seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Protestant Ascendancy (1691-1800)


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The Death of Theobald Wolfe Tone

theobald-wolfe-tone

Theobald Wolfe Tone, Irish republican and rebel who sought to overthrow English rule in Ireland and who led a French military force to Ireland during the Irish Rebellion of 1798, dies at Provost’s Prison, Dublin on November 19, 1798, from a stab wound to his neck which he inflicted upon himself on November 12. His attempted suicide is the result of being refused a soldier’s execution by firing squad and being sentenced to death by hanging.

Wolfe Tone is born in Dublin on June 20, 1763. The son of a coach maker, he studies law and is called to the Irish bar in 1789 but soon gives up his practice. In October 1791 he helps found the Society of United Irishmen, initially a predominantly Protestant organization that works for parliamentary reforms, such as universal suffrage and Roman Catholic emancipation. In Dublin in 1792 he organizes a Roman Catholic convention of elected delegates that forces Parliament to pass the Catholic Relief Act of 1793. He himself, however, is anticlerical and hopes for a general revolt against religious creeds in Ireland as a sequel to the attainment of Irish political freedom.

By 1794 Wolfe Tone and his United Irishmen friends begin to seek armed aid from Revolutionary France to help overthrow English rule. After an initial effort fails, he goes to the United States and obtains letters of introduction from the French minister at Philadelphia to the Committee of Public Safety in Paris. In February 1796 he arrives in the French capital, presents his plan for a French invasion of Ireland, and is favourably received. The Directory then appoints one of the most brilliant young French generals, Lazare Hoche, to command the expedition and makes Tone an adjutant in the French army.

On December 16, 1796, Wolfe Tone sails from Brest with 43 ships and nearly 14,000 men. But the ships are badly handled and, after reaching the coast of west Cork and Kerry, are dispersed by a storm. He again brings an Irish invasion plan to Paris in October 1797, but the principal French military leader, Napoleon Bonaparte, takes little interest. When insurrection breaks out in Ireland in May 1798, Wolfe Tone can only obtain enough French forces to make small raids on different parts of the Irish coast. In September he enters Lough Swilly, Donegal, with 3,000 men and is captured there.

At his trial in Dublin on November 10, Wolfe Tone defiantly proclaims his undying hostility to England and his desire “in fair and open war to produce the separation of the two countries.” He is found guilty and is sentenced to be hanged. Early in the morning of November 12, 1798, the day he is to be hanged, he cuts his throat with a penknife and dies at the age of 35 in Provost’s Prison, Dublin, not far from where he was born. He is buried in Bodenstown, County Kildare, near his birthplace, and his grave is in the care of the National Graves Association.


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Opening of the Custom House in Dublin

custom-house

The Custom House (Irish: Teach an Chustaim), a neoclassical 18th century building in Dublin which houses the Department of Housing, Planning and Local Government, opens on November 7, 1791. It is located on the north bank of the River Liffey, on Custom House Quay between Butt Bridge and Talbot Memorial Bridge.

A previous Custom House had been built in 1707 by engineer Thomas Burgh. However, by the late 18th century it is deemed unfit for purpose.

The building of a new Custom House for Dublin is the idea of John Beresford, who becomes first commissioner of revenue for Ireland in 1780. In 1781 he appoints James Gandon as architect, after Thomas Cooley, the original architect on the project, dies. This is Gandon’s first large scale commission. The new Custom House is unpopular with the Dublin Corporation and some city merchants who complain that it moves the axis of the city, would leave little room for shipping, and is being built on what at the time is a swamp. Purchase of land is delayed and proves exorbitant, and the laying of foundations is disrupted by the High Sheriff and members of the Dublin Corporation with a mob of several thousand. However, Beresford is determined to complete the project and ignores the protests.

Construction begins in 1781, and for his assistants Gandon chooses Irish artists such as Meath stone-cutter Henry Darley, mason John Semple, and carpenter Hugh Henry. Every available mason in Dublin is engaged in the work. When it is completed and opens for business on November 7, 1791, it has cost £200,000 to build – a considerable sum at the time. The four facades of the building are decorated with coats-of-arms and ornamental sculptures by Edward Smyth representing Ireland’s rivers. Another artist, Henry Banks, is responsible for the statue on the dome and other statues.

