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Birth of Irish Actress Sinéad Cusack

Sinéad Moira Cusack, award winning Irish actress, is born Jane Moira Cusack in Dalkey, County Dublin, on February 18, 1948.

Cusack is the daughter of actress Maureen Cusack and actor Cyril Cusack. She is the sister of actresses Sorcha Cusack, Niamh Cusack, and half-sister to Catherine Cusack. Her father is born in South Africa, to an Irish father and an English mother, and had worked with Micheál Mac Liammóir at Dublin‘s Gate Theatre.

Cusack’s first acting roles are at the Abbey Theatre in Dublin. In 1975, she moves to London and joins the Royal Shakespeare Company (RSC) starring in Dion Boucicault‘s London Assurance in the West End. Her work with the RSC continues with an award-winning performance as Celia in As You Like It which includes the Clarence Derwent Award and her first Laurence Olivier Award nomination. She secures a second Olivier Award nomination for her performance in The Maid’s Tragedy by Francis Beaumont and John Fletcher in 1981, followed two years later with a third Olivier Award nomination as Kate in The Taming of the Shrew.

Cusack makes her Broadway debut in 1984 performing in repertory with the Royal Shakespeare Company. Starring opposite Derek Jacobi, she plays Roxane in Anthony Burgess‘s translation of Edmond Rostand‘s Cyrano de Bergerac and Beatrice in William Shakespeare‘s Much Ado About Nothing, directed by Terry Hands. Much Ado is first produced at the Royal Shakespeare Theatre in Stratford-upon-Avon in 1982–83, then moves to London’s Barbican Centre for the 1983–1984 season where it is joined by Cyrano, before both plays transfer to New York‘s Gershwin Theatre from October 1984 to January 1985, for which Cusack received a Tony Awards nomination for her performance as Beatrice, and costar Derek Jacobi wins the award for his Benedick. The production of Cyrano de Bergerac is later filmed in 1985.

During this period, Cusack and her husband, Jeremy Irons, appear in a Shakespeare Winter’s Eve, a major fundraiser for the Riverside Shakespeare Company in New York, along with other members of the Royal Shakespeare Company. Following the Broadway run, the plays tour the United States, making stops in Washington, D.C. and Los Angeles. Her connection with the Royal Shakespeare Company continues with a series of leading roles include Portia in The Merchant of Venice opposite David Suchet, Lady Macbeth opposite Jonathan Pryce in Macbeth and Cleopatra in Antony and Cleopatra in Stratford-upon-Avon and at London’s Theatre Royal Haymarket in the West End.

In 1990, Cusack, in the role of Masha, joins two of her sisters, Niamh (as Irina) and Sorcha (as Olga), and her father, Cyril Cusack (as Chebutykin) for a well-received production of Anton Chekhov‘s tragicomedy Three Sisters in a new version by Frank McGuinness, directed by Adrian Noble at the Gate Theatre, Dublin, before transferring to the Royal Court Theatre in London. The production also features Niamh’s husband, Finbar Lynch, as Solenyi and Lesley Manville as Natasha. The production wins the three real-life sisters the Irish Life Award in 1992.

One of Cusack’s best known stage roles is Our Lady of Sligo by Sebastian Barry in 1998, in which she plays the principal role of Mai O’Hara in performances in Ireland, on Broadway and at the National Theatre. For this she wins the 1998 Evening Standard Theatre Award for Best Actress, the 1998 Critics’ Circle Theatre Award for Best Actress and her fourth Olivier Award nomination for Best Actress. In 2006-07 she stars with Rufus Sewell in Tom Stoppard‘s Rock ‘n’ Roll at the Royal Court Theatre in London which transfers to the West End and Broadway, winning Cusack her fifth Olivier Award nomination and her second Tony Award nomination.

In 2015, Cusack returns to Ireland’s Abbey Theatre, where she begins her theatre career. She appears in the world première of Mark O’Rowe‘s play Our Few and Evil Days, acting opposite long-time collaborator Ciarán Hinds. She wins the Irish Times Irish Theatre Award for Best Actress.

