seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: County Kerry


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Birth of George Fitzmaurice, Playwright & Writer

George Fitzmaurice, Irish dramatist and short story writer, some of whose plays were broadcast on Radio Éireann, is born at Bedford House, Listowel, County Kerry on the January 28, 1877.

Fitzmaurice attends Duagh National School and later St. Michael’s College, Listowel. He is brought up in the Protestant faith as his father is a Protestant clergyman and is the vicar of St. John’s Church, Listowel. His father dies when he is fourteen years old and the family fortune declines. He takes a job in Dublin as a clerk in the Congested Districts Board for Ireland. In 1916 he enlists in the British Army and returns to Dublin after the war and is diagnosed with neurasthenia, rendering him fearful of crowds. On his return to Dublin, he takes up a position working for the Irish Land Commission.

Fitzmaurice and his eleven siblings are the children of a mixed marriage. He and his brothers are brought up as Protestants and his sisters are brought up as Roman Catholics. His family home at Bedford, together with its extensive lands has to be given up as collateral in respect of a £60 debt owed to the local butcher. Neither Fitzmaurice nor any of his eleven siblings are to marry or have any offspring. He is the last Fitzmaurice of Duagh. There are no photographs of him other than a sketch of him in later life.

Fitzmaurice’s first success was in 1907, with an Abbey Theatre production of his comedy The Country Dressmaker which features one of his most famous characters, Luke Quilter, “The man from the mountain.” This character proves to be a favourite with the audience, to the surprise of William Butler Yeats. The play’s commercial success brings necessary income to the Abbey Theatre in 1907. The play is ultimately broadcast by the Radio Éireann Players.

Fitzmaurice’s second play is a dramatic fantasy called The Pie Dish. It is heavily rejected and slated by critics and considered blasphemous. This leads to the rejection of another of his plays called The Dandy Dolls which is now understood as another of his best plays. It is produced in the Abbey Theatre in 1969, six years after his death.

During Fitzmaurice’s lifetime, some of his dramatic works are produced by poet Austin Clarke in Lyric Theatre, Dublin. In 1923 his play Twixt by Giltinans and the Carmodys is also performed on Abbey and eight more of his plays are printed in the literary journey The Dublin Magazine from 1924 to 1925.

The effects of having fought in World War I lead to Fitzmaurice becoming increasingly reclusive over time. With a fear of travelling and people or crowds, he spends his later years following “monotonous routines in Dublin.” On May 12, 1963, he dies in poverty at his home at 3 Harcourt Street and is buried in Mount Jerome Cemetery. In his room there are no pictures of himself, few personal mementos, but he does have a copy of almost every play he had published, as well as some unpublished drafts. Besides his personal clothing, there is little else. He dies without leaving a will.

In 1965, RTÉ reports that “the works of George Fitzmaurice are now undergoing something of a revival.” A fellow Kerry playwright, John B. Keane, states at the time that Fitzmaurice is increasingly being recognised as the great dramatist he truly was. He also describes his work as having “practical clarity of speech coupled with a great conciseness, and a tightness in his writing and in his construction.” Michael Connor, the man who owns the Fitzmaurice property in Daugh, recounts that he often saw Fitzmaurice in the town after his retirement from the civil service but by that time the dramatist had completely lost interest in seeing his own plays on the stage.

In his native Daugh, The George Fitzmaurice Library is founded, and on October 14, 1995, a headstone that is sculpted by a local and commissioned by the Duagh Historical Society, is placed over Fitzmaurice’s grave.


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Nollaig na mBan (Women’s Little Christmas)

Little Christmas, traditionally known as Nollaig na mBan or Women’s Little Christmas, takes place on January 6 each year. It is also known more widely as the Feast of the Epiphany, celebrated after the conclusion of the twelve days of Christmastide. It is the traditional end of the Christmas season and until 2013 was the last day of the Christmas holidays for both primary and secondary schools in Ireland.