As the port of Dublin moves further downriver, the building’s original use for collecting custom duties becomes obsolete, and it is used as the headquarters of local government in Ireland. During the Irish War of Independence in 1921, the Irish Republican Army (IRA) burns down the Custom House in an attempt to disrupt British rule in Ireland. Gandon’s original interior is completely destroyed in the fire and the central dome collapses. A large quantity of irreplaceable historical records is also destroyed in the fire. Despite achieving its objectives, the attack on the Custom House is a setback for the IRA as a large number of Volunteers are captured either during the attack or when falling back.

After the Anglo-Irish Treaty, it is restored by the Irish Free State government. The results of this reconstruction can still be seen on the building’s exterior today. The dome is rebuilt using Irish Ardbraccan limestone which is noticeably darker than the Portland stone used in the original construction. This is done as an attempt to promote Irish resources.

Further restoration and cleaning of the stonework is done by an Office of Public Works team in the 1980s.


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Birth of Benjamin Lee Guinness

benjamin-lee-guinness

Sir Benjamin Lee Guinness, 1st Baronet, Irish brewer and philanthropist, is born in Dublin on November 1, 1798.

Guinness is the third son of Arthur Guinness II (1768–1855), and his wife Anne Lee, and a grandson of the first Arthur (1725–1803), who had bought the St. James’s Gate Brewery in 1759. He joins his father in the business in his late teens, without attending university, and from 1839 he takes sole control within the family. From 1855, when his father dies, he has become the richest man in Ireland, having built up a huge export trade and by continually enlarging his brewery.

In 1851 Guinness is elected the first Lord Mayor of Dublin under the reformed corporation. In 1863 he is made an honorary LL.D. (Doctor of Laws) by Trinity College Dublin, and on April 15, 1867, is created a baronet by patent, in addition to which, on May 18, 1867, by royal licence, he has a grant of supporters to his family arms.

Guinness is elected to the House of Commons of the United Kingdom in 1865 as a Conservative Party representative for Dublin City, serving until his death. His party’s leader is Edward Smith-Stanley, 14th Earl of Derby. Previously he had supported the Liberal Party‘s Henry John Temple, 3rd Viscount Palmerston, but in the 1860s the Liberals propose higher taxation on drinks such as beer. Before 1865 the Irish Conservative Party does not entirely support British conservative policy but does so after the Irish Church Act 1869. The government’s most notable reform is the Reform Act 1867 that expands the franchise.

From 1860 to 1865, Guinness undertakes at his own expense, and without hiring an architect, the restoration of the city’s St. Patrick’s Cathedral, an enterprise that costs him over £150,000. In 1865 the building is restored to the dean and chapter and reopens for services on February 24. The citizens of Dublin and the dean and chapter of St. Patrick’s present him with addresses on December 31, 1865, expressive of their gratitude for what he has done for the city. The addresses are in two volumes, which are afterwards exhibited at the Paris Exhibition.

In recognition of his generosity, Guinness is made a baronet in 1867. He is one of the ecclesiastical commissioners for Ireland, a governor of Simpson’s Hospital, and vice-chairman of the Dublin Exhibition Palace. He dies the following year, on May 19, 1868, at his Park Lane home in London. At the time of his death, he is engaged in the restoration of Marsh’s Library, a building which adjoins St. Patrick’s Cathedral. The restoration is completed by his son Arthur.

Guinness is buried in Mount Jerome Cemetery, Dublin, in the family vault, on May 27, 1868. His personalty is sworn under £1,100,000 on August 8, 1868. A bronze statue of him by John Henry Foley is erected by the Cathedral Chapter in St. Patrick’s churchyard, on the south side of the cathedral, in September 1875, which is restored in 2006.


