Thomson is born to tea merchant John Thomson (1822–1894) and shopkeeper Catherine (née Andrews). He is the eldest of their three surviving children. Although he has no formal artistic training, as a young boy he often fills his schoolbooks with drawings of horses, dogs, and ships. He attends Coleraine Model School, but leaves at the age of fourteen to work as a clerk at E. Gribbon & Sons, Linen Manufacturers. Several years later his artistic talents are discovered, and in 1877 he is hired by printing and publishing company Marcus Ward & Co.
On December 29, 1884 Thomson marries Jessie Naismith Miller in Belfast. Soon afterwards they move back to London for Thomson’s career. They have one son together, John, born in 1886.
In 1911, he and his family move to Sidcup, hoping to improve their “ever delicate health.” Thomson’s correspondence reflects the fact that he misses being close to the National Gallery and the museums where he usually compiles research for his illustrations. During World War I, demand for Thomson’s work decreases to a few propaganda pamphlets and some commissions from friends. By 1917, Thomson has fallen on financial hardship and he has to take a job with the Board of Trade, where he works until 1919.
Young is born in Galgorm Castle, Ballymena, County Antrim, daughter and seventh of twelve children born to Grace Charlotte Savage, and John Young who is a prosperous unionist and high sheriff. Despite his position he is a believer in tenant rights. Her younger sister is the writer Ella Young and her brother Willie Young is secretary of the Ulster Unionist League.
Young is educated by governesses until 1884 before completing training as a teacher through Cambridge University. Young also attends Gaelic League classes in 1903 in London while visiting her sister who is living in the city at the time. After visiting the Bodleian Library she becomes committed to the study of the Irish language.
In the early 1900s Young returns to Ireland and continues her study of the Irish language in Belfast at Seán Ó Catháin‘s Irish College and in County Donegal at Coláiste Uladh in Gort an Choirce. Young also stays in Dublin and becomes friends with members of the Gaelic League and meets Margaret Dobbs. Young works with Dobbs on the Feis na nGleann (The Glens Festival), a gathering dedicated to the Irish language.
Young is not involved in nationalism though she is strongly supportive of creating and maintaining a sense of “Irishness” through language and culture. She is also a friend and patron of Roger Casement. She also works with Ellen O’Brien and contributes to O’Brien’s book, The Gaelic Church. She keeps meticulous diaries and becomes interested in Rathlin Island and the Gaelic spoken there.
Rose Young is buried in the Presbyterian churchyard at Ahoghill, County Antrim.
McKenna grows up in Galway, where her father is Professor of Mathematics at University College Galway, and in County Monaghan, speaking fluent Irish. She is still in her teens when she becomes a member of an amateur Gaelic theatre group and makes her stage debut at Galway’s Gaelic theatre, the Taibhdhearc na Gaillimhe, in 1940.
McKenna is remembered for her English language performances at the Abbey Theatre in Dublin where she eventually stars in what many consider her finest role in the George Bernard Shaw play, Saint Joan.
While performing at the Abbey Theatre in the 1940s, she meets actor Denis O’Dea, whom she marries in 1946. Until 1970 they live in Richmond Street South, Dublin. They have one child, a son Donnacha O’Dea, who swims for Ireland at the 1968 Summer Olympics and later wins a World Series of Poker bracelet in 1998.
In 1947, McKenna makes her debut on the London stage in The Chalk Garden. She reprises the role on Broadway in 1955, for which she receives a Tony Award nomination for “Best Actress in a Leading Role, Drama.” In 1956, she appears in the Cambridge Drama Festival production of Saint Joan at the Off-BroadwayPhoenix Theatre. Theatre critic Elliot Norton calls her performance the finest portrayal of Joan of Arc in memory. Siobhán McKenna’s popularity earns her the cover of Life magazine. She receives a second Tony Best Actress nomination for her role in the 1958 play, The Rope Dancers, in which she stars with Art Carney and Joan Blondell.
Although primarily a stage actress, McKenna appears in a number of made-for-television films and dramas. She also appears in several motion pictures such as King of Kings in 1961, as the Virgin Mary. In 1964, she performs in Of Human Bondage and the following year in Doctor Zhivago. She also appears in the miniseries The Last Days of Pompeii as Fortunata, wife of Gaius, played by Laurence Olivier. She stars in the title role of the Tales of the Unexpected episode “The Landlady.”
