A winner’s medal from the 1887 All-Ireland Football Final, which was actually played in April 1888 and matched the Limerick Commercials GAA club against Dundalk Young Irelands, is sold for €31,000. The medal is a rare piece of GAA memorabilia and it goes for around three times the original estimate when it goes under the hammer.
The 9ct-gold medal is purchased by the Limerick Leader newspaper which says it will put it on public display in Limerick. The Chairman of the Limerick Leader, John McStay, bids for it by telephone.
The medal had been won by Malachi O’Brien from Ballinvrina, County Limerick, who played for the Limerick Commercials GAA Club. They beat Dundalk Young Irelands by 1-4 to 0-3 in April 1888.
The medal is eventually passed down through the family to Mary Doran who lives in Northampton and who is the daughter of Malachi O’Brien’s great-grandnephew. She says she is delighted it will be going on public display in Limerick.
Although there are no discussions between the pair, Kenny confirms he will meet with Foster in Dublin on Tuesday, November 15. The pair are also due to meet in Armagh on Friday, November 18 for a North/South ministerial meeting, where Brexit-related issues are expected to dominate the agenda.
Speaking afterwards, Fitzgerald, whose grandfather served as a soldier in the British army and whose father was a colonel in the Irish Army, says it has been an important engagement. “So many people across the island lost their lives; 50,000 families affected by loss of a loved one during the First World War. We have had a government minister here since 2012 and I think it is really important to come together, to remember together and to look at our shared histories.”
Meanwhile, Heather Humphreys, the Minister for Arts, Heritage, Regional, Rural and Gaeltacht Affairs, dedicates the France-Ireland Memorial at Glasnevin Cemetery. Humphreys is joined by the French Minister of State for Veterans and Remembrance at the Ministry of Defence Jean-Marc Todeschini for the ceremony. The memorial is a gift to Ireland from France in recognition of Irish sacrifices made “in the defence and freedom of France, particularly in the First World War.”
(From: “Taoiseach, Tánaiste attend Remembrance Sunday ceremonies,” Raidió Teilifís Éireann (RTÉ), http://www.rte.ie, November 13, 2016 | Pictured: Taoiseach Enda Kenny lays a wreath of green laurels in Enniskillen)
Fay attends Belvedere College in Dublin. He works for a time in the 1890s with a touring theatre company in Ireland, Scotland, and Wales. When he returns to Dublin, he works with his brother Frank, staging productions in halls around the city. Finally, they form W. G. Fay’s Irish National Dramatic Company, focused on the development of Irish acting talent.
The brothers participate in the founding of the Abbey Theatre and are largely responsible for evolving the Abbey style of acting. After a falling-out with the Abbey directors in 1908, the brothers emigrate to the United States to work in theatre there.
Fay moves to London in 1914, working as an actor on stage and in films. One of his most notable film roles is as Father Tom in Carol Reed‘s Belfast-set Odd Man Out (1947), whose cast is dense with actors from the Abbey Theatre. His memoir, The Fays of the Abbey Theatre, appears in 1935.
Willie Fay dies in London on October 27, 1947, at the age of 74.
(Pictured: William George Fay 1903, Dublin City Council Image Galleries, http://www.dublincity.ie)
Shaw is born on July 26, 1856, at 3 Upper Synge Street in Portobello, a lower-middle-class area of Dublin. The Shaw family is of English descent and belong to the dominant Protestant Ascendancy in Ireland. Between 1865 and 1871, Shaw attends four schools, all of which he hates. His experiences as a schoolboy leave him disillusioned with formal education. In October 1871 he leaves school to become a junior clerk in a Dublin firm of land agents, where he works hard and quickly rises to become head cashier. During this period, he is known as “George Shaw”; after 1876, he drops the “George” and styles himself “Bernard Shaw.”
Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualistFabian Society and becomes its most prominent pamphleteer. He has been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social, and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that include Major Barbara, The Doctor’s Dilemma, and Caesar and Cleopatra.
Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist.
The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 Shaw provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award. His appetite for politics and controversy remains undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left — he expresses admiration for both Mussolini and Stalin. In the final decade of his life, he makes fewer public statements, but continues to write prolifically until shortly before his death, refusing all state honours including the Order of Merit in 1946.
During his later years, Shaw enjoys tending the gardens at Shaw’s Corner. He dies on November 2, 1950, at the age of 94 of renal failure precipitated by injuries incurred when falling while pruning a tree. His body is cremated at Golders Green Crematorium on November 6, 1950. His ashes, mixed with those of his wife Charlotte, are scattered along footpaths and around the statue of Saint Joan in their garden.
Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among English-language dramatists. Analysts recognise his extensive influence on generations of playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.
MacSwiney is born at 23 North Main Street, Cork, County Cork, one of eight children of John and Mary MacSwiney. Following the failure of this business, John MacSwiney emigrates to Australia in 1885 leaving the children in the care of their mother and his eldest daughter.
MacSwiney is educated by the Christian Brothers at the North Monastery school in Cork but leaves at fifteen to help support the family. He becomes an accountancy clerk but continues his studies and matriculates successfully. He continues in full-time employment while he studies at the Royal University (now University College Cork), graduating with a degree in Mental and Moral Science in 1907.
