Rowsome, born Martin Leo Rowsome on April 5, 1903, in Harold’s Cross, Dublin, is the third son among seven sons and one daughter of William Rowsome, a carpenter, and Bridget Ann Rowsome (née Murphy). He comes from a distinguished line of uilleann pipers. His grandfather, Samuel Rowsome, ensures that his sons receive formal musical training from a German teacher in Ferns, County Wexford. Observing his father’s craftsmanship, he learns the art of pipe making and instrument repair from an early age.
Rowsome’s talent develops rapidly, and by 1919, at the age of sixteen, he is appointed teacher of the uilleann pipes at Dublin’s Municipal School of Music (now Dublin Institute of Technology Conservatory of Music and Drama), a position he holds for fifty years. He also teaches at Dublin’s Pipers’ Club, where he is a founder member and president, contributing to the formation of Comhaltas Ceoltóirí Éireann in 1950.
He is the first uilleann piper to perform on Irish National Radio in the early 1920s, both solo and in duets with other musicians, and later performs with his “All Ireland Trio.” He is a multiple All-Ireland prizewinner in the 1920s and frequently broadcasts lectures on piping, helping preserve and promote traditional Irish music.
Rowsome is also a master pipe maker and reed maker, known for his meticulous craftsmanship and ability to maintain instruments in perfect tune. His workshop in Dublin is a hub of creativity, where he combines traditional knowledge from his father and grandfather with his own innovations. He trains numerous pupils, including notable musicians like Paddy Moloney and Liam O’Flynn, ensuring the continuation of the uilleann piping tradition.
Rowsome dies suddenly while adjudicating The Fiddler of Dooney Competition in Riverstown, County Sligo, on September 20, 1970. To commemorate the centennial of his birth in 2003, his daughter, Helena Grimes, has some of his original manuscripts published by Waltons; “The Leo Rowsome Collection of Irish Music” consists of 428 reels, jigs, airs, and hornpipes.
Rowsome is remembered as a cheerful, patient, and dedicated father, who creates a lively and musical household. His daughter recalls the vibrant atmosphere of his workshop and the care he took in crafting and testing his instruments.
Rowsome’s style is free and flowing, leaving a lasting impact on contemporary Irish music and uilleann piping. He is one of the last of a small group of traditional pipe makers, and his expertise in tuning, reed making, and performance has been widely celebrated. Even decades after his death his name remains synonymous with the uilleann pipes and Irish musical heritage.
Casement, a founder of the Irish National Volunteers and a former British diplomat, has traveled to the United States to seek American backing for his republican cause. When that proves unsuccessful, he turns to Germany, hoping to enlist Irish soldiers in the British Army to fight alongside the Germans in World War I. His plan is to raise an “Irish Brigade” composed of Irish prisoners of war captured in Belgium and France, who are estimated to number 35,000–40,000.
The September 13 meeting in Washington is one of several contacts Casement makes with German officials, including Papen, to present his proposal. He argues that an Irish Brigade could bolster the German war effort while advancing Ireland’s independence goals. However, Papen rejects the idea, and the alliance does not materialize.
Without German support, Casement’s efforts to secure Irish military aid for the 1916 Easter Rising fails. The Rising proceeds without foreign assistance, and Casement himself is arrested by British authorities in 1916, tried for treason, and executed on August 3, 1916. Despite his execution, he remains remembered as a key figure in Irish nationalism and a symbol of resistance to British rule.
In summary, the September 13, 1914, meeting in Washington, D.C., marks a high point in Casement’s diplomatic campaign for Irish independence, but it ends in rejection, setting the stage for his later role in the Easter Rising and his martyrdom.
(Pictured: Sir Roger Casement (left) and Franz von Papen)
Horniman, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother, Emslie, are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their Germangoverness takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.
Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.
Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903, Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.
At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.
As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.
Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.
In January 1919, Sinn Féin MPs refuse to recognise the Parliament of the United Kingdom and instead assembles in the Mansion House, Dublin as a revolutionary parliament called Dáil Éireann. McCan never sits in Dáil Éireann, dying in prison on March 6, 1919, during the Spanish flu pandemic. On March 9, 1919, he is buried in Dualla, Cashel, County Tipperary.