Cusack stars with Peter Sellers in the film Hoffman (1970). She guest stars in an episode of The Persuaders! (1971), a TV series starring Tony Curtis and Roger Moore, as Jenny Lindley, a wealthy heiress who suspects that a man claiming to be her dead brother is in fact an impostor. In 1975, she makes three appearances in the TV series Quiller as the character Roz.

Cusack and her husband appear together in the film Waterland (1992), in a television adaptation of Christopher Hampton‘s Tales from Hollywood (also 1992), and again in Bernardo Bertolucci‘s Stealing Beauty (1996). Further film work includes Passion of Mind (2000), V for Vendetta (2005), and Eastern Promises (2007), a thriller directed by David Cronenberg. Her performance in The Tiger’s Tail (2007) wins her a first Irish Film & Television Academy (IFTA) Award nomination for Best Actress in a Supporting Role. She wins the IFTA Award for her performance in The Sea (2013), adapted from the novel by John Banville. She is nominated once more for an IFTA Award for her performance in John Boorman‘s drama film Queen and Country (2014), which premières at the Cannes Film Festival.

Further starring roles include lead roles in Oliver’s Travels (1995), Have Your Cake and Eat It (1997) for which Cusack wins the Royal Television Society‘s RTS Award for Best Actress and Frank McGuinness’s The Hen House (1989) for BBC Television. She stars in the title role of George du Maurier‘s Trilby (1976), in an adaptation for the BBC’s Play of the Month, with Alan Badel as Svengali. She also stars in the BBC mini-series North & South (2004, from the novel by Elizabeth Gaskell) as Mrs. Thornton. She stars in the BBC sitcom Home Again (2006) and appears in the TV series Camelot (2011), which runs for one season. She has featured roles in the mini-series The Deep (2014) and the series Marcella (2016), an eight-episode murder mystery.

Along with other actresses, including Paola Dionisotti, Fiona Shaw, Juliet Stevenson and Harriet Walter, Cusack contributes to a book by Carol Rutter called Clamorous Voices: Shakespeare’s Women Today (1994). The book analyses modern acting interpretations of female Shakespearean roles.

Cusack marries British actor Jeremy Irons in 1978, and they have two sons, Samuel James and Maximilian Paul. Prior to marrying Irons, she gives birth to a son in 1967 and places the boy for adoption. In 2007, a journalist for the Irish Sunday Independent, Daniel McConnell, reveals that Cusack is the mother of left-wing general election candidate and now member of Irish parliament Richard Boyd Barrett. The two have since been reunited.

Cusack is a patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma. In 1998, she is named, along with her husband, in a list of the biggest private financial donors to the British Labour Party. In August 2010, she signs the “Irish artists’ pledge to boycott Israel” initiated by the Palestine Solidarity Campaign.

(Pictured: Sinéad Cusack reciting poetry for the British Library in October 2021)


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Death of Patrick O’Callaghan, Olympic Gold Medalist

Patrick “Pat” O’Callaghan, Olympic gold medalist and world record holder, dies on December 1, 1991, in Clonmel, County Tipperary.

O’Callaghan is born on September 15, 1905, at Derrygallon, Kanturk, County Cork. He attends the Royal College of Surgeons in Ireland (RCSI) in Dublin and qualifies as a doctor at the age of 20. He joins the Royal Air Force Medical Services in 1926 on a short-service engagement, before moving to Clonmel in 1931 to work as an assistant medical officer in St. Luke’s Hospital, later setting up as a general practitioner in the town. He continues to practise there until the late 1980s.

While in university, O’Callaghan develops an interest in the hammer, having seen the country’s top hammer-throwers practise at the University College Dublin (UCD) grounds, then at Terenure College. At home in Cork for the summer, he does not have access to a hammer, so he collects an old cannon ball from Macroom Castle which he feels might approximate to the required 16 lb. (7.25 kg) weight, has it drilled at a foundry in Mallow and fitted with a handle and wire, and uses it to train at the family farm. In 1926 he wins the Munster title in the 56 lb. (25.4 kg) shot and follows that with an Irish hammer title in 1927. Victory the following year in that same championship qualifies him for the 1928 Summer Olympics in Amsterdam, which he enters as a complete unknown with a previous best of 166 ft. 11 in. (50.87 m), as against three other contenders who have each thrown well over 170 ft. (51.8 m). The hammer event is staged on July 30, 1928, and, lying third after four rounds, he throws 168 ft. 7 in. (51.38 m) with his penultimate attempt, to defeat the Swedish favourite, Ossian Skiöld, by 4 inches (10 cm), with the American contenders Edmund Black and Frank Conner, still further behind. He becomes the first athlete from the Irish Free State to be crowned Olympic champion. Less than a fortnight later, he wins the Tailteann Games with an Irish record throw of 170 ft. 2 in. (51.87 m).