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Death of Jonathan Swift, Satirist & Essayist

jonathan-swift

Jonathan Swift, satirist, essayist, political pamphleteer, poet and cleric who becomes Dean of St. Patrick’s Cathedral, Dublin, dies in Dublin on October 19, 1745.

Swift is born in Dublin on November 30, 1667. His father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew in the Kilkenny Grammar School (1674–1682), which is perhaps the best school in Ireland at the time. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.

At age 14, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple.

During his Moor Park years, Swift met the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson. They become lovers for the rest of their lives until Johnson’s death. It is rumored that they marry in 1716, and that Swift keeps of lock of Johnson’s hair in his possession at all times.

During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.

In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.

When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of dean at St. Patrick’s Cathedral in Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.

Not long after the celebration of this work, Swift’s longtime love, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.

In 1742, Swift suffers a stroke and loses the ability to speak. On October 19, 1745, Jonathan Swift dies. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.


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Birth of Actress Margaret “Peg” Woffington

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Margaret “Peg” Woffington, well-known Irish actress in Georgian London, is born of humble origins in Dublin on October 18, 1720.

Woffington’s father is believed to have been a bricklayer, and, after his death, the family becomes impoverished. Her mother is obliged to take in washing while Peg sells watercress door to door. It is said that she is walking through a marketplace as a pre-teen and happens upon Madame Signora Violante, a famous tightrope walker. Violante is so immediately enthralled by Peg’s beautiful face that she accompanies her home and asks her mother permission to take her in as her apprentice.

Around 1730, Violante features Woffington as Polly Peachum in a production of John Gay’s The Beggar’s Opera. This serves as a springboard for her fame in Dublin, and she continues dancing and acting in the area playing Dorinda in an adaptation of The Tempest at the Theatre Royal, Dublin in 1735 and joining the Smock Alley Theatre to perform with well-known actor David Garrick.

Woffington dances and acts at various Dublin theaters until her success as Sir Harry Wildair in The Constant Couple leads to her being given her London debut at Covent Garden. She becomes well known as an actress thereafter.

Woffington enjoys success in the role of Sylvia in The Recruiting Officer. She performs at Drury Lane for several years and later returns to Dublin, appearing in a variety of plays. Her most well-received performances are in comic roles, such as elegant women of fashion like Lady Betty Modish and Lady Townley, and breeches roles. She is impeded in the performance of tragedy by a harsh tone in her voice that she strives to eliminate.

Woffington lives openly with David Garrick, the foremost actor of the day, and her other love affairs are numerous and notorious. She becomes friend and mentor to the socialite/actress sisters, Elizabeth and Maria Gunning, and also shares the stage with the likes of Charles Macklin, Kitty Clive, and the tragedienne Susannah Maria Arne.

Though Woffington is popular with society figures, she is not always favored by her competition. She tends to create rivalries with similar-type actresses at Drury Lane and Covent Garden. Her fiercest rivalry is with “equally peppery” actress Kitty Clive. According to Garrick biographer Thomas Davies, “No two women in high life ever hated each other more unreservedly than these two great dames of the stage.” When she returns to Covent Garden, rivalries with these women and with the manager, John Rich, eventually send her back to Dublin, where she is unrivaled and celebrated at the Smock Alley Theatre.

Rich decides to start a Beefsteak Club in 1749, also known as the Sublime Society of Steaks or “the Club.” Some of its members include Garrick and William Hogarth, as well as many other London celebrities. Not only is Woffington the first female member of the all-male dining club, in 1750 she becomes president of the club by election. She also educates and supports her sister and cares for and pensions her mother.

For whatever reason, Woffington leaves Garrick in about 1744 and moves to Teddington, into a house called Teddington Place. In 1754 she becomes the beneficiary of the will of the Irish impresario Owen Swiny. In 1756, she performs the part of Lady Randolph in Douglas, a part which finds a later exponent in Sarah Siddons.

On May 3, 1757, Woffington is playing the part of Rosalind in As You Like It when she collapses on stage. She rallies but would never act again, lingering with a wasting illness. She dies in Queen Square, Westminster on March 28, 1760. She is buried in St. Mary with St. Alban, the parish church in Teddington.


