seamus dubhghaill

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Category Archives: Irish History


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The M62 Coach Bombing

m62-coach-bombing

The M62 coach bombing occurs on February 4, 1974, on the M62 motorway in Northern England, when a Provisional Irish Republican Army (IRA) bomb explodes in a coach carrying off-duty British Armed Forces personnel and their family members. Twelve people, nine soldiers and three civilians, are killed by the bomb, which consists of 25 pounds of high explosive hidden in a luggage locker on the coach.

The coach has been specially commissioned to carry British Army and Royal Air Force personnel on leave with their families from and to the bases at Catterick and Darlington during a period of railway strike action. The vehicle departs from Manchester and is making good progress along the motorway. Shortly after midnight, when the bus is between junction 26 and 27, near Oakwell Hall, there is a large explosion on board. Most of those aboard are sleeping at the time. The blast, which can be heard several miles away, reduces the coach to a “tangle of twisted metal” and throws body parts up to 250 yards.

The explosion kills eleven people outright and wounds over fifty others, one of whom dies four days later. Amongst the dead are nine soldiers – two from the Royal Artillery, three from the Royal Corps of Signals, and four from the 2nd battalion Royal Regiment of Fusiliers. One of the latter is Corporal Clifford Haughton, whose entire family, consisting of his wife Linda and his sons Lee (5) and Robert (2), also die. Numerous others suffer severe injuries, including a six-year-old boy, who is badly burned.

The driver of the coach, Roland Handley, is injured by flying glass, but is hailed as a hero for bringing the coach safely to a halt. Handley dies at the age of 76 after a short illness in January 2011.

Suspicions immediately fall upon the IRA, which is in the midst of an armed campaign in Britain involving numerous operations, later including the Guildford pub bombing and the Birmingham pub bombings.

Reactions in Britain are furious, with senior politicians from all parties calling for immediate action against the perpetrators and the IRA in general. The British media are equally condemnatory. According to The Guardian, it is “the worst IRA outrage on the British mainland” at that time, whilst the BBC describes it as “one of the IRA’s worst mainland terror attacks.” The Irish newspaper The Sunday Business Post later describes it as the “worst” of the “awful atrocities perpetrated by the IRA” during this period.

IRA Army Council member Dáithí Ó Conaill is challenged over the bombing and the death of civilians during an interview and replies that the coach had been bombed because IRA intelligence indicated that it was carrying military personnel only.

Following the explosion, the British public and politicians from all three major parties call for “swift justice.” The ensuing police investigation led by Detective Chief Superintendent George Oldfield is rushed, careless, and ultimately forged, resulting in the arrest of the mentally ill Judith Ward who claims to have conducted a string of bombings in Britain in 1973 and 1974 and to have married and had a baby with two separate IRA members. Despite her retraction of these claims, the lack of any corroborating evidence against her, and serious gaps in her testimony – which is frequently rambling, incoherent, and “improbable” – she is wrongfully convicted in November 1974.

The case against Ward is almost completely based on inaccurate scientific evidence using the Griess test and deliberate manipulation of her confession by some members of the investigating team. The case is similar to those of the Guildford Four, the Birmingham Six, and the Maguire Seven, which occur at the same time and involve similar forged confessions and inaccurate scientific analysis. Ward is finally released in 1992, when three Appeal Court judges hold unanimously that her conviction was “a grave miscarriage of justice,” and that it had been “secured by ambush.”


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Death of Jane Francesca Agnes, Lady Wilde

jane-wilde

Jane Francesca Agnes, Lady Wilde, Irish poet who writes under the pen name “Speranza” and supporter of the nationalist movement, dies at her home, 146 Oakley Street, Chelsea, London, of bronchitis on February 3, 1896.

Jane is the last of the four children of Charles Elgee, a Wexford solicitor, and his wife Sarah. Her great-grandfather is an Italian who had come to Wexford in the 18th century. She has a special interest in Irish folktales, which she helps to gather. She marries Sir William Wilde on November 12, 1851, and they have three children, William Charles Kingsbury Wilde (1852–1899), Oscar Fingal O’Flahertie Wills Wilde (1854–1900), and Isola Francesca Emily Wilde (1857–1867).

