seamus dubhghaill

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Birth of Brendan Bowyer, Royal Showband Frontman

Brendan Bowyer, Irish singer best known for fronting the Royal Showband and The Big Eight and who had five number one hits in Ireland, is born in Waterford, County Waterford on October 12, 1938.

Bowyer is also renowned for having The Beatles open for the Royal Showband at a concert on April 2, 1962 at the Pavilion Theatre, Liverpool, England, some six months before the release of The Beatles debut single “Love Me Do” in October 1962. He is regarded as one of the first headlining Elvis impersonators. Elvis Presley himself is a big fan of Bowyer’s performances and often attends his concerts in the Stardust Resort and Casino in Las Vegas, Nevada during the 1970s.

Bowyer begins his career with the Royal Showband in 1957. His ability to tailor American rock and roll music to the tastes of Irish audiences, and his athletic, spirited on-stage performances make him a popular vocalist of the 1960s Irish showband era. On September 6, 1963, he and the Royal Showband become the first Irish artists to top the Irish Singles Chart, with the hit “Kiss Me Quick,” which stays at the number one position for seven weeks. They return to the top position later that year with “No More,” and repeat the feat in 1964 with “Bless You.”

Bowyer takes part in the 1965 Irish National Song Contest for a chance to represent Ireland at the Eurovision Song Contest in Naples with the song “Suddenly in Love,” but can only manage fifth place. The Royal Showband’s greatest success is to come in 1965 with “The Hucklebuck,” which spends a further seven weeks at the top of the Irish Singles Chart, and is a hit in Australia, but fails to appear in the UK Singles Chart. “Don’t Lose Your Hucklebuck Shoes” returns the band to the number one position later in 1965.

In the summer of 1971 Bowyer, along with singer Tom Dunphy, leave the Royal Showband and form the Big Eight Showband. The band spends the summers playing the ballroom circuit in Ireland but also spends six months of the year in Las Vegas. Within a short time, the band makes the decision to relocate to Las Vegas permanently. He is based in Las Vegas from then on, though he makes frequent trips back to Ireland. In 1977 he makes a brief return to the Irish charts with his tribute, “Thank You Elvis.”

Having enjoyed a semi-retirement phase, Bowyer returns to the spotlight, touring Ireland each year, some for months on end, with his daughter Aisling Bowyer, and a six piece band. They perform his showband era hits, dance numbers, nationalist songs, modern contemporary songs and concert hits.

A covers album, Follow On, is released in 2001, where Bowyer performs some of the most popular Irish songs, such as “Summer in Dublin,” “What’s Another Year,” “Past the Point of Rescue,” and “I Don’t Like Mondays.”

In 2005, Bowyer and Aisling headline the entertainment list for the Tall Ships Festival in Waterford, performing in the open air to an estimated crowd of 12,000. In 2015, Bowyer is the star of the “Ireland’s Showbands – Do You Come Here Often?” concert series.

Bowyer dies at the age of 81 in Las Vegas, Nevada on May 28, 2020.


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Sinking of the RMS Leinster

RMS Leinster, a ship operated by the City of Dublin Steam Packet Company and serving as the Kingstown–Holyhead mailboat, is torpedoed and sunk by the Imperial German Navy submarine SM UB-123, which is under the command of Oberleutnant zur See Robert Ramm, just outside Dublin Bay on October 10, 1918, while bound for Holyhead. The exact number of dead is unknown but researchers from the National Maritime Museum of Ireland believe it to be at least 564, making it the largest single loss of life in the Irish Sea.

In 1895, the City of Dublin Steam Packet Company orders four steamers for Royal Mail service, named for four provinces of Ireland: RMS Leinster, RMS Connaught, RMS Munster, and RMS Ulster. The RMS Leinster is a 3,069-ton packet steamship with a service speed of 23 knots. The vessel, which is built at Cammell Laird‘s in Birkenhead, England, is driven by two independent four-cylinder triple-expansion steam engines. During World War I, the twin-propellered ship is armed with one 12-pounder and two signal guns.