Owing to differences in liturgical calendars, as early as the fourth century, the churches of the Eastern Roman Empire were celebrating Christmas on January 6, while those of the Western Roman Empire were celebrating it on December 25.

In October 1582, Pope Gregory XIII introduces the Gregorian calendar as a correction the Julian calendar, because the latter has too many leap years that cause it to drift out of alignment with the solar year. This has liturgical significance since calculation of the date of Easter assumes that spring equinox in the Northern Hemisphere occurs on March 21. To correct the accumulated error, he ordains the date be advanced by ten days. Most Roman Catholic countries adopt the new calendar immediately and Protestant countries follow suit over the following 200 years. For this reason, in some parts of the world, the Feast of the Epiphany, which is traditionally observed on January 6, is sometimes referred to as Old Christmas or Old Christmas Day.

In Ireland, Little Christmas is also called Women’s Christmas (Irish: Nollaig na mBan), and sometimes Women’s Little Christmas. The tradition, still strong in counties Cork and Kerry, is so called because Irish men take on household duties for the day. Goose is the traditional meat served on Women’s Christmas. Some women hold parties or go out to celebrate the day with their friends, sisters, mothers and aunts. As a result, parties of women and girls are common in bars and restaurants on this night.

In Ireland and Puerto Rico, it is the traditional day to remove the Christmas tree and decorations. The tradition is not well documented, but one article from a January 1998 issue of The Irish Times, entitled “On the woman’s day of Christmas,” describes both some sources of information and the spirit of this occasion.

A “Little Christmas” is also a figure in Irish set dancing. It refers to a figure where half the set, four dancers, join together with hands linked behind partners lower back, and the whole figure proceeds to rotate in a clockwise motion, usually for eight bars.

So, to all of the women of Ireland and the Irish diaspora, Nollaig na mBan shona daoibh!


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Birth of Gaelic Footballer Mick O’Connell

Michael “Mick” O’Connell, retired Gaelic footballer, is born on Valentia Island, County Kerry, on January 4, 1937. His league and championship career with the Kerry senior team spans nineteen seasons from 1956 to 1974. He is widely regarded as one of the greatest players in the history of the game.

O’Connell is raised in a family that has no real link to Gaelic football. His father is a fisherman who also works on the family’s small farm on the island. From an early age O’Connell shows his footballing talent and “inimitable signs of excellence.” He excels at the game in his youth and also at Cahersiveen CBS.

O’Connell begins his club football career with neighbouring Waterville. When a football club, Valentia Young Islanders, is founded on Valentia Island, as per GAA rules he switches allegiance to his local parish team. He wins three Kerry Senior Football Championship medals with the South Kerry divisional side.

O’Connell’s career with Kerry begins in 1955 when he lines out in the Munster Minor Championship. Kerry loses the replayed Munster final to Tipperary.

O’Connell quickly joins the Kerry senior football team, making his debut in 1956 against Tipperary in the Munster Championship. He later lines out in the Munster final against Cork, but loses out in a replay. In 1958 he wins the first of eight consecutive Munster Senior Football Championship titles, however, Kerry suffers a shocking defeat by Derry in the All-Ireland semi-final. In 1959 he is captain when Kerry wins the National Football League. He later guides his native-county to another Munster title, however, he has to retire due to injury in Kerry’s All-Ireland victory over Galway.

Following a second National League victory in 1961, O’Connell captures his second All-Ireland medal in 1962 when Kerry defeats Roscommon in the final. A third National League victory quickly follows at the start of 1963. After two All-Ireland defeats by Galway in 1964 and 1965 Kerry surrenders their provincial crown to Cork in 1966 and 1967. He wins a ninth Munster title in 1968, however, Kerry loses out to Down in the All-Ireland final. This defeat is followed by a great year of success in 1969 as he adds a fourth National League medal to his collection before winning a tenth Munster title. He later wins a third All-Ireland medal following a victory over Offaly.