In 1901 MacSwiney helps to found the Celtic Literary Society, and in 1908 he founds the Cork Dramatic Society with Daniel Corkery and writes a number of plays for them. His first play, The Last Warriors of Coole, is produced in 1910. His fifth play, The Revolutionist (1915), takes the political stand made by a single man as its theme.
Described as a sensitive poet-intellectual, MacSwiney’s writings in the newspaper Irish Freedom bring him to the attention of the Irish Republican Brotherhood. He is one of the founders of the Cork Brigade of the Irish Volunteers in 1913 and is President of the Cork branch of Sinn Féin. He founds a newspaper, Fianna Fáil, in 1914, but it is suppressed after only 11 issues. In April 1916, he is intended to be second in command of the Easter Rising in Cork and Kerry but stands down his forces on the order of Eoin MacNeill.
Following the rising, MacSwiney is imprisoned by the British Government under the Defence of the Realm Act 1914 in Reading and Wakefield Gaols until December 1916. In February 1917 he is deported from Ireland and imprisoned in Shrewsbury and Bromyardinternment camps until his release in June 1917. It is during his exile in Bromyard that he marries Muriel Murphy of the Cork distillery-owning family. In November 1917, he is arrested in Cork for wearing an Irish Republican Army (IRA) uniform, and inspired by the example of Thomas Ashe, goes on a hunger strike for three days prior to his release.
In the 1918 Irish general election, MacSwiney is returned unopposed to the first Dáil Éireann as Sinn Féin representative for Mid Cork, succeeding the Nationalist MP D. D. Sheehan. After the murder of his friend Tomás Mac Curtain, the Lord Mayor of Cork on March 20, 1920, he is elected as Lord Mayor. On August 12, 1920, he is arrested in Cork for possession of “seditous articles and documents,” and also possession of a cipher key. He is summarily tried by a court on August 16 and sentenced to two years’ imprisonment at Brixton Prison in England.
In prison MacSwiney immediately starts a hunger strike in protest of his internment and the fact that he was tried by a military court. Eleven other Irish Republican prisoners in Cork Jail go on hunger strike at the same time. On August 26, the British Government states that “the release of the Lord Mayor would have disastrous results in Ireland and would probably lead to a mutiny of both military and police in south of Ireland.”
MacSwiney’s hunger strike gains world attention. The British Government is threatened with a boycott of British goods by Americans, while four countries in South America appeal to Pope Benedict XV to intervene. Protests are held in Germany and France as well. An Australian member of Parliament, Hugh Mahon, is expelled from the Parliament of Australia for “seditious and disloyal utterances at a public meeting,” after protesting against the actions of the British Government. Two weeks later, the Spanish Catalan organization Autonomous Center of Employees of Commerce and Industry (CADCI) sends a petition to British Prime MinisterDavid Lloyd George calling for his release and the newspaper of the organization, Acció (Acción in Spanish), begins a campaign for MacSwiney.
Food is often placed near MacSwiney to persuade him to give up the hunger strike. Attempts at force-feeding are undertaken in the final days of his strike. On October 20, 1920, he slips into a coma and dies five days later after 73 days on hunger strike. His body lay in St. George’s Cathedral, Southwark in London where 30,000 people file past it. Fearing large-scale demonstrations in Dublin, the authorities divert his coffin directly to Cork, and his funeral in the Cathedral of St. Mary and St. Anne on October 31 attracts huge crowds. He is buried in the Republican plot in St. Finbarr’s Cemetery in Cork. Arthur Griffith delivers the graveside oration.
Butlers’s attempts to conclude a peace are blocked by a Catholic faction that advocates complete independence for Ireland. The situation deteriorates further, and, in July 1647, he departs from Ireland, leaving the Protestant cause in the hands of the parliamentarians, who had defeated King Charles I in the first English Civil War (1642–1646).
Returning to Ireland in September 1648, Butler concludes a peace with the confederacy in January 1649. He then rallies Protestant royalists and Catholic confederates in support of Charles II, son and successor of Charles I. For several months most of Ireland is under his control. But the parliamentarian general Oliver Cromwell lands at Dublin in August 1649 and swiftly conquers the country for Parliament. Butler flees to France and becomes one of Charles II’s closest advisers at his court-in-exile in Paris.
When Charles II returns to England in the Restoration of 1660, Butler, who had urged constitutional rather than military rule, is made commissioner for the treasury and the navy. Appointed Lord Lieutenant of Ireland in 1662, he makes vigorous attempts to encourage Irish commerce and industry. Nevertheless, his enemies at court persuade Charles to dismiss him in 1669. He is restored to royal favour in 1677 and is again appointed Lord Lieutenant of Ireland. Although he is created a duke in the English peerage in 1682, he is recalled from Ireland in 1684 as a result of new intrigues at Charles’s court and because of the determination of James, Duke of York, to strengthen his supporters in Ireland.
Kerrygold Pure Irish Butter, created by Sir Anthony O’Reilly, is launched on the world market on October 8, 1962.
