seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Iseult Gonne

Iseult Lucille Germaine Gonne, the daughter of the Irish republican revolutionary Maud Gonne and the French politician and journalist Lucien Millevoye, dies on March 22, 1954. She marries the novelist Francis Stuart in 1920.

Maud Gonne conceives a child, Georges, with her French Boulangist lover Lucien Millevoye. When the baby dies, possibly by meningitis, she is distraught, and buries him in a large memorial chapel built for him with money she had inherited. She separates from Millevoye after Georges’ death, but in late 1893, she arranges to meet him at the mausoleum in Samois-sur-Seine and, next to the coffin, they have sex. Her purpose is to conceive a baby with the same father, to whom the soul of Georges would transmigrate in metempsychosis. Iseult is born in France as a result on August 6, 1894. She is educated at a Carmelite convent in Laval, France. When she returns to Ireland she is referred to as Maud’s niece or cousin rather than her daughter.

In 1903, Maud Gonne marries John MacBride. Iseult’s half-brother Seán MacBride is born in 1904. The couple separates in 1905. With Gonne fearing that Seán’s father will seize him from her, her family mostly lives in France until John MacBride’s death in the 1916 Easter Rising. In a separation settlement, MacBride is granted a month’s summer custody, however, he returns to Ireland and never sees his child again. Iseult’s relationship with her stepfather is tainted by an allegation by William Butler Yeats, who writes to Lady Gregory in January 1905, the month MacBride and Maud separate, that he had been told MacBride had molested Iseult, who at that time was ten years old. However, many critics have suggested that Yeats may have fabricated the event due to his hatred of MacBride over Maud’s rejection of him in favour of MacBride. The divorce papers submitted by Gonne make no mention of any such incident – the only charge against MacBride that is substantiated in court is that he was drunk on one occasion during the marriage and Iseult’s own writings make no mention of the allegation.

In 1913, Iseult meets Rabindranath Tagore. Inspired by his poetry, she begins to learn Bengali in 1914, tutored by Devabrata Mukerjea. Together, in France, they translate some of Tagore’s The Gardener into French directly from the Bengali. Tagore leaves it to Yeats’ discretion to decide the merit of the work, but Yeats does not feel sufficiently fluent in French to judge them. The translations are never published. Iseult is widely considered a great beauty, and temperate, able to speak her mind. She attracts the admiration of literary figures including Ezra Pound, Lennox Robinson and Liam O’Flaherty. Her most infamous association is with Yeats, who had long been in love with her mother. In 1916, in his fifties, Yeats proposes to the 22-year-old Iseult who refuses his advances. He had known her since she was four and often referred to her as his darling child. Many Dubliners suspected that Yeats is her father.

In 1920, Iseult elopes to London with 17-year-old Irish Australian Francis Stuart, who becomes a writer, and the couple later marries. Their first child, Dolores, dies in 1921 of spinal meningitis at three months old. The couple has two other children, Ian and Catherine.

Iseult makes headlines during World War II when she is brought to trial for harboring Hermann Görtz, a German parachutist, a crime to which she confesses but is acquitted.

Maud Gonne dies on April 27, 1953, and does not acknowledge Iseult in her will, possibly due to pressure from Séan who does not want to reveal Maud’s relation to Millevoye. Iseult dies at the age of 59 from heart disease less than a year later, on March 22, 1954. She is buried in Glendalough, County Wicklow.

(Pictured: Iseult Gonne, c. 1910)


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Death of Austin Clarke, Poet, Playwright & Novelist

Austin Clarke, poet, playwright and novelist, dies in Dublin on March 19, 1974. At the time of his death he is considered to be the greatest poet of his generation after W. B. Yeats,

Clarke is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English. Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, he says, “I load myself down with chains and try to wriggle free.”

Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.

Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verse plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time and this has significant consequences for his later poetry.

Clarke returns to publishing poetry with the 1955 collection Ancient Lights, and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.

Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.

In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.

In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.

Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by Councillor Bernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.