In 1970 O’Connell enters the third decade of his inter-county football career, winning an eleventh Munster title in the process. A fourth All-Ireland medal quickly follows after a victory over Meath in the first 80-minute All-Ireland final. He claims two more National league medals in 1971 and 1972, before winning his twelfth and final provincial medal in 1972. That year Offaly later defeats Kerry in O’Connell’s last All-Ireland final appearance. In spite of this loss he is still presented with an GAA GPA All Star award. He retires from inter-county football in 1973.

In 1972 O’Connell marries his wife Rosaleen. They have three children, Máire, Mícheál and Diarmuid. Mícheál marries Emma, daughter of then President of Ireland Mary McAleese in December 2009.

In retirement from playing O’Connell publishes his autobiography, A Kerry Footballer, in 1974. Ten years later in 1984, the GAA’s centenary year, his reputation as one of the all-time greats is recognised when he is named in the midfield position on the GAA Football Team of the Century. In 2000 he is also named on the associations Football Team of the Millennium.


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Death of Michael Dwyer, Journalist & Film Critic

Michael Dwyer, journalist and film critic who writes for The Irish Times for more than 20 years, dies following a lengthy illness on January 1, 2010. He previously fills this role for the Sunday Tribune, The Sunday Press and the magazine In Dublin.

Born on May 2, 1951, Dwyer is originally from Saint John’s Park in Tralee, County Kerry. His mother, Mary, outlives him. He has two sisters, Anne and Maria. As a young man in the early 1970s he takes part in the Tralee Film Society, for which he provides notes to The Kerryman. At this time, he is employed by the County Library in Tralee. He begins working for In Dublin followed by the Sunday Tribune and The Sunday Press.

Dwyer first travels to the Cannes Film Festival in 1982 and attends every one until 2009, months before his death. In 1985, he co-founds the Dublin Film Festival and directs it until the mid-1990s. In 2002, he co-founds the Dublin International Film Festival, of which he is the chairman. In later life he serves on the board of the Irish Museum of Modern Art.

In the 1990s, Dwyer presents the film show Freeze Frame for public service broadcaster RTÉ. The show results from a friendship he had formed with Alan Gilsenan and Martin Mahon of Yellow Asylum Films. He is also known for his appearances on the radio shows Morning Ireland and The Marian Finucane Show. The editor of The Irish Times, Geraldine Kennedy, speaking after Dwyer’s death, says he was an “enthusiastic advocate” of both national and international cinema and had once said he was “one of those lucky people in life who was able to pursue his interests and call them work.”

Dwyer becomes unwell following a trip to the Cannes Film Festival in May 2009. He takes a break from writing for The Irish Times, returning in December 2009 to contribute his first, and what is to be his last ever, piece in six months to weekly entertainment supplement The Ticket. The article is a review of cinema in 2009 and of the 2000s, and in his contribution, he references the ill health which had haunted him for much of the previous year and which had prevented him from viewing any cinema releases between June and September.

Dwyer dies at the age of 58 on January 1, 2010. His partner of 24 years, Brian Jennings, survives him. Irish Minister for Arts, Sport and Tourism Martin Cullen says Dwyer was “the most singular, significant influence on cinema in Ireland for more than three decades.” President of the Labour Party Michael D. Higgins says his work was “incalculable […] he was an activist in promoting a knowledge and appreciation of film in all its forms.” Ireland’s former Director of Film Classification at the Irish Film Classification Office John Kelleher says it was “a huge loss for the world of Irish film.” There are tributes from Gabriel Byrne, Daniel Day-Lewis, Brendan Gleeson, Jonathan Rhys Meyers, Cillian Murphy and Jim Sheridan. The Irish Times publishes tribute pieces on his life.

A ceremony takes place at the Church of the Holy Name in Ranelagh where Dwyer lived. The event is attended by notable politicians, journalists, artists, actors, writers and musicians. RTÉ newsreader Aengus Mac Grianna, a colleague of Jennings, reads a tribute to Dwyer. Daniel Day-Lewis gives a very special tribute at the church service to his dear friend of over 20 years, calling for the Jameson International Dublin Film Festival to be renamed in Dwyer’s honour.