No by-election is called to replace him in the UK constituency. After April 1, 1922, the Irish Free State (Agreement) Act 1922 prohibits any by-election, and the constituency is abolished when parliament is dissolved on October 26, 1922, for the general election on November 15.
The First Dáil also considers how to fill the vacancy. A select committee in April recommends that the local Sinn Féin organisation which nominated him should nominate his replacement. A June proposal to postpone action, either for six months or until a Westminster by-election is held, is referred to another committee, which recommends that “in view of the circumstances which occasioned the vacancy, it was due to the memory of the late Pierce McCann that his place should not be filled at present.”
On April 10, 1919, Cathal Brugha tells the First Dáil: “Before I formally move the motion, as I have mentioned the name of Pierce McCan, I would ask the Members of the Dáil to stand up as a mark of our respect to the first man of our body to die for Ireland, and of our sympathy with his relatives. We are sure that their sorrow is lightened by the fact that his death was for the cause for which he would have lived, and that his memory will ever be cherished in the hearts of the comrades who knew him, and will be honoured by succeeding generations of his countrymen with that of the other martyrs of our holy cause.” The McCan Barracks in Templemore, County Tipperary, is named after him.
Hardebeck is born on December 10, 1869, in Clerkenwell, London, to a German father and Welsh mother. He loses his sight when he is a baby. He attends the Royal Normal School for the Blind in London (1880–92) where, under his teacher Frederick Corder, a professor from the Royal Academy of Music, he shows a marked aptitude for music.
In 1893, at the age of twenty-four, Hardebeck moves to Belfast, where he opens a music store, but the venture fails, and he becomes the organist of a small parish in the city, the Holy Family Church, Wellington Place. He enters an anthem, O God of My Salvation, for contralto and chorus, for the 1897 Dublin Feis Ceoil and wins. On this occasion he hears folk song arrangements of Charles Villiers Stanford and others for the first time. At the 1901 Feis Ceoil, he again wins a prize, this time for a large cantata, The Red Hand of Ulster. In 1914, his wife, Mary Reavy, dies.
In 1919, Hardebeck becomes the director of the music school in Cork and becomes the first professor of Irish music at University College Cork (UCC) in 1922. Ill-suited for administrative tasks, he relinquishes the post after one year and returns to Belfast, which after the Irish Civil War has become the capital of Northern Ireland. In 1932, he finally settles in Dublin, where he works for An Gúm, the Irish government publisher, as arranger of Irish traditional songs for piano and choirs, many of which become teaching material at schools in the nascent Republic of Ireland. He also teaches Irish and traditional music in the Dublin Municipal School of Music for two years. On many occasions he acts as adjudicator in singing and musical competitions across Ireland.
Despite Hardebeck’s mixed German/Welsh/English background, the events of the 1913 Dublin lock-out, the outbreak of World War I, and the 1916 Easter Rising radicalise him, turning him into an Irish nationalist. He is quoted as saying, “I believe in God, Beethoven and Patrick Pearse.” He studies the Irish language and collects folk songs from around the country, making some unique arrangements that bridge the gap between traditional and art song.
At home in Dublin, Hardebeck plays his excellent arrangements of Irish melodies on a Schiedmayerharmonium. The instrument has a “percussion” stop, which he uses to great effect. He also owns a Knauss piano but plays the harmonium by choice. He is quite an authority on plainchant. The noted Irish harpsichord maker Cathal Gannon is a close friend of his for many years. Hardebeck teaches him how to appreciate the structure of the classical symphony and concerto and passes on his enthusiasm and love of Irish melodies.