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Birth of Painter James Barry

james-barry-self-portrait

James Barry, Irish painter best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London, is born in Water Lane (now Seminary Road) on the northside of Cork, County Cork on October 11, 1741.

Barry first studies painting under local artist John Butts. At the schools in Cork to which he is sent he is regarded as a child prodigy. About the age of seventeen he first attempts oil painting, and between that and the age of twenty-two, when he first goes to Dublin, he produces several large paintings.

The painting that first brings him into public notice, and gains him the acquaintance and patronage of Edmund Burke, is founded on an old tradition of the landing of Saint Patrick on the sea-coast of Cashel, although Cashel is an inland town far from the sea, and of the conversion and Baptism of the King of Cashel. It is exhibited in London in 1762 or 1763 and rediscovered in the 1980s in unexhibitable condition.

In late 1765 Barry goes to Paris, then to Rome, where he remains upwards of three years, from Rome to Florence and Bologna, and thence home through Venice. He paints two pictures while abroad, an Adam and Eve and a Philoctetes.

Soon after his return to England in 1771 Barry produces his painting of Venus, which is compared to the Triumph of Galatea of Raphael, the Venus of Urbino of Titian and the Venus de’ Medici. In 1773 he exhibits his Jupiter and Juno on Mount Ida. His Death of General Wolfe, in which the British and French soldiers are represented in very primitive costumes, is considered as a falling-off from his great style of art.

In 1773 Barry publishes An Inquiry into the real and imaginary Obstructions to the Acquisition of the Arts in England, vindicating the capacity of the English for the fine arts and tracing their slow progress to the Reformation, to political and civil dissensions, and lastly to the general direction of the public mind to mechanics, manufactures and commerce.

In 1774 a proposal is made through Valentine Green to several artists to ornament the Great Room of the Society for the encouragement of Arts, Manufactures and Commerce (now the Royal Society of Arts), in London’s Adelphi Theatre, with historical and allegorical paintings. This proposal is rejected at the time. In 1777 Barry makes an offer, which is accepted, to paint the whole on condition that he is allowed the choice of his subjects, and that he is paid by the society the costs of canvas, paints and models. He finishes the series of paintings after seven years to the satisfaction of the members of the society. He regularly returns to the series for more than a decade, making changes and inserting new features. The series of six paintings, The progress of human knowledge and culture, has been described by critic Andrew Graham-Dixon as “Britain’s late, great answer to the Sistine Chapel.”

Soon after his return from the continent Barry is chosen a member of the Royal Academy of Arts. In 1782 he is appointed professor of painting in the room of Edward Penny with a salary of £30 a year. In 1799 he is expelled from the Academy soon after the appearance of his Letter to the Society of Dilettanti, an eccentric publication, full of enthusiasm for his art and at the same time of contempt for the living professors of it. He remains the only academician ever to be expelled by the Academy until Brendan Neiland in July 2004.

After the loss of his salary, a subscription is set on foot by the Earl of Buchan to relieve Barry from his difficulties, and to settle him in a larger house to finish his painting of Pandora. The subscription amounts to £1000, with which an annuity is bought, but on February 6, 1806 he is seized with illness and dies on February 22. His remains are interred in St. Paul’s Cathedral, London on March 4, 1806.

(Pictured: James Barry, Self-portrait, 1803, oil on canvas. National Gallery of Ireland, Dublin.)


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The Whiteboys

the-whiteboys

The Whiteboys, a secret Irish agrarian organisation in 18th-century Ireland which uses violent tactics to defend tenant farmer land rights for subsistence farming, is created on October 1, 1761. Their name derives from the white smocks the members wear in their nightly raids. They seek to address rack-rents, tithe collection, excessive priests’ dues, evictions and other oppressive acts. As a result they target landlords and tithe collectors. Over time, Whiteboyism becomes a general term for rural violence connected to secret societies. Because of this generalisation, the historical record for the Whiteboys as a specific organisation is unclear. There are three major outbreaks of Whiteboyism: 1761–64, 1770–76 and 1784–86.