The ship’s log states that she carries 77 crew and 694 passengers on her final voyage under the command of Captain William Birch. The ship had previously been attacked in the Irish Sea but the torpedoes missed their target. Those on board include more than 100 British civilians, 22 postal sorters and almost 500 military personnel from the Royal Navy, British Army and Royal Air Force. Also aboard are nurses from the UK, Ireland, Australia, New Zealand, Canada and the United States.

Just before 10:00 AM as it is sailing east of the Kish Bank in a heavy swell, passengers see a torpedo approach from the port side and pass in front of the bow. A second torpedo follows shortly afterwards, and strikes the ship forward on the port side in the vicinity of the mail room. Captain Birch orders the ship to make a U-turn in an attempt to return to Kingstown as it begins to settle slowly by the bow. It sinks rapidly, however, after a third torpedo strikes her, causing a huge explosion.

Despite the heavy seas, the crew manages to launch several lifeboats and some passengers cling to life-rafts. The survivors are rescued by HMS Lively, HMS Mallard and HMS Seal. Among the civilian passengers lost in the sinking are socially prominent people such as Lady Alexandra Phyllis Hamilton, daughter of James Hamilton, 2nd Duke of Abercorn, Robert Jocelyn Alexander, son of Irish composer Cecil Frances Alexander, Thomas Foley and his wife Charlotte Foley (née Barrett) who was the brother-in-law of the world-famous Irish tenor John McCormack. The first member of the Women’s Royal Naval Service to die on active duty, Josephine Carr, is among the dead, as are two prominent officials of the Irish Transport and General Workers’ Union, James McCarron and Patrick Lynch.

Captain Birch who is wounded in the initial attack, drowns when his lifeboat is swamped in heavy seas and capsizes while attempting to transfer survivors to HMS Lively. Several of the military personnel who die are buried in Grangegorman Military Cemetery.

Survivors are brought to Kingstown harbour. Among them are Michael Joyce, an Irish Parliamentary Party MP for Limerick City, and Captain Hutchinson Ingham Cone of the United States Navy, the former commander of the USS Dale (DD-4).

One of the rescue ships is the armed yacht and former fishery protection vessel HMY Helga. Stationed in Kingstown harbour at the time of the sinking, she had shelled Dublin during the 1916 Easter Rising in Dublin two years earlier. She was later bought and renamed the Muirchú by the Irish Free State government as one of its first fishery protection vessels.

At October 18, 1918 at 9:10 AM SM UB-125, outbound from Germany, picks up a radio message requesting advice on the best way to get through the North Sea minefield. The sender is Oberleutnant zur See Robert Ramm aboard SM UB-123. Extra mines have been added to the minefield since SM UB-123 had made her outward voyage from Germany. As SM UB-125 had just come through the minefield, Vater radios back with a suggested route. SM UB-123 acknowledges the message and is never heard from again.

The following day, ten days after the sinking of the RMS Leinster, SM UB-123 accidentally detonates a mine while trying to cross the North Sea and return to base in Imperial Germany. It is October 19, 1918. Oberleutnant zur See Robert Ramm, who has a wife and children, never returns to them. Thirty-five other German families are similarly bereaved. No bodies are ever found.

In 1991, the anchor of the RMS Leinster is raised by local divers. It is placed near Carlisle Pier and officially dedicated on January, 28, 1996.


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The Treaty of Windsor (1175)

The Treaty of Windsor, a territorial agreement made during the time of the Norman invasion of Ireland, is signed in Windsor, Berkshire on October 6, 1175, by King Henry II of England and the High King of Ireland, Rory O’Connor (Ruaidrí Ua Conchobair). The witnesses are Richard of Ilchester, Bishop of Winchester; Geoffrey Ridel, Bishop of Ely; Lorcán Ua Tuathail, Archbishop of Dublin; William de Mandeville, 3rd Earl of Essex; Justiciar Richard de Luci; Geoffrey de Purtico, Reginald de Courtenea (Courtenay) and three of Henry’s court chaplains.