McKenna is awarded the Gold Medal of the Éire Society of Boston, for having “significantly fulfilled the ideals of the Éire Society, in particular, spreading awareness of the cultural achievements of the Irish people.”
McKenna’s final stage appearance comes in the 1985 play Bailegangaire for the Druid Theatre Company. Despite surgery, she dies of lung cancer on November 16, 1986, in Dublin, at 63 years of age. She is buried at Rahoon Cemetery in County Galway.
“A great natural resource, a fine legal mind, an inspiration to aspiring women, a model of the loving yet autonomous wife, a consistent champion of children and a good soul,” is how the president of National University of Ireland Galway, Dr. Patrick Fottrell, summarises her contribution, quoting from the American writer Letty Cottin Pogrebin.
Dr. Fottrell pays tribute to her work as a lawyer, academic and public servant, and says she has championed the rights of women and children, while also showing a strong commitment to Northern Ireland.
In her speech, delivered to mark the university’s 150th anniversary, Clinton speaks about the continuing quest for peace.
Clinton flies into Shannon Airport early in the morning for her two-day Irish visit. Security is tight, but discreet.
About 100 protesters at the main entrance to NUI Galway miss Clinton’s arrival at the campus, and move to Eyre Square by the time she leaves for Belfast.
However, using megaphones, members of the NO to War campaign, the Socialist Party, several students and representatives of the arts community manage to drown out the Army Band of the 4th Western Brigade as the robed university procession proceeds to the conferring ceremony at Aras na Mac Leinn, performed to 1,000 invited guests.
Artist William Conor is born on May 6, 1881, in the Old Lodge Road area of north Belfast, the son of a wrought-iron worker.
Celebrated for his warm and sympathetic portrayals of working-class life in Ulster, Conor studies at the Government School of Design in Belfast in the 1890s. His artistic talents are recognized at the early age of ten when a teacher of music, Louis Mantell, notices the merit of his chalk drawings and arranges for him to attend the College of Art.
Conor is one of the first Academicians when the Belfast Art Society becomes the Ulster Academy of Arts in 1930. He becomes an Associate RHA in 1938 and a full member in 1946. Exhibitions at the Victor Waddington Galleries are held in 1944 and 1948. In 1952 he is awarded the Order of the British Empire (OBE) and in 1957 he is elected President of the Royal Ulster Academy, an office he holds until 1964.
More than 50 works of his in crayon and watercolour are in the permanent collections of the Ulster Museum.
(Pictured: Bronze statue of William Conor at Conor’s Corner, Shankill Road, Belfast)
Born in Belfast on March 9, 1954, Sands is the oldest of four children born to John and Rosaleen Sands, and the couple’s first son. Sands grows up in Belfast under the cloud of nationalist and loyalist divisions. At an early age, Sands’s life is affected by the sharp divisions that shape Northern Ireland. At the age of ten, he is forced to move with his family out of their neighborhood due to repeated intimidation by loyalists.
“I was only a working-class boy from a Nationalist ghetto,” Sands later writes about his childhood. “But it is repression that creates the revolutionary spirit of freedom.” Loyalist intimidation proves to be a theme throughout Sands’ life. At the age of 18, he is forced out of his job as an apprentice car builder. Not long afterwards, he and his family have to move again, as a result of political trouble.
The steady number of conflicts pushes Sands to join the republican movement in 1972. His ties to the movement soon capture the attention of the authorities, and later that year, he is arrested and charged with possessing firearms in his house. He spends the next three years of his life in prison. Upon his release, Sands immediately returns to the Republican Movement. He signs on as a community activist in Belfast’s rough Twinbrook area, quickly becoming a popular go-to person for a range of issues affecting the neighborhood.
In late 1976, authorities arrest Sands again, this time in connection with the bombing of a large furniture company and an ensuing gun battle. After weathering a brutal interrogation and then a court proceeding that offers up questionable evidence connecting Sands and three others to the attack, a judge sentences Sands to 14 years in prison at Long Kesh Prison, a facility used to house Republican prisoners from 1971 until 2000, located just outside of Belfast.
As a prisoner, Sands’s stature only grows. He pushes hard for prison reforms, confronting authorities, and for his outspoken ways he is frequently given solitary confinement sentences. Sands contention is that he and others like him, who are serving prison sentences, are actually prisoners of war, not criminals as the British government insists.
