Crampton is the son of a dentist. He is a childhood friend of Theobald Wolfe Tone, the United Irishman, and a cousin, on his mother’s side, of Thomas Verner, Grand Master of the Orange Order. He joins the army when young and becomes an assistant surgeon. When he is appointed surgeon to the Meath Hospital in 1798, he is not yet fully qualified and goes on to graduate in Glasgow in 1800. A few years later he also becomes assistant surgeon at the Westmoreland Lock Hospital, Dublin and also builds up a large private practice at his house in Dawson St. He joins Peter Harkan in teaching anatomy in private lectures, forming the first private school of anatomy and surgery in the city.
In 1821, together with Sir Henry Marsh and Dr. Charles Johnston, Crompton founds the Pitt St. Institution, a children’s hospital in Pitt St. (now Balfe St.). This hospital is the first teaching children’s hospital in Ireland or Great Britain. The main objective of the hospital is to treat sick children in one of the poorest parts of Dublin, The Liberties.
Crompton resigns the chief-surgeoncy of the Westmoreland Lock Hospital when he is appointed surgeon-general to the forces in Ireland. He remains as consulting surgeon to Dr. Steevens’ Hospital and the Dublin Lying-In Hospital. He is three times president of the Dublin College of Surgeons, and he is knighted in 1839.
Sir Philip Crampton dies at his residence, 14 Merrion Square, in Dublin on June 10, 1858.
The Crampton Memorial, at the junction of College St. with Pearse St. and D’Olier St., is erected from the design of sculptor John Kirk in 1862. It is of a curious design, consisting of a bust above a fountain and surmounted by a cascade of metal foliage. As it is slowly falling apart, it is removed in 1959. James Joyce references the monument in his novel Ulysses when Leopold Bloom passes the monument and thinks, “Sir Philip Crampton’s memorial fountain bust. Who was he?”
Bullock’s father, Thomas Bullock, is a strict man who has eleven children and drives several to emigration because of his stern demeanour. Thomas Bullock works on the Crom Castle estate which runs along the Cavan/Fermanagh border and has both Catholic and Protestant workers. Protestant workers have the prime jobs and are employed as craftsmen and supervisors while Catholics work in the outer area of the estate at unskilled jobs. Folk memories of the Battle of Newtownbutler in 1689 remain long in the memory in the area where up to 1,500 Jacobite troops are hacked down or drowned in Upper Lough Erne when pursued by the Williamite cavalry. Many of the Williamite army is drawn from the local Protestant population.
Bullock is educated at Crom estate primary school run by the Church of Ireland and Farra School near Bunbrosna, County Westmeath. He fails the entrance exams at the University of Dublin. He tries his hand at farming but finds he is not suited. He moves to London in 1883 and becomes a Civil Service clerk. He takes to journalism to supplement his salary and publishes his first book of stories, The Awkward squads, in 1893. His stories are centered on Irish Catholic and Protestant small farmers and labourers and their struggles and tensions. He marries Emma Mitchell in 1899 and they have a son and daughter.
Bullock is well respected in literary circles, but his books are never successful enough for him to become a full-time writer. He says that the English are not interested in Irish stories and that there is no reading public in Ireland. He dislikes Orangesectarianism and is ambivalent to Irish nationalism. His novel The Red Leaguers looks at sectarianism conflict and Robert Thorne examines the lives of London clerks which is a popular theme at the time. His last and best novel The Loughsiders is published in 1924 and is the story of a conniving smallholder based on William Shakespeare’s Richard III.
Shan Bullock’s wife dies in 1922. He spends the final years of his life in Sutton, Surrey and dies there on February 27, 1935.
Seán Connolly is an IRA activist from County Longford, but he is also used by IRA GHQ to organise the surrounding areas of County Roscommon and County Leitrim. When Michael Collins orders Connolly into the county, he warns that it is “the most treacherous county in Ireland.” As Connolly is running a training camp at Selton Hill in early 1921, his position is given to the RIC. The RIC District Inspector, Thomas Gore-Hickman, has been alerted to Connolly’s position by a local doctor who had served in the British Army. The doctor had reportedly been told of the training camp by a local member of the Orange Order.