Under the Treaty, O’Connor recognizes King Henry II as his overlord and agrees to collect tribute for him from all parts of Ireland. Henry agrees that O’Connor can be king of the areas not conquered by the Normans. But O’Connor cannot control the territories of which he is nominally king. Henry and his barons annex further land without consulting O’Connor.

Overall, the agreement leaves O’Connor with a kingdom consisting of Ireland outside the provincial kingdom of Leinster (as it was then), Dublin and a territory from Waterford Dungarvan, as long as he paid tribute to Henry II, and owed fealty to him. All of Ireland is also subject to the new religious provisions of the papal bull Laudabiliter and the Synod of Cashel (1172).

O’Connor is obliged to pay one treated cow hide for every ten cattle. The other “kings and people” of Ireland are to enjoy their lands and liberties so long as they remain faithful to the kings of England and are obliged to pay their tribute in hides through O’Connor.

The Annals of Tigernach record that: “Cadla Ua Dubthaig came from England from the Son of the Empress, having with him the peace of Ireland, and the kingship thereof, both Foreigner and Gael, to Ruaidhrí Ó Conchobhair, and to every provincial king his province from the king of Ireland, and their tributes to Ruaidhrí.” The Annals also list the ongoing violence in Ireland at the time. The text reveals a misunderstanding of the scope of the treaty and the matters agreed by the two kings that soon prove fatal to the peace of Ireland. Henry sees O’Connor as his subordinate within the feudal system, paying him an annual rent on behalf of all his sub-kings. O’Connor sees himself as the restored High King of Ireland, subject only to a very affordable annual tribute to Henry.

The treaty breaks down very quickly, as O’Connor is unable to prevent Norman knights from carving out new territories on a freelance basis, starting with assaults on Munster and Ulaid in 1177. For his part Henry is by now too distant to suppress them and is preoccupied with events in France. In 1177 he replaces William FitzAldelm with his 10-year-old son Prince John and names him as Lord of Ireland.


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Birth of Edmond Malone, Shakespearean Scholar

Edmond Malone, Shakespearean scholar and editor of the works of William Shakespeare, is born on October 4, 1741 in Dublin.

Malone is born to Edmond Malone Sr. (1704–1774), MP of the Irish House of Commons and judge of the Court of Common Pleas in Ireland, and Catherine Collier, the niece of Robert Knight, 1st Earl of Catherlough. He has two sisters, Henrietta and Catherine, and an older brother, Richard (later Lord Sunderlin). His father is a successful lawyer and politician in England, but his practice fails and he returns to Ireland. Little is known of his childhood and adolescence except that in 1747 he is sent to Dr. Ford’s preparatory school in Molesworth Street, Dublin. The next record of his education is ten years later, in 1757, when he enters Trinity College, Dublin. He receives his BA degree on February 23, 1762.

After practicing in Ireland as a lawyer and journalist, Malone settles in London in 1777. There he numbers among his literary friends Samuel Johnson, Horace Walpole, and the ballad collector Thomas Percy, the Bishop of Dromore. He also is an associate of the statesmen Edmund Burke and George Canning and of the dean of English painters, Sir Joshua Reynolds, who paints his portrait and whose literary works he collects and publishes (1797). The portrait now resides in the National Portrait Gallery, London.

In the following months Malone sends a steady stream of notes and corrections to George Steevens, who, by then the inheritor, from Samuel Johnson, of the editor’s mantle for the Jacob Tonson edition of Shakespeare’s collected works, is busy preparing a second edition. His main contribution appears in the first volume as “An Attempt to Ascertain the Order in Which the Plays Attributed to Shakspeare Were Written.”