Beginning on March 1, 1981, Sands leads nine other Republican prisoners in the H Block section of the Maze prison on a hunger strike that lasts until death. Their demands range from allowing prisoners to wear their own clothes to permitting visits and mail, all of which are central in improving the inmates’ way of life.
Unable to move authorities to give in to his requests, and unwilling himself to end his hunger strike, Sands’s health begins to deteriorate. During the first seventeen days of the strike alone, he loses 16 pounds. A hero among his fellow nationalists, Sands is elected as a Member of Parliament (MP) for Fermanagh and South Tyrone while in prison. Sands becomes the youngest MP at the time. However, he dies less than one month later without ever having taken his seat in the House of Commons.
Only days after slipping into a coma, on the morning of May 5, 1981, Sands dies from malnutrition due to starvation. He is 27 years old and has refused to eat for 66 days. He becomes so fragile over his final weeks that he spends his final days on a waterbed to protect his deteriorating and fragile body. At time of his death, Sands is married to Geraldine Noade, with whom he has one son, Gerard.
The announcement of Sands’s death prompts several days of rioting in nationalist areas of Northern Ireland. Over 100,000 people line the route of Sands’s funeral. He is buried in the ‘New Republican Plot’ alongside 76 others. Their graves are maintained by the National Graves Association, Belfast.
While loyalists dismiss Sands’s death, others are quick to recognize its significance. Over the next seven months, nine other IRA supporters die on hunger strike. Eventually, the British government gives proper political recognition to the prisoners, many of them earning their release under the 1998 Good Friday Agreement.
Foster is the third son of Sir Augustus John Foster, 1st Baronet and his wife, Albinia Jane, daughter of George Vere Hobart, and granddaughter of George Hobart, 3rd Earl of Buckinghamshire. He is educated at Eton College, and matriculated at Christ Church, Oxford, on May 30, 1838.
Leaving Oxford without a degree, Foster joins the diplomatic service. From 1842 to 1843 he is attached to the diplomatic mission of Sir Henry Ellis in Rio de Janeiro, and from 1845 to 1847 to that of Sir William Gore Ouseley in Montevideo.
In 1847 Foster visits a family estate in County Louth, Ireland at the time of the Great Famine, with his eldest brother, Sir Frederick George Foster. They become involved in famine relief. In 1848 their father dies and Foster undergoes a crisis in his life, and he comes to concentrate on philanthropy in Ireland.
Foster makes three voyages to the United States as a steerage passenger in a ship of emigrants, finding the accommodations bad, and the treatment of emigrants exploitative. Through his cousin Vere Hobart, Lord Hobart, he is able to influence parliament and the Passengers Act 1851. He also takes practical steps to promote Irish emigration to the United States.
Later, Foster takes up the improvement of education in Ireland. This is a time of Catholic suspicion of the national education system introduced by Richard Whately. Foster contributes to the provision of better school accommodation and apparatus, and gives grants in aid of building several hundred new school-houses. He agitates for improved wages and conditions for teachers, and develops the “Vere Foster copy-books” to improve and standardise the teaching of writing. The immense popularity of these texts draw him to the Belfast printing firm Marcus Ward & Company, and into personal friendship with John Ward, one of the firm’s owners.
In 1867, Foster settles permanently in Belfast where he continues to work as the president of the Congress of the Irish National Teachers’ Organisation. He fundraises for the Royal Belfast Hospital, and helps to establish a school of art in the town, while continuing to promote emigration.
In 1879, with the Land War in Ireland, Foster concentrates on promoting female emigration to the United States and the British colonies. He is supported in his projects by both Catholic and Protestant clergy.
Vere Foster dies, unmarried, in Belfast on December 21, 1900. He is buried in Belfast City Cemetery.
The Bushmills Old Distillery Company itself is not established until 1784 by Hugh Anderson. Bushmills suffers many lean years with numerous periods of closure with no record of the distillery being in operation in the official records both in 1802 and in 1822. In 1860 a Belfast spirit merchant named Jame McColgan and Patrick Corrigan purchase the distillery and in 1880 they form a limited company. In 1885, the original Bushmills buildings are destroyed by fire but the distillery is quickly rebuilt. In 1890, the steamship SS Bushmills, owned and operated by the distillery, makes its maiden voyage across the Atlantic to deliver Bushmills whiskey to America. It calls at Philadelphia and New York City before heading on to Singapore, Hong Kong, Shanghai and Yokohama.