Between 1735 and 1760 there is an increase in land used for grazing and beef cattle, in part because pasture land is exempt from tithes. The landlords, having let their lands far above their value, on condition of allowing the tenants the use of certain commons, now enclose the commons, but do not lessen the rent. As more landlords and farmers switch to raising cattle, labourers and small tenant farmers are forced off the land. The Whiteboys develop as a secret oath-bound society among the peasantry. Whiteboy disturbances had occurred prior to 1761 but were largely restricted to isolated areas and local grievances, so that the response of local authorities had been limited.

Their operations are chiefly in the counties of Waterford, Cork, Limerick, and Tipperary. This combination is not political. It is not directed against the government, but against the local landlords. Members of different religious affiliations take part.

The first major outbreak occurs in County Limerick in November 1761 and quickly spreads to counties Tipperary, Cork, and Waterford. A great deal of organisation and planning seems to have gone into the outbreak, including the holding of regular assemblies. Initial activities are limited to specific grievances and the tactics used non-violent, such as the levelling of ditches that closed off common grazing land, although cattle hamstringing is often practised as the demand for beef prompts large landowners to initiate the process of enclosure. As their numbers increase, the scope of Whiteboy activities begins to widen, and proclamations are clandestinely posted stipulating demands such as that rent not be paid, that land with expired leases not be rented until it has lain fallow for three years, and that no one pay or collect tithes demanded by the Anglican Church. Threatening letters are also sent to debt collectors, landlords, and occupants of land gained from eviction, demanding that they give up their farms.

March 1762 sees a further escalation of Whiteboy activities, with marches in military array preceded by the music of bagpipes or the sounding of horns. At Cappoquin they fire guns and march by the military barracks playing the Jacobite tune “The lad with the white cockade.” These processions are often preceded by notices saying that Queen Sive and her children will make a procession through part of her domain and demand that the townspeople illuminate their houses and provide their horses, ready saddled, for their use. More militant activities often follow such processions with unlit houses in Lismore attacked, prisoners released in an attack on Tallow jail and similar shows of strength in Youghal.

The events of March 1762, however, prompt a more determined response, and a considerable military force under Charles Moore, 1st Marquess of Drogheda is sent to Munster to crush the Whiteboys.

On April 2, 1762 a force of 50 militia men and 40 soldiers set out for Tallow. By mid-April at least 150 suspected Whiteboys have been arrested. Clogheen in County Tipperary bears the initial brunt of this assault as the local parish priest, Fr. Nicholas Sheehy, had earlier spoken out against tithes and collected funds for the defence of parishioners charged with rioting. An unknown number of “insurgents” are reported killed in the “pacification exercise” and Fr. Sheehy is unsuccessfully indicted for sedition several times before eventually being found guilty of a charge of accessory to murder, and hanged, drawn and quartered in Clonmel in March 1766.

In the cities, suspected Whiteboy sympathisers are arrested and in Cork, citizens form an association of about 2,000 strong which offer rewards of £300 for capture of the chief Whiteboy and £50 for the first five sub-chiefs arrested. They often accompany the military on their rampages. The leading Catholics in Cork also offer similar rewards of £200 and £40 respectively.

Acts passed by the Parliament of Ireland (to 1800) and Parliament of the United Kingdom of Great Britain and Ireland (from 1801) to empower the authorities to combat Whiteboyism are commonly called “Whiteboy Acts.”


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Birth of Philip Embury, Methodist Preacher

Philip Embury

Philip Embury, Methodist preacher and a leader of one of the earliest Methodist congregations in the United States, is born in Ballingrane, County Limerick on September 21, 1729.

Embury’s parents are members of the colony of Germans that emigrate from the Palatinate to Ireland early in the eighteenth century, and in which Methodism co-founder John Wesley labors with great success. The colony forms from refugees from the War of the Spanish Succession. Embury is educated at a school near Ballingrane and learns the carpentry trade. He is converted on Christmas day 1752, becomes a local preacher at Court-Matrix in 1758 and marries Margaret Switzer that fall.