Dwyer is cremated after the funeral on January 5, 2010.


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Thin Lizzy Reaches No. 1 with “Whiskey In The Jar”

Irish rock band Thin Lizzy reaches No. 1 on the Irish Singles Chart with its rendition of “Whiskey In The Jar” on December 19, 1972.

“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman; whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.

The song first gains wide exposure when Irish folk band The Dubliners perform it internationally as a signature song, and record it on three albums in the 1960s. In the United States, the song is popularized by The Highwaymen, who record it on their 1962 album Encore. The song has also been recorded by singers and folk groups such as Roger Whittaker, The Irish Rovers, Seven Nations, Off Kilter, King Creosote, Brobdingnagian Bards, Charlie Zahm, and Christy Moore.

Thin Lizzy’s 1972 single (bonus track on Vagabonds of the Western World [1991 edition]) stays at the top of the Irish charts for 17 weeks, and the British release stays in the top 30 for 12 weeks, peaking at No. 6, in 1973. This version has since been covered by U2, Pulp (first released on a 1996 various artist compilation album Childline and later on deluxe edition of Different Class in 2006), Smokie, Metallica (Garage Inc. in 1998, which wins a Grammy Award), Belle and Sebastian (The Blues Are Still Blue EP in 2006), Gary Moore (2006), Nicky Moore (Top Musicians Play Thin Lizzy in 2008), Simple Minds (Searching for the Lost Boys in 2009), Blaggards (Live in Texas in 2010) and Israeli musician Izhar Ashdot. The song is also on the Grateful Dead live compilation So Many Roads (1965-1995) disc five.


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Death of Mary McShain, Landowner & Benefactor

Mary McShain, Irish American landowner and benefactor, dies at Killarney House in Killarney, County Kerry on December 2, 1998.

McShain is born Mary Horstmann in Philadelphia, Pennsylvania on March 27, 1907. Her parents are Ignatius J. Horstmann and his wife Pauline. She is the fifth of six children. She attends St. Leonard’s Academy in Philadelphia and Rosemont College in Rosemont, Pennsylvania. In 1927 she marries John McShain, building contractor who works on the reconstruction of the White House and the building of the Jefferson Memorial, the Pentagon, and the John F. Kennedy Center for the Performing Arts. They are both interested in horse breeding and racing, establishing a stable of racehorses in 1952. They expand this stable to Ireland in 1955, hiring first Vincent O’Brien and then John Oxx as trainers. Their greatest success is the horse Ballymoss.

The McShains move to Ireland in 1960, buying Killarney House in County Kerry and a large portion of the Kenmare estate, which had been owned by the Earls of Kenmare since the 16th century. They gift Innisfallen Island and the ruins of an abbey to the Irish state in 1973, bestowing guardianship of Ross Island and its castle to the state. For a nominal fee, they turn over the entire estate to the state in 1979, stipulating a life tenancy of the house and some land, with the rest of the land being incorporated into Killarney National Park.

McShain is a Dame of Malta and a Lady of the Grand Cross of the Holy Sepulchre. She receives the Pro Ecclesia et Pontifice cross in 1976. She is awarded two honorary doctorates in 1977, one from La Salle University in Philadelphia and one from her alma mater, Rosemont College.

McShain dies at Killarney House on December 2, 1998. She is buried beside her husband in Holy Cross Cemetery, Philadelphia. Her daughter, Pauline McShain, is a sister of the Society of the Holy Child Jesus and dies on March 8, 2019 due to complications of pneumonia.

(Pictured: John and Mary McShain with Lakes of Killarney in the background sometime in the late 1950s)


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The Hanging of Irish Republican Charlie Kerins

Charlie Kerins, a physical force Irish Republican and Chief of Staff of the Irish Republican Army (IRA), is hanged on December 1, 1944 at Mountjoy Prison in Dublin by the English hangman Albert Pierrepoint.