In the early 20th century, the United States is a very important market for Bushmills, as well as for other Irish Whiskeyproducers. American Prohibition in 1920 comes as a large blow to the Irish Whiskey industry, but Bushmills manages to survive. Wilson Boyd, Bushmills’ director at the time, predicts the end of prohibition and has large stores of whiskey ready to export. After the World War II, the distillery is purchased by Isaac Wolfson and, in 1972, it is taken over by Irish Distillers, meaning that Irish Distillers controls the production of all Irish whiskey at the time. In June 1988, Irish Distillers is bought by French liquor group Pernod Ricard.
In June 2005, the distillery is bought by Diageo for £200 million. Diageo announces a large advertising campaign in order to regain market share for Bushmills.
In November 2014 it is announced that Diageo is to trade the Bushmills brand with Jose Cuervo in exchange for the 50% of the Don Julio brand of tequila that Diageo does not already own.
Some Bushmills offerings have performed well at international Spirits ratings competitions. In particular, its Black Bush Finest Blended Whiskey receives double gold medals at the 2007 and 2010 San Francisco World Spirits Competitions. It also receives a well-above-average score of 93 from the Beverage Testing Institute in 2008 and 2011.
Having joined the Civil Service in 1952, Bloomfield is appointed Permanent Secretary to the power sharing executive in 1974. After the collapse of the executive, he goes on to become Permanent Secretary for the Department of the Environment and the Department of Economic Development, and finally Head of the Northern Ireland Civil Service on December 1, 1984. In that capacity he is the most senior advisor to successive Secretaries of State for Northern Ireland and other Ministers on a wide range of issues. He retires from the post in April 1991.
Since retiring from the Civil Service, Bloomfield has embarked on a life of involvement in a diverse range of organisations. He has taken up roles such as Chairman for the Northern Ireland Legal Services Commission and his alma mater, the Royal Belfast Academical Institution. He has also been involved in the political reform of the States of Jersey and spearheaded the Association for Quality Education, which is fighting to retain academic selection in the Northern Ireland education system. In December 1997 he is asked by the Secretary of State for Northern Ireland, Mo Mowlam, to become the Northern Ireland Victims Commissioner for a fixed term. His role is to produce a report on the way forward for Victims issues in Northern Ireland. His report entitled We Will Remember Them is published in April 1998. From 1991 to 1999 he serves as the BBC‘s National Governor for Northern Ireland.
Keenan is born into a working-class family in East Belfast on September 28, 1950. He leaves Orangefield High Schoolearly and begins work as a heating engineer. However, he continues an interest in literature by attending night classes and in 1970 gains a place at the University of Ulster in Coleraine. Other writers there at the time include Gerald Dawe and Brendan Hamill. In the mid-1980s Keenan returns to the Magee College campus of the university for postgraduate study. Afterwards he accepts a teaching position at the American University of Beirut, where he works for about four months.
On the morning of April 11, 1986 Keenan is kidnapped by Islamic Jihad. After spending two months in isolation, he is moved to a cell shared with the British journalist John McCarthy. He is kept blindfolded throughout most of his ordeal, and is chained by his hands and feet when taken out of solitary.
The British and American governments at the time have a policy that they will not negotiate with terrorists and Keenan is considered by some to have been ignored. Because he is travelling on both British and Irish passports, the Irish government makes numerous diplomatic representations for his release, working closely with the Iranian government. Throughout the kidnap the government also provides support to Keenan’s two sisters, Elaine Spence and Brenda Gillham, who are spearheading the campaign for his release.
Keenan is released from captivity to Syrian military forces on August 24, 1990 and is driven to Damascus. There he is handed over by the Syrian Foreign Ministry to the care of Irish Ambassador, Declan Connolly. His sisters are flown by Irish Government executive jet to Damascus to meet him and bring him home to Northern Ireland.
An Evil Cradling is an autobiographical book by Keenan about his four years as a hostage in Beirut. The book revolves heavily around the great friendship he experiences with fellow hostage John McCarthy, and the brutality that is inflicted upon them by their captors. It is the 1991 winner of The Irish Times Literature Prize for Non-fiction and the Christopher Ewart-Biggs Memorial Prize.
Keenan returns to Beirut in 2007 for the first time since being released 17 years earlier, and describes “falling in love” with the city. He now lives in Dublin.
(Pictured: Brian Keenan arrives at Dublin Airport after his release from captivity in Beirut in August 1990)
seamus dubhghaill 