Following Hardebeck’s death at his home, 14 St. Vincent Street, Berkeley Road, Dublin, on February 10, 1945, a Radio Éireann-sponsored symphony concert, held in the Capitol Theatre in Dublin, begins with a sympathetic performance of his orchestral variations upon Seoithín Seó. A state funeral is held in Saint Joseph’s Church, Berkeley Road, Dublin. The church is packed; various government ministers, the Lord Mayor and representatives of PresidentDouglas Hyde and of Éamon de Valera are there. Hardebeck’s own Kyrie and Agnus Dei are performed at the Requiem Mass. He is interred in Glasnevin Cemetery, where a Benedictus is chanted by the clergy present. A vote of sympathy is issued by the Irish National League of the Blind to Hardebeck’s widow and relatives, in which the hope is expressed “that the nation as a whole would not be unmindful of the important contribution which the late Dr. Hardebeck had made to Irish culture, music and art.”
Unfortunately, very little attention has been given to Hardebeck, who is one of the instigators in the revival of Irish music. Indeed, he is largely forgotten after his death. This is possibly due to his mixed origins and place of birth. His arrangement for orchestra of The Lark in the Clear Air is a fine piece of music, but he is content to sell it to the music publishers Boosey & Hawkes for just six guineas.
In June 2013, a plaque to Hardebeck’s memory is installed at Holy Family Church, Belfast.
(Pictured: “Carl Hardebeck (1869-1945),” oil on canvas, National Museums NI)
Together with his brother Norman, Leslie’s early education begins at home where a German governess, Clara Woelke, is their first teacher. As children the brothers have more contact with servants than they have with their parents. His own daughter, Anita, says, “In my parents’ view schools performed the same functions that kennels did for dogs. They were places where pets could be conveniently deposited while their owners travelled.”
Leslie is educated at Ludgrove School, then Eton College and King’s College, Cambridge. While at Cambridge University he becomes a Roman Catholic and a supporter of Irish Home Rule. He adopts an anglicised Irish variant of his name (“Shane”). Not overly impressed by Eton, as a lower boy he and his roommates occupy “an old, battered warren betwixt the chapel cemetery and Wise’s horse yard … [T]he food was wretched and tasteless … As for thrashings which tyrannised rather than disciplined our house, they were excessive. Bullying was endemic and Irish boys were ridiculed, especially on St Patrick’s Day.”
Leslie refuses to send his own sons to Eton. They are educated at Roman Catholic Benedictine schools: Jack at Downside School and Desmond at Ampleforth College.
During the war Leslie is in a British Ambulance Corps, until invalided out. He is then sent to Washington, D.C. to help the British Ambassador, Sir Cecil Spring Rice, soften Irish American hostility toward England and obtain American intervention in the war in the aftermath of the 1916 Easter Rising in Dublin and the execution of its leaders. But he also looks to Ireland for inspiration when writing and edits a literary magazine that contains much Irish verse. He becomes a supporter of the ideals of Irish nationalism, although not physical force republicanism.
In the 1918 United Kingdom general election in Ireland, the Irish Parliamentary Party loses massively to Sinn Féin, putting an end to Leslie’s political career, but as the first cousin of Winston Churchill he remains a primary witness to much that is said and done outside the official record during the negotiation of the Anglo-Irish Treaty of 1921. Disappointed, he feels unwanted in Ireland and abandoned by the British. Like many members of the landed gentry from the 1880s who were obliged to turn to other occupations, he can no longer rely on income from landholdings.
Leslie writes extensively, in a wide range of styles, in verse, prose, and polemic, over several decades. His writings include The End of a Chapter (1916), while hospitalised during World War I, The Oppidan (1922), a roman à clef about his life and contemporaries at Eton, an edition of the Letters of Herbert Cardinal Vaughan to Lady Herbert of Lea (1942), and a biography Mrs. Fitzherbert: a life chiefly from unpublished sources (1939), together with an edition of her letters (with Maria Anne Fitzherbert), The letters of Mrs. Fitzherbert and connected papers; being the second volume of the life of Mrs. Fitzherbert (1944). He also writes Mark Sykes: His Life and Letters (1923), a biography of the English traveler, Conservative Party politician and diplomatic advisor. He advises budding novelist Scott Fitzgerald on the title of his first novel, they share correspondence with the future Mnsg. William A. Hemmick, who is Fitzgerald’s teacher at the Newman School.