The events at Selton Hill take place one week after the Sheemore ambush, in which British troops from the Bedfordshire and Hertfordshire Regiment, based in Boyle suffer several casualties and at least one fatality. On March 11, at Selton Hill, a large force of RIC and Auxiliaires, based in Mohill and troops from the Bedfordshire and Hertfordshire Regiment surround and then attack the IRA camp. Six IRA volunteers are killed. The RIC suffers no losses. The IRA dead are Sean Connolly, Seamus Wrynne, Joseph O’Beirne, John Reilly, Joseph Reilly, and Capt. M.E. Baxter.
Ernie O’Malley later claims the volunteers’ bodies are “taken to Mohill by soldiers who shouted, “fresh meat!” as they were driving through the town.” He is also quoted as saying, “Men from the Bedfordshire Regiment were seen by a badly wounded IRA officer, Bernie Sweeney who survived, to use rifle butts on the skulls of two wounded men.” He also states that the location of the column was given to the local District Inspector of the RIC by a doctor who had been in the British Army, who received the information by a local Orangeman. The IRA officer who survives is Bernie Sweeney, from Ballinamore, who survives by hiding in a drain, where the cold water prevents him from bleeding to death. He is rescued and hidden from the Black and Tans and Auxiliaries by locals.
The IRA learn their position had been given away by the doctor and the Orangeman. The latter is later killed by the IRA. The doctor escapes to England and later dies in an accident.
The border country of the north midlands often proves to be a treacherous place for IRA training camps. On May 8, 1921, a camp of Belfast IRA volunteers based in the Lappanduff hills in neighbouring County Cavan, is also surprised. One volunteer is killed, thirteen captured, and arms and ammunition are seized by the British forces.
(Pictured: Selton Hill Ambush Memorial, south of the village of Fenagh, County Leitrim)
The youngest son of Jim and Lily McCusker, McCusker is born and raised in the heart of Lurgan, County Armagh, Northern Ireland. He is educated at Lurgan Model Primary School, Lurgan College and Stranmillis University College, before qualifying as a teacher. Before entering politics he works in industry, latterly with Goodyear, in their Craigavon Plant.
McCusker is an Orangeman and staunch Unionist. Prior to his death in Portadown, County Armagh, Northern Ireland on February 12, 1990, five days after his 50th birthday, McCusker is expected to rise further in the Ulster Unionist Party and British political scenes, due to his ability and popularity among his peers and the wider public. He is a member of the Methodist Church in Ireland (Lurgan circuit).
The first issue of the Northern Star, the newspaper of the Society of United Irishmen, is published in Belfast on January 4, 1792. It is published from 1792 until its suppression by the British army in May 1797.
The publication of an Irish newspaper that reflects and disseminates liberal views is an early goal of Irish republicans in the late 18th century. By the founding of the Society of United Irishmen in October 1791, the project is well underway, and the first edition of the Northern Star appears in Belfast in January 1792. Like the United Irishmen, the first financial backers of the Northern Star are Presbyterian and one of the United Irish leadership, Samuel Neilson, is made editor.
Political content dominates the Northern Star but its publication of local news, as opposed to the focus on British and international affairs of other Irish newspapers of the time, brings it wide popularity. Leading members of the United Irishmen are regular contributors and mixed direct political analyses with cutting political satire. William Orr is among those who contributed to its content and his letters lead to his eventual arrest and execution under the Insurrection Act of 1797. The newspaper also enjoys an excellent voluntary distribution network as its penetration follows rapidly wherever the United Irishmen set up new branches. It was estimated that for each copy of the Northern Star sold there are at least five readers, as the reading aloud of articles from the paper is a regular feature of United Irish meetings.
The newspaper is initially protected from the authorities due to the support of well-connected liberals but following the outbreak of war between Great Britain and Revolutionary France in 1793 and the subsequent banning of the United Irishmen as a seditious body it begins to draw increasing attention. The massive popularity of the newspaper protects it from serious harassment until January 1797 when the establishment goes into a state of panic following the French invasion scare at Bantry Bay. The paper is alleged to be behind the Dublin-based Union Star, a militant, low-circulation newssheet, often posted in public places, which specializes in naming informers, “notorious Orangemen,” and other enemies of the United Irishmen, being regarded by Dublin Castle as a republican hitlist.