Kerins is born in Caherina, Tralee, County Kerry and attends Balloonagh Mercy Convent School and then the CBS, Edward Street. At the age of 13, he wins a Kerry County Council scholarship and completes his secondary education at the Green Christian Brothers and the Jeffers Institute. In 1930, he passes the Intermediate Certificate with honours and the matriculation examination to the National University of Ireland (NUI). He later does a commercial course and takes up employment in a radio business in Tralee.

In 1940, Kerins is sworn into the IRA and is appointed to the GHQ staff in May 1942. At the time, the Fianna Fáil government of Éamon de Valera is determined to preserve Irish neutrality during World War II. Therefore, the IRA’s bombing campaign in England, its attacks against targets in Northern Ireland, and its ties to the intelligence services of Nazi Germany are regarded as severe threats to Ireland’s national security. IRA men who are captured by the Gardaí are interned for the duration of the war by the Irish Army in the Curragh Camp in County Kildare.

On the morning of September 9, 1942, Garda Detective Sergeant Denis O’Brien is leaving his home in Ballyboden, Dublin. He is between his front gate and his car when he is cut down with Thompson submachine guns. O’Brien, an Anti-Treaty veteran of the Irish Civil War, had enlisted in the Garda Síochána in 1933. He is one of the most effective Detectives of the Special Branch division, which has its headquarters at Dublin Castle. The shooting greatly increases public feeling against the IRA, particularly as the murder is carried out in full view of his wife.

Following the arrest of Hugh McAteer in October 1942, Kerins is named Chief of Staff of the IRA. Despite a massive manhunt by Gardaí, he remains at large for two years. He stays at a County Waterford home for two weeks while he is on the run, having given his name as Pat Carney. He is captured several months after he leaves the home.

Kerins had previously left papers and guns hidden at Kathleen Farrell’s house in the Dublin suburb of Rathmines. He telephones the house, as he intends to retrieve them. However, Farrell’s telephone had been tapped by the Gardaí. On June 15, 1944, he is arrested in an early morning raid. He is sleeping when the Gardaí enter his bedroom and does not have an opportunity to reach the Thompson submachine gun which is hidden under his bed.

At a trial before the Special Criminal Court in Collins Barracks, Dublin, Kerins is formally charged on October 2, 1944 for the “shooting at Rathfarnham of Detective Dinny O’Brien.” At the end of his trial, the president of the Military Court delays sentence until later in the day to allow Kerins, if he wishes, to make an application whereby he might avoid a capital sentence. When the court resumes, he says, “You could have adjourned it for six years as far as I am concerned, as my attitude towards this Court will always be the same.” He thus deprives himself of the right to give evidence, to face cross-examination, or to call witnesses.

Despite legal moves initiated by Seán MacBride, public protests, and parliamentary intervention by TDs from Clann na Talmhan, Labour, and Independent Oliver J. Flanagan in Leinster House, the Fianna Fáil government of Éamon de Valera refuses to issue a reprieve. On December 1, 1944 in Mountjoy Prison, Kerins is hanged by British chief executioner Albert Pierrepoint, who is employed by the Irish Government for such occasions.

Kerins is the last IRA member to be executed in the Republic of Ireland. He is buried in the prison yard. In September 1948, his remains are exhumed and released to his family. He is buried in the Republican plot at Rath Cemetery, Tralee, County Kerry.


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Birth of David Moriarty, Bishop & Pulpit Orator

david-moriarty

David Moriarty, Irish Roman Catholic bishop and pulpit orator, is born in Ardfert, County Kerry on August 18, 1814.

Moriarty is the son of David Moriarty and Bridget Stokes. He receives his early education in a classical school of his native Diocese of Ardfert and Aghadoe, and later is sent to Boulogne-sur-Mer in northern France. From there he passes to Maynooth College and, after a distinguished course in theology, is elected to the Dunboyne establishment, where he spends two years.