Over the following years O’Callaghan wins events across Ireland and Europe and continues to achieve pioneering feats, not least in 1931, when he wins six Irish titles in one afternoon: hammer, shot put, discus, high jump, 56 lbs. without follow, and 56 lbs. over-the-bar. On August 1, 1932, he defends his Olympic title at the 1932 Summer Olympics in Los Angeles. With just one throw left in the competition, he trails second behind the Finnish champion, Ville Pörhölä. With his last throw, he claims the event with a distance of 176 ft. 11 in. (53.92 m), becoming the only Irish person in history to win two gold medals at the Olympic games. He seems in prime condition to defend his title for a third time at the 1936 Summer Olympics in Berlin, but a dispute in the athletics world brings the suspension of the National Athletic and Cycling Association of Ireland (NACAI) by the International Amateur Athletic Federation (IAAF). The subsequent decision not to send a team to Berlin by the Irish Olympic Council denies him the opportunity to win a hat-trick of gold medals.

O’Callaghan remains a dominant force in athletic circles, however. In 1934 he sets the record for the hammer on European soil with a throw of 186 ft. 10 in. (56.95 m) at Enniscorthy, County Wexford. He later achieves an unofficial world record in the hammer in 1937 in Fermoy, County Cork, with a remarkable throw of 195 ft. 5 in. (59.55 m), breaking the old record by more than 6 ft. (1.83 m). As the IAAF still refuses to sanction the NACAI, the record is not ratified, ensuring that the then twenty-four-year-old record of his compatriot, Patrick Ryan, who competes for the United States, remains in place. In total, as well as his two Olympic gold medals, he also wins six Irish championships in the hammer, four Irish championships in the 56 lb. shot, three Irish championships throwing the 56 lb. weight over-the-bar, and one Irish championship in the discus. He also wins the American hammer championship in 1933 and the British championship in the same event the following year. Despite his size, he jumps 6 ft. 2 in. (1.88 m) in the high jump and is Irish champion on three consecutive occasions (1929–31).

After an accident in which a child is killed by a flying hammer, O’Callaghan emigrates to the United States just before World War II and takes up professional wrestling. Attempts are made to set up a match with world wrestling champion Dan O’Mahoney, but this never occurs. He has a high profile, however. Samuel Goldwyn offers him the film role of Tarzan and he plays handball with Bing Crosby before returning home to Clonmel, where he becomes a prominent member of Clonmel Commercials Gaelic football club and manages that club’s senior team to three county championships (1965–67). He is later chairman and honorary president of the club. In 1984 he is made a Freeman of Clonmel, a town where he is known as “the doc” or “Dr. Pat” and revered as a humble, charming, jovial man, with a reputation for particular kindness to his poorer patients. At 6 ft. 1 in. (1.855 m) and sixteen stone (101.6 kg), he is a larger-than-life figure and the focal point of innumerable stories confirming his status as a living legend. In 1960 he is the first person voted into the newly conceived Texaco Hall of Fame. He lives for many years at Roseville, Western Road, Clonmel, and dies there on December 1, 1991.

O’Callaghan is survived by three sons and one daughter. His younger brother Con represents Ireland in the decathlon at the 1928 Olympic games and wins that event at the third Tailteann games in 1932.

(From: “O’Callaghan, Patrick (‘Pat’)” by Paul Rouse, Dictionary of Irish Biography, http://www.dib.ie)


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Éamon de Valera Visits Butte, Montana During His American Tour

President Éamon de Valera visits Butte, Montana, on July 25, 1919, during his American Tour of 1919-20. Montana Lieutenant Governor W. W. McDowell meets his train and rides with de Valera through the streets to where de Valera then addresses over 10,000 people who have come out to hear him. The next day, de Valera addresses a joint session of the Montana State Legislature.