Jane, who is the niece of Charles Maturin, writes for the Young Ireland movement of the 1840s, publishing poems in The Nation under the pseudonym of “Speranza.” Her works include pro-Irish independence and anti-British writing. She is sometimes known as “Speranza of the Nation.” Charles Gavan Duffy is the editor when “Speranza” writes commentary calling for armed revolution in Ireland. The authorities at Dublin Castle shut down the paper and bring the editor to court. Duffy refuses to name who has written the offending article. “Speranza” reputedly stands up in court and claims responsibility for the article. The confession is ignored by the authorities. But in any event the newspaper is permanently shut down by the authorities.

She is an early advocate of women’s rights, and campaigns for better education for women. She invites the suffragist Millicent Fawcett to her home to speak on female liberty. She praises the passing of the Married Women’s Property Act of 1883, preventing women from having to enter marriage “as a bond slave, disenfranchised of all rights over her fortune.”

William Wilde is knighted in January 1864, but the family celebrations are short-lived, for in the same year Sir William and Lady Wilde are at the centre of a sensational Dublin court case regarding a young woman called Mary Travers, the daughter of a colleague of Sir William’s, who claims that he had seduced her and who then brings an action against Lady Wilde for libel. Mary Travers wins the case and costs of £2,000 are awarded against Lady Wilde. Then, in 1867, their daughter Isola dies of fever at the age of nine. In 1871 the two illegitimate daughters of Sir William are burned to death and in 1876 Sir William himself dies. The family discovers that he is virtually bankrupt.

Lady Wilde leaves Dublin for London in 1879, where she joins her two sons, Willie, a journalist, and Oscar, who is making a name for himself in literary circles. She lives with her older son in poverty, supplementing their meagre income by writing for fashionable magazines and producing books based on the researches of her late husband into Irish folklore.

Lady Wilde contracts bronchitis in January 1896 and, dying, asks for permission to see Oscar, who is in prison. Her request is refused. It is claimed that her “fetch” appears in Oscar’s prison cell as she dies at her home, 146 Oakley Street, Chelsea, on February 3, 1896. Willie Wilde, her older son, is penniless, so Oscar pays for her funeral, which is held on February 5, at Kensal Green Cemetery in London. A headstone proved too expensive and she is buried anonymously in common ground. A monument to her, in the form of a Celtic cross, is erected at Kensal Green Cemetery by the Oscar Wilde Society in 1999.


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Birth of Theatrical Producer Hilton Edwards

hilton-edwards

Hilton Edwards, an English-born Irish actor, lighting designer, and theatrical producer, is born in London on February 2, 1903.

Edwards begins his career acting with the Charles Doran Shakespeare Company in 1920 in Windsor and then joins The Old Vic in London, playing in all but two of Shakespeare‘s plays before leaving the company a few years later. Trained in music, he also sings baritone roles with the Old Vic Opera company.

After touring with various companies in Britain and South Africa, Edwards goes to Ireland in 1927 for a season with Anew McMaster’s company and meets McMaster’s brother-in-law, Micheál Mac Liammóir. As he tells an interviewer once, both men want a theater of their own. Mac Liammóir wants it to be in Ireland and Edwards does not care. “I don’t care about nationalism, I care about the theater,” he says.

Edwards and Mac Liammóir co-found the Gate Theatre in Dublin in 1928. The two men’s talents are complementary. Mac Liammóir is an actor, designer, and writer. Edwards is a director, actor, producer, and lighting designer. Edwards produces and directs more than 300 plays at the Gate, ranging from the works of Aeschylus and Sophocles, Johann Wolfgang von Goethe and Henrik Ibsen to the comedies of George Bernard Shaw and Richard Brinsley Sheridan and new Irish plays, by such authors as W.B. Yeats, Brian Friel, and Mac Liammóir.

In New York City in 1948 Edwards plays in and directs John Bull’s Other Island and directs The Old Lady Says No and Where Stars Walk. In 1961 Edwards takes a two-year leave from the Gate to become the first Head of Drama at Telefís Éireann. A year later, he wins a Jacob’s Award for his television series Self Portrait.

