Neeson and Richardson win £50,000 ($85,370) in libel damages over newspaper allegations that their marriage is on the rocks. The couple sues the Daily Mirror publishers MGN for libel and malicious falsehood after the tabloid paper claimed Natasha Richardson was filing for divorce behind her husband’s back and that their marriage was a sham.
The story is published in August 1998 in London, Scotland, the Irish Republic and Northern Ireland – where Neeson was born and where his family still live.
A High Court judge in London hears that the actors – married for four years with two young sons – were shocked by the allegations which caused “an explosion of publicity worldwide.”
Neeson, who is nominated for an Academy Award for his role in the film Schindler’s List, is told about the article by his mother. She phones him in great distress from Northern Ireland after seeing the headlines while out shopping.
The actors’ solicitor, Mark Thomson, tells Mr. Justice Gray that the couple then spent several days attempting to deal with the destructive aftermath of the articles denying the allegations to friends and family.
Mirror Group Newspapers accepts “unequivocally” that the story is entirely false and apologises for the embarrassment, hurt and distress caused to the couple. “We entirely accept that there is absolutely no truth in the allegations about Mr. Neeson and Miss Richardson and that the allegations should never have been published. We apologise unreservedly to Mr. and Mrs. Neeson and their family for the distress and embarrassment they have been caused. We have agreed not to repeat the allegations and to pay substantial damages to them, which they are donating to the victims of the Omagh bombing.”
The information came from a source thought to be reliable, but it was clearly a mistake for the reporter to rely on that source, says solicitor Martin Cruddace.
The son of a shipyard worker, McWhirter is raised in a large extended family on the Shankill Road in Belfast. He and his extended family spend the war years and then weekends and the summers at their seaside bungalow in Carnalea, now a suburb of Bangor, County Down. In 1957 he begins a “combined scholarship” studying English and Spanish at Queen’s University Belfast, and education at Stranmillis University College, Belfast. His tutor at Queen’s is the poet Laurence Lerner, and he is a classmate with the future literary critic Robert Dunbar and the poets Seamus Heaney and Seamus Deane.
McWhirter is associated with PRISM International magazine from 1968 to 2005. He is the author and editor of numerous books and the recipient of many awards. His first book of poetry, Catalan Poems, is a joint winner of the first Commonwealth Poetry Prize with Chinua Achebe‘s Beware, Soul Brother. He is made a life member of the League of Canadian Poets in 2005 and is also a member of the Writers’ Union of Canada and PEN International. In March 2007, he is named Vancouver’s inaugural Poet Laureate for a two-year term.
McWhirter currently writes full-time and lives in Vancouver with his wife. They have two children and three grandchildren.
Maturin’s first three works are Gothic novels published under the pseudonym Dennis Jasper Murphy and are critical and commercial failures. They do, however, catch the attention of Sir Walter Scott, who recommends Maturin’s work to Lord Byron. With their help, his play Bertram is staged in 1816 at the Theatre Royal, Drury Lane for 22 nights, with Edmund Kean starring in the lead role as Bertram. Financial success, however, eludes Maturin, as the play’s run coincides with his father’s unemployment and another relative’s bankruptcy, both of them assisted by the fledgling writer. To make matters worse, Samuel Taylor Coleridge publicly denounces the play as dull and loathsome, and “melancholy proof of the depravation of the public mind,” going nearly so far as to decry it as atheistic.
The Church of Ireland takes note of these and earlier criticisms and, having discovered the identity of Bertram‘s author after Maturin had shed his nom de plume to collect the profits from the play, subsequently bar his further clerical advancement. Forced to support his wife and four children by writing on his curate salary of £80-90 per annum, compared to the £1000 he made for Bertram, he switches back from playwright to novelist after a string of his plays meet with failure. He produces several novels in addition to Melmoth the Wanderer, including some on Irish subjects and The Albigenses, a historical novel which features werewolves. Various poems have also been ascribed to Maturin on dubious grounds and appear to be the work of others. The prize-winning “Lines on the Battle of Waterloo” is published in 1816 under the name of the university graduate John Shee. “The Universe” appears with Maturin’s name on the title page in 1821 but is now thought to be almost completely the work of James Wills.