A passionate advocate of reforestation, Leslie finds the business of running an estate uncreative and boring, and transfers the estate entailed to him to his eldest son, John Norman Leslie, who succeeds as the 4th Baronet. He transfers St. Patrick’s Purgatory on Lough Derg to the Roman Catholic Bishop of Clogher, Eugene O’Callaghan.
The wealth of the Leslies wanes by the 1930s following the Wall Street crash of 1929 and a farm that is loss making. In his unpublished memoirs, Leslie writes “a gentleman’s standing in his world was signalled by his list of clubs and it was worth paying hundreds of pounds in subs.” They continue to maintain their lifestyle, involving attendance at the London season and the entertainment of distinguished visitors, including Anthony Eden at Glaslough. At the outbreak of World War II in 1939 he joins the Home Guard. He spends the remainder of his life between Glaslough and London.
Leslie’s first wife, Marjorie, dies on February 8, 1951. On May 30, 1958, at the Catholic Church of St. Peter & Edward, Westminster, he marries Iris Carola Frazer, who is the daughter of Charles Miskin Laing and Etheldreda Janet Laing.
Horniman is born at Surrey Mount, Forest Hill, London, on October 3, 1860, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother Emslie are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their Germangoverness takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.
Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.
Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903 Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.
At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.
As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.
Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.
Maud Gonne conceives a child, Georges, with her French Boulangist lover Lucien Millevoye. When the baby dies, possibly by meningitis, she is distraught, and buries him in a large memorial chapel built for him with money she had inherited. She separates from Millevoye after Georges’ death, but in late 1893, she arranges to meet him at the mausoleum in Samois-sur-Seine and, next to the coffin, they have sex. Her purpose is to conceive a baby with the same father, to whom the soul of Georges would transmigrate in metempsychosis. Iseult is born in France as a result on August 6, 1894. She is educated at a Carmelite convent in Laval, France. When she returns to Ireland she is referred to as Maud’s niece or cousin rather than her daughter.
In 1903, Maud Gonne marries John MacBride. Iseult’s half-brother Seán MacBride is born in 1904. The couple separates in 1905. With Gonne fearing that Seán’s father will seize him from her, her family mostly lives in France until John MacBride’s death in the 1916 Easter Rising. In a separation settlement, MacBride is granted a month’s summer custody, however, he returns to Ireland and never sees his child again. Iseult’s relationship with her stepfather is tainted by an allegation by William Butler Yeats, who writes to Lady Gregory in January 1905, the month MacBride and Maud separate, that he had been told MacBride had molested Iseult, who at that time was ten years old. However, many critics have suggested that Yeats may have fabricated the event due to his hatred of MacBride over Maud’s rejection of him in favour of MacBride. The divorce papers submitted by Gonne make no mention of any such incident – the only charge against MacBride that is substantiated in court is that he was drunk on one occasion during the marriage and Iseult’s own writings make no mention of the allegation.
In 1913, Iseult meets Rabindranath Tagore. Inspired by his poetry, she begins to learn Bengali in 1914, tutored by Devabrata Mukerjea. Together, in France, they translate some of Tagore’s The Gardener into French directly from the Bengali. Tagore leaves it to Yeats’ discretion to decide the merit of the work, but Yeats does not feel sufficiently fluent in French to judge them. The translations are never published. Iseult is widely considered a great beauty, and temperate, able to speak her mind. She attracts the admiration of literary figures including Ezra Pound, Lennox Robinson and Liam O’Flaherty. Her most infamous association is with Yeats, who had long been in love with her mother. In 1916, in his fifties, Yeats proposes to the 22-year-old Iseult who refuses his advances. He had known her since she was four and often referred to her as his darling child. Many Dubliners suspected that Yeats is her father.
In 1920, Iseult elopes to London with 17-year-old Irish Australian Francis Stuart, who becomes a writer, and the couple later marries. Their first child, Dolores, dies in 1921 of spinal meningitis at three months old. The couple has two other children, Ian and Catherine.
Iseult makes headlines during World War II when she is brought to trial for harboring Hermann Görtz, a Germanparachutist, a crime to which she confesses but is acquitted.