Edwards appears in 15 films, including Captain Lightfoot (1955), David and Goliath (1960), Victim (1961), and Half a Sixpence (1967). He also writes and directs Orson Welles‘s Return to Glennascaul (1951). However, he is primarily known for his theatre work. He is nominated for a Tony Award in 1966 for Best Director of a Drama for Philadelphia, Here I Come!

Hilton Edwards dies in a Dublin hospital on November 18, 1982. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christophor Fitz-Simon.


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Establishment of the Central Bank of Ireland

central-bank-of-ireland

The Central Bank of Ireland is established on February 1, 1943, when the Central Bank Act 1942 comes into effect which renames the Currency Commission.

The Central Bank of Ireland is Ireland’s central bank, and as such part of the European System of Central Banks (ESCB). It is also the country’s financial services regulator for most categories of financial firms. It is the issuer of Irish pound banknotes and coinage until the introduction of the euro currency and now provides this service for the European Central Bank.

The Central Bank, however, does not initially acquire many of the characteristics of a central bank:

  • It is not given custody of the cash reserves of the commercial banks
  • It has no statutory power to restrict credit, though it can promote it
  • The Bank of Ireland remains the government’s banker
  • The conditions for influencing credit through open-market operations does not yet exist
  • Ireland’s external monetary reserves are largely held as external assets of the commercial banks

The mid-1960s see the Bank take over the normal day-to-day operations of exchange control from the Department of Finance. The Central Bank broadens its activities over the decades, but it remains in effect a currency board until the 1970s.

Since January 1, 1972, the Central Bank has been the banker of the Government of Ireland in accordance with the Central Bank Act 1971, which can be seen in legislative terms as completing the long transition from a currency board to a fully functional central bank.

Its head office is located on Dame Street, Dublin, where the public may exchange non-current Irish coinage and currency, both pre- and post-decimalization, for euros. It also operates from premises in Spencer Dock, Iveagh Court, and College Green. The Currency Centre at Sandyford is the currency manufacture, warehouse, and distribution site of the bank.

By March 2017 its city centre staff moves to a new building at North Wall Quay.


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Sinking of the MV Princess Victoria

mv-princess-victoria

MV Princess Victoria, one of the earliest roll-on/roll-off ferries, sinks on January 31, 1953, in the North Channel during a severe European windstorm with the loss of 133 lives. It is then the deadliest maritime disaster in United Kingdom waters since World War II.

Princess Victoria is built in 1947 by William Denny and Brothers, Dumbarton. She is the first purpose-built ferry of her kind to operate in British coastal waters and could hold 1,500 passengers plus cargo and had sleeping accommodations for 54.

Captained by James Ferguson, the vessel leaves Stranraer‘s railway loading pier at 7:45 AM on January 31, 1953 with 44 tons of cargo, 128 passengers, and 51 crew. Captain Ferguson has served as master on various ferries on the same route for seventeen years. A gale warning is in force but he makes the decision to put to sea. Loch Ryan is a sheltered inlet and the immediate force of the wind and sea is not apparent, but it is noted that spray is breaking over the stern doors. A “guillotine door” has been fitted, because of a previously identified problem with spray and waves hitting the stern doors, but it is rarely used, because it takes too long to raise and lower. This would provide extra protection for the sliding stern doors but on this occasion it is not lowered.

Shortly after clearing the mouth of Loch Ryan, the ship turns west towards Larne, County Antrim, Northern Ireland and exposes her stern to the worst of the high seas. Huge waves damage the low stern doors, allowing water to enter the car deck. The crew struggles to close the doors again but they prove to be too badly damaged and water continues to flood in from the waves. The scuppers do not appear to be allowing the water to drain away. The ship takes a list to starboard and at this point Captain Ferguson decides to retreat to the safety of Loch Ryan by going astern and using the bow rudder. This proves to be impossible, because the extreme conditions prevent the deckhands from releasing the securing pin on the bow rudder. Ferguson then makes a decision to try to reach Northern Ireland by adopting a course which keeps the stern of the craft sheltered from the worst of the elements. At 9:46 AM, two hours after leaving Stranraer, a message is transmitted in Morse code (the Princess Victoria does not have a radio telephone) by radio operator David Broadfoot to the Portpatrick Radio Station: “Hove-to off mouth of Loch Ryan. Vessel not under command. Urgent assistance of tugs required.”

