Todhunter is the eldest son of Thomas Harvey Todhunter, a Quaker merchant of English origin. He is educated at Quaker schools, including Bootham School in York and in Mountmellick, County Laois. He starts work at his father’s offices in Dublin and London before continuing on to attend Trinity College, Dublin, where he studies medicine. While at Trinity, he wins the Vice-Chancellor’s prize for English Verse 1864, 1865 and 1866, and the Gold Medal of the Philosophical Society 1866 for an essay. He also clerks for William Stokes while studying. He receives his Bachelor of Medicine in 1867 and his Doctor of Medicine degree in 1871.
In 1870, one year prior to receiving his Doctor of Medicine, Todhunter becomes a Professor of English Literature at Alexandra College, Dublin. Four years later, he resigns from that position and travels to Egypt and several places in Europe. He marries Dora L. Digby in 1879. In 1881, he finally settles in London, where his home in Bedford Park, Chiswick is located in a small community of writers and artists, including William Butler Yeats. Informal “symposia” are held at his house about once a fortnight, when friends gather at his fireside to discuss poetry and philosophy. He is involved in the founding of the Irish Literary Society there.
Todhunter’s first volume is a collection of narrative and lyrical poems entitled Laurella (1876). Grace, tenderness, and melody mark these poems. In later years he does much stronger work under the influence of ancient Celtic literature, to the study of which he is led by the memorable rendering of the Cú Chulainn legend published in 1878 by Standish O’Grady. The Banshee and Other Poems (1888) and The Irish Bardic Tales (1896) contain the best of his work in poetry.
Three of Todhunter’s plays have been acted with success. One of them, The Black Cat (1893), produced by the Independent Theatre Society, a private club formed to forestall censorship by the Lord Chamberlain’s Office, is a factor in the revival of the literary drama. However, it only receives one performance, on December 8, 1893, at the Opera Comique. His translation of Heinrich Heine‘s Buch der Lieder is perhaps the best complete English version of a work than which none more irresistibly attracts or more cruelly eludes the art of the translator. He is also author of a few brief prose works, including “The Life of Patrick Sarsfield, Earl of Lucan” and “A Study of Shelley.”
Todhunter dies on October 25, 1916, at his residence in Bedford Park.
As commander of the 2nd Northern Division of the IRA, O’Duffy sees action in Belfast when defending Catholic ghettoes from attacks by Protestant pogromists. He also leads the Free State forces into Limerick city.
In 1933, O’Duffy becomes associated with Cumann na nGaedheal by taking on the leadership of their security organization the Army Comrades Association, later to be known colloquially as the Blueshirts. This organization is to become a participant in many street brawls with anti-treaty sympathizers who try to break up pro-treaty political meetings. When the pro-treaty parties merge in 1933 to become Fine Gael, he is the party President for a short period of time.
After the 1933 Irish general election, which again sees de Valera in power, O’Duffy is dismissed from his post as Garda Commissioner on the grounds that due to his past political affiliations, he will be unable to carry out his duties without bias.
In Europe, the new phenomenon of fascism is gaining ground and O’Duffy, like many of his pro-treaty colleagues, is drawn to it. His Army Comrades Association is renamed the National Guard, and they begin to take on many of the symbols of fascism such as the outstretched arm salute and the blue uniforms.
When O’Duffy plans a massed march for August 1933 in Dublin to commemorate the deaths of Arthur Griffith and Michael Collins, de Valera, fearing a coup, has it banned. Possibly de Valera is also testing the loyalty of the army and the Garda Síochána. In September the National Guard itself is banned although it reforms under the title The League of Youth.
In 1934 O’Duffy suddenly and inexplicably resigns as president of Fine Gael although it is known that many of its members are growing worried by his actions and statements. The Blueshirt movement begins to unravel at the seams. That same year he forms his own fascist movement, the National Corporate Party.
In 1936, supported by the Catholic Church in Ireland, O’Duffy leads 700 of his followers to Spain to help General Francisco Franco in the Spanish Civil War against the republican government. They form part of the XV Bandera Irlandesa del Terico, a part of the Spanish Legion. The Bandera sees little or no action and are returned to Ireland in 1937.
Although O’Duffy has some low-level dalliance with the Nazis he never does regain any of his political influence. His health is on the decline, and he dies on November 30, 1944. De Valera grants him a state funeral and he is interred in Glasnevin Cemetery in Dublin.
