O’Sullivan is educated locally at Mount Carmel school. After completing a BA at University College Dublin (UCD), she then goes on to work as an English and History teacher and guidance counsellor in a secondary school in Baldoyle, a position she holds for thirty years.
O’Sullivan is a member of Tony Gregory‘s local political organisation in the 1970s, first canvassing for him and later serving as his election agent. She is co-opted onto Dublin City Council for the North Inner City local electoral area from September 2008 to June 2009, after the retirement of Mick Rafferty. After the death of Tony Gregory, she wins the resulting by-election which is held on the same day as the local elections where she also wins a seat on Dublin City Council, for the North Inner City local electoral area. Marie Metcalfe is co-opted to take the seat due to the dual mandate rule. Subsequently Anna Quigley replaces Metcalfe on Dublin City Council, who is in turn replaced by Mel MacGiobúin in March 2014. MacGiobúin fails to be elected at the local elections held in May.
O’Sullivan is re-elected to the Dáil at the 2011 Irish general election. She joins the Dáil technical group which gives independents and minor parties more speaking time in Dáil debates. She describes a proposal for political gender quota legislation as “tokenistic” and that women are able to get themselves nominated for election.
In December 2015, O’Sullivan and fellow independent TDs Clare Daly and Mick Wallace each put forward offers of a €5,000 surety for a 23-year-old man being prosecuted under terrorism legislation in the Special Criminal Court in Dublin charged with membership of an illegal dissident republican terrorist organisation.
After the 2016 Irish general election O’Sullivan unsuccessfully stands for election as Ceann Comhairle. She joins a technical group aligned with Independents 4 Change, while remaining outside the Independents 4 Change party. She is criticised by the brother of late TD Tony Gregory, over an allegedly false claim made in her election literature.
On January 16, 2020, O’Sullivan announces she will not be standing in the 2020 Irish general election in February.
Adrian Hardiman, Irish judge who serves as a Judge of the Supreme Court of Ireland from 2000 to 2016, dies in Portobello, Dublin, on March 7, 2016. He writes a number of important judgments while serving on the Court. He also presides, as does each Supreme Court judge on a rotating basis, over the Court of Criminal Appeal.
Hardiman joins Fianna Fáil while a student in University College Dublin and stands unsuccessfully for the party in the local elections in Dún Laoghaire in 1985. In 1985, he becomes a founder member of the Progressive Democrats but leaves the party when he is appointed to the Supreme Court. He remains very friendly with the former party leader and ex-Tánaiste, Michael McDowell, who is a close friend at college, a fellow founding member of the party, and best man at his wedding.
Hardiman is called to the Irish Bar in 1974 and receives the rare honour of being appointed directly from the Bar to Ireland’s highest court. Prior to his elevation to the Supreme Court in 2000, he has a successful practice as a barrister, focusing on criminal law and defamation.
Politically, Hardiman supports the liberal side in Ireland’s debates over abortion, being active in the “anti-amendment” campaign during the 1982 Abortion Referendum and later represents the Well Woman Centre in the early 1990s. After his death, he is described by Joan Burton as a liberal on social issues. But he could be an outspoken opponent of Political Correctness, such as when he rejects the Equality Authority‘s attempt to force Portmarnock Golf Club to accept women as full members. He also believes that certain decisions, such as those involving public spending, are better left to elected politicians rather than unelected judges, regardless of how unpopular that might sometimes be in the media (which he tends to hold in low esteem) and among what he describes as the “chattering classes.”
Hardiman’s concern for individual rights is not confined to Ireland. In February 2016, he criticizes what he describes as the radical undermining of the presumption of innocence, especially in sex cases, by the methods used in the UK‘s Operation Yewtree inquiry into historical sex allegations against celebrities, and he also criticizes “experienced lawyer” and then United States presidential candidate Hillary Clinton for allegedly declaring in January that “every accuser was to be believed, only to amend her view when asked if it applied to women who had made allegations against her husband”, former U.S. PresidentBill Clinton.