With a list to starboard exacerbated by shifting cargo, water continues to enter the ship. At 10:32 AM an SOS transmission is made, and the order to abandon is given at 2:00 PM. Possibly the first warship in the area is HMS Launceston Castle, commanded by Lt. Cdr J M Cowling, a frigate which is en route to Derry. Searches are carried out but Launceston Castle is forced to leave when her condensers are contaminated by salt. Upon the upgrade of the assistance message to an SOS, the Portpatrick Lifeboat the Jeannie Spiers is dispatched, as is the destroyer HMS Contest. Contest, commanded by Lt. Commander HP Fleming, leaves Rothesay at 11:09 AM but, although she comes close to her position at 1:30 PM, poor visibility prevents the crew from seeing the sinking ship. The destroyer has been trying to maintain a speed of 31 knots to reach the listing ferry but, after sustaining damage from the seas, Captain Fleming is forced to reduce speed to 16 knots.

The Princess Victoria is still reporting her position as 5 miles northwest of Corsewall Point but her engines are still turning and even at the speed of 5 knots are gradually drawing the vessel closer to Northern Ireland and away from her reported position. At 1:08 PM, the ship broadcasts that her engines have stopped. The final morse code message at 1:58 PM reports the ship “on her beam end” five miles east of the Copeland Islands.

The Court of Enquiry into the sinking, held in March 1953 at Crumlin Road Courthouse in Belfast, finds that the Princess Victoria was lost due to a combination of factors. In a 30,000 page report the enquiry finds that firstly, the stern doors are not sufficiently robust. Secondly, arrangements for clearing water from the car deck are inadequate. The report concludes “If the Princess Victoria had been as staunch as those who manned her, then all would have been well and the disaster averted.” The court also notes the failure of the duty destroyer HMS Tenacious from the 3rd Training Squadron based at HMS Sea Eagle at Londonderry Port to be able to put to sea as too many men had been released on shore leave. As a consequence of the enquiry the duty destroyer from the 3rd Squadron is subsequently based “on station” at the mouth of Lough Foyle on one hour readiness to put to sea.

The wreck lay undiscovered until 1992 when a team from Cromarty Firth Diving, led by John MacKenzie and funded by the BBC, working from data provided by a Royal Navy seabed survey carried out in 1973, are able to locate it five miles north northeast of the Copeland Islands in 90 metres of water. Video footage and stills from this expedition are transmitted on a BBC programme called Home Truths (Things Don’t Happen to Boats Like This) on the 40th anniversary of the sinking in 1993.


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Opening of the National Gallery of Ireland

national-gallery-of-ireland

The National Gallery of Ireland, home of the national collection of Irish and European art, opens on January 30, 1864. It is located in the centre of Dublin with one entrance on Merrion Square, beside Leinster House, and another on Clare Street. The Gallery has an extensive, representative collection of Irish painting and is also notable for its Italian Baroque and Dutch masters painting.

In 1853 an exhibition, the Great Industrial Exhibition, is held on the lawns of Leinster House in Dublin. Among the most popular exhibits is a substantial display of works of art organised and underwritten by the railway magnate William Dargan. The enthusiasm of the visiting crowds demonstrates a public need for art, and it is decided to establish a permanent public art collection as a lasting monument of gratitude to Dargan. The moving spirit behind the proposal is the barrister John Edward Pigot (1822-1871), son of David Richard Pigot, Chief Baron of the Irish Exchequer, and he becomes one of the first Governors of the Gallery. The façade of the National Gallery copies the Natural History building of the National Museum of Ireland which is already planned for the facing flank of Leinster House. The building itself is designed by Francis Fowke, based on early plans by Charles Lanyon.