(Photo © RTÉ Archives)


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Birth of Dermot Healy, Novelist, Playwright, Poet & Short Story Writer

Dermot Healy, Irish novelist, playwright, poet and short story writer, is born in Finnea, County Westmeath, on November 9, 1947. A member of Aosdána, he is also part of its governing body, the Toscaireacht. He is described variously as a “master,” a “Celtic Hemingway” and as “Ireland’s finest living novelist.”

Healy is the son of a Guard. As a child the family moves to Cavan, where he attends the local secondary school. In his late teens he moves to London and works in a succession of jobs, including barman, security man and as a labourer. He later returns to Ireland, settling in Ballyconnell, County Sligo, a small settlement on the Atlantic coast.

Often overlooked due to his relatively low public profile, Healy’s work is admired by his Irish literary predecessors, peers and successors alike, many of whom idolise him. Among the writers to have spoken highly of him are Seamus Heaney, Eugene McCabe, Roddy Doyle, Patrick McCabe and Anne Enright.

Healy’s work is influenced by an eclectic range of writers from around the world, including Anna Akhmatova, John Arden, Isaac Babel, Matsuo Bashō, Samuel Beckett, Jorge Luis Borges, Angela Carter, J. M. Coetzee, Emily Dickinson, Maria Edgeworth, T. S. Eliot, Hermann Hesse, Nâzım Hikmet, Aidan Higgins, Miroslav Holub, Eugène Ionesco, Franz Kafka, Mary Lavin, Federico García Lorca, Guy de Maupassant, Edgar Allan Poe, Sylvia Plath, Ezra Pound, William Shakespeare and Robert Louis Stevenson. Healy writes in a shed and is fascinated by etymology. However, on being a writer, he is quoted as saying, “I know writing is what I do but I still don’t see myself as one.”

Healy is longlisted for the Booker Prize with his novel A Goats Song. He wins the Hennessy Literary Award (1974 and 1976), the Tom-Gallon Trust Award (1983), and the Encore Award (1995). In 2011, he is shortlisted for the Poetry Now Award for his 2010 poetry collection, A Fool’s Errand. Long Time, No See is nominated for the International Dublin Literary Award, the world’s most valuable literary award for a single work in the English language, by libraries in Russia and Norway.

Healy dies at his home in Ballyconnell on June 29, 2014, while awaiting an ambulance after suddenly being taken ill. He is laid to rest at Carrigans Cemetery following funeral mass by Fr. Michael Donnelly at St. Patrick’s Church in Maugherow.


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Birth of Austin Clarke, Poet, Playwright & Novelist

Austin Clarke, considered at his death to be the greatest poet of his generation after W. B. Yeats, is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. He also writes plays, novels and memoirs. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English.

Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, Clarke says, “I load myself down with chains and try to wriggle free.”

Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.

Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verse plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time and this has significant consequences for his later poetry.

Clarke returns to publishing poetry with the 1955 collection Ancient Lights, and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.

Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.

In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.

In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.

Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by Councillor Bernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.


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Birth of Irish Writer Francis Stuart

Henry Francis Montgomery Stuart, Irish writer, is born in Townsville, Queensland, Australia on April 29, 1902. He is awarded one of the highest artistic accolades in Ireland, being elected a Saoi of Aosdána, before his death in 2000. His years in Nazi Germany lead to a great deal of controversy.

Stuart is born to Irish Protestant parents, Henry Irwin Stuart and Elizabeth Barbara Isabel Montgomery. His father is an alcoholic and kills himself when Stuart is an infant. This prompts his mother to return to Ireland and Stuart’s childhood is divided between his home in Ireland and Rugby School in England, where he boards.

In 1920, at age 17, Stuart becomes a Catholic and marries Iseult Gonne, daughter of Maud Gonne. Her father is the right-wing French politician Lucien Millevoye, with whom Maud Gonne had had an affair between 1887 and 1899. Because of her complex family situation, Iseult is often passed off as Maud Gonne’s niece in conservative circles in Ireland. Iseult has a brief affair with Ezra Pound prior to meeting Stuart. Pound and Stuart both believe in the primacy of the artist over the masses and are subsequently drawn to fascism; Stuart to Nazi Germany and Pound to Fascist Italy.