The exaggerated effectiveness of Maturin’s preaching can be gauged from the two series of sermons that he publishes. On the occasion of the death of Princess Charlotte, he declares, “Life is full of death; the steps of the living cannot press the earth without disturbing the ashes of the dead – we walk upon our ancestors – the globe itself is one vast churchyard.” A contemporary account records that there had seldom been seen such crowds at St Peter’s. “Despite the severe weather, people of all persuasions flocked to the church and listened spellbound to this prince of preachers. In his obituary it is said that ‘did he leave no other monument whereon to rest his fame, these sermons alone would be sufficient.'”
Maturin dies in Dublin on October 30, 1824. A writer in the University Magazine later sums up his character as “eccentric almost to insanity and compounded of opposites – an insatiable reader of novels; an elegant preacher; an incessant dancer; a coxcomb in dress and manners.”
A sister of Maturin’s wife marries Charles Elgee, whose daughter, Jane Francesca, becomes the mother of Oscar Wilde. Thus, Charles Maturin is Oscar Wilde’s great-uncle by marriage. Wilde discards his own name and adopts the name of Maturin’s novel, Melmoth, during his exile in France.
Maturin’s eldest son, William Basil Kingsbury Maturin, follows him into the ministry, as do several of his grandsons. One of these, Basil W. Maturin, dies in the sinking of RMS Lusitania on May 7, 1915. The second son is Edward Maturin, who emigrates to the United States and becomes a novelist and poet there.
On September 24, 2000, Westlife, an Irish pop vocal group formed in Sligo in 1998, makes British pop history by becoming the first act to have six consecutive number one singles.
Kian Egan, Mark Feehily and Shane Filan, all schoolmates in Summerhill College in Sligo, participate in a school production of Grease with fellow Sligo men Derrick Lacey, Graham Keighron, and Michael Garrett. They considered it as the start of Westlife. The sextet forms a pop vocal group called Six as One in 1997, which they later rename IOYOU. The group is managed by choreographer Mary McDonagh and two other informal managers. McDonagh first encounters Egan as a six-year-old student at her weekly dance classes, and comes to know Filan and Feehily in their early teens as they star in shows such as Oliver! and Godspell for Sligo Fun Company.
Louis Walsh, the manager of fellow Irish boy bandBoyzone, comes to know the group after Filan’s mother Mae contacts him, but the group fails to secure a BMG record deal with Simon Cowell. Cowell tells Walsh, “You are going to have to fire at least three of them. They have great voices, but they are the ugliest band I have ever seen in my life.” Lacey, Keighron, and Garrett are told they will not be part of the new group, and auditions are held in Dublin where Nicky Byrne and Brian McFadden are recruited. McFadden is part of an R&B group called Cartel before this.
The new group, formed on July 3, 1998, is originally named Westside, but as another band is already using that name, the group is renamed Westlife. They manage to secure a major record deal the second time around under BMG with all other record labels competing. They sign a four million pound record deal with RCA Records. Westlife’s first big break comes in 1998 when they open for Boyzone and Backstreet Boys concerts in Dublin.
Westlife has released twelve studio albums. They rise to fame with their debut international self-titled studio album, Westlife (1999). It is followed by Coast to Coast (2000), World of Our Own (2001), Unbreakable – The Greatest Hits Volume 1 (2002), and Turnaround (2003), which continues the group’s success worldwide. The group then releases their cover albums Allow Us to Be Frank (2004) and The Love Album (2006) and the studio albums Face to Face (2005) and Back Home (2007). After a hiatus of studio recording for almost one year in 2008, they release the studio albums Where We Are (2009), and Gravity (2010), and the compilation album Greatest Hits (2011). After eight years, the quartet group releases their eleventh studio album, Spectrum (2019), followed by their twelfth studio album, Wild Dreams (2021).