The Gallery is unlucky not to have been founded around an existing collection, but through diligent and skilful purchase, by the time it opens it has 125 paintings. In 1866 an annual purchase grant is established and by 1891 space is already limited. In 1897, the Dowager Countess of Milltown indicates her intention of donating the contents of Russborough House to the Gallery. This gift includes about 223 paintings, 48 pieces of sculpture, 33 engravings, much silver, furniture, and a library, and prompts construction from 1899 to 1903 of what is now called the Milltown Wing, designed by Thomas Newenham Deane.

At around this time Henry Vaughan leaves 31 watercolours by J.M.W. Turner with the requirement that they can only be exhibited in January, this to protect them from the ill-effects of sunlight. Though modern lighting technology has made this stipulation unnecessary, the Gallery continues to restrict viewing of the Vaughan bequest to January and the exhibition is treated as something of an occasion.

Another substantial bequest comes with the untimely death in the sinking of the RMS Lusitania of Hugh Lane, director of the Gallery since 1914. Not only does he leave a large collection of pictures, but he also leaves part of his residual estate, and the Lane Fund has continued to contribute to the purchase of art works to this day. In addition to his involvement in the Gallery, Lane has also hoped to found a gallery of modern art, something only realised after his death in Dublin City Gallery The Hugh Lane. George Bernard Shaw also makes a substantial bequest, leaving the Gallery a third of royalties of his estate in gratitude for the time he spent there as a youth.

The Gallery is again extended in 1962 with a new wing designed by Frank DuBerry of the Office of Public Works. This opens in 1968 and is now named the Beit Wing. In 1978 the Gallery receives from the government the paintings given to the nation by Chester Beatty and in 1987 the Sweeney bequest brings fourteen works of art including paintings by Pablo Picasso and Jack Butler Yeats. The same year the Gallery is once again given some of the contents of Russborough House when Alfred Beit donates 17 masterpieces, including paintings by Diego Velázquez, Bartolomé Esteban Murillo, Jan Steen, Johannes Vermeer, and Henry Raeburn.

In the 1990s a lost Caravaggio, The Taking of Christ, known through replicas, is discovered hanging in a Jesuit house of studies in Leeson Street in Dublin by Sergio Benedetti, senior conservator of the gallery. The Jesuits generously allow this painting to be exhibited in the Gallery and the discovery is the cause of national excitement. In 1997 Anne Yeats donates sketchbooks by her uncle, Jack Yeats, and the Gallery now includes a Yeats Museum. Denis Mahon, well known art critic, promises the Gallery part of his rich collection and eight paintings from his promised bequest are on permanent display, including Jacob Blessing the Sons of Joseph by Rembrandt.

The collection currently contains about 14,000 artworks, including approximately 2,500 oil paintings, 5,000 drawings, 5,000 prints, and some sculpture, furniture, and other works of art.


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Birth of Broadcaster Pat Kenny

pat-kenny

Patrick “Pat” Kenny, veteran Irish broadcaster, is born in Dublin on January 29, 1948. Kenny currently hosts the daily radio show The Pat Kenny Show on Newstalk and the current affairs show Pat Kenny Tonight on TV3.

Kenny is educated at the O’Connell School and obtains a chemical engineering degree from University College Dublin (UCD) in 1969. Subsequently, he is a postgraduate student at Georgia Institute of Technology and then a lecturer at the Dublin Institute of Technology in Dublin. He begins his broadcasting career in parallel to his academic “day-job” by working as a continuity announcer on RTÉ radio in the mid-1970s. He subsequently becomes a radio disc jockey.

Kenny has a 41-year high-profile career at RTÉ, in which he is their highest paid presenter for several years. He presents the radio show Today with Pat Kenny on RTÉ Radio 1 each weekday morning between 10:00 and midday until 2013. He hosts The Late Late Show from September 1999 until May 2009, however, returns as a stand-in host in January 2013. He presents the current affairs programme, The Frontline, each Monday night from 2009 until its cancellation in 2013.