De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.

After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen-month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.

Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15, The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”

De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.

The next stage of de Valera’s American odyssey begins on October 1, 1919, in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.

The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.

After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.

It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.

The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran Fenian John Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.

The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.

De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.

(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)


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Birth of John Treacy, Olympian & Former Athlete

John Treacy, Irish Olympian and former athlete, now a sporting administrator, is born in Villierstown, County Waterford, on June 4, 1957.

Treacy attends St. Anne’s Post-Primary School in Cappoquin, County Waterford, running more than seven miles to school every morning. He graduates from Providence College in Providence, Rhode Island. In 1978 and 1979 he wins the IAAF World Cross Country Championships in Glasgow, Scotland and Limerick respectively.

Treacy is known as a tenacious runner who does not have an especially sharp final kick in track races. In the 1978 European Athletics Championships in Prague, he places 11th in the fast 10,000-metre race and fourth in the slow and tactical 5,000-metre race, losing to Italy‘s Venanzio Ortis by just three tenths of a second. In the 5,000-metre final, he lingers behind Great Britain‘s Nick Rose on the final back straight just after Rose drops from the lead group.

In the 1980 Summer Olympics in Moscow, Treacy collapses in his 10,000-metre heat with only 200 metres left, a victim of heat paralysis and dehydration. Because he was running in fourth place when he collapses and because only the top four runners qualify directly for the final from the three heats, his collapse allows Finnish four-time Olympic champion Lasse Virén, who had been trailing him, to qualify directly for the final. Having recovered from his heat-induced collapse, Treacy places seventh in the 5,000-metre final of those Olympics.

In the 1983 World Championships in Athletics in Helsinki, Finland, Treacy is eliminated in the 10,000-metre heats.

In the 1984 Summer Olympics in Los Angeles, California, Treacy places ninth in the 10,000-metre final before crowning his athletics career with a silver medal in the men’s marathon. Winner Carlos Lopes of Portugal is largely unchallenged for much of the race, with Treacy down the field until entering the top six around the 20-kilometre mark. He continues to work his way up the rankings until entering Los Angeles Memorial Coliseum just behind second-place English athlete Charlie Spedding. He overtakes Spedding with 150m to go, during which the Irish television commentary of Jimmy Magee lists the previous Irish Olympic medal winners up to that time, before culminating, “And for the 13th time, an Olympic medal goes to John Treacy from Villierstown in Waterford, the little man with the big heart.” His silver medal places Ireland 33rd on the medals table.

After the Los Angeles Olympics, Treacy runs competitively until 1995, retiring following a road race held in his honour in Waterford, attended by the other two medalists from the 1984 Olympic marathon, Carlos Lopes and Charlie Spedding. While he does not win any more major international championships medals, he does win the 1992 Los Angeles Marathon. At the 1986 European Athletics Championships in Stuttgart, he places sixth in the 10,000-metre race. In the 1987 World Championships in Athletics in Rome, he places twenty-sixth in the 10,000-metre race and thirteenth in the 5,000-metre final. He fails to finish the marathon at the 1988 Summer Olympics in Seoul and places 51st in his final Olympic games, the 1992 Summer Olympics in Barcelona in 1992. He wins the 1993 Dublin Marathon.

Treacy is currently chief executive of Sport Ireland, a statutory authority that oversees, and partly funds, the development of sport within Ireland . He is married to Fionnuala and they have four children: Caoimhe, Deirdre, Sean, and Conor.


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Birth of Stephen Clegg Rowan, Vice Admiral in the U.S. Navy

Stephen Clegg Rowan, a vice admiral in the United States Navy, who serves during the Mexican–American War and the American Civil War, is born in Dublin on December 25, 1808. He has a 63-year career, which is one of the longest in the history of the United States Navy.

Rowan comes to the United States at the age of ten and lives in Piqua, Ohio. He is a graduate of Miami University and is appointed as a midshipman in the U.S. Navy on February 1, 1826 at the age of seventeen. Later, he takes an active role in the Mexican–American War, serving as executive officer of the sloop-of-war USS Cyane during the capture of Monterey, California on July 7, 1846, and in the occupation of both San Diego and Los Angeles. In January 1847 he leads a provisional battalion, with the nominal rank of major, of seven companies of naval infantry (along with a company of artillery and a company of sappers and miners) for the recapture of Los Angeles.

