Ua Conchobair is born in 1153 and serves as King of Connacht from 1189 to 1199, and is re-inaugurated on the stone at Clonalis about 1201, reigning until 1224. He first succeeds his elder half brother Ruaidri‘s son Conchobar Máenmaige Ua Conchobair as ruler of Connacht. Conchobar Máenmaige’s son Cathal Carrach Ua Conchobair then rules from 1199 to 1202, with Cathal Crobhdearg back in power from then.
From his base west of the River Shannon he is forced to deal with the Norman invaders. He is a competent leader despite problems, avoiding major conflicts and winning minor skirmishes. Ua Conchobair attempts to make the best of the new situation with Ireland divided between Norman and Gaelic rulers. His long reign is perhaps a sign of relative success. He is the subject, as Cáhal Mór of the Wine Red Hand, of the poem A Vision of Connaught in the Thirteenth Century by the 19th-century Irish nationalist James Clarence Mangan.
In 1224 Ua Conchobair writes to Henry III as Lord of Ireland, asking that his son and heir Od (Aedh) be granted all of Connacht, in particular those parts, Kingdom of Breifne, owned by William Gorm de Lacy.
An account of Ua Conchobair’s inauguration has been preserved, written down by Donogh Bacach Ó Maolconaire, the son of O’Connor’s very inaugurator Tanaide Ó Maolconaire, who is also his historian.
(Pictured: Ruins of the 12th century Cistercian Knockmoy Abbey which contains the burial site of King Cathal Crobhdearg Ua Conchobair)
Devine, also known as “Red Mickey” because of his red hair, is born into a family from the Springtown Camp, Derry, Northern Ireland. In 1960, when he is six years of age, the Devine family including his grandmother, sister Margaret and parents Patrick and Elizabeth, move to the then newly built Creggan estate to the north of Derry city centre. He is educated at Holy Child Primary School and St. Joseph’s Secondary School, both in the Creggan.
After British soldiers shoot and kill two unarmed civilians, Dessie Beattie and Raymond Cusack, Devine joins the James Connolly Republican Club in Derry in July 1971. Bloody Sunday has a deep impact on him. In the early 1970s, Devine joins the Irish Labour Party and Young Socialists.
Devine helps found the Irish National Liberation Army (INLA) in 1975. In 1976, after an arms raid in County Donegal in the Republic of Ireland, he is arrested in Northern Ireland. He is convicted and sentenced to twelve years in prison. He joins the blanket protest before joining the hunger strike.
Devine participates in a brief hunger strike in 1980, which is called off without fatalities. However, on June 22, 1981, Devine joins the 1981 hunger strike at the Maze Prison. He dies on August 20, the tenth and last of the hunger strikers to die.
Since making his debut in his home country in the late 1990s, Murphy has also become a presence in British and American cinemas noted by critics for his performances in many independent and mainstream films. He is best known as Jim in 28 Days Later (2002), the Scarecrow in The Dark Knight Trilogy (2005–12), Jackson Rippner in Red Eye (2005), Robert Capa in Sunshine (2007), Robert Fischer in Inception (2010) and Thomas Shelby in the BBC series Peaky Blinders.
Murphy begins his performing career as a rock musician. After turning down a record deal, he makes his professional acting debut in the play Disco Pigs in 1996. While continuing with stage work, he also begins appearing in independent films, first coming to international attention in 2002 as the hero of Danny Boyle‘s post-apocalyptic film 28 Days Later. Murphy’s profile continues to grow in 2005 when he appears in a series of successful films including as the Scarecrow in Christopher Nolan‘s 2005 blockbuster Batman Begins, a role he reprises in The Dark Knight (2008) and The Dark Knight Rises (2012), and in the action-thriller Red Eye (2005). For his performance as a transgender woman in Breakfast on Pluto (2005), Murphy receives a Golden Globe award nomination for Best Actor in a Musical or Comedy.