Gonne and Stuart have a baby daughter who dies in infancy. Perhaps to recover from this tragedy, they travel for a while in Europe but return to Ireland as the Irish Civil War begins. Unsurprisingly given Gonne’s strong opinions, the couple are caught up on the anti-Treaty Irish Republican Army (IRA) side of the fight. Stuart is involved in gun running and is interned following a botched raid.

After independence, Stuart participates in the literary life of Dublin and writes poetry and novels. His novels are successful and his writing is publicly supported by W. B. Yeats.

Stuart’s time with Gonne is not an entirely happy time as both he and his wife apparently struggle with personal demons and their internal anguish poisons their marriage. In letters to close friend W. B. Yeats, Maud Gonne characterizes Stuart as being emotionally, financially, and physically abusive towards Iseult.

During the 1930s Stuart becomes friendly with German Intelligence (Abwehr) agent Helmut Clissmann and his Irish wife Elizabeth. Clissmann is working for the German Academic Exchange Service and the Deutsche Akademie (DA). He is facilitating academic exchanges between Ireland and the Third Reich but also forming connections which might be of benefit to the Abwehr. Clissmann is also a representative of the Nazi Auslandorganisation (AO), the Nazi Party’s foreign organisation, in pre-war Ireland.

Stuart is also friendly with the head of the German Legation in Dublin, Dr. Eduard Hempel, largely as a result of Maud Gonne MacBride’s rapport with him. By 1938 he is seeking a way out of his marriage and the provincialism of Irish life. Iseult intervenes with Clissmann to arrange for Stuart to travel to Germany to give a series of academic lectures in conjunction with the DA. He travels to Germany in April 1939 and visits Munich, Hamburg, Bonn and Cologne. After his lecture tour, he accepts an appointment as lecturer in English and Irish literature at Berlin University to begin in 1940. At this time, under the Nuremberg Laws, the German academic system has barred Jews.

In July 1939, Stuart returns home to Laragh, County Wicklow, and after his plans for traveling to Germany are finalised, he receives a visit from his brother-in-law, Seán MacBride, following the seizure of an IRA radio transmitter on December 29, 1939 which had been used to contact Germany. Stuart, MacBride, Seamus O’Donovan, and IRA Chief of Staff Stephen Hayes then meet at O’Donovan’s house. Stuart is told to take a message to Abwehr HQ in Berlin. Upon arrival in Berlin in January 1940, he delivers the IRA message and has some discussion with the Abwehr on conditions in Ireland and the fate of the IRA-Abwehr radio link. Around August 1940, he is asked by Sonderführer Kurt Haller if he will participate in Operation Dove and he agrees, although he is later dropped in favour of Frank Ryan.

Between March 1942 and January 1944 Stuart works as part of the Redaktion-Irland team, reading radio broadcasts containing Nazi propaganda which are aimed at and heard in Ireland. In his broadcasts he frequently speaks with admiration of Adolf Hitler and expresses the hope that Germany will help unite Ireland. He is dropped from the Redaktion-Irland team in January 1944 because he objects to the anti-Soviet material that is presented to him and deemed essential by his supervisors. His passport is taken from him by the Gestapo after this event.

In 1945 Stuart plans to Ireland with a former student Gertrude Meissner. They are arrested and detained by Allied troops. Following their release, Stuart and Meissner live in Germany and then France and England. They marry in 1954 after Iseult’s death and in 1958 they return to settle in Ireland. In 1971 Stuart publishes his best known work, Black List Section H, an autobiographical fiction documenting his life and distinguished by a queasy sensitivity to moral complexity and moral ambiguity.

In 1996 Stuart is elected a Saoi of Aosdána, a high honour in the Irish art world. Influential Irish language poet Máire Mhac an tSaoi objects strongly, referring to Stuart’s actions during the war and claiming that he holds anti-Semitic opinions. When it is put to a vote, she is the only person to vote for her motion. She resigns from Aosdána in protest, sacrificing a government stipend by doing so. While the Aosdána affair is ongoing, The Irish Times columnist Kevin Myers attacks Stuart as a Nazi sympathiser. Stuart sues for libel and the case is settled out of court. The statement from The Irish Times read out in the High Court accepts “that Mr. Stuart never expressed anti-Semitism in his writings or otherwise.”