He is born John MacKenna, the son of William MacKenna of Willville House near Monaghan and Eleanora O’Reilly and, on his mother’s side, a nephew to CountAlejandro O’Reilly. Count O’Reilly takes an interest in the young Mackenna and takes him to Spain where he studies at the Royal School of Mathematics in Barcelona. He also trains in the Royal Military Academy as a Military Engineer between 1785 and 1791.
In 1787 Mackenna is accepted into the Irish Brigade of the Spanish Army, and joins the army fighting in Ceuta in northern Africa, under Lieutenant Colonel Luis Urbina, and is promoted to Second Lieutenant. In 1791 he resumes his studies in Barcelona and acts as liaison with mercenaries recruited in Europe. The following year he is promoted to Lieutenant in the Royal Regiment of Engineers. In the War of the Pyrenees against the French, he fights in Rosselló under General Ricardos and there meets the future liberator of Argentina, José de San Martín. For his exploits in defence of the Plaza de Rozas, he is promoted to captain in 1795.
For the purpose of a new assignment, in October 1796, Mackenna leaves Spain for South America. He arrives in Buenos Aires and then travels to Mendoza and to Chile across the Andes and then to Peru. Once in Lima, he contacts Ambrosio O’Higgins, another Irishman, at that time Viceroy of Perú, who names him Governor of Osorno and puts him in charge of the reconstruction works for the southern Chilean town.
In this capacity, Mackenna convinces the families of Castro, on Chiloé Island, to move to Osorno to found a colony there. He builds the storehouse and two mills, as well as the road between Osorno and present-day Puerto Montt. His successful administration provokes jealousy from Chile’s captain-general Gabriel de Avilés, who fears that Mackenna and Ambrosio O’Higgins will create an Irish colony in Osorno. Both Irishmen are loyal to the Spanish crown, though Mackenna has good relations with O’Higgins’ son Bernardo, the future emancipator of Chile, and is also connected with the VenezuelanFrancisco de Miranda and his group of supporters of South American independence. When Ambrosio O’Higgins dies in 1801, Avilés is appointed viceroy of Peru. It takes him eight years to remove Mackenna, O’Higgins’s protégé, from Osorno.
In 1809 Mackenna marries Josefina Vicuña y Larraín, an eighteen-year-old Chilean woman from a family with revolutionary connections, with whom he has three children. After the Declaration of Chilean Independence in 1810, he adheres to the Patriot side and is commissioned by the first Chilean government to prepare a plan for the defense of the country and oversees the equipment of the new Chilean Army. At this juncture he trains the first military engineers for the new army.
The following year Mackenna is called to the defence committee of the new Republic of Chile, and in 1811 is appointed governor of Valparaíso. Owing to political feuds with José Miguel Carrera and his brothers, he is dismissed from the post and taken prisoner. He is a firm ally of Bernardo O’Higgins, who appoints him as one of the key officers to fight the Spanish army of General José Antonio Pareja. His major military honour is attained in 1814 at the Battle of Membrillar, in which the general assures a temporary collapse of the royal forces.
As a reward for his victory, Mackenna is appointed commandant-general by Bernardo O’Higgins, but after a coup d’état led by Luis Carrera he is exiled to Argentina in 1814, when Carrera comes to power. Mackenna dies in Buenos Aires on November 21, 1814, following a duel with Carrera.
A bust of General Mackenna is publicly presented to Monaghan County Museum on August 5, 2004 by his direct descendant, Luis Valentín Ferrada. At the presentation ceremony, MacKenna, the man “unreservedly regarded as the greatest of County Monaghan’s exiles” is commemorated in speeches by Most Rev. Dr. Joseph Duffy, Bishop of Clogher and by his descendant Senor Ferrada who declares, “In this city of Monaghan, very near to Willville House, the tombs of my ancestors are in the old cemetery. There, my own blood is interred in the sacred earth.”
As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumour. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
Gallagher starts her singing in the Creeslough Hall with a local Céilí band started by Bill Gallagher. The Creeslough Hall is owned by Jim McCaffrey and Bridie makes many more visits to the Creeslough Hall in her home town throughout her long and successful career. Her talent is soon spotted in the 1950s by Billy Livingstone who is a talent scout for Decca Records. She goes to Belfast, which becomes her base, where she marries Robert (Bob) Livingstone (no relation to Billy Livingstone) and has two boys, Jim and Peter. Peter dies in a motor accident in 1976 and Jim later goes on to tour with her.
Gallagher shoots to fame in 1956 with her recording of “A Mother’s Love’s A Blessing” and achieves international acclaim with her legendary rendition of “The Boys From County Armagh.” During her career, which spans over six decades, she appears in many leading venues across the globe. She also makes songs such as “The Homes of Donegal” famous.