In 2006, Murphy plays the lead role in Ken Loach‘s Palme d’Or-winning film The Wind That Shakes the Barley. He teams up again with Boyle for the science-fiction film Sunshine (2007), and with Nolan for the highly successful thriller Inception (2010). Since 2013, Murphy has played the lead in the BBC gangster series Peaky Blinders. He continues to work on stage and wins the Drama Desk Award for Outstanding Solo Performance for Misterman in 2011.
McKenna grows up in Galway, where her father is Professor of Mathematics at University College Galway, and in County Monaghan, speaking fluent Irish. She is still in her teens when she becomes a member of an amateur Gaelic theatre group and makes her stage debut at Galway’s Gaelic theatre, the Taibhdhearc na Gaillimhe, in 1940.
McKenna is remembered for her English language performances at the Abbey Theatre in Dublin where she eventually stars in what many consider her finest role in the George Bernard Shaw play, Saint Joan.
While performing at the Abbey Theatre in the 1940s, she meets actor Denis O’Dea, whom she marries in 1946. Until 1970 they live in Richmond Street South, Dublin. They have one child, a son Donnacha O’Dea, who swims for Ireland at the 1968 Summer Olympics and later wins a World Series of Poker bracelet in 1998.
In 1947, McKenna makes her debut on the London stage in The Chalk Garden. She reprises the role on Broadway in 1955, for which she receives a Tony Award nomination for “Best Actress in a Leading Role, Drama.” In 1956, she appears in the Cambridge Drama Festival production of Saint Joan at the Off-BroadwayPhoenix Theatre. Theatre critic Elliot Norton calls her performance the finest portrayal of Joan of Arc in memory. Siobhán McKenna’s popularity earns her the cover of Life magazine. She receives a second Tony Best Actress nomination for her role in the 1958 play, The Rope Dancers, in which she stars with Art Carney and Joan Blondell.
Although primarily a stage actress, McKenna appears in a number of made-for-television films and dramas. She also appears in several motion pictures such as King of Kings in 1961, as the Virgin Mary. In 1964, she performs in Of Human Bondage and the following year in Doctor Zhivago. She also appears in the miniseries The Last Days of Pompeii as Fortunata, wife of Gaius, played by Laurence Olivier. She stars in the title role of the Tales of the Unexpected episode “The Landlady.”
McKenna is awarded the Gold Medal of the Éire Society of Boston, for having “significantly fulfilled the ideals of the Éire Society, in particular, spreading awareness of the cultural achievements of the Irish people.”
McKenna’s final stage appearance comes in the 1985 play Bailegangaire for the Druid Theatre Company. Despite surgery, she dies of lung cancer on November 16, 1986, in Dublin, at 63 years of age. She is buried at Rahoon Cemetery in County Galway.
Ireland becomes the first nation in the world to approve same-sex marriage by a popular vote on May 23, 2015, sweeping aside the opposition of the Roman Catholic Church in a resounding victory for the gay rights movement and placing the country at the vanguard of social change.
With the final ballots counted, the vote is 62.1% in favor of legalizing same-sex marriage, and 37.9% opposed. The turnout is large with more than 60% of the 3.2 million eligible voters casting ballots. Only one of the 43 districts, Roscommon-South Leitrim, votes the measure down.
With early vote counts suggesting a comfortable victory, crowds begin to fill the courtyard of Dublin Castle, a government complex that was once the center of British rule. By late morning, the leader of the opposition, David Quinn, director of the Iona Institute, concedes the outcome on Twitter: “Congratulations to the Yes side. Well done.”
Cheers break out among the crowd of supporters in the courtyard of Dublin Castle when Returning Officer Riona Ni Fhlanghaile announces in the evening that the ballot has passed.
In recent history a vote such as this would have been unthinkable. Ireland decriminalizes homosexuality only in 1993, the church dominates the education system, and abortion remains illegal except when a mother’s life is at risk. But the influence of the church has waned amid scandals in recent years, while attitudes, particularly among the young, have shifted.