Westlife is the act with the most Number 1 debuts on the UK Singles Chart, with all 14 of their chart-toppers landing there in their first week. They have the most singles certifications for a pop band on the UK number one singles artists chart since The Beatles. According to the British Phonographic Industry (BPI), Westlife has been certified for 13.1 million albums, 1.3 million video albums, and 10.4 million singles, with a total of more than 24 million combined sales in the United Kingdom (UK). They are also currently ranked 19th with the most number-one albums of all time and sixth-highest band in the list. The group has accumulated 14 number-one singles as a lead artist as well as having eight number-one albums in the United Kingdom, making them Ireland’s and non-British act’s (since Elvis Presley) most prolific chart-toppers. In 2012, the Official Charts Company lists Westlife 34th among the biggest-selling singles artist, 16th amongst the biggest selling groups, and 14th with most top ten hits — all the highest for a boy band and a pop group in British music history. They are also the biggest selling album group of the 2000s, and three of their studio albums are part of the 50 fastest-selling albums of all time in the UK.
Westlife has the most consecutive number one studio albums in a decade in the UK and Ireland for a band, since The Beatles, and for a pop band and act since ABBA. Also in Ireland, they have 11 number one albums with a total of 13 top two albums, 16 number one singles, as well as 34 top fifty singles. They have sold over 55 million records and are holders of the following Guinness World Records: first to achieve seven consecutive number-one singles in the UK; most public appearances in 36 hours by a pop group; most singles to debut at number one on the UK chart; and top-selling album group in the United Kingdom in the 21st century.
Westlife is one of the most successful music groups of all time, among the highest-profile acts in 2000s popular culture in most territories worldwide, and one of the few boy bands to have continued success after their commercial peak. On the best-selling boy bands of all time list, they are currently tenth worldwide along with the biggest-selling boy band from Ireland in history globally. They have received numerous accolades including one World Music Award, two Brit Awards, four MTV Video Music Awards, and four Record of the Year Awards. As a live act, Westlife has sold 5.5 million concert tickets worldwide from their fourteen concert tours so far. They hold the record for the most shows played at The SSE Arena, Belfast and Wembley Arena. This makes them the biggest arena act of all-time in the United Kingdom. They sell out Croke Park in Dublin in a record-breaking five minutes. Their fourteenth, and latest concert tour is called The Wild Dreams Tour.
Thomas F. Kilroy, Irish playwright and novelist, is born on September 23, 1934, in Green Street, Callan, County Kilkenny. He is a difficult writer to categorize, having written plays ranging from the conventional The Death and Resurrection of Mr. Roche to more technically innovative and avant-garde works such as Talbot’s Box and The Secret Fall of Constance Wilde. Nevertheless, common thematic concerns run throughout many of his plays, including the issue of personal and cultural—specifically, Irish versus English—identity and the mythologizing of the past. Best known as a playwright, he is also the author of the Booker Prize-shortlisted novel The Big Chapel (1971).
Kilroy is the son of Thomas and Mary (née Devine) Kilroy. He attends St. Kieran’s College and plays hurling for the school team, captaining the senior team in 1952. He studies at University College Dublin, where his first play, The Death and Resurrection of Mr. Roche, is produced to great success at the Olympia Theatre. In his early career he is play editor at the Abbey Theatre in Dublin. In the 1980s, he sits on the board of Field Day Theatre Company, founded by Brian Friel and Stephen Rea in 1980, and is Director of its touring company.
In 1978, Kilroy is appointed Professor of English at University College Galway, a post from which he resigns in 1989 to concentrate on writing.
In 2008, Kilroy receives the Irish PEN Award, given to honour an Irish-born writer who has made an outstanding contribution to Irish literature.
While some of Kilroy’s plays hit a lighter note than others, the common thread in most of them is his attempt to address some of the social upheavals that have occurred in Ireland in the past and present. This has been a concern of his since he was in his twenties and wrote in the 1959 essay “Groundwork for an Irish Theatre” that his contemporaries were “inclined to shirk the painful, sometimes tragic problems of a modern Ireland which is undergoing considerable social and ideological stress.” Although he has not been one of Ireland’s most prolific playwrights, his plays may certainly be considered important contributions to the modern stage.
Charles Bianconi, Italo-Irish passenger car entrepreneur, dies on September 22, 1875, at Longfield House, Boherlahan, County Tipperary. Sometimes described as the “man who put Ireland on wheels,” he develops a network of horse-drawn coaches that become Ireland’s “first regular public transport” system.
