled “The Lonely Woods of Upton.”

(Pictured: A portion of the cover of an Italian magazine from 1921 that reported on the Upton ambush)


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Birth of William John Conway, Cardinal of the Roman Catholic Church

William John Cardinal Conway, Irish cardinal of the Roman Catholic Church who serves as Archbishop of Armagh and Primate of All Ireland from 1963 until his death, is born on January 22, 1913, in Belfast.

Conway is the eldest of four sons and five daughters of Patrick Joseph Conway and Annie Conway (née Donnelly). His father, a self-employed housepainter, also has a paint shop in Kent Street off Royal Avenue. His mother, who survives her son, is born in Carlingford, County Louth. He attends Boundary Street Primary School, St. Mary’s CBS (now St. Mary’s CBGS Belfast). His academic successes are crowned by a scholarship to Queen’s University Belfast. He decides to study for the diocesan priesthood. In 1933 he is conferred with an honours BA in English literature and goes on to read a distinguished course in theology at St. Patrick’s College, Maynooth.

Conway is ordained on June 20, 1937, and awarded a DD (1938). On November 12, 1938, he enters the Pontifical Irish College in Rome, and in 1941 he receives the DCL degree at the Pontifical Gregorian University. When Italy enters World War II in June 1940, he returns to Belfast to take up duty in the Diocese of Down and Connor. He is appointed to teach English and Latin in St. Malachy’s College in Belfast, but after one year he is named professor of moral theology and canon law in Maynooth. He contributes regular ‘Canon law replies’ to the Irish Ecclesiastical Record, which are later collected as Problems in canon law (1950), the only book published by him.

In 1957 Conway becomes vice-president of Maynooth, and in 1958, he is named Ireland’s youngest bishop, Titular Bishop of Neve, and auxiliary bishop to Cardinal John D’Alton, Archbishop of Armagh and Primate of All Ireland. He is consecrated in St. Patrick’s Cathedral, Armagh on July 27, 1958. He serves as administrator of St. Patrick’s Church, Dundalk, for the next five years, gaining valuable pastoral experience, and also uses these years to familiarise himself with his new diocese, especially its geography. On the death of D’Alton, he is chosen to succeed him in September 1963, and is enthroned on September 25 in St. Patrick’s Cathedral, Armagh by the apostolic nuncio, Archbishop Sensi. At the end of 1964, Pope Paul VI chooses him as Ireland’s seventh residential cardinal, and he receives the red hat in the public consistory of February 22, 1965.

The thirteen-odd years of Conway’s ministry as primate are dominated firstly by the Second Vatican Council and secondly by the Troubles in Northern Ireland. His primary concern is the church, to steer it through testing times. He is a very active bishop in a diocese of 160,000 Catholics, with fifty-seven parishes and some 167 priests. He carries the burden alone until 1974 when he is given an auxiliary in the person of his secretary, Fr. Francis Lenny (1928–78). Two new parishes are created, five new churches are built, and many others are renovated to meet the requirements of liturgical reform. Twenty new schools are also provided. He attends all four sessions of the Vatican council (1962–65), as auxiliary bishop and as primate. On October 9, 1963, he addresses the assembly, making a plea that the council might not be so concerned with weightier matters as to neglect to speak about priests. He also makes contributions on the topics of mixed marriages, Catholic schools, and the laity. On the topic of education, he is convinced that integrated schools will not solve Northern Ireland’s problems.

Conway represents the Irish Catholic Bishops’ Conference at each assembly of the Synod of Bishops in Rome, at first with Bishop Michael Browne of the Diocese of Galway and Kilmacduagh, his former professor in Maynooth, and later with the Archbishop of Dublin, Dermot Ryan. With Cardinals Jean-Marie Villot and Pericle Felici, he is chairman of the first synod in 1969, a signal honour conferred on him by Pope Paul VI. He addresses the assembly, opposing the ordination of married men as a move that would release a flood of applications from around the world for dispensations from priestly celibacy. His experience of violence in Northern Ireland is reflected in contributions he makes to later synod assemblies, especially in 1971 and 1974.

Apart from the synod, Conway travels a few times each year to Rome for meetings of the three Roman congregations on which he is called to serve (those of bishops, catholic education, and the evangelisation of peoples) and the commission for the revision of the code of canon law. He also travels further afield in a representative capacity to the International Eucharistic Congress at Bogotá, also attended by Pope Paul VI, and to Madras (1972), where he acts as papal legate for the centenary celebrations in honour of St. Thomas. In 1966 he is invited by the bishops of Poland to join in celebrations for the millennium of Catholicism in that country but is refused an entry visa by the Polish government. In January 1973 he feels obliged to forgo participation in the Melbourne eucharistic congress because of the troubled situation at home. Within Ireland he accepts invitations to become a freeman of Cork and Galway (1965) and of Wexford (1966). In 1976 the National University of Ireland (NUI) confers on him an honorary LL.D.

Conway is acknowledged as an able and diligent chairman of the Irish Catholic Bishops’ Conference. The core problem in the early years is how to lead the Irish church into the difficult new era that follows the council. He shows exceptional leadership qualities in the manner in which he promotes firm but gentle progress, avoiding sudden trauma and divisions. A major event in his term as Archbishop of Armagh, and one that gives him much satisfaction, is the canonization of Oliver Plunkett, his martyred predecessor, in the holy year 1975. He follows with great interest the final stages of the cause from 1968 and is greatly disappointed when grounded by his doctors six weeks before the event. He does however take part, concelebrating with Pope Paul VI at the ceremony on October 12, 1975. He also presides the following evening at the first mass of thanksgiving in the Lateran Basilica, receiving a tumultuous applause from the thousands of Irish present.

More than anything else, the Troubles in Northern Ireland occupy Conway during the second half of his term as archbishop and primate. He is the leading spokesman of the Catholic cause but never fails to condemn atrocities wherever the responsibility lay. He brands as ‘monsters’ the terrorist bombers on both sides. In 1971 he denounces internment without trial, and the following year he is mainly responsible for highlighting the ill-treatment and even torture of prisoners in Northern Ireland. He repudiates the idea that the conflict is religious in nature, emphasising its social and political dimensions, and is openly critical of the British government over conditions in Long Kesh Detention Centre, and of ‘the cloak of almost total silence’ surrounding violence against the Catholic community.

In January 1977 Conway undergoes surgery in a Dublin hospital, and almost immediately comes to know that he is terminally ill. It is the best-kept secret in Ireland until close to the end. On March 29, he writes to his fellow bishops informing them that the prognosis regarding his health is ‘not good, in fact . . . very bad,’ and that he is perfectly reconciled to God’s will. He is still able to work at his desk until Good Friday, April 8, 1977.

Conway dies in Armagh on Low Sunday night, April 17, 1977. Seven countries are represented at his funeral by six cardinals and many bishops. The apostolic nuncio, the bishops of Ireland, the president and Taoiseach, six Irish government ministers, and the Secretary of State for Northern Ireland are also among the mourners. The cardinal is laid to rest in St. Patrick’s Cathedral Cemetery, Armagh. The red hat received from Pope Paul VI is suspended from the ceiling of the Lady chapel, joining those of his four immediate predecessors.

(From: “Conway, John William,” Dictionary of Irish Biography, http://www.dib.ie, contributed by J. J. Hanley)