Maud Gonne dies on April 27, 1953, and does not acknowledge Iseult in her will, possibly due to pressure from Séan who does not want to reveal Maud’s relation to Millevoye. Iseult dies at the age of 59 from heart disease less than a year later, on March 22, 1954. She is buried in Glendalough, County Wicklow.
Ryan emigrates to the United States in 1947 to work for Time, where he reports on the postwar tests of atomic weapons carried out by the United States in the Pacific. He then reports for Time on the Arab-Israeli war in 1948. This is followed by work for other magazines, including Collier’s Weekly and Reader’s Digest.
Ryan marries Kathryn Morgan, a novelist, and becomes a naturalized citizen of the United States in 1951.
On a trip to Normandy in 1949 Ryan becomes interested in telling a more complete story of Operation Overlord than has been produced to date. He begins compiling information and conducting over 1,000 interviews as he gathers stories from both the Allies and the Germans, as well as the French civilians.
In 1956 Ryan begins to write down his World War II notes for The Longest Day: 6 June 1944 D-Day, which tells the story of the D-Day Invasion of Normandy, published three years later in 1959. It is an instant success, and he assists in the writing of the screenplay for the 1962 film of the same name. Darryl F. Zanuck pays the author U.S.$175,000 for the screen rights to the book.
Ryan’s 1957 book One Minute to Ditch! is about the successful ocean ditching of a Pan AmericanBoeing 377 Stratocruiser. He had written an article about the ditching for Collier’s in their December 21, 1956, issue and then expanded it into the book.
Ryan’s next work is The Last Battle (1966), about the Battle of Berlin. The book contains detailed accounts from all perspectives: civilian, American, British, Russian and German. It deals with the fraught military and political situation in the spring of 1945, when the forces of the western allies and the Soviet Union contend for the chance to liberate Berlin and to carve up the remains of Germany.
This work was followed by A Bridge Too Far (1974), which tells the story of Operation Market Garden, the ill-fated assault by allied airborne forces on the Netherlands culminating in the Battle of Arnhem. It is made into a major 1977 film of the same name.
Ryan is awarded the French Legion of Honour and an honorary Doctor of Literature degree from Ohio University, where the Cornelius Ryan Collection is housed in the Alden Library. He is diagnosed with prostate cancer in 1970 and struggles to finish A Bridge Too Far during his illness. He dies in Manhattan on November 23, 1974, while on tour promoting the book, only two months after publication. He is buried in the Ridgebury Cemetery in northern Ridgefield, Connecticut.
Four years after his death, Ryan’s struggle with prostate cancer is detailed in A Private Battle, written by his widow, from notes he had secretly left behind for that purpose.
Mitchel is born to James Mitchel, a New York City fire marshal, and Mary Purroy who works as a schoolteacher until her marriage. His father is Irish, and Presbyterian in faith, the son of the famous Irish nationalistJohn Mitchel, and a veteran of the Confederate States Army. Two of his uncles were killed fighting for the Confederacy. His maternal grandfather, Venezuelan-born Juan Bautista Purroy, was that country’s consul in New York, which makes Mitchel the first Mayor of New York City of Latino descent. His great-grandfather, José Joaquin de Purroy, was a lawyer from Spain who settled in Venezuela. He graduates from a Catholic secondary school at Fordham Preparatory School in the late 1890s. He obtains his bachelor’s degree from Columbia College in 1899 and graduates from New York Law School in 1902 with honors. He then pursues a career as a private attorney.
In December 1906, Mitchel’s career takes flight when he is hired by family friend and New York City corporation counsel William B. Ellison to investigate the office of John F. Ahearn, borough president of Manhattan, for incompetence, waste and inefficiency. As a result, Ahearn is dismissed as borough president of Manhattan. He begins his career as assistant corporation counsel and then becomes a member of the Commissioners of Accounts, from which he investigates city departments. He gains results and recognition for his thorough and professional investigations into various city departments and high-ranking officials. Along with the help of Henry Bruère and other staff members of the Bureau of Municipal Research, he turns the insignificant Commissioners of Accounts into an administration of importance.