Bianconi is born Carlo Bianconi in Tregolo, Costa Masnaga, Italy on September 24, 1786. He moves from an area poised to fall to Napoleon and travels to Ireland in 1802, by way of England, just four years after the Irish Rebellion of 1798. At the time, British fear of continental invasion results in an acute sense of insecurity and additional restrictions on the admission of foreigners. He is christened Carlo but anglicises his name to Charles when he arrives in Ireland.
Bianconi works as an engraver and printseller in Dublin, near Essex Street, under his sponsor, Andrea Faroni, when he is sixteen. In 1806 he sets up an engraving and print shop in Carrick-on-Suir, County Tipperary, moving to Clonmel in 1815.
Bianconi eventually becomes famous for his innovations in transport and is twice elected mayor of Clonmel.
Bianconi is the founder of public transportation in Ireland, at a time preceding railways. He establishes regular horse-drawn carriage services on various routes from about 1815 onward. These are known as “Bianconi coaches” and the first service, Clonmel to Cahir, takes five to eight hours by boat but only two hours by Bianconi’s carriage. Travel on one of his carriages cost one penny farthing a mile.
In 1832 Bianconi marries Eliza Hayes, the daughter of a wealthy Dublin stockbroker. They have three children – Charles Thomas Bianconi, Catherine Henrietta Bianconi and Mary Anne Bianconi, who marries Morgan John O’Connell and is the mother of his grandson John O’Connell Bianconi.
Bianconi’s transport services continue into the 1850s and later, by which time there are a number of railway services in the country. The Bianconi coaches continue to be well-patronised, by offering connections from various termini, one of the first and few examples of an integrated transport system in Ireland. By 1865 Bianconi’s annual income was about £35,000.
Charles Bianconi dies on September 22, 1875, at Longfield House, Boherlahan, County Tipperary. Having donated land to the parish of Boherlahan for the construction of a parish church, he wishes to be buried on the Church grounds. He, and his family, are buried in a side chapel, separate from the parish church in Boherlahan, approximately five miles from Cashel, County Tipperary.
During the 1940s, there are in effect, two Ireland teams, chosen by two rival associations — the Northern Ireland-based Irish Football Association (IFA) and the Republic of Ireland-based Football Association of Ireland (FAI). Both organisations claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era play for both teams. The IFA XI had played England regularly since 1882, and claim their first victory, by a score of 3–0, on English soil at Ayresome Park, Middlesbrough, on February 14, 1914, but this is only the second time England and the FAI XI have met. Despite this, several members of the FAI XI had played against England several times before while representing the IFA XI. Striker Davy Walsh had previously scored three times against England.
The FAI XI plays England for the first time at Dalymount Park on September 30, 1946. A team, featuring Johnny Carey, Con Martin and Billy Walsh, are narrowly defeated 1–0 when Tom Finney scores the winner in the 82nd minute. Two days earlier, on September 28, Carey and Tom Aherne had been included in the IFA XI that had been heavily defeated 7–2 by the same England side. The next time the IFA XI play England, on November 5, 1947, their team includes six players — Carey, Martin, Billy Walsh, Peter Farrell, Davy Walsh and Tommy Eglington — who had previously played for the FAI XI. Davy Walsh scores the opening goal in a 2–2 draw at Goodison Park. Carey, Martin, Farrell and Walsh also play for the IFA XI in their 6–2 defeat by England at Windsor Park on October 10, 1948. Davy Walsh also scores both goals that day.
The early pattern of the game sees England launch wave after wave of attacks. However Tommy Godwin is in inspired form and Con Martin, Tom Aherne and Johnny Carey prove too difficult for England to get past. Carey is also effective in keeping Tom Finney quiet, while wing-halves Billy Walsh and Tommy Moroney gradually take the sting out of the English front line. Ireland takes the lead in the 33rd minute when Peter Desmond, after collecting a pass from Tommy O’Connor, bursts into the England penalty area and is brought down. Con Martin then converts the subsequent penalty kick. During the second half the wave of England attacks continues. Peter Harris hits the bar and Jesse Pye also goes close. However, Peter Farrell, playing at his club Everton’s home ground, makes victory certain in the 85th minute. O’Connor slips the ball to Farrell and as the English goalkeeper Bert Williams advances, Farrell lofts the ball into the net.