Gallagher holds the record for the largest number of people in attendance in the Royal Albert Hall in London, with over 7,500 people, a record that is never equaled as it goes on to become an all-seater venue. She becomes world-famous and travels all over the world, United States, Canada, Europe, Australia and is known as “The Girl from Donegal.” She plays in many of the world’s best known theatres, including London’s Royal Albert Hall, Sydney Opera House and Carnegie Hall in New York City. She sings mainly ballads or as they later became known as Country and Irish. One of her best known songs is “The Boys From The County Armagh,” which sells over 250,000 copies, the biggest-selling Irish single at that time.
Gallagher lives in Belfast for most of her life. She is honoured by the people of Creeslough on July 10, 2000 with an event to celebrate her career. Members of her family from Creeslough and Donegal attend the event along with her two sisters and their families who travel from Glasgow to be there along with an estimated crowd of 2,500 fans. A plaque paying tribute to her is unveiled. The following day she is honoured by Donegal County Council when they hold a Civic Reception for her. “Bridie blazed the trail for many artists who followed after her and I’m sure that many of them looked upon her as a role model as they started their careers in the music world,” council chairman Charlie Bennett says at the ceremony.
Gallagher dies at her home in Belfast on January 9, 2012 at the age of 87. Her burial takes place in her native Creeslough.
Eric Robin Bell, Northern Irish rock and blues musician, is born on September 3, 1947 in East Belfast, Northern Ireland. He is best known as a founder member and the original guitarist of the rock group Thin Lizzy. After his time in Thin Lizzy, he briefly fronts his own group before joining The Noel Redding Band in the mid-1970s. He has since released several solo albums and performs regularly with a blues-based trio, the Eric Bell Band.
Bell begins his career with local groups around the Belfast area, including the last incarnation of Them to feature Van Morrison, between September and October 1966. He also plays with a number of other bands including Shades of Blue, The Earth Dwellers and The Bluebeats, before joining an Irish showband named The Dreams. He leaves in 1969 having tired of the showband format and, at the end of that year, forms a band with local musicians Phil Lynott, Eric Wrixon and Brian Downey. Bell names the group Thin Lizzy, after Tin Lizzie, a robot character in The Dandy comic.
Organist Eric Wrixon leaves Thin Lizzy after a few months, and the remaining trio later secure a contract with Decca Records. As lead guitarist, Bell plays on Thin Lizzy’s first three albums, Thin Lizzy, Shades of a Blue Orphanage and Vagabonds of the Western World, as well as their hit single “Whiskey in the Jar.” He co-writes a number of songs with Lynott and Downey, including “The Rocker” which becomes a live favourite throughout the band’s career. He also composes one song on his own, “Ray Gun,” from their first album, Thin Lizzy.
Although Thin Lizzy gains in popularity during the early 1970s, the pressures of recording, touring and the excesses of the rock star lifestyle begin to take their toll. Bell leaves the band after a New Year’s Eve concert in 1973, after throwing his guitar into the air in the middle of the concert, pushing the amplifiers into the audience and storming off stage. He states later that he had no regrets about leaving: “I really had to leave because of ill-health. It was exhaustion, and the majority of things that were available to me… I couldn’t really handle it.” He is temporarily replaced by Gary Moore.
In 1974, after a brief period fronting his own Eric Bell Band, Bell is recruited by ex-Jimi Hendrix sideman Noel Redding, along with guitarist/singer Dave Clarke and drummer Les Sampson, to form The Noel Redding Band. He is initially unsure of the musical direction Redding is taking, but goes on to record two albums with the group before they split in 1976. A third album of unused tracks is released in 1995. He composes the song “Love and War” for the second album, Blowin’.
In 1980, Bell reunites with Thin Lizzy to record a tribute song to Jimi Hendrix, “Song for Jimmy,” which is released as an orange flexi disc and given away with Flexipop in August 1981. It is later included on Thin Lizzy’s Vagabonds Kings Warriors Angelsbox set in 2002, although much of Bell’s lead guitar work is missing from this version as the relevant master tapes cannot be found. He also appears as a guest on Thin Lizzy’s final tour in 1983, and the accompanying live album, Life.
Bell subsequently joins saxophonist Dick Heckstall-Smith‘s eight-piece blues rock ensemble Mainsqueeze. They tour Europe, record a live album in 1983, and later tour as Bo Diddley‘s backing group, recording the Hey… Bo Diddley: In Concert album in 1986.