In 1760, due to rising rents and scarce land, he goes to New York City and works as a schoolteacher. In common with his fellow emigrants, he begins to lose interest in religious matters and does not preach in New York until 1766 when, moved by the reproaches of his cousin Barbara Heck, sometimes called the “mother of American Methodism,” he begins to hold services first in his own house on Barrack Street, now Park Place, and then in a rigging loft on what is now William Street. The congregation thus forms what is probably the first Methodist congregation in the United States, though it is a disputed question whether precedence should not be given to Robert Strawbridge, who begins laboring in Maryland about this time. Before this, he and Barbara Heck worship along with other Irish Palatines at Trinity Church in Manhattan, where three of his children are baptized.

The first Methodist church is built under Embury’s charge in 1768, in association with Thomas Webb and others, on the site of the present John Street United Methodist Church. He himself works on the building as a carpenter and afterward preaches there gratuitously. In 1769, preachers sent out by John Wesley arrive in New York City, and Embury goes to work in the vicinity of Albany at Camden Valley, New York, where he continues to work at his trade during the week and preaches every Sunday. He and several others receive a grant of 8,000 acres to develop for the manufacture of linen. He organizes among Irish emigrants at Ashgrove, near Camden Valley, the first Methodist society within the bounds of what becomes the flourishing and influential Troy Conference.

Philip Embury dies suddenly in Camden, New York in August 1775, in consequence of an accident in mowing. He is buried on a neighboring farm but in 1832 his remains are removed to Ashgrove churchyard and in 1866 to Woodland cemetery, Cambridge, New York, where a monument to him is unveiled in 1873, with an address by Bishop Matthew Simpson.

(Pictured: Portrait of Philip Embury by John Barnes, Salem, 1773)


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Birth of Marguerite Gardiner, Novelist & Journalist

marguerite-power-farmer-gardiner

Marguerite Gardiner, Countess of Blessington, Irish novelist, journalist, and literary hostess, is born near Clonmel, County Tipperary on September 1, 1789. She becomes acquainted with Lord Byron in Genoa and writes a book about him.

Born Margaret Power, she is a daughter of Edmund Power and Ellen Sheehy, small landowners. She is “haphazardly educated by her own reading and by her mother’s friend Ann Dwyer.” Her childhood is blighted by her father’s character and poverty, and her early womanhood made wretched by a compulsory marriage at the age of fifteen to Captain Maurice St. Leger Farmer, an English officer whose drunken habits finally bring him as a debtor to the King’s Bench Prison, where he dies by falling out of a window in October 1817. She had left him after three months of marriage.

Marguerite later moves to Hampshire, England to live for five years with the family of Thomas Jenkins, a sympathetic and literary sea captain. Jenkins introduces her to the Irishman Charles John Gardiner, 1st Earl of Blessington, a widower with four children and seven years her senior. They marry at St. Mary’s, Bryanston Square, Marylebone, on February 16, 1818, only four months after the death of her first husband.

Of rare beauty, charm and wit, Lady Blessington is no less distinguished for her generosity and for the extravagant tastes she shares with her second husband, which results in encumbering his estates with debt. On August 25, 1822, they set out for a continental tour with Marguerite’s youngest sister, the 21-year-old Mary Anne, and servants. On the way they meet Count Alfred D’Orsay, who had first become an intimate of Lady Blessington in London in 1821, in Avignon on November 20, 1822, before settling at Genoa for four months from March 31, 1823. There they meet Lord Byron on several occasions, giving Lady Blessington material for her Conversations with Lord Byron.

After that they settle for the most part in Naples, where she meets the Irish writer Richard Robert Madden, who is to become her biographer. They also spend time in Florence with their friend Walter Savage Landor, author of Imaginary Conversations which she greatly admires.