For some years before his death Stuart lives in County Clare with his partner Fionuala and in County Wicklow with his son Ian and daughter-in-law Anna in a house outside Laragh village. He dies of natural causes on February 2, 2000 at the age of 97 in County Clare.


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Birth of James Joyce, Novelist, Short Story Writer & Poet

james-joyceJames Augustine Aloysius Joyce, Irish novelist, short story writer, and poet, is born in 41 Brighton Square, Rathgar, Dublin on February 2, 1882. He contributes to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century.

Joyce is one of the ten children of Mary Jane “May” Murray and John Stanislaus Joyce, a professional singer and later rate-collector from a bourgeois Catholic family. He attends Clongowes Wood College, a Jesuit boarding school, until 1891, when his father’s financial worries mean they can no longer afford to send him there. He is temporarily home-schooled and spends a short time at a Christian Brothers school, before starting at Belvedere College, a Jesuit day school run by his old Clongowes headmaster, Father John Conmee.

Much of Joyce’s childhood is influenced by his charismatic, but increasingly alcohol-dependent and difficult father, whose ongoing financial troubles led to regular domestic upheaval. However, John Joyce’s passions, eccentricities, as well as his gift as a singer are celebrated in his son’s work. The death of the Irish Home Rule movement leader Charles Stewart Parnell in 1891 is a watershed moment in Joyce’s life, and was the subject of an inflammatory argument during a Christmas dinner, in which John Joyce and his friend John Kelly passionately defend Parnell from the accusations of the pious Elizabeth Conway. Joyce recreates the scene in A Portrait of an Artist as a Young Man, portraying Kelly’s character, Mr. Casey, crying loudly with a “sob of pain,” “Poor Parnell! … My dead king!”

Joyce attends University College Dublin in 1899-1902, where he studies modern languages, with Latin and logic. In 1902 he goes to Paris with an intent of studying medicine but discovers, on arrival, that he does not have the necessary qualifications. He constantly struggles for money, relying on irregular work as a teacher, bank employee, cinema-owner and tweed-importer, and on patrons and supporters such as Harriet Shaw Weaver and Ezra Pound.

Joyce returns to Ireland in 1903 after his mother falls ill. She dies in August 1903. He refuses to take the sacraments or kneel at her deathbed, and the guilt he later feels is depicted in Ulysses when the ghost of Stephen’s mother returns to haunt him. On June 16, 1904, he meets Nora Barnacle, the woman with whom he spends the rest of his life. By autumn, he is convinced of the impossibility of remaining in Ireland and persuades Nora to travel with him. They arrive in Paris on October 9, 1904. He would not return to Ireland to live. He cultivates a sense of himself as an exile, living in Trieste, Zürich, Rome and Paris.

Joyce’s first publication in 1907 is the poetry collection Chamber Music. When he sends Pound a revised first chapter of Portrait of an Artist as a Young Man, along with the manuscript of his short story collection Dubliners, Pound arranges for Portrait to be published serially in the modernist magazine The Egoist between 1914 and 1915. His short story collection, Dubliners, had been delayed by years of arguments with printers over its contents, but is also published in 1914.

Joyce then begins work on Ulysses, an experimental account of a single day in Dublin. The novel is serialised between 1918 and 1920, but full publication is delayed due to problems with American obscenity laws. The work is finally published in book form by his friend Sylvia Beach in Paris in 1922. His play Exiles is first performed in German in 1919, and English in 1926. His last novel, Finnegans Wake (1939), is an innovative language experiment that contains over 40 languages and a huge variety of popular and arcane references.

On January 11, 1941, Joyce undergoes surgery in Zürich for a perforated duodenal ulcer. He falls into a coma the following day. He awakes at 2:00 AM on January 13, 1941, and asks a nurse to call his wife and son, before losing consciousness again. They are en-route when he dies 15 minutes later, less than a month short of his 59th birthday. He is buried in the Fluntern Cemetery, Zürich.