Captain of the steam sloop USS Pawnee at the outbreak of the American Civil War, he attempts to relieve Fort Sumter and burn the Norfolk Naval Shipyard. In the fall of 1861, he assists in the capture of the forts at Hatteras Inlet. Then, taking command of a flotilla in the North Carolina sounds, he cooperates in the capture of Roanoke Island in February 1862. Promoted simultaneously to captain and commodore for gallantry, he then supports the capture of Elizabeth City, Edenton, and New Bern. During the summer of 1863, he commands the broadside ironclad USS New Ironsides on blockade duty off Charleston, South Carolina and the following August assumes command of Federal forces in the North Carolina sounds. During this time the rebel semi-submersible CSS David attacks the USS New Ironsides with a spar torpedo. In the ensuing explosion, one man is killed and a large hole is torn into the ironclad but she continues her blockading duties.

Commissioned rear admiral on July 25, 1866, Rowan serves as commandant of the Norfolk Naval Shipyard until 1867, when he assumes command of the Asiatic Squadron. Returning in 1870, he is appointed vice admiral, following the death of Admiral David Farragut and the promotion of Vice Admiral David Dixon Porter in August of that year. In December 1870 he reaches the mandatory retirement age of 62 but, like admirals Farragut and Porter before him, he is allowed to remain on active duty.

Rowan serves as commandant of the New York Navy Yard from 1872 to 1876, as governor of the Philadelphia Naval Asylum at Philadelphia, Pennsylvania, in 1881, and as superintendent of the United States Naval Observatory, Washington, D.C., from 1882 until his retirement in 1889.

In 1882 Rowan is elected as a First Class Companion of the District of Columbia Commander of the Military Order of the Loyal Legion of the United States (MOLLUS). He is assigned MOLLUS insignia number 2510. His son, Hamilton Rowan, an officer in the United States Army, is elected as a Second Class Companion of MOLLUS and becomes a First Class Companion upon his father’s death.

Rowan dies at the age of 81 in Washington, D.C. on March 31, 1890.


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Death of Irish American Actor Gregory Peck

Actor Gregory Peck dies at his home in Los Angeles, California, from bronchopneumonia at the age of 87 on June 12, 2003.

Peck is born in La Jolla, California on April 5, 1916, to Bernice Mary (Ayres) and Gregory Pearl Peck, a chemist and pharmacist in San Diego. Through his Irish-born paternal grandmother, Catherine Ashe, Peck is related to Thomas Ashe, who takes part in the Easter Rising fewer than three weeks after Peck’s birth and dies while on hunger strike in 1917.

Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.

At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).

Peck studies pre-med at the University of California, Berkeley and while there is bitten by the acting bug and decides to change the focus of his studies. He enrolls in the Neighborhood Playhouse School of the Theatre in New York City and debuts on Broadway after graduation. His debut is in Emlyn Williams‘ play The Morning Star (1942). By 1943, he is in Hollywood, where he debuts in the RKO Pictures film Days of Glory (1944).

Stardom comes with Peck’s next film, The Keys of the Kingdom (1944), for which he is nominated for an Academy Award. Peck’s screen presence displays the qualities for which he becomes well known. He is tall, rugged and heroic, with a basic decency that transcends his roles. He appears in Alfred Hitchcock‘s Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he is again nominated for an Academy Award and wins the Golden Globe Award. He is especially effective in westerns and appears in such varied fare as David O. Selznick‘s critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He is nominated again for the Academy Award for his roles in Gentleman’s Agreement (1947), which deals with antisemitism, and Twelve O’Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.

With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).

Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.

In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).

In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.

Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.


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Birth of Composer Gerald Barry

Gerald Barry, Irish composer, is born in Clarehill, Clarecastle, County Clare, on April 28, 1952.

Growing up in rural County Clare, Barry has little exposure to music except through the radio: “The thing that was the lightning flash for me, in terms of Saint Paul on the road to Damascus, would have been an aria from a Handel opera, from Xerxes maybe, that I heard on the radio. I heard this woman singing this, and bang – my head went. And that was how I discovered music.” He is educated at St. Flannan’s College, Ennis, County Clare. He goes on to study music at University College Dublin, in Amsterdam with Peter Schat, in Cologne with Karlheinz Stockhausen and Mauricio Kagel, and in Vienna with Friedrich Cerha. He teaches at University College Cork from 1982 to 1986.