(Pictured: The Irish team which beat England 2-0 at Goodison Park in 1949. Back Row (L to R): Con Martin, Tommy Aherne, Tommy Godwin, Tommy Moroney and Willie Walsh. Seated (L to R): Peter Corr, Tommy O’Connor, Johnny Carey, Peter Desmond, Peter Farrell and Davy Walsh.)
Three British soldiers are killed, the first in the city since the Easter Rising of 1916, and two more wounded in a short exchange of gunfire with an Irish Republican Army (IRA) unit on the morning of September 20, 1920, at the corner North King Street and Church Street in Dublin.
Just before 11 o’clock, fifteen soldiers of the Duke of Wellington’s Regiment arrive in a motor lorry at Monks’ Bakery, North King Street, to acquire a supply of bread for Collinstownaerodrome. What happens next is disputed. Soldiers involved in the incident testify later that the volunteers began the shooting, after shouting “Hands Up!” and demanding they hand over their rifles.
Two key testimonies tally. The driver of the truck, Private C. Barnes, testifies at IRA volunteer Kevin Barry‘s court martial that he had been looking under the bonnet of the vehicle when he saw a civilian carrying a pistol walk up, shout “Hands Up!,” and fire a single round into the air. Decades later, the officer commanding the IRA unit that day, Seamus Kavanagh, tells the Bureau of Military History that it was indeed one of his men, but not Barry, that had fired the first shot, perhaps due to “overanxiety.”
Kavanagh sees the soldiers in the truck immediately rise to their feet, rifles in hand. The plan has fallen apart at the first hurdle, the element of surprise is lost, and there are no guns captured that day. He says he then gives the order to open fire, and retreat from the bakery. The exchange lasts four or five minutes.
In the last seconds of the ambush, Barry is in trouble. His gun has jammed twice, and has only fired two shots. Trying to clear the second jam, he fails to realise the rest of the unit has retreated, leaving him alone. He rolls under the lorry to hide, but a woman in the crowd of onlookers points him out to the soldiers, actually out of concern that he might be run over. He is taken prisoner and brought to the nearest base, at the North Dublin Union.
One reporter who attends the scene counts 22 bullet marks on walls, doors and windows in nearby homes and shops and adds that the military lorry is also riddled with bullet holes.
The three dead soldiers are identified as 18 year-old Private Harold Washington, who is found dead at the scene, Private Marshall Whitehead and Private Thomas Humphries who both die subsequently in King George V Hospital in Stoneybatter. The two wounded are Private William Smith and Private Frank Noble, neither of whom is armed.
It is rumoured that one or two of the attackers are killed, but this is not confirmed. Several volunteers are slightly wounded, but get away. Bob Flanagan’s wound is the most serious, a bullet literally parting his scalp. One onlooker expresses disbelief that the episode did not result in further fatalities given how close the soldiers and their assailants were to each other.
One person is understood to have been arrested in connection with the incident, however, according to eyewitnesses, the civilian in question has nothing to do with the attack and is taking shelter under a dray when arrested.
(Pictured: The funeral of the soldiers killed in the North King Street ambush, Irish Life, October 1, 1920)
Today, St. Patrick’s University Hospital, known for the innovative care of its patients, provides “Ireland’s largest, independent, not-for-profit mental health services.” When founded in 1745 it is the first psychiatric hospital to be built in Ireland mandated for the care of “Idiots and Lunaticks.”
Although new theories of madness and more therapeutic approaches to treatment are being proposed in the late 1700’s, during most of the eighteenth-century society views the lunatic as one who has literally lost his reason, “the essence of his humanity,” and therefore “his claim to be treated as a human being.” Treatments designed “to weaken the animal spirits that were believed to be producing madness,” still include restraints with chains, bloodletting, emetics, purging, and beating.