In a tribute following his death in 2016, PresidentMichael D. Higgins says Justice Hardiman “was one of the great legal minds of his generation”, who was “always committed to the ideals of public service.” He is described as a “colossus of the legal world” by Chief JusticeSusan Denham.
One commentator writes that “Hardiman’s greatest contribution …was the steadfast defence of civil liberties and individual rights” and that “He was a champion of defendants’ rights and a bulwark against any attempt by the Garda Síochána to abuse its powers.”
McLachlan is the featured composer in the RTÉ National Symphony Orchestra‘s “Horizons” series in 2003 and 2008. He also represents Ireland at international festivals, including the ISCM World Music Days in Slovenia in 2003 and Croatia in 2005. In 2006, his work Grand Action is commissioned as a test-piece for the AXA Dublin International Piano Competition.
McLachlan’s musical aesthetic is largely shaped by a desire to impart a sense of narrative and expectation to his music without recourse to pastiche rhetorical devices. A critic writes of a recording of McLachlan’s piano piece Nine: “The style of each little piece sends one’s imagination and musical memory reeling, some of them evoking French Impressionism, some jazzy in feel, some reminiscent of the miniatures for piano of Webern, and none of them in any way, shape or form derivative.” Much of his music is structured in contrasting and suddenly changing block-like sections of homogeneous material. The material within these sections is propelled by a rigorous focus on subtle rhythmic and melodic permutations, which result in both surface opacity and gradually increasing tension.
Dalton is born to Irish American parents James F. and Katharine L. Dalton. The family moves back to Ireland when he is two years old. He grows up in a middle-class Catholic background in Drumcondra in North Dublin and lives at No. 8 Upper St. Columba’s Road. He is educated by the Christian Brothers at O’Connell School in North Richmond Street. He joins the nationalist militia, the Irish Volunteers, in 1913 and the following year, though only fifteen, is involved in the smuggling of arms into Ireland.
Dalton joins the British Army in 1915 for the duration of the Great War. His decision is not that unusual among Irish Volunteers, as over 20,000 of the National Volunteers join the British New Army on the urgings of Nationalist leader John Redmond. His father, however, disagrees with his son’s decision. He initially joins the 7th battalion of the Royal Dublin Fusiliers (RDF) as a temporary 2nd Lieutenant. By 1916 he is attached to the 9th Battalion, RDF, 16th (Irish) Division under Major-General William Hickie, which contains many Irish nationalist recruits.
During the Battle of the Somme in September 1916, Dalton is involved in bloody fighting during the Battle of Ginchy, in which over 4,000 Irishmen are killed or wounded. He is awarded the Military Cross for his conduct in the battle. Afterwards he is transferred to the 6th Battalion, Leinster Regiment, and sent to Thessaloniki then Palestine, where he commands a company and then supervises a sniper school in el-ʻArīsh. In 1918 he is re-deployed again to France, and in July promoted to captain, serving as an instructor.
On demobilisation in April 1919, Dalton returns to Ireland. There, finding that his younger brother Charlie had joined the IRA, he himself follows suit. He later comments on the apparent contradiction of fighting both with and against the British Army by saying that he had fought for Ireland with the British and fought for Ireland against them.
Dalton follows Collins in accepting the Anglo-Irish Treaty in 1922 and is one of the first officers, a Major General, in the new National Army established by the Irish Provisional Government of the Irish Free State. The Treaty is opposed by much of the IRA and Civil War between pro and anti-treaty factions eventually results.