The extensive distribution network and potency of the Northern Star in spreading United Irish opinion alarms the authorities and possession of a copy comes to be regarded as an admission of seditious intent. The end finally comes with the uncovering of supposed United Irish infiltration of the Monaghanmilitia in Belfast, which results in the execution of four soldiers. General Gerard Lake, 1st Viscount Lake, already engaged in a brutal counter-insurgency campaign, is quick to put much of the blame on the Northern Star and requests permission to suppress the paper.
As it turns out, official suppression is not necessary as on May 19, 1797, three days after the execution of their ex-comrades, a mob of Monaghan militiamen anxious to prove their loyalty attack the offices of the Northern Star and destroy not only the printing presses but the building itself. The attack results in the demise of the Northern Star to the undoubted satisfaction of the authorities as no action is taken against those involved in the destruction. The Chartist movement later pays tribute to the Northern Star by using the same name for their newspaper that is founded in 1837 by Feargus O’Connor.
Wright attracts considerable media attention at the Drumcree standoff, where he supports the Orange Order‘s desire to march its traditional route through the Catholic/Irish nationalist area of Portadown. In 1994, the UVF and other paramilitary groups call ceasefires. However, in July 1996, Wright’s unit breaks the ceasefire and carries out a number of attacks, including a sectarian killing. For this, Wright and his Portadown unit of the Mid-Ulster Brigade are stood down by the UVF leadership. He is expelled from the UVF and threatened with execution if he does not leave Northern Ireland. Wright ignores the threats and, along with many of his followers, defiantly forms the breakaway Loyalist Volunteer Force (LVF).
In March 1997 Wright is sent to the HM Maze Prison for having threatened the life of a woman. While imprisoned, Wright continues to direct the LVF’s activities. On December 27 of that year, he is assassinated at the prison by Irish National Liberation Army (INLA) prisoners as he is led out to a van for a visit with his girlfriend. The LVF carries out a wave of sectarian attacks in retaliation.
Owing to his uncompromising stance as an upholder of Ulster loyalism and opposition to the Northern Ireland peace process, Wright is regarded as a cult hero, cultural icon, and martyr figure by hardline loyalists. His image adorns murals in loyalist housing estates and many of his devotees have tattoos bearing his likeness.
Wright’s funeral procession moves at a snail’s pace on a grey and windy day. Groups of mourners take turns carrying the coffin. Women carry a wreath that simply says “Billy.” Twenty men with tight haircuts and white shirts with black armbands flank the cortège. There is heavy security. Troops stand guard on bridges and Royal Ulster Constabulary (RUC) Land Rovers prowl the housing estates. A spotter plane flies overhead. A lone piper plays “Abide with Me” before a banner bearing the letters “LVF.”
Wright is buried at Seagoe Cemetery, Portadown, Northern Ireland.
The Quinn family, consisting of mother Chrissie and sons Richard, Mark and Jason, live in the Carnany estate in the predominantly Protestant town of Ballymoney. The family is of a mixed religious background. Mother Chrissie is Roman Catholic from a mixed background and the boys’ father Jim Dillon is Catholic. After separating from her estranged husband, Chrissie rears the boys as Protestant “to avoid the hassle.” Chrissie lives with her Protestant partner Raymond Craig in Carnany which is predominately Protestant, reflecting the religious make-up of Ballymoney itself. The boys, aged 9, 10 and 11, attend a local state school and on the evening before their deaths had been helping to build the estate’s Eleventh Night loyalist bonfire. A fourth brother, Lee, is staying with his grandmother in Rasharkin at the time of the attack.
The killings take place at the height of the stand-off over the Orange Order march at Drumcree, which creates a tense atmosphere in various towns across Northern Ireland. In the weeks leading up to the fatal attack, the children’s mother expresses fear that she is not welcome in the area and that there is a possibility the family home might be attacked by loyalists. The Ballymoney Times reports a story the week of the deaths, stating that a resident of the Carnany estate had called in and was concerned about tension in the area adding something serious might happen “unless Catholic residents were left alone.”