“Barry’s is a world of sharp edges, of precisely defined yet utterly unpredictable musical objects. His music sounds like no one else in its diamond-like hardness, its humour, and sometimes, its violence.” He often conceives of material independently of its instrumental medium, recycling ideas from piece to piece, as in the reworking of Triorchic Blues from a violin to a piano piece to an aria for countertenor in his television opera The Triumph of Beauty and Deceit:

“It seemed to me unprecedented: the combination of the ferociously objective treatment of the material and the intense passion of the working-out, and both at an extreme of brilliance. And the harmony – that there was harmony at all, and that it was so beautiful and lapidary. It functions, again, irrationally, but powerfully, to build tension and to create structure. It wasn’t just repetitive. It builds. And the virtuosity, the display of it, that combination of things seemed, to me, to be new, and a major way forward.”

Barry’s most recent opera, The Importance of Being Earnest, has become a huge success after its world premiere at Los Angeles and European premiere at the Barbican Centre, London. A critic comments:

“He writes ‘what he likes’ in the way Strindberg does, not trying to characterise his characters, but letting them perform his own specialties, a kind of platform for his own musical specialties. As in Strindberg where you feel every sentence stands for itself and the characters are sort of borrowed for the use of saying them (borrowed to flesh out the text, rather than the other way round), that they’ve been out for the day. In Gerald’s opera the whole apparatus – for that’s what it is – takes on a kind of surrealistic shape, like one person’s torso on someone else’s legs being forced to walk, half the characters in the opera and half the composer.”

It is written in The Irish Times that “no other Irish composer springs to mind who carries the same aura of excitement and originality or whose music means so much to such a wide range of listeners. Certainly, there has been no Irish premiere that has made the impression of The Conquest of Ireland since Barry’s opera The Intelligence Park was seen at the Gate Theatre in 1990.”

In a 2013 guide to Barry’s musical output, Tom Service of The Guardian praises Chevaux-de-frise (1988), The Bitter Tears of Petra von Kant (2005), Lisbon (2006), Beethoven (2008), and The Importance of Being Earnest (2012).


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Birth of Bob Tisdall, Olympic Gold Medalist

bob-tisdallRobert (“Bob”) Morton Newburgh Tisdall, gold medalist in the 400 metres hurdles at the 1932 Summer Olympics in Los Angeles, is born on May 16, 1907 in Nuwara Eliya, Ceylon (now Sri Lanka).

Born to a family of Irish landed gentry, he lives on his father’s plantation in Ceylon until the age of five, when they return to the family home in Nenagh, County Tipperary. Following prep school at Mourne Grange, he goes on to Shrewsbury School, where he wins the Public Schools 402 metres, and at Gonville and Caius College, Cambridge, where he wins a record four events – 402 metres and 110 metres hurdles, long jump and shot put – in the annual match against Oxford. This record is only equaled nearly 60 years later.

Tisdall sets South African and Canadian records in the 201 metres low hurdles in 1929, a year later setting Greek records in the same event. While at Cambridge in March 1932, he decides to try for a place on the Irish Olympic squad and, after he runs a record 54.2 seconds for the Irish Championship 402 metres hurdles in June that year, the authorities agree to let him run in his new event at the Los Angeles Olympic Games.

Tisdall had run only six 400 metres hurdles when he wins the gold medal at the 1932 Olympic Games in a world record time of 51.7 seconds, which is not recognised under the rules of the time because he had a hit a hurdle. Later, because of the notoriety of this incident, the rules are changed and the President of the International Olympic Committee, Juan Antonio Samaranch, presents Tisdall with a Waterford Crystal rose bowl with the image of him knocking over the last hurdle etched into the glass. Though the International Amateur Athletic Federation (IAAF) did not recognise the record at the time, they now recognise the mark, giving Tisdall credit for setting the milestone of being the first man under 52 seconds.

Following his victory, Tisdall is invited to a dinner in Los Angeles where he is seated next to Amelia Earhart on one side and Douglas Fairbanks, Jr. on the other.