Dalton is in command of troops assaulting the Four Courts in the Battle of Dublin which marks the start of the war in June 1922. At Collins’ instigation he, as Military liaison officer with the British during the truce, takes control of the two 18 pounder guns from the British that are trained on the buildings. He becomes commander of the Free State Army under Richard Mulcahy‘s direction. He is behind the Irish Free State offensive of July–August 1922 that dislodges the Anti-Treaty fighters from the towns of Munster. He proposes seaborne landings to take the Anti-Treaty positions from the rear and he commands one such naval landing that takes Cork in early August. In spite of firm loyalty to the National Army, he is critical of the Free State’s failure to follow up its victory, allowing the Anti-Treaty IRA to regroup resuming the guerrilla warfare started in 1919.
On August 22, 1922, he accompanies Collins in convoy, touring rural west Cork. The convoy is ambushed near Béal na Bláth and Collins is killed in the firefight. He had advised Collins to drive on, but Collins, who is not an experienced combat veteran, insists on stopping to fight.
Dalton is married shortly afterwards, on October 9, 1922, to Alice Shannon in Cork’s Imperial Hotel. By December 1922 he has resigned his command in the Army. He does not agree with the execution of republican prisoners that mark the latter stages of the Civil War. After briefly working as clerk of the Irish Senate, Seanad Éireann, he leaves the job to work in the movie industry.
Dalton dies in his daughter Nuala’s house in Dublin on March 4, 1978, his 80th birthday, never having seen the film that Cathal O’Shannon of RTÉ had made on his life. During the making of the film, they visit the battlefields in France, Kilworth Camp in Cork, Béal Na Bláth, and other places that Dalton had not visited since his earlier years. He wishes to be buried as near as possible to his friend Michael Collins in Glasnevin Cemetery in Dublin and is buried there in March 1978 after a military funeral. None of the ruling Fianna Fáil government ministers or TDs attend.
(Pictured: Dalton photographed in lieutenant’s uniform, Royal Dublin Fusiliers, taken circa. 1914-1918)
Aidan Higgins, Irish writer of short stories, travel pieces, radio drama and novels, is born on March 3, 1927, in Celbridge, County Kildare. Among his published works are Langrishe, Go Down (1966), Balcony of Europe (1972) and the biographical Dog Days (1998). His writing is characterised by non-conventional foreign settings and a stream of consciousness narrative mode. Most of his early fiction is autobiographical – “like slug trails, all the fiction happened.”
Higgins attends local schools and Clongowes Wood College, a private boarding school. In the early 1950s he works in Dublin as a copywriter for the Domas Advertising Agency. He then moves to London and works in light industry for about two years. He marries Jill Damaris Anders in London on November 25, 1955. From 1960, he sojourns in southern Spain, South Africa, Berlin and Rhodesia. In 1960 and 1961 he works as scriptwriter for Filmlets, an advertising firm in Johannesburg. These journeys provide material for much of his later work, including his three autobiographies, Donkey’s Years (1996), Dog Days (1998) and The Whole Hog (2000).
His upbringing in a landedCatholic family provides material for Higgins first novel, Langrishe, Go Down (1966). The novel is set in the 1930s in a run-down “big house” in County Kildare, inhabited by the last members of the Langrishe family, three spinster sisters, Catholics, living in not-so-genteel poverty in a once-grand setting. One sister, Imogen, has an affair with a German intellectual, Otto Beck, which transgresses the moral code of the time, bringing her a brief experience of happiness. Otto’s intellectual pursuits contrast with the moribund cultural life of mid-20th century Ireland. The book is awarded the James Tait Black Memorial Prize for fiction and is later adapted as a BBC Television film by British playwright Harold Pinter, in association with RTÉ. Langrishe, Go Down also receives the Irish Academy of Letters Award.
Higgins second major novel is Balcony of Europe, taking its name from a feature of the Spanish fishing village, Nerja Andalusia, where it is set. The novel is carefully crafted, and rich in embedded literary references, using Spanish and Irish settings and various languages, including Spanish and some German, in its account of the daily life in the beaches and bars of Nerja of a largely expatriate community. The protagonist, an artist called Dan Ruttle, is obsessed with his friend’s young American wife, Charlotte, and by the contrast between his life among a cosmopolitan artistic community in the Mediterranean, and his Irish origins. The book is re-edited in collaboration with Neil Murphy and published by Dalkey Archive Press in 2010, with the Irish material cut and the affair between Dan Ruttle and Charlotte foregrounded.