“Today Ireland made history,” TaoiseachEnda Kenny says at a news conference, adding that “in the privacy of the ballot box, the people made a public statement.” He also adds, “This decision makes every citizen equal, and I believe it will strengthen the institution of marriage.”
Alex White, the government’s Minister for Communications, Climate Action and Environment, says, “This didn’t change Ireland — it confirmed the change. We can no longer be regarded as the authoritarian state we once might have been perceived to be. This marks the true separation of church and state.”
Gerry Adams, president of Sinn Féin, says, “There are two Irelands, the elite Ireland and the hidden Ireland. And today the hidden Ireland spoke.”
Nick O’Connell, who is from a rural area in County Kilkenny, cradles a celebratory drink in a Dublin pub. He says he had been too afraid to come out as gay until his mid-20s. “Today I’m thinking of all those young people over the years who were bullied and committed suicide because of their sexuality. This vote was for them, too.” He adds, “This is different from other countries because it was the people who gave it to us, not a legislature.”
The work of Gore-Booth, alongside that of Esther Roper, the English woman who would become her lifelong companion, is responsible for the close link between the struggle for women’s rights in industry and the struggle for women’s right to vote. As a middle-class suffragist representing Manchester, the work of Gore-Booth is mainly recognized in the Lancashire cotton towns from 1899 to 1913. Her struggle begins when she becomes a member of the executive committee of the National Union of Women’s Suffrage Societies. Carrying out work at the Ancoats settlement, Eva becomes co-secretary of the Manchester and Salford Women’s Trade Union Council.
In 1902 Gore-Booth campaigns at the Clitheroe by-election on behalf of David Shackleton, a Labour candidate who promises her that he would show support for the women’s enfranchisement. Shackleton is elected but does not act upon his promise. This leads to the founding of the Lancashire and Cheshire Women Textile and Other Worker’s Representation Committee by Gore-Booth, Esther Roper and Sarah Reddish. When the Women’s Trade Union Council refuses to make women’s suffrage one of its aims, Gore-Booth resigns from the council.
In 1902 Gore-Booth campaigns at the Clitheroe by-election on behalf of David Shackleton, a Labour candidate who promises her that he would show support for the women’s enfranchisement. Shackleton is elected but does not act upon his promise. This leads to the founding of the Lancashire and Cheshire Women Textile and Other Worker’s Representation Committee by Gore-Booth, Esther Roper and Sarah Reddish. When the Women’s Trade Union Council refuses to make women’s suffrage one of its aims, Gore-Booth resigns from the council.
In 1907 Gore-Booth, reluctant to give up hope, contributes an essay “The Women’s Suffrage Movement Among Trade Unionists” to The Case for Women’s Suffrage. In this essay Eva gives a summary of reasons for the methods of the LCWTOW campaign to gain a vote for working women.
When Gore-Booth embarks on her writing career she is visited by William Butler Yeats who is very much taken with her work. Yeats hopes that she will take up his cause of writing Irish tales to enchant and amuse. Instead, Eva takes Irish folklore and put emphasis on the females in the story. Her widely discussed sexuality in later years is never declared but her poetry reflects it quite overtly. Gore-Booth is also one of a group of editors of the magazine Urania that publishes three issues per year from 1916 to 1940. It is a feminist magazine that reprints stories and poems from all over the world with editorial comment.
After years of playing a lead role in the Women’s Suffrage Movement and fighting for equality of women’s rights in the UK as well as staying true to her literary roots, Gore-Booth and Roper relocate to London from Manchester in 1913 due to Gore-Booth’s deteriorating respiratory health.