Confinement rather than cure is the focus of the earliest institutions in Great Britain. They resemble prisons with cells and keepers to control the inmates. Bethlem Hospital in London is the first to include lunatics in 1377. By the eighteenth century it has become infamous as “Bedlam” and has a reputation for cruelty, neglect, and poor living conditions, with an inadequate diet, rough clothing, and inactivity. Even worse, the mad in Bedlam are displayed as entertainment — a “freak show,” a “spectacle,” a “menagerie” from which “both provincial bumpkins and urban sophisticates could derive almost endless amusement” for a fee.
The earliest biographers of Jonathan Swift report that he had chosen to found St. Patrick’s Hospital because he had become insane himself at the end of his life. One writer even claims that he is the first patient to die there. Neither of these conclusions is accurate. It is his philosophical views and personal experiences that influence Swift’s decision to leave his estate for the establishment of St. Patrick’s.
Throughout the eighteenth century, medicine, politics, and literature all debate the relation between reason and madness, a subject that greatly interests Swift. In his most powerful satires, including Gulliver’s Travels (1726) and A Modest Proposal (1729), he sometimes explores the Lockean theory that “any person could fall into madness by the erroneous association of ideas.”
But the stronger motivation for Swift’s legacy grows from his involvement with the day-to-day problems of the Irish people, not only as an individual but also as Dean of St. Patrick’s Cathedral, a position he holds from 1713 until his death. At mid-century there are no provisions specifically for lunatics. If not being cared for by their families or found wandering the countryside, lunatics would sometimes be confined with criminals in prisons, with the poor in a workhouse, or with the sick in a hospital. Swift has firsthand knowledge of these conditions since he served as a governor of the workhouse and as a trustee of several hospitals. In 1710, after a visit to Bedlam, he gets himself elected a governor there in 1714. By 1731 he has decided on his legacy, intending his hospital to be charitable and more humane than Bedlam.
Another strong motivation may have been Swift’s ability to empathize with the sufferers of madness. Not mental illness but recurring attacks of Ménière’s disease (MD) afflict him for over fifty years, beginning at age twenty-three. The debilitating bouts of vertigo, nausea, tinnitus, and deafness worsen by the late 1730’s, and he complains of memory loss and difficulty in reading and writing. When he finalizes his will in 1740, he refers to himself as sound in mind but weak in body. In 1742, following a sudden decline in his health, his friends have him judged incompetent and appoint a guardian. Probable dementia increases his helplessness until his death on October 19, 1745.
Swift leaves an estate of about 12,000 pounds. In his will he lists details as to where St. Patrick’s should be built and how it should be run by his board of governors. Although they first meet in 1746, the asylum does not open until 1757. The governors need to acquire the site, oversee the plan and construction of the building, and ensure available money for operating expenses. Insufficient funds are the main obstacle, even after adding money from rents, donations, subscriptions and Parliament. Finally, St. Patrick’s has to accept paying patients to offset the costs of its charity cases.
Richard Leeper, who is appointed Resident Medical Superintendent in 1899, introduces a series of important initiatives including providing work and leisure activities for the patients. Norman Moore, who is appointed Resident Medical Superintendent in 1946, introduces occupational therapy, including crafts and farm work to the patients.
After the introduction of deinstitutionalisation in the late 1980s the hospital goes into a period of decline. In 2008 the hospital announces the expansion of its outpatient services to a series of regional centres across Ireland. A mental health facility for teenagers, known as the Willow Grove Adolescent Inpatient Unit, opens at the hospital in October 2010.
In 1926, Quill emigrates to New York City. After a series of brief jobs, in 1929 he secures employment with the Interborough Rapid Transit Company (IRT) as a subway station change-maker. Attracted to socialism and militant industrial unionism by his reading of James Connolly, in 1933 he is one of a small group of workers seeking to initiate a trade union independent of the IRT’s complacent company union. Comprised largely of ex-IRA men linked by membership of Clan na Gael and the leftist Irish Workers’ Clubs, his group soon joins forces with a New York transit-industry organising effort by the Communist Party, resulting in the launch in April 1934 of the Transport Workers Union (TWU).