Malone’s three supplemental volumes (1780–1783) to Steevens’ edition of Johnson’s Shakespeare, containing apocryphal plays, textual emendations, and the first critical edition of the sonnets, are landmarks in Shakespearean studies. His “Historical Account of the Rise and Progress of the English Stage, and of the Economy and Usages of the Ancient Theatres in England” (1800) is the first treatise on English drama based on original sources. His own edition of Shakespeare in 11 volumes appears in 1790. A new octavo edition, unfinished at his death, is completed by James Boswell, the son of Samuel Johnson’s biographer, and published in 1821 in 21 volumes. This work, which includes a memoir of Malone, is the standard edition of Shakespeare’s writings for more than a century.

Malone dies at the age of 70 in London on May 25, 1812.

(Pictured: Portrait of Edmond Malone by Joshua Reynolds (1778), National Portrait Gallery)


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Death of Seán Ó Riada, Composer & Arranger

Seán Ó Riada, Irish composer and arranger of Irish traditional music, dies in London, England on October 3, 1971. Through his incorporation of modern and traditional techniques he becomes the single most influential figure in the revival of Irish traditional music during the 1960s.

Ó Riada is born John Reidy in Cork, County Cork on August 1, 1931. He receives his primary education at St. Finbarr’s College, Farranferris. He moves to St. Munchin’s College in Limerick where he completes his Leaving Certificate in 1948. He plays violin, piano, and organ, and studies Greek and Latin classics at University College Cork, with Aloys Fleischmann and graduates in 1952. While at College, Ó Riada is the auditor of the UCC Philosophical Society.

Ó Riada’s career begins in 1954 as a music director at Radio Éireann, after which he works at the Abbey Theatre from 1955 to 1962. He lectures in music at University College Cork from 1963 until his death in 1971. He leaves a lasting influence as founder and director of the ensemble Ceoltóirí Chualann beginning in 1961. Ó Riada becomes a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings, and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he becomes particularly famous for his film scores Mise Éire (1959) and Saoirse? (1960).

In 1963 Ó Riada is appointed lecturer in music at University College Cork. He moves to Ballyvourney, and not Cúil Aodha (a common misconception) in West Cork, an Irish-speaking area, where he establishes Cór Chúil Aodha, a male voice choir.

He becomes involved in Irish politics and is a friend of several influential leaders. Ó Riada drinks regularly at a local pub which still advertises itself as being his local. He develops cirrhosis of the liver. He is flown to King’s College Hospital in London for treatment and dies there on October 3, 1971, two months after his 40th birthday. He is buried in St. Gobnait‘s graveyard, Baile Bhuirne, County Cork. Willie Clancy plays at his funeral.

Two schools are named “Scoil Uí Riada” after him – a Gaelscoil in Kilcock, County Kildare, and another in Bishopstown, Cork City. In 2008, a life-sized statue is erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha.


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Birth of Musicologist Francis Llewellyn Harrison

Francis Llewellyn Harrison, better known as “Frank Harrison” or “Frank Ll. Harrison” and one of the leading musicologists of his time and a pioneering ethnomusicologist, is born in Dublin on September 29, 1905. Initially trained as an organist and composer, he turns to musicology in the early 1950s, first specialising in English and Irish music of the Middle Ages and increasingly turning to ethnomusicological subjects in the course of his career. His Music in Medieval Britain (1958) is still a standard work on the subject, and Time, Place and Music (1973) is a key textbook on ethnomusicology.

Harrison is the second son of Alfred Francis Harrison and Florence May (née Nash). He becomes a chorister at St. Patrick’s Cathedral, Dublin in 1912 and is educated at the cathedral grammar school and Mountjoy School. A competent organist, he is deputy organist at St. Patrick’s from 1925 to 1928. In 1920, he also begins musical studies at the Royal Irish Academy of Music, where he studies with John Francis Larchet (composition), George Hewson (organ) and Michele Esposito (piano). In 1926, he graduates Bachelor of Music at Trinity College Dublin and is awarded a doctorate (MusD) in 1929 for a musical setting of Psalm 19. He then works in Kilkenny for one year, serving as organist at St. Canice’s Cathedral and music teacher at Kilkenny College.