Just weeks after the 1916 Easter Rising, Gore-Booth travels to Dublin accompanied by Roper and is pivotal in the efforts to reprieve the death sentence of her sister Constance Markievicz awarded for her instrumental role in the rising, which is successfully converted to a life sentence. She further campaigns to abolish the death sentence overall and to reform prison standards. She attends the trial of Irish nationalist and fellow poet Roger Casement thus showing solidarity and support for the overturning of his death sentence.
During the remaining years of her life, which is claimed by cancer on June 30, 1926, Gore-Booth remains devoted to her poetry, dedicates time to her artistic talents as a painter, studies the Greek language and is known as a supporter of animal rights. She dies in her home in Hampstead, London, which she shares with Roper until her passing. She is buried alongside Roper in St. John’s churchyard, Hampstead.
Raymond Peter McCreesh, the seventh in a family of eight children, is born in St. Malachy’s Park, Camlough, on February 25, 1957. He is born into a strong Irish republican family and is active in the republican movement from the age of sixteen. He attends the local primary school in Camlough, St. Malachy’s, and later attends St. Colman’s College, Newry.
McCreesh first joins Fianna Éireann, the IRA’s youth wing, in 1973, and later that year he progresses to join the Provisional IRA South Armagh Brigade. He works for a short time as steelworker in a predominately Protestant factory in Lisburn. However, as sectarian threats and violence escalate, he switches professions to work as a milk roundsman in his local area of South Armagh, an occupation which greatly increases his knowledge of the surrounding countryside, as well as enables him to observe the movements of British Army patrols in the area.
On June 25, 1976, McCreesh and three other IRA volunteers attempt to ambush a British Army observation post in South Armagh. It lay opposite the Mountain House Inn, on the Newry–Newtonhamilton Road. As the armed, masked and uniformed IRA volunteers approached the observation post, they are spotted by British paratroopers on a hillside. The paratroopers open fire on the volunteers, who scatter. Two of them, McCreesh and Paddy Quinn, take cover in a nearby farmhouse. The paratroopers surround the house and fire a number of shots into the building. After some time, McCreesh and Quinn surrender and are taken to Bessbrook British Army base. Local Catholic priests facilitate their surrender. The third volunteer, Danny McGuinness, takes cover in a disused quarry outhouse but is captured the following day. The fourth member of the unit manages to escape despite being shot in the leg, arm and chest.
On March 2, 1977, McCreesh and Quinn are sentenced to fourteen years in prison for the attempted murder of British soldiers, possession of a rifle and ammunition, and an additional five years for IRA membership. The rifle that McCreesh has in his possession when captured is one of the rifles used in the Kingsmill massacre on January 5, 1976, when ten Protestant civilians are shot dead.
McCreesh is sent to the Maze Prison. He joins the blanket protest and takes part in the 1981 Irish hunger strike. He dies on 21 May, after 61 days on hunger strike.
“At the time I could not imagine how we would come to terms with such anguish and such deep loss” he tells the gathering. “In August 1979, my much-loved great uncle, Lord Mountbatten, was killed alongside his young grandson and my godson, Nicholas, and his friend, Paul Maxwell, and Nicholas’s grandmother, the Dowager Lady Brabourne.”
“At the time I could not imagine how we would come to terms with the anguish of such a deep loss since, for me, Lord Mountbatten represented the grandfather I never had. So, it seemed as if the foundations of all that we held dear in life had been torn apart irreparably.”
But he stresses the tragedy helped him understand the widespread suffering.
“Through this dreadful experience, though, I now understand in a profound way the agonies borne by so many others in these islands, of whatever faith, denomination or political tradition. Despite the tragedy of August 1979, the memories that Lord Mountbatten’s family have of Classiebawn Castle and Mullaghmore, going right back to 1946, are of great happiness. I look forward to seeing, at last, the place that he and they so loved and to meeting its inhabitants. Many of them showed the most extraordinary outpouring of compassion and support to both Lord Mountbatten’s and Paul Maxwell’s families in the aftermath of the bombing. Their loving kindness has done much to aid the healing process.”