Bell continues to perform and record with the Eric Bell Band throughout the 1990s and 2000s, releasing several albums. He also records with the Barrelhouse Brothers.
In 2005, Bell joins Gary Moore onstage to perform “Whiskey in the Jar” at the Phil Lynott tribute concert “The Boy Is Back in Town” in the Point Theatre, Dublin. This is released on a DVD called One Night in Dublin: A Tribute to Phil Lynott. In 2010, he moves from London where he had lived for many years to his new home in West Cork, Ireland.
Ryan emigrates to the United States in 1947 to work for Time, where he reports on the postwar tests of atomic weapons carried out by the United States in the Pacific. He then reports for Time on the Arab-Israeli war in 1948. This is followed by work for other magazines, including Collier’s Weekly and Reader’s Digest.
Ryan marries Kathryn Morgan, a novelist, and becomes a naturalized citizen of the United States in 1951.
On a trip to Normandy in 1949 Ryan becomes interested in telling a more complete story of Operation Overlord than has been produced to date. He begins compiling information and conducting over 1,000 interviews as he gathers stories from both the Allies and the Germans, as well as the French civilians.
In 1956 Ryan begins to write down his World War II notes for The Longest Day: 6 June 1944 D-Day, which tells the story of the D-Day Invasion of Normandy, published three years later in 1959. It is an instant success, and he assists in the writing of the screenplay for the 1962 film of the same name. Darryl F. Zanuck pays the author U.S.$175,000 for the screen rights to the book.
Ryan’s 1957 book One Minute to Ditch! is about the successful ocean ditching of a Pan AmericanBoeing 377 Stratocruiser. He had written an article about the ditching for Collier’s in their December 21, 1956, issue and then expanded it into the book.
Ryan’s next work is The Last Battle (1966), about the Battle of Berlin. The book contains detailed accounts from all perspectives: civilian, American, British, Russian and German. It deals with the fraught military and political situation in the spring of 1945, when the forces of the western allies and the Soviet Union contend for the chance to liberate Berlin and to carve up the remains of Germany.
This work was followed by A Bridge Too Far (1974), which tells the story of Operation Market Garden, the ill-fated assault by allied airborne forces on the Netherlands culminating in the Battle of Arnhem. It is made into a major 1977 film of the same name.
Ryan is awarded the French Legion of Honour and an honorary Doctor of Literature degree from Ohio University, where the Cornelius Ryan Collection is housed in the Alden Library. He is diagnosed with prostate cancer in 1970 and struggles to finish A Bridge Too Far during his illness. He dies in Manhattan on November 23, 1974, while on tour promoting the book, only two months after publication. He is buried in the Ridgebury Cemetery in northern Ridgefield, Connecticut.
Four years after his death, Ryan’s struggle with prostate cancer is detailed in A Private Battle, written by his widow, from notes he had secretly left behind for that purpose.
McShane learns at a young age to play bass and guitar. As a teenager, he is allegedly shunned by his family after they learn of his homosexuality. Later as a young man in the late 1970s, he leaves Northern Ireland to study at a stage school in London, where he learns to dance, sing and recite.
Hired as a stage dancer and backing singer, McShane soon goes around Europe with Dee D. Jackson and her band. During a visit to Italy with the band, he is attracted to the country’s underground dance scene, which leads to him settling in Milan in 1984. He tells Dick Clark on American Bandstand in 1986 that he fell in love with Italy from that moment. He also learns the Italian language.
McShane makes his debut playing in small clubs in his hometown and is presented to various audiences, without success. In view of his low artistic success, he decides to work as an Emergency Medical Technician (EMT) for the Red Cross until he meets Italian record producer and keyboardistMaurizio Bassi, with whom he creates Baltimora. The act finds success with its most popular single, “Tarzan Boy”, released in 1985.
In the United States, McShane is overwhelmed with the success of “Tarzan Boy”. Some sources state lead vocals are performed by Maurizio Bassi, the group’s keyboardist, with McShane actually providing the backing vocals. This still remains uncertain, and McShane lip synchs while appearing in the “Tarzan Boy” music video, and not Bassi. Both the music and the lyrics of Baltimora are written mostly by Bassi and Naimy Hackett, though McShane writes the lyrics to some of their songs, such as the single “Survivor in Love.”
After the release of “Survivor in Love,” with no label support for a follow-up album and due to its poor success, Bassi decides it is time to move on to other projects and Baltimora disbands.