In 1930, Harrison emigrates to Canada to become organist at Westminster Presbyterian Church in New Glasgow, Nova Scotia. In 1933, he studies briefly with Marcel Dupré in France but returns to Canada in 1934 to become organist at Knox Presbyterian Church in Ottawa. In 1935, he takes a position as organist and choirmaster at St. George’s Cathedral in Kingston, Ontario, as well as taking up the newly created post of “resident musician” at Queen’s University at Kingston. His duties include giving lectures, running a choir and an orchestra, and conducting concerts himself. His course in the history and appreciation of music is the first music course to be given for full credit at Queen’s. He resigns from St. George’s in 1941 to become assistant professor of music at Queen’s in 1942. During his years in Canada, he still pursues the idea of remaining a performing musician and composer, winning three national composition competitions: for Winter’s Poem (1931), Baroque Suite (1943) and Night Hymns on Lake Nipigon (1945).

On a year’s leave of absence from Queen’s, Harrison studies composition with Paul Hindemith at Yale University, also taking courses in musicology with Leo Schrade. In 1946, he takes up a position at Colgate University in Hamilton, New York, and then moves on to Washington University in St. Louis as head of the new Department of Music (1947–1950).

In 1951, Harrison takes the degrees of Master of Arts (M.A.) and Doctor of Music (DMus) at Jesus College, Oxford, and becomes lecturer (1952), senior lecturer (1956), and reader in the history of music (1962–1970) there. In 1965, he is elected Fellow the British Academy and Senior Research Fellow at Oxford. From 1970 to 1980, he is Professor of Ethnomusicology at the University of Amsterdam in the Netherlands, retiring to part-time teaching in 1976.

Harrison also holds Visiting Professorships in musicology at Yale University (1958–1959), Princeton University (spring 1961 and 1968–1969), and Dartmouth College (winter 1968 and spring 1972). He also briefly returns to Queen’s University at Kingston as Queen’s Quest Visiting Professor in the fall of 1980 and is Visiting Andrew W. Mellon Professor of Music at the University of Pittsburgh for the calendar year 1981.

Harrison’s honorary titles also include Doctor of Laws at Queen’s University, Kingston (1974), Corresponding Member of the American Musicological Society (1981), and Vice President and Chairman of the Plainsong and Medieval Music Society (1985). At Queen’s also, the new Harrison-LeCaine Hall (1974) is partly named in his honour.

Harrison dies in Canterbury, England on December 29, 1987.

In 1989, Harry White appreciates Harrison as “an Irish musicologist of international standing and of seminal influence, whose scholarly achievement, astonishingly, encompassed virtually the complete scope of the discipline which he espoused.” David F. L. Chadd writes of him “He was above all things an explorer, tirelessly curious and boyishly delighted in the pursuit of knowledge, experience and ideas, and totally heedless of artificially imposed constraints and boundaries.”

Since 2004, the Society for Musicology in Ireland (SMI) awards a bi-annual Irish Research Council Harrison Medal in his honour to distinguished international musicologists.


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Death of Feargus Edward O’Connor, Irish Chartist Leader

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Feargus Edward O’Connor, Irish Chartist leader and advocate of the Land Plan, which seeks to provide smallholdings for the labouring classes, dies in Notting Hill, West London, England on August 30, 1855. He succeeds in making Chartism the first specifically working-class national movement in Great Britain. A highly charismatic figure, he is admired for his energy and oratory but was criticised for alleged egotism.

O’Connor is born on July 18, 1796, in Connorville house, near Castletown-Kinneigh in west County Cork, into a prominent Irish Protestant family. He is originally christened Edward Bowen O’Connor, but his father, the Irish nationalist politician Roger O’Connor, chooses to call him Feargus. He is educated mainly at Portarlington Grammar School and has some elementary schooling in England.