O’Reilly is the CEO of what is then called An Bord Bainne (Irish for “The Irish Dairy Board”). His aim is to create a premium brand worthy of the rich quality of Irish milk. The name for the brand is chosen in 1962 from a total of 60 suggestions. Some of the names proposed include Shannon Gold, Tub-o-gold, Golden Farm, Butter-cup, and even Leprechaun.
Surprisingly, Kerrygold is first launched in the UK, not in Ireland. The butter is launched in October 1962 in Manchester. It is available in London three years later.
In 1964, the butter begins exporting to overseas markets. It is not until 1973 that the brand is even made available for sale in Ireland. Kerrygold eventually expands its offerings to include other dairy products, such as its Dubliner Cheese (named after the city of Dublin, although it is made in Cork).
Kerrygold advertising campaigns become legendary. The most well-known is the “Who’s taking the horse to France?” commercial, which first airs in 1994.
Today, the golden foil packaging of Kerrygold butter is recognized around the world in 60 countries. Kerrygold is the number one branded butter in Germany, and in the United States, it is the number one imported butter brand and the number three overall butter brand.
In 2017, Kerrygold is banned in Wisconsin for not complying with a 1970 state law making it unlawful to sell any butter in the state unless it has been tested by industry experts and issued a grade. Some critics suggest that the law is only proposed to protect the state’s own dairy industry. Fans of Kerrygold butter in Wisconsin are forced to travel across state lines to stock up due to the ban.
Two lawsuits are filed challenging the constitutionality of the state’s butter grading law.
Ornua, the rebranded An Bord Bainne, confirms in November 2017 its Kerrygold butter is back on store shelves in Wisconsin as the company now complies with the state’s law requiring butter sold in Wisconsin to pass a government-mandated grading test.
As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumour. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
Malone is born to Edmond Malone Sr. (1704–1774), MP of the Irish House of Commons and judge of the Court of Common Pleas in Ireland, and Catherine Collier, the niece of Robert Knight, 1st Earl of Catherlough. He has two sisters, Henrietta and Catherine, and an older brother, Richard (later Lord Sunderlin). His father is a successful lawyer and politician in England, but his practice fails and he returns to Ireland. Little is known of his childhood and adolescence except that in 1747 he is sent to Dr. Ford’s preparatory school in Molesworth Street, Dublin. The next record of his education is ten years later, in 1757, when he enters Trinity College, Dublin. He receives his BA degree on February 23, 1762.
In the following months Malone sends a steady stream of notes and corrections to George Steevens, who, by then the inheritor, from Samuel Johnson, of the editor’s mantle for the Jacob Tonson edition of Shakespeare’s collected works, is busy preparing a second edition. His main contribution appears in the first volume as “An Attempt to Ascertain the Order in Which the Plays Attributed to Shakspeare Were Written.”
Malone’s three supplemental volumes (1780–1783) to Steevens’ edition of Johnson’s Shakespeare, containing apocryphal plays, textual emendations, and the first critical edition of the sonnets, are landmarks in Shakespearean studies. His “Historical Account of the Rise and Progress of the English Stage, and of the Economy and Usages of the Ancient Theatres in England” (1800) is the first treatise on English drama based on original sources. His own edition of Shakespeare in 11 volumes appears in 1790. A new octavo edition, unfinished at his death, is completed by James Boswell, the son of Samuel Johnson’s biographer, and published in 1821 in 21 volumes. This work, which includes a memoir of Malone, is the standard edition of Shakespeare’s writings for more than a century.
Malone dies at the age of 70 in London on May 25, 1812.
(Pictured: Portrait of Edmond Malone by Joshua Reynolds (1778), National Portrait Gallery)
Seán Ó Riada, Irish composer and arranger of Irish traditional music, dies in London, England on October 3, 1971. Through his incorporation of modern and traditional techniques he becomes the single most influential figure in the revival of Irish traditional music during the 1960s.
Ó Riada’s career begins in 1954 as a music director at Radio Éireann, after which he works at the Abbey Theatre from 1955 to 1962. He lectures in music at University College Cork from 1963 until his death in 1971. He leaves a lasting influence as founder and director of the ensemble Ceoltóirí Chualann beginning in 1961. Ó Riada becomes a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings, and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he becomes particularly famous for his film scores Mise Éire (1959) and Saoirse? (1960).
In 1963 Ó Riada is appointed lecturer in music at University College Cork. He moves to Ballyvourney, and not Cúil Aodha (a common misconception) in West Cork, an Irish-speaking area, where he establishes Cór Chúil Aodha, a male voice choir.
He becomes involved in Irish politics and is a friend of several influential leaders. Ó Riada drinks regularly at a local pub which still advertises itself as being his local. He develops cirrhosis of the liver. He is flown to King’s College Hospital in London for treatment and dies there on October 3, 1971, two months after his 40th birthday. He is buried in St. Gobnait‘s graveyard, Baile Bhuirne, County Cork. Willie Clancy plays at his funeral.
Two schools are named “Scoil Uí Riada” after him – a Gaelscoil in Kilcock, County Kildare, and another in Bishopstown, Cork City. In 2008, a life-sized statue is erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha.
seamus dubhghaill 