Higgins later novels include widely acclaimed Bornholm Night Ferry and Lions of the Grunwald. Various writings have been collected and reprinted by the Dalkey Archive Press, including his three-volume autobiography, A Bestiary, and a collection of fiction, Flotsam and Jetsam, both of which demonstrate his wide erudition and his experience of life and travel in South Africa, Germany and London which gives his writing a largely cosmopolitan feel, utilising a range of European languages in turns of phrase.
Higgins lives in Kinsale, County Cork, from 1986 with the writer and journalist Alannah Hopkin. They are married in Dublin in November 1997. He is a founder member of Irish artists’ association Aosdána. He dies on December 27, 2015, in Kinsale.
Dillon is the eldest of five children of Sir James Charles Mathew and Elizabeth Blackmore Mathew. Her family is related to the Butler family, but she does not visit Ireland until 1886. Living in Queen’s Gate Gardens, Kensington, London, she is educated at home. From a young age she attends the ladies’ gallery of the House of Commons, while mixing a busy social life with charitable works.
Dillon begins keeping a diary in 1879, which she continues to write until her death. Her ancestor, Mary Mathew, is also a diarist and keeps the diary for the discipline of the daily activity. She soon begins to write for the love of it, and some have surmised she wrote with the intention her diaries would be read by others. She attends lectures in Old English and literature at King’s College, London from late 1882 to 1884, and begins to learn Irish in 1893.
Dillon’s father supports land reform in Ireland, chairs the evicted tenants commission in 1892, and is a huge influence on her politics. She makes her first political reference on February 25, 1883, when she notes the arrest of the Invincibles, and she then regularly comments on land reform. She travels to Ireland for the first time in August 1886, staying in Killiney, County Dublin. In October 1886, she meets John Dillon and begins to follow the Plan of Campaign so that she can discuss it with him during his visits to the Mathew house in London.
During this time, John Dillon is deeply immersed in politics and is imprisoned on a number of occasions. Being a careful follower of Irish politics, she becomes an anti-Parnellite. She confronts John Dillon in autumn 1895 about their relationship, saying that they can no longer meet as they had become the subject of gossip. He proposes within two weeks, and they are married on November 21, 1895, in Brompton Oratory. They are busy and often apart, with Dillon spending time in a warm climate due to his ill health. She tries to accompany him when she can, but the couple’s large family makes that difficult. They have one daughter and five sons, John Dillon (1896-1970), Anne Elizabeth Dillon (born October 29, 1897), Theobald Wolfe Tone (1898-1946), Myles, James, and Brian.
Finances are strained until John’s uncle Charles bequeaths him his house, 2 North Great George’s Street, Dublin in 1898, and a business in Ballaghaderreen, County Mayo is bequeathed him by a cousin, Anne Deane, in 1905. Dillon runs the business successfully, while also carrying out duties as a politician’s wife such as opening the Belfast ladies’ branch of the United Irish League in June 1905. Her busy life results in her neglecting her diary.
Dillon dies on May 14, 1907, in Dublin, having given birth to a stillborn daughter that morning. Pneumonia is given as the cause of death, but it could have been medical incompetence. She is buried in the family vault in Glasnevin Cemetery. Her husband writes of her death in June 1907, A short narrative of the illness and death of my dearest love. Trinity College Dublin holds her diary and correspondence. Her diaries, edited by Brendan Ó Cathaoir, are published in 2019.
Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.
Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).
In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production, but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.
In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.
Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).
Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.
Yeats dies at the age of 82 on July 4, 2001, and is buried in Shanganagh Cemetery, south Dublin.
The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.