While yet a young priest Moriarty is chosen by the episcopal management of the Irish College in Paris, as vice-president of that institution, a position he occupies for about four years. So satisfactory is his work that, on the death of Father John Hand, he is appointed President of All Hallows College in Dublin, and for years guides, fashions, and makes effective the discipline and teaching of that well known institution. It is during this time he gives evidence of the noble oratory, so chaste, elevated, various and convincing, that has come to be associated with his name.

In 1854 Moriarty is appointed coadjutor, with the right of succession, to the bishopric of Ardfert and Aghadoe, as titular bishop of the Diocese of Antigonea. Two years later he succeeds to his native see. His work as bishop is testified to by several churches and schools, a diocesan college St. Brendan’s College, Killarney in 1860 and many conventual establishments. He finds time to conduct retreats for priests and his addresses which have come down to us under the title “Allocutions to the Clergy” are characterized by profound thought, expressed in an elevated and oratorical style.

In his political views Moriarty runs counter to much of the popular feeling of the time, and is a notable opponent of the Fenian organization, which he denounces strongly, particularly following the uprising in 1867 in his diocese where in an infamous sermon he attacks the Fenian leadership brandishing them criminals, swindlers and God’s heaviest curse. He also declares that “when we look down into the fathomless depth of this infamy of the heads of the Fenian conspiracy, we must acknowledge that eternity is not long enough, nor hell hot enough to punish such miscreants.” Despite this, however, he claims to admire Daniel O’Connell.

While most republicans attempt to work around the hostility of the high clergy of the Roman Church and the fire and brimstone rhetoric of the likes of Moriarty, out of sensitivity to the religious tendencies of the Irish majority, one Fenian by the name of John O’Neill, dares to fire back. O’Neill retorts, “It is better to be in hell with Fionn than in heaven with pale and flimsy angels.”

Moriarty’s principal works are “Allocutions to the Clergy” and two volumes of sermons.

David Moriarty dies on October 1, 1877.


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Birth of Irish Artist Charles Harper

skellig-arrival-by-charles-harper

Irish artist Charles Harper is born on July 30, 1943, on Valentia Island in County Kerry. He studies at the National College of Art and Design, Limerick School of Art and Design and the Graphic Studio in Dublin. He is taught by Maurice MacGonigal and Seán Keating. He also studies filmmaking in Germany.

Harper exhibits regularly in Ireland and abroad. His paintings are well known for their metaphoric themes, including boats, the human form, landscape and angels usually in painterly expressive form.

Harper is influenced by Francis Bacon and David Hockney which is apparent in his portrait work. In his treatment of the human head, the influence of Bacon is obvious as is the work of the Irish artist Louis Le Brocquy. He is also influenced by the Irish artist Patrick Collins. For Harper the actual act of painting is what matters as he sees the actual process as one of exploration and discovery. He says, “the process, the making excites me more than any end product.”

Harper represents Ireland at International Biennials in many countries throughout his career. He receives many national awards for his painting, including first prize for his work commemorating the 1916 Easter Rising at the Municipal Gallery of Modern Art in Dublin, the Carrols Open Award at the Irish Exhibition of Living Art in Dublin and The Arts councils Bonn an Uachtarain de Hide at the Oireachtas Art Exhibition. More recently he is awarded the BulBulia Award at the Royal Hibernian Academy (RHA) in 2008.

Harper’s work is included in many important public and private collections including the San Francisco Museum of Modern Art, the Irish Museum of Modern Art and the Irish Arts Council. He is also a member of Aosdána and the Royal Hibernian Academy.

“Painting being a cultural and creative activity should be accessible to all. Though it may also confuse the viewer. I find this totally understandable and acceptable, as art should challenge our perception and established aesthetic.”

(Pictured: Skellig Arrival, acrylic on linen by Charles Harper)


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Birth of Architect Michael Scott

michael-scott

Michael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, is born in Drogheda on June 24, 1905.

Scott’s family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter, but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage, he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an international jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better-known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989, and is buried near Sneem in County Kerry.