The attack occurs at approximately 4:30 in the morning as the inhabitants of the house sleep. A car containing members of the Ulster Volunteer Force (UVF), a loyalist paramilitary organisation, arrive at the house and throw a petrol bomb through a window at the rear of the house. The petrol bomb is made from a whiskey bottle. The sounds of the boys’ shouting awake their mother, who finds her bedroom full of smoke. Chrissie Quinn, Raymond Craig and family friend Christina Archibald escape the resulting fire with minor injuries. Chrissie believes the boys have escaped the fire as she is unable to locate them in the dense smoke before she jumps to safety from a first-floor window. Two of the brother’s bodies are found in their mother’s bedroom and the other in another bedroom. Chrissie is taken to the hospital and released the next day after receiving minor injuries and shock in the attack.
One man, Garfield Gilmour, is found guilty of murdering the three brothers fifteen months later and is sentenced to life imprisonment after admitting that he had driven three other men to the house to commit the fatal petrol-bombing. Although Gilmour names the three alleged killers, they are never charged due to a lack of concrete evidence. Gilmour’s conviction for murder is reduced to manslaughter on appeal on June 5, 2000, and he is released six years later. Nine days after his release, his life sentence is replaced by a fixed prison sentence of 14 years.
(Pictured: The Quinn brothers. Left to right: Jason, Mark, Richard)
Belfast sees almost 500 people die in political violence between 1920 and 1922. Violence in the city breaks out in the summer of 1920 in response to the Irish Republican Army (IRA) killing of Royal Irish Constabulary Detective Oswald Swanzy after Sunday services outside a Protestant church in nearby Lisburn. Seven thousand Catholics and some Protestant trade unionists are driven from their jobs in the Belfast shipyards and over 50 people are killed in rioting between Catholics and Protestants.
Violence in Belfast wanes until the following summer of 1921. At the time, Irish republican and British authorities are negotiating a truce to end the war but fighting flares up in Belfast. On June 10, an IRA gunman, Jack Donaghy, ambushes three RIC constables on the Falls Road, fatally wounding one, Thomas Conlon, a Roman Catholic from County Roscommon, who, ironically, is viewed as “sympathetic” to the local nationalists. Over the following three days, at least 14 people lose their lives and 14 are wounded in fighting in the city, including three Catholics who are taken from their homes and killed by uniformed police.
Low-level attacks continue in the city over the next month until another major outbreak of violence that leads to “Bloody Sunday.” On July 8, the RIC attempt to carry out searches in the mainly Catholic and republican enclave around Union Street and Stanhope Street. However, they are confronted by about fifteen IRA volunteers in an hour-long firefight.
On July 9, a truce to suspend the war is agreed in Dublin between representatives of the Irish Republic and the British government, to come into effect at noon on July 11. Many Protestants/unionists condemn the truce as a “sell-out” to republicans.
On the night of July 9/10, hours after the truce is announced, the RIC attempt to launch a raid in the Lower Falls district of west Belfast. Scouts alert the IRA of the raid by blowing whistles, banging dustbin lids and flashing a red light. On Raglan Street, a unit of about fourteen IRA volunteers ambush an armoured police truck, killing one officer and wounding at least two others.
This sparks an outbreak of ferocious fighting between Catholics and Protestants in west Belfast the following day, Sunday July 10, in which 16 civilians lose their lives and up to 200 houses are destroyed. Of the houses destroyed, 150 are owned by Catholics. Most of the dead are civilians and at least four of the Catholic victims are ex-World War I servicemen.
Protestants, fearful of absorption into a Catholic Ireland and blindly angered by the presence of heresy and treason in their midst, strike at the Catholic community while vengeful Catholics strike back with counter-terror. Gun battles rage all day along the sectarian “boundary” between the Catholic Falls and Protestant Shankill districts and rival gunmen use rifles, machine guns and grenades in the clashes. Gunmen are seen firing from windows, rooftops and street corners. A loyalist mob, several thousand strong, attempt to storm the Falls district, carrying petrol and other flammable materials.
A tram travelling from the Falls into the city centre is struck by snipers’ bullets, and the service has to be suspended. Catholics and republicans claim that police, mostly from the Ulster Special Constabulary (USC), drive through Catholic enclaves in armoured cars firing indiscriminately at houses and bystanders. The police return to their barracks late on Sunday night, allegedly after a ceasefire has been agreed by telephone between a senior RIC officer and the commander of the IRA’s Belfast