McShane is diagnosed with AIDS in Milan in 1994. A few months later he returns to Northern Ireland to spend his final year, and dies in his native Derry on March 29, 1995 at the age of 37. A family spokesman issues the following statement after his death: “He faced his illness with courage and died with great dignity.” In the centre of Derry, a commemorative plaque is bestowed upon the grave of McShane and his father, who had died three years prior.
Balfe’s musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.
In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.
While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.
Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.
Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835, at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.
In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843, at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.
From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.
In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.
In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.
O’Rahilly is born in Ballylongford, County Kerry to Richard Rahilly, a grocer, and Ellen Rahilly (née Mangan). He has two siblings who live to adulthood, Mary Ellen “Nell” Humphreys (née Rahilly) and Anno O’Rahilly, both of whom are active in the Irish revolutionary period. He is educated in Clongowes Wood College (1890–1893). As an adult, he becomes a republican and a language enthusiast. He joins the Gaelic League and becomes a member of An Coiste Gnotha, its governing body. He is well traveled, spending at least a decade in the United States and in Europe before settling in Dublin.
In 1913 O’Rahilly is a founding member of the Irish Volunteers, who organize to work for Irish independence and resist the proposed Home Rule. He serves as the IV Director of Arms. He personally directs the first major arming of the Irish Volunteers, the landing of 900 Mausers at the Howth gun-running on July 26, 1914.
O’Rahilly is not party to the plans for the Easter Rising, nor is he a member of the Irish Republican Brotherhood (IRB), but he is one of the main people who trains the Irish Volunteers for the coming fight. The planners of the Rising go to great lengths to prevent those leaders of the Volunteers who are opposed to unprovoked, unilateral action from learning that a rising is imminent, including its Chief-of-Staff Eoin MacNeill, Bulmer Hobson, and O’Rahilly. When Hobson discovers that an insurrection is planned, he is kidnapped by the Military Council leadership.
Learning this, O’Rahilly goes to Patrick Pearse‘s school, Scoil Éanna, on Good Friday. He barges into Pearse’s study, brandishing his revolver as he announces, “Whoever kidnaps me will have to be a quicker shot!” Pearse calms him down, assuring him that Hobson is unharmed and will be released after the rising begins.
O’Rahilly takes instructions from MacNeill and spends the night driving throughout the country, informing Volunteer leaders in Cork, Kerry, Tipperary, and Limerick that they are not to mobilise their forces for planned manoeuvres on Sunday.
Arriving home, O’Rahilly learns that the Rising is about to begin in Dublin on the following day, Easter Monday, April 24, 1916. Despite his efforts to prevent such action, he sets out to Liberty Hall to join Pearse, James Connolly, Thomas MacDonagh, Tom Clarke, Joseph Plunkett, Countess Markievicz, Seán Mac Diarmada, Éamonn Ceannt and their Irish Volunteers and Irish Citizen Army troops. Arriving in his De Dion-Bouton motorcar, he gives one of the most quoted lines of the rising – “Well, I’ve helped to wind up the clock…I might as well hear it strike!” His car is used to fetch supplies during the siege and later as part of a barricade on Prince’s Street, where it is burned out.
O’Rahilly fights with the GPO garrison during Easter Week. One of the first British prisoners taken in the GPO is Second Lieutenant AD Chalmers, who is bound with telephone wire and lodged in a telephone box by the young Volunteer Captain and IRB activist, Michael Collins. Chalmers later recalls O’Rahilly’s kindness to him. In a statement to a newspaper reporter, he says that he was taken from the phone box after three hours and brought up to O’Rahilly, who ordered, “I want this officer to watch the safe to see that nothing is touched. You will see that no harm comes to him.”
On Friday, April 28, with the GPO on fire, O’Rahilly volunteers to lead a party of men along a route to Williams and Woods, a factory on Great Britain Street, now Parnell Street. A British machine gun at the intersection of Great Britain and Moore streets cuts him and several of the others down. He slumps into a doorway on Moore Street, wounded and bleeding badly but, hearing the English marking his position, makes a dash across the road to find shelter in Sackville Lane, now O’Rahilly Parade. He is wounded diagonally from shoulder to hip by sustained fire from the machine-gunner.
According to ambulance driver Albert Mitchell in a witness statement more than 30 years later, O’Rahilly still clung to life 19 hours after being severely wounded, long after the surrender had taken place on Saturday afternoon.
Desmond Ryan‘s The Rising: The Complete Story of Easter Week maintains that it “was 2:30 PM when Miss O’Farrell reached Moore Street, and as she passed Sackville Lane again, she saw O’Rahilly’s corpse lying a few yards up the laneway, his feet against a stone stairway in front of a house, his head towards the street.”
seamus dubhghaill 