With a convivial personality and a flair for oratory, Quill quickly emerges as one of the union’s most effective organisers. During 1935 he leaves his IRT job to work full-time as union organiser. In December 1935 he is elected TWU president, a position he holds until his death. By autumn 1936 the TWU has established a solid base on the IRT and intensifies organisation on New York’s other transit lines: subways, buses, elevated trains, and trolleys. In May 1937 the TWU affiliates with the incipient Congress of Industrial Organizations (CIO). After winning, mostly by large majorities, a series of union representation elections in May–June 1937, the TWU negotiates closed-shop contracts with various New York transit companies, obtaining for its 30,000 members substantial wage increases and benefits and a work-week reduction to forty-eight hours. The ethnic profile of the TWU, which is colloquially nicknamed “the Irish union,” reflects that of New York’s transit workforce, about half of which is Irish born.
First elected to the New York City Council in November 1937 as candidate of the American Labor Party, Quill serves on the body intermittently until 1949. After 1940 he leads the TWU into expansion outside New York, organising in mass transit in other cities, in airlines, and in railroads. Despite modest membership numbers (135,000 by the mid-1960s), the TWU is the United States‘ largest transit union, and Quill maintains a high public profile, owing to his union’s situation in a key economic sector, its base in the country’s largest city, and the colourful and the controversial features of his personality and politics. The 1940 municipal buy-out of New York’s private subway companies and subsequent evolution of a unified civically operated transport system precipitates a lengthy TWU struggle to establish collective bargaining rights and procedures for the transport workforce as public employees. This campaign, by setting precedents for public-sector union organisation nation-wide, marks Quill’s most enduring legacy to the American labour movement.
Quill denies repeated charges that he is a Communist, while retorting that he would “rather be called a Red by the rats than a rat by the Reds.” Communists hold influential positions at all levels in the TWU until the union’s December 1948 convention, when, after months of rancorous conflict over policy, he secures the expulsion from union office of all Communist Party members. His own politics, nevertheless, remain conspicuously leftist in the America of the 1950s and 1960s, as he condemns both the McCarthyite anti-Red witch-hunt and the Vietnam War. Elected a CIO vice-president in 1950, he eschews redefinition as “a labour statesman,” and advocates a national labour party and nationalisation of major industries. A strenuous opponent of racial discrimination by employers and within trade-union structures, he actively supports the black civil rights movement. He is the only top CIO official to oppose its 1955 merger with the conservative, craft-dominated American Federation of Labor (AFL), which he accuses of “the three Rs” of raiding, racketeering, and racism.
Quill’s final battle is his most dramatic. On January 1, 1966, he defies public-sector anti-strike legislation and a court injunction and leads TWU Local 100 into the first total subway-and-bus strike in New York City history, paralysing traffic for twelve days. Arrested on January 4, Quill, who has a history of serious heart disease, collapses during admission to prison and is transferred to hospital under police custody. On January 13 the strike is settled with a 15 percent wage increase, the highest of Quill’s TWU presidency. On January 28, several days after discharge from hospital, he dies of heart failure in his home. He is interred at Gate of Heaven Cemetery in Hawthorne, New York, after a funeral Mass at St. Patrick’s Cathedral, his casket draped by the Irish tricolor.
Speaking after his death, Martin Luther King Jr. eulogises Quill with the following: “Mike Quill was a fighter for decent things all his life—Irish independence, labor organization, and racial equality. He spent his life ripping the chains of bondage off his fellowman. When the totality of a man’s life is consumed with enriching the lives of others, this is a man the ages will remember—this is a man who has passed on but who has not died. Negroes had desperately needed men like Mike Quill who fearlessly said what was true even when it offended. That is why Negroes shall miss Mike Quill.”
Quill marries Maria Theresa O’Neill of Cahersiveen, County Kerry, in 1937. They have one son. Maria dies in 1959. He then marries Shirley Garry (née Uzin) of Brooklyn, New York, his long-serving administrative assistant, in 1961. They have no children. The Michael J. Quill Centre at Ardtully, Kilgarvan, County Kerry, houses a commemorative museum.
(From: “Quill, Michael Joseph” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie | Pictured: Irish-American Trade Unionist Mike Quill during a visit to the White House in 1938)
seamus dubhghaill 