Kenny is the co-host of Eurovision Song Contest 1988, as well as numerous other television shows, including Today Tonight, Saturday Live, and Kenny Live, and works for both RTÉ Radio 1 and RTÉ 2fm, sometimes simultaneously, in a career that has spanned five decades. He is the holder of a Jacob’s Award and is perennially cited as the highest paid employee in RTÉ’s possession. He is named 23rd most influential person of 2009 by the magazine Village.


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Death of William Butler Yeats

william-butler-yeats

William Butler Yeats, Irish poet and one of the foremost figures of 20th century literature, dies on January 28, 1939, at the Hôtel Idéal Séjour, in Menton, France.

Yeats is born in Sandymount, County Dublin, on June 13, 1865, the oldest child of John Butler Yeats and Susan Mary Pollexfen. Although John trains as a lawyer, he abandons the law for art soon after his first son is born. Yeats spends much of his early years in London, where his father is studying art, but frequently returns to Ireland as well.

In the mid-1880s, Yeats pursues his own interest in art as a student at the Metropolitan School of Art in Dublin. Following the publication of his poems in the Dublin University Review in 1885, he soon abandoned art school for other pursuits.

After returning to London in the late 1880s, Yeats meets writers Oscar Wilde, Lionel Johnson, and George Bernard Shaw. He also becomes acquainted with Maud Gonne, a supporter of Irish independence. This revolutionary woman serves as a muse for Yeats for years. He even proposes marriage to her several times, but she turns him down. He dedicates his 1892 drama The Countess Kathleen to her.

Around this time, Yeats founds the Rhymers’ Club poetry group with Ernest Rhys. He also joins the Order of the Golden Dawn, an organization that explores topics related to the occult and mysticism. While he is fascinated with otherworldly elements, Yeats’s interest in Ireland, especially its folktales, fuels much of his output. The title work of The Wanderings of Oisin and Other Poems (1889) draws from the story of a mythic Irish hero.

In addition to his poetry, Yeats devotes significant energy to writing plays. He teams with Lady Gregory to develop works for the Irish stage, the two collaborating for the 1902 production of Cathleen Ni Houlihan. Around that time, Yeats helps found the Irish National Theatre Society with Lady Gregory and John Millington Synge, serving as its president and co-director. More works soon follow, including On Baile’s Strand, Deirdre, and At the Hawk’s Well.

Following his marriage to Georgie Hyde-Lees in 1917, Yeats begins a new creative period through experiments with automatic writing. The newlyweds sit together for writing sessions they believe to be guided by forces from the spirit world, through which Yeats formulates intricate theories of human nature and history. They soon have two children, daughter Anne and son Michael.

Yeats then becomes a political figure in the new Irish Free State, serving as a senator for six years beginning in 1922. The following year, he receives an important accolade for his writing as the recipient of the Nobel Prize in Literature. According to the official Nobel Prize website, Yeats is selected “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”

Yeats continues to write until his death. Some of his important later works include The Wild Swans at Coole (1917), A Vision (1925), The Tower (1928) and Words for Music Perhaps and Other Poems (1932). Yeats passes away on January 28, 1939, at the Hôtel Idéal Beauséjour near Menton, France. He is buried after a discreet and private funeral at Roquebrune-Cap-Martin. The publication of Last Poems and Plays and Two Plays shortly after his death further cements his legacy as a leading poet and playwright.

In September 1948, Yeats’ body is moved to the churchyard of St. Columba’s Church, Drumcliff, County Sligo, on the Irish Naval Service corvette LÉ Macha.


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Birth of Brian Downey, Founder & Drummer of Thin Lizzy

brian-downey

Brian Michael Downey, Irish drummer best known as the drummer and a founding member of the rock band Thin Lizzy, is born in Dublin on January 27, 1951. Along with Phil Lynott, Downey is the only constant member of the hard rock group until their break-up in 1983. Downey also co-writes several Thin Lizzy songs. Allmusic critic Eduardo Rivadavia argues that Downey is “certainly one of the most underrated [rock drummers] of his generation.”