The young Mitchel’s reputation as a reformer garners him the support of the anti-Tammany forces. In 1909, he is elected president of the New York City Board of Aldermen, an organization similar to the current New York City Council. As president of the Board of Aldermen, he is able to enact fiscal reforms. He cuts waste and improves accounting practices. Also, he unsuccessfully fights for a municipal-owned transit system and the city sees him vote against allowing the Interborough Rapid Transit and the Brooklyn Rapid Transit companies permission to extend their existing subway and elevated lines. For a six-week period in 1910 after current Mayor William J. Gaynor is injured by a bullet wound, he serves as acting mayor. His biggest accomplishment during his short tenure is the act of neutrality during a garment industry strike.
As the mayoral election approaches in 1913, the Citizens Municipal Committee of 107 sets out to find a candidate that will give New York “a non-partisan, efficient and progressive government.” They are assisted in this endeavor by the Fusion Executive Committee, led by Joseph M. Price of the City Club of New York. After nine ballots, Mitchel is nominated as a candidate for mayor. During his campaign, he focuses on making City Hall a place of decency and honesty. He also focuses on business as he promises New Yorkers that he will modernize the administrative and financial machinery and the processes of city government.
At the age of 34, Mitchel is elected mayor on the Republican Party slate as he wins an overwhelming victory, defeating Democratic candidate Edward E. McCall by 121,000 votes, thus becoming the second youngest mayor of New York City. He is often referred to as “The Boy Mayor of New York.”
Mitchel’s administration introduces widespread reforms, particularly in the Police Department, which has long been highly corrupt, and which is cleaned up by Mitchel’s Police CommissionerArthur H. Woods. Woods is able to break up gangs and in his first year in office and he arrests more than 200 criminals. Woods also launches an attack on robbery, prostitution, pickpocketing and gambling. Woods ultimately transforms the police department into a crime-fighting machine. Mitchel aims to get rid of corruption wherever he sees it. His administration sets out to restructure and modernize New York City and its government. He is able to expand the city’s regulatory activities, runs the police department more honestly and efficiently and, much like in 1910, he maintains impartiality during garment and transportation workers strikes in 1916.
At 1:30 p.m. on April 17, 1914, Michael P. Mahoney fires a gun at the mayor as Mitchel is getting in his car to go to lunch. The bullet ricochets off a pedestrian and hits Frank Lyon Polk, New York City’s corporation counsel, in the chin.
Mitchel’s early popularity is soon diminished due to his fiscal policies and vision of education. He is heavily criticized for combining vocational and academic courses. He begins to trim the size of the Board of Education and attempts to control teachers’ salaries.
Mitchel advocates universal military training to prepare for war. In a speech at Princeton University on March 1, 1917, he describes universal military training as “the [only] truly democratic solution to the problem of preparedness on land.” His universal military training alienates New Yorkers and is not popular. Many feel he focuses too much on military patriotism and is indifferent to politics. This soon leads to a loss of support for his re-election bid in 1917.
Mitchel runs again for mayor in the highly charged wartime election of 1917. His re-election bid takes a hit as many New Yorkers feel he is socializing with the social elite, focuses too much on the economy and efficiency and his concern on military preparedness. He narrowly loses the Republican primary to William M. Bennett after a contentious recount but then runs for re-election as a pro-war Fusion candidate.
Mitchel’s main campaign theme is patriotism, with a media campaign that denounces Germans, Irish, and Jews as unpatriotic sympathizers with the enemy cause. He runs against Republican Bennett, antiwar SocialistMorris Hillquit, and the Tammany Hall Democrat John F. Hylan. Hylan ridicules and denounces Mitchel’s upper-class reform as an affront to democracy and to the voters. He wins by a landslide without taking a clear position on the war. Mitchel barely beats Hillquit for second place.
After failing to get re-elected, Mitchel joins the Air Service as a flying cadet, completing training in San Diego and obtaining the rank of major. On the morning of July 6, 1918, when returning from a short military training flight to Gerstner Field, near Lake Charles, Louisiana, his plane suddenly goes into a nosedive, causing him to fall from his plane due to an unfastened seatbelt. He plummets 500 feet to his death, his body landing in a marsh about a half mile south of the field.