Charles says he is “only too deeply aware of the long history of suffering that Ireland has endured. A history that has caused much pain and much resentment in a world of imperfect human beings, where it’s always too easy to overgeneralise and attribute blame.” Referring to his mother’s speech at Dublin Castle he says, “with the benefit of historical hindsight we can all see things which we would wish had been done differently or not at all.”
Charles and Camilla then travel to Drumcliff church for a service of peace and reconciliation before proceeding to the village of Mullaghmore.
John Sheahan, musician and composer and the last surviving member of the definitive five-member line-up of The Dubliners, is born in Dublin on May 19, 1939. He joins The Dubliners in 1964 and plays with them until 2012 when The Dubliners’ name is retired following the death of founding member Barney McKenna.
Sheahan goes to school at the local Christian Brothers in Marino, Dublin, where he receives his first musical education, learning the tin whistle. When he is about twelve years old he begins to take an active interest in music and soon he transfers the musical knowledge gained on the whistle to a fiddle he finds lying around at home. Enthusiastically supported and encouraged by his parents, he attends the Municipal School of Music in Dublin where he studies classical violin for more than five years.
During this time he continues to maintain his interest in Irish traditional music, which sometimes leads him to improvise on the classics by putting in a few embellishments. His improvisions ultimately lead to the development of his unique style, gaining him a number of awards at various féiseanna. His interest in American bluegrass fiddle music must also have influenced his style, as can be heard in tunes like Flop Eared Mule, recorded with The Dubliners in 1968, 1969 and 1983.
Sheahan plays with a number of bands around the country until he meets The Dubliners in the early 1960s. At that time, the group is formed by Ronnie Drew, Barney McKenna, Ciarán Bourke and Luke Kelly. He joins the band in 1964, together with Bobby Lynch. Both musicians have been playing during the interval at concerts and usually stay on stage for the second half of the show. When Luke Kelly moves to England in 1964, Lynch is taken on as his temporary replacement. When Kelly returns in 1965, Lynch leaves the band and Sheahan stays. He is the only member of the Dubliners to have had a formal musical education.
After 50 years of playing and after the death of founding member Barney McKenna, in the fall of 2012 Sheahan announces the retirement of The Dubliners by the end of the 50th anniversary tour. The last formation of the band features Sheahan, Seán Cannon, Eamonn Campbell, Patsy Watchorn and Gerry O’Connor. He is a steady member of the band for 48 years and the high standards of his playing strongly contribute to forge the Dubliners’ sound.
O’Grady is born on March 22, 1846, at Castletown, County Cork, the son of Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and Susanna Doe. After a rather severe education at Tipperary Grammar School, O’Grady follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady proves too unconventional of mind to settle into a career in the church and earns much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran‘s General history of Ireland sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: Heroic Period (1878–81) and Early Bardic Literature of Ireland (1879), he realizes that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people have made the Tudors into kings of Ireland in order to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, he works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator. It is here he becomes involved with Ellen Cuffe, Countess of Desart and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. O’Grady contributes to James Larkin‘s The Irish Worker paper.
O’Grady’s works are an influence on William Butler Yeats and George Russell and this leads to him being known as the “Father of the Celtic Revival.” Being as much proud of his family’s Unionism and Protestantism as of his Gaelic Irish ancestry, identities that are increasingly seen as antithetical in the late 1800s, he is described by Augusta, Lady Gregory as a “fenian unionist.”
Advised to move away from Ireland for the sake of his health, O’Grady passes his later years living with his eldest son, a clergyman in England, and dies on the Isle of Wight on May 18, 1928.
O’Grady’s eldest son, Hugh Art O’Grady, is for a time editor of the Cork Free Press before he enlists in World War I early in 1915. He becomes better known as Dr. Hugh O’Grady, later Professor of the Transvaal University College, Pretoria, who writes the biography of his father in 1929.
seamus dubhghaill 