Later in life, Tisdall lives in South Africa, where he runs a gymnasium during the day, which he converts to a night club after dark. He grows coffee in Tanzania, but moves to Nambour, Queensland in 1969 with his wife Peggy, where he farms fruit crops and cattle. He admits to running his last race at the age of 80, though he runs in the Sydney Olympics torch relay at age 93. At that point he is the oldest living recipient of an individual track and field Olympic medal。

At the age of 96 Tisdall falls down a steep set of rock stairs and breaks his shoulder, ribs and ruptures his spleen. He never completely recovers and dies on July 27, 2004. At that time, he is the world’s oldest track and field Olympic Gold medalist. He does not want a funeral because “they are altogether too sad.” His wake is attended by family and a few friends.

In 2002, three statues honouring Olympic champions with links to Nenagh, Matt McGrath, Johnny Hayes and Bob Tisdall, are unveiled in front of the Nenagh Courthouse.


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Birth of Creighton Hale, Irish American Actor

creighton-hale

Creighton Hale, Irish American theatre, film, and television actor, is born Patrick Fitzgerald on May 24, 1882, in County Cork. His career extends more than a half-century, from the early 1900s to the end of the 1950s.

Hale is educated in Dublin and London, and later attends Ardingly College in Sussex. He immigrates to the United States in his early twenties, traveling with a troupe of actors. While starring in Charles Frohman‘s Broadway theatre production of Indian Summer, he is spotted by a representative of the Pathé film company. He eventually becomes known professionally as Creighton Hale, although the derivation of those names remains unknown. His first movie is The Exploits of Elaine in 1914. He stars in hit films such as Way Down East, Orphans of the Storm, and The Cat and the Canary.

Some believe that in 1923 Hale stars in an early pornographic “stag” film On the Beach (a.k.a. Getting His Goat and The Goat Man). In the film, three nude women agree to have sex with him, but only through a hole in a fence. Photographs of the scene clearly show that the man in the film is not Hale but is another actor who also wears glasses.

When talkies come about, Hale’s career declines. He makes several appearances in Hal Roach‘s Our Gang series including School’s Out, Big Ears and Free Wheeling, and also plays uncredited bits in major talking films such as Larceny, Inc., The Maltese Falcon, and Casablanca.

Hale’s two sons, Creighton Hale, Jr. and Robert Lowe Hale, from his first marriage to Victoire Lowe, are adopted by Lowe’s second husband, actor John Miljan. After his divorce, Hale marries Kathleen Bering in Los Angeles in 1931.

Creighton Hale dies in South Pasadena at the age of 83 on August 9, 1965. He is buried at Duncans Mills Cemetery in Duncan Mills, Sonoma County, California.


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Birth of Irish American Actor Gregory Peck

gregory-peck

Actor Gregory Peck is born in La Jolla, California on April 5, 1916, to Bernice Mary (Ayres) and Gregory Pearl Peck, a chemist and pharmacist in San Diego. Through his Irish-born paternal grandmother, Catherine Ashe, Peck is related to Thomas Ashe, who takes part in the Easter Rising fewer than three weeks after Peck’s birth and dies while on hunger strike in 1917.

Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.

At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).

Peck studies pre-med at the University of California, Berkeley and while there is bitten by the acting bug and decides to change the focus of his studies. He enrolls in the Neighborhood Playhouse School of the Theatre in New York City and debuts on Broadway after graduation. His debut is in Emlyn Williams‘ play The Morning Star (1942). By 1943, he is in Hollywood, where he debuts in the RKO Pictures film Days of Glory (1944).

Stardom comes with Peck’s next film, The Keys of the Kingdom (1944), for which he is nominated for an Academy Award. Peck’s screen presence displays the qualities for which he becomes well known. He is tall, rugged and heroic, with a basic decency that transcends his roles. He appears in Alfred Hitchcock‘s Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he is again nominated for an Academy Award and wins the Golden Globe Award. He is especially effective in westerns and appears in such varied fare as David O. Selznick‘s critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He is nominated again for the Academy Award for his roles in Gentleman’s Agreement (1947), which deals with antisemitism, and Twelve O’Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.

With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).

Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.

In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).

In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.

Gregory Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.