Growing up in Crumlin, Dublin, Downey’s early musical influences come from his father who plays in a local pipe band and loves jazz, and also from his 60’s heroes: The Kinks, The Beatles, and The Rolling Stones. In his youth, Downey meets friend, co-founder, and bass guitarist Phil Lynott, who attends the same school. Before forming Thin Lizzy, Downey has been in numerous school bands, beginning with The Liffey Beats, Mod Con Cave Dwellers, and briefly The Black Eagles (with Lynott). He moves on to performing in a local band, Sugar Shack, and then is persuaded by Lynott to join him in another band, Orphanage. Upon meeting guitarist Eric Bell, the trio form Thin Lizzy. Although the line-up of musicians within the band changes over the years, with the exception of Lynott, for the next thirteen years Downey remains the only other permanent member of the band, as well as drumming on Lynott’s solo albums.

After Lynott’s death in 1986, Downey plays in the tribute Thin Lizzy line-up with John Sykes, Scott Gorham, Darren Wharton, and Marco Mendoza, but has been absent from subsequent Thin Lizzy touring bands. After John Sykes’ departure from the group in 2009, guitarist Scott Gorham creates another line-up of Thin Lizzy. Downey, Mendoza, and Wharton rejoin, along with two new members: Def Leppard guitarist Vivian Campbell and former vocalist from The Almighty, Ricky Warwick. This version of Thin Lizzy starts an extensive world tour in January 2010 and continues to tour until early 2013, with new permanent guitarist Damon Johnson eventually replacing Richard Fortus. Gorham has stated that the band members are considering recording new material, and this project eventually emerges under the Black Star Riders name, with which Downey chooses not to be involved due to the pressures of consistent touring.

Downey is a guest at the unveiling of Lynott’s statue in 2005, and drums for Gary Moore at the tribute concert that follows. Downey also appears on Moore’s 2007 album, Close As You Get, and subsequent tour.


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Opening Night of “The Playboy of the Western World”

playboy-of-the-western-world

The Playboy of the Western World, a three-act play written by Irish playwright John Millington Synge, is first performed at the Abbey Theatre, Dublin, on January 26, 1907. The play is set in Michael James Flaherty’s public house in County Mayo during the early 1900s. It tells the story of Christy Mahon, a young man running away from his farm, claiming he killed his father. The locals are more interested in vicariously enjoying his story than in condemning the immorality of his murderous deed, and in fact, Christy’s tale captures the romantic attention of the barmaid Pegeen Mike, the daughter of Flaherty. The play is best known for its use of the poetic, evocative language of Hiberno-English, heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish.

The Playboy Riots occur during and following the opening performance of the play. The riots are stirred up by Irish nationalists who view the contents of the play as an offence to public morals and an insult against Ireland. The riots take place in Dublin, spreading out from the Abbey Theatre, and are finally quelled by the actions of the Dublin Metropolitan Police.

The fact that the play is based on a story of apparent patricide also attracts a hostile public reaction. Egged on by nationalists, including Sinn Féin leader Arthur Griffith, who believe that the theatre is not sufficiently political and describes the play as “a vile and inhuman story told in the foulest language we have ever listened to from a public platform,” and with the pretext of a perceived slight on the virtue of Irish womanhood in the line “a drift of females standing in their shifts” (a shift being a female undergarment), a significant portion of the crowd riots, causing the remainder of the play to be acted out in dumbshow. Nevertheless, press opinion soon turns against the rioters and the protests peter out.

Years later, William Butler Yeats declares to rioters against Seán O’Casey‘s pacifist drama The Plough and the Stars, in reference to the Playboy Riots, “You have disgraced yourself again. Is this to be the recurring celebration of the arrival of Irish genius?”

In the 1965 film Young Cassidy, a riot occurs during a play by the fictitious playwright Cassidy, following which the character W.B. Yeats refers to Synge and speaks similar words, starting with “You have disgraced yourselves again.”

The production of Synge’s play meets with more disturbances in the United States in 1911. On opening night in New York City, hecklers boo, hiss and throw vegetables and stink bombs while men scuffle in the aisles. The company is later arrested in Philadelphia and charged with putting on an immoral performance. The charges are later dismissed.