O’Connor, who claims royal descent from the ancient kings of Ireland, practices law but exchanges law for politics when he is elected to the British House of Commons as Member of Parliament for County Cork, as a Repeal candidate rather than a Whig. Unseated in 1835, he turns to radical agitation in England, although he continues to press Irish grievances and to seek Irish support. As a result of his humour, invective, and energy, he becomes the best-known Chartist leader and the movement’s most popular speaker. His journal, The Northern Star, founded in 1837, gains a wide circulation.

O’Connor’s methods and views alienate other Chartist leaders, particularly William Lovett, but in 1841, after spending a year in prison for seditious libel, he acquires undisputed leadership of the Chartists. Failing to lead the movement to victory and vacillating in his attitude toward the middle class and toward the People’s Charter, a six-point bill drafted and published in May 1838, he begins to lose power, although he is remarkably elected to Parliament for Nottingham in 1847, defeating Thomas Benjamin Hobhouse.

The failure of the People’s Charter in 1848 marks the beginning of the end for O’Connor, whose egocentricity is already bordering on madness. In the spring of 1852, he visits the United States, where his behaviour leaves no doubt that he is not a well man. It is possible that he is in the early stages of general paralysis of the insane, brought on by syphilis.

In the House of Commons in 1852 O’Connor strikes three fellow MPs, one of them Sir Benjamin Hall, a vocal critic of the Land Plan. Arrested by the Deputy Sergeant-at-Arms, he is sent by his sister to Dr. Thomas Harrington Tuke‘s private Manor House Asylum in Chiswick, where he remains until 1854, when he is removed to his sister’s house. He dies on August 30, 1855, at 18 Albert Terrace, Notting Hill Gate. He is buried in Kensal Green Cemetery on September 10. No fewer than 40,000 people witness the funeral procession. Most Chartists prefer to remember his strengths rather than his shortcomings.

(Pictured: Stipple engraving portrait of the Chartist leader Feargus Edward O’Connor by an unknown artist, mid 19th century, published in the Northern Star in December 1837)


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Birth of Jack Butler Yeats, Artist & Olympic Medalist

John “Jack” Butler Yeats, Irish artist and Olympic medalist, is born in London, England on August 29, 1871.

Yeats’s early style is that of an illustrator. He only begins to work regularly in oils in 1906. His early pictures are simple lyrical depictions of landscapes and figures, predominantly from the west of Ireland, especially of his boyhood home of Sligo, County Sligo. His work contains elements of Romanticism.

Yeats is the youngest son of Irish portraitist John Butler Yeats and the brother of William Butler Yeats, the 1923 Nobel Prize in Literature recipient. He grows up in Sligo with his maternal grandparents, before returning to his parents’ home in London in 1887. Early in his career he works as an illustrator for magazines like The Boy’s Own Paper and Judy, draws comic strips, including the Sherlock Holmes parody “Chubb-Lock Homes” for Comic Cuts, and writes articles for Punch under the pseudonym “W. Bird.” In 1894 he marries Mary Cottenham, also a native of England and two years his senior and resides in Wicklow according to the 1911 Census of Ireland.

From around 1920, Yeats develops into an intensely Expressionist artist, moving from illustration to Symbolism. He is sympathetic to the Irish Republican cause, but not politically active. However, he believes that “a painter must be part of the land and of the life he paints,” and his own artistic development, as a Modernist and Expressionist, helps articulate a modern Dublin of the 20th century, partly by depicting specifically Irish subjects, but also by doing so in the light of universal themes such as the loneliness of the individual, and the universality of the plight of man. Samuel Beckett writes that “Yeats is with the great of our time… because he brings light, as only the great dare to bring light, to the issueless predicament of existence.” The Marxist art critic and author John Berger also pays tribute to Yeats from a very different perspective, praising the artist as a “great painter” with a “sense of the future, an awareness of the possibility of a world other than the one we know.”