(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)
Downey’s offbeat reports of the 1994 FIFA World Cup for The Irish News are subsequently compiled for his first book, Just One Big Party. He spends six years as a BBC news producer in Derry and Belfast, before joining the Derry News as editor in 2001. During his period as editor (2001–2004), the Derry News wins two Newspaper Society awards for Fastest Circulation Growth in the United Kingdom.
Since 2004, Downey has published six comic novels set in the criminal underbelly of post-ceasefire Ireland. His books have been described as “a superb blend of comedy, political dirty tricks, grisly murder and bizarre twists.”
A former deputy-president of the Union of Students in Ireland, Downey is one of the organisers of a student occupation of government offices in Dublin on Budget Day 1988 in protest against education cutbacks.
In 2006, Downey helps establish the new Northern Ireland literary review Verbal and edits the publication for its first six issues.
A lifelong political anorak, in 2007, Downey works as an election pundit for TV3 (Ireland), alongside the Irish comedian Brendan O’Carroll. In 2010, he wins a contest to predict the winners of Northern Ireland’s 18 Westminster constituencies, missing out on just one, Naomi Long, who surprisingly beat First MinisterPeter Robinson in Belfast East. He donates his prize, a framed Ian Knox cartoon, to Long by way of apology.
Downey’s 2010 comedy-thriller The American Envoy is the first novel issued by an Irish publishing house as a Kindlee-book, simultaneously with its paperback release.
In June 2011, Downey is appointed Director of Media for Culture Company 2013, the body tasked with delivering Derry’s UK City of Culture year.
Downey is married to Una McNally, and they have two children.
Ó Máille is critical of the proposed Irish Boundary Commission and resigns from Cumann na nGaedheal and founds a new political party called Clann Éireann in 1926.
On each of these occasions Ó Máille is subjected to a smear campaign by his former party colleagues who his pro-Treaty stance during the civil war against him. It is alleged that he had personally selected his fellow county man Liam Mellows for execution. These smears persist despite denials from the Mellows family and from Ó Máille himself. In fact, Mellows is executed in reprisal for the attack on Ó Máille and Sean Hales on December 8, 1922.
Ó Máille serves as a Fianna Fáil Senator in Seanad Éireann from 1934 to 1936. He is re-elected to the new Seanad in 1938 on the Agricultural Panel. From 1939 until his death in 1946 he is re-appointed to the Seanad as a nominee of the TaoiseachÉamon de Valera. He is Leas-Chathaoirleach (Deputy chairman) of the Seanad from May to November 1938.
Ó Máille dies on January 19, 1946. Accorded a guard of honour by the Dublin brigade, he is buried at Glencullen Cemetery, County Dublin.
On February 21, 2003, a letter signed by Irish revolutionary leader Michael Collins, written in 1922 upon his return from London, fetches a record price of €28,000 at an auction at James Adam & Sons Ltd. on Dublin’s St. Stephen’s Green. Estimated to fetch up to €8,000.00, despite fierce bidding by the National Library of Ireland, the letter is purchased by singer Enya’s manager, Mickey Ryan, who says he wants the letter to remain in Ireland.
The letter is written after Collins returns to Dublin from a meeting in London with Churchill and Craig. He states in the letter that Craig’s stance on partition is seen as “an unreasonable one and not ours.”
“All the British statesmen are agreed that it was most disastrous on Craig’s part to talk about agreeing to nothing less than the six county area,” Collins writes.
Collins expresses his belief that ties would increase between leaders in the north and south, leading to a united Ireland in the long term. He tells Walsh that he is “no lover of partition, no matter what form it appears,” and that any form of partition is “distasteful” to him. “It would be far better to fix our minds for a time on a united Ireland, for this course will not leave minorities which would be impossible to govern,” he writes. He also says he hopes that one day a multi-denominational party might be formed in the north east, developing links with the Free State and destabilising the northern administration.