It is in Italy, on December 1, 1827, that Count D’Orsay marries Harriet Gardiner, Lord Blessington’s only daughter by his former wife. The Blessingtons and the newlywed couple move to Paris towards the end of 1828, taking up residence in the Hôtel Maréchal Ney, where the Earl suddenly dies at the age of 46 of an apoplectic stroke in 1829. D’Orsay and Harriet then accompanied Lady Blessington to England, but the couple separates soon afterwards amidst much acrimony. D’Orsay continues to live with Lady Blessington until her death. Their home, first at Seymour Place, and afterwards Gore House, Kensington, now the site of the Royal Albert Hall, become a centre of attraction for all that is distinguished in literature, learning, art, science and fashion. Benjamin Disraeli writes Venetia whilst staying there, and it is at her home that Hans Christian Andersen first meets Charles Dickens.

After her husband’s death Lady Blessington supplements her diminished income by contributing to various periodicals as well as by writing novels. She is for some years editor of The Book of Beauty and The Keepsake, popular annuals of the day. In 1834 she publishes her Conversations with Lord Byron. Her Idler in Italy (1839–1840), and Idler in France (1841) are popular for their personal gossip and anecdotes, descriptions of nature and sentiment.

Early in 1849, Count D’Orsay leaves Gore House to escape his creditors. Subsequently the furniture and decorations are sold in a public sale successfully discharging Lady Blessington’s debts. She joins the Count in Paris, where she dies on June 4, 1849, of a burst heart. On examination it is discovered that her heart is three times normal size.

(Pictured: Marguerite, Countess of Blessington, painted by Sir Thomas Lawrence in 1822)


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Birth of James Hope, United Irishmen Leader

james-hope

James “Jemmy” Hope, Society of United Irishmen leader who fights in the Irish Rebellions of 1798 and 1803 against British rule in Ireland, is born in Templepatrick, County Antrim on August 25, 1764.

Hope is born to a Presbyterian family originally of Covenanter stock. He is apprenticed as a linen weaver but attends night school in his spare time. Influenced by the American Revolution, he joins the Irish Volunteers, but upon the demise of that organisation and further influenced by the French Revolution, he joins the Society of the United Irishmen in 1795.

Hope quickly establishes himself as a prominent organiser and is elected to the central committee in Belfast, becoming close to leaders such as Samuel Neilson, Thomas Russell, and Henry Joy McCracken. He is almost alone among the United Irish leaders in targeting manufacturers as well as landowners as the enemies of all radicals. In 1796, he is sent to Dublin to assist the United Irish organisation there to mobilise support among the working classes, and he is successful in establishing several branches throughout the city and especially in The Liberties area. He also travels to counties in Ulster and Connacht, disseminating literature and organizing localities.

Upon the outbreak of the 1798 rebellion in Leinster, Hope is sent on a failed mission to Belfast by Henry Joy McCracken to brief the leader of the County Down United Irishmen, Rev. William Steel Dickson, with news of the planned rising in County Antrim, unaware that Dickson had been arrested only a couple of days before. He manages to escape from Belfast in time to take part in the Battle of Antrim where he plays a skillful and courageous role with his “Spartan Band,” in covering the retreat of the fleeing rebels after their defeat.

Hope manages to rejoin McCracken and his remaining forces after the battle at their camp upon Slemish mountain, but the camp gradually disperses, and the dwindling band of insurgents are then forced to go on the run. He successfully eludes capture, but his friend McCracken is captured and executed on July 17. Upon the collapse of the general rising, he refuses to avail of the terms of an amnesty offered by Charles Cornwallis, 1st Marquess Cornwallis on the grounds that to do so would be “not only a recantation of one’s principles, but a tacit acquiescence in the justice of the punishment which had been inflicted on thousands of my unfortunate associates.”

Hope lives the years following 1798 on the move between counties Dublin, Meath and Westmeath but is finally forced to flee Dublin following the failure of Robert Emmet‘s rebellion in 1803. He returns to the north and evades the authorities attentions in the ensuing repression by securing employment with a sympathetic friend from England. He is today regarded as the most egalitarian and socialist of all the United Irish leadership.

James Hope dies in 1846 and is buried in the Mallusk cemetery, Newtownabbey. His gravestone features the outline of a large dog, which supposedly brought provisions to him and his compatriots when they were hiding following the Battle of Antrim.