Yeats’s favourite subjects included the Irish landscape, horses, circus and travelling players. His early paintings and drawings are distinguished by an energetic simplicity of line and colour, his later paintings by an extremely vigorous and experimental treatment of often thickly applied paint. He frequently abandons the brush altogether, applying paint in a variety of different ways, and is deeply interested in the expressive power of colour. Despite his position as the most important Irish artist of the 20th century (and the first to sell for over £1m), he takes no pupils and allows no one to watch him work, so he remains a unique figure. The artist closest to him in style is his friend, the Austrian painter, Oskar Kokoschka.

Besides painting, Yeats has a significant interest in theatre and in literature. He is a close friend of Samuel Beckett. He designs sets for the Abbey Theatre, and three of his own plays are also produced there. He writes novels in a stream of consciousness style that James Joyce acknowledges, and also many essays. His literary works include The Careless Flower, The Amaranthers, Ah Well, A Romance in Perpetuity, And to You Also, and The Charmed Life. Yeats’s paintings usually bear poetic and evocative titles. Indeed, his father recognizes that Jack is a far better painter than he, and also believes that “someday I will be remembered as the father of a great poet, and the poet is Jack.” He is elected a member of the Royal Hibernian Academy in 1916. He dies in Dublin on March 28, 1957, and is buried in Mount Jerome Cemetery.

Yeats holds the distinction of being Ireland’s first medalist at the Olympic Games in the wake of creation of the Irish Free State. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim wins a silver medal in the arts and culture segment of the Games. In the competition records the painting is simply entitled Swimming.

(Pictured: Photo of Jack Butler Yeats by Alice Boughton)


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Death of Thomas Blood, Anglo-Irish Officer

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Colonel Thomas Blood, Anglo-Irish officer and self-styled colonel best known for his attempt to steal the Crown Jewels of England and Scotland from the Tower of London in 1671, dies at his home in Bowling Alley, Westminster on August 24, 1680. He is also known for his attempt to kidnap and, later, to kill, his enemy, James Butler, 1st Duke of Ormond.

Sources suggest that Blood is born in County Clare in 1618, the son of a successful land-owning blacksmith of English descent. He is partly raised at Sarney, near Dunboyne, County Meath. He receives his education in Lancashire, England. At the age of 20, he marries Maria Holcroft, the daughter of John Holcroft, a gentleman from Golborne, Lancashire, and returns to Ireland.

At the outbreak of the First English Civil War in 1642, Blood returns to England and initially takes up arms with the Royalist forces loyal to Charles I. As the conflict progresses, he switches sides and becomes a lieutenant in Oliver Cromwell‘s Roundheads. Following the Restoration of King Charles II to the Crowns of the Three Kingdoms in 1660, Blood flees with his family to Ireland.

As part of the expression of discontent, Blood conspires to storm Dublin Castle, usurp the government, and kidnap James Butler, 1st Duke of Ormonde and Lord Lieutenant of Ireland, for ransom. On the eve of the attempt, the plot is foiled. Blood manages to escape to the United Dutch Provinces in the Low Country although a few of his collaborators are captured and executed.

In 1670, despite his status as a wanted man, Blood returns to England. On the night of December 6, 1670, he and his accomplices attack Ormonde while he travels St. James’s Street. Ormonde is dragged from his coach and taken on horseback along Piccadilly with the intention of hanging him at Tyburn. The gang pins a paper to Ormonde’s chest spelling out their reasons for his capture and murder. Ormonde succeeds in freeing himself and escapes. Due to the secrecy of the plot, Blood is not suspected of the crime.

Blood does not lie low for long, and within six months he makes his notorious attempt to steal the Crown Jewels. After weeks of deception, on May 9, 1671, he convinces Talbot Edwards, the newly appointed Master of the Jewel House, to show the jewels to him, his supposed nephew, and two of his friends while they wait for a dinner that Mrs. Edwards is providing. The jewel keeper’s apartment is in Martin Tower above a basement where the jewels are kept behind a metal grille. Reports suggest that Blood’s accomplices carried canes that concealed rapier blades, daggers, and pocket pistols. They enter the Jewel House, leaving one of the men to supposedly stand watch outside while the others joined Edwards and Blood. The door is closed, and a cloak is thrown over Edwards, who is struck with a mallet, knocked to the floor, bound, gagged and stabbed to subdue him.

As Blood and his gang flee to their horses waiting at St. Catherine’s Gate, they fire on the warders who attempt to stop them, wounding one. As they run along the Tower wharf it is said they join the calls for alarm to confuse the guards until they are chased down by Captain Beckman, brother-in-law of the younger Edwards. Although Blood shoots at him, he misses and is captured before reaching the Iron Gate. The Jewels are recovered although several stones are missing, and others are loose.

Following his capture, Blood refuses to answer to anyone but the King and is consequently taken to the palace in chains, where he is questioned by King Charles, Prince Rupert and others. To the disgust of Ormonde, Blood is not only pardoned but also given land in Ireland worth £500 a year. The reasons for the King’s pardon are unknown although speculation abounds.

In 1679 Blood falls into dispute with the Duke of Buckingham, his former patron, and Buckingham sues him for £10,000, for insulting remarks Blood had made about his character. In the proceedings that follow, Blood is convicted by the King’s Bench in 1680 and granted bail, although he never pays the damages.

Blood is released from prison in July 1680 but falls into a coma by August 22. He dies on August 24 at his home in Bowling Alley, Westminster. His body is buried in the churchyard of St. Margaret’s Church (now Christchurch Gardens) near St. James’s Park. It is believed that his body was exhumed by the authorities for confirmation as, such was his reputation for trickery, it is suspected he might have faked his death and funeral to avoid paying his debt to Buckingham.


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Death of Professional Footballer Johnny Carey

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John Joseph “Johnny” Carey, professional footballer, manager and one of Manchester United F.C.’s great captains, dies in Macclesfield, Cheshire, England on August 22, 1995.

Carey is born in Dublin on February 23, 1919. As a schoolboy, he plays football for Home Farm F.C. As a youth, he also plays Gaelic football and is selected to represent Dublin GAA at minor level before he signs for St. James’s Gate F.C. at the start of the 1936–1937 season.

After just two months of League of Ireland football, he is spotted by Billy Behan, a Dublin-based Manchester United scout. In November 1936 United signs him for a then League of Ireland record fee of £250. He makes his debut as an inside left for United on September 23, 1937, against Southampton F.C. During his first season with United, Carey, together with Harry Baird, Jack Rowley, Tommy Bamford, Tommy Breen and Stan Pearson, help United gain promotion to the First Division.

As a player Carey spends most of his career with Manchester United, where he is team captain from 1946 until he retires as a player in 1953. He also plays as a guest for several other clubs including Cardiff City F.C., Manchester City F.C., Everton F.C., Liverpool F.C. and Middlesbrough F.C.

Carey is also a dual internationalist, playing for and captaining both Ireland teams – the FAI XI and the IFA XI. In 1947 he also captains a Europe XI which plays a Great Britain XI at Hampden Park. In 1949 he is voted the Football Writers’ Association Footballer of the Year and in the same year captains the FAI XI that defeats England 2–0 at Goodison Park, becoming the first non-UK team to beat England at home.

Carey is also the first non-UK player and the first Irishman to captain a winning team in both an FA Cup Final and the First Division. Like his contemporary Con Martin, he is an extremely versatile footballer and plays in nine different positions throughout his career. He even plays in goal for United on one occasion.

(Pictured: Manchester United captain Johnny Carey is carried on the shoulders of his teammates, after they win the FA Cup final of 1948 against Blackpool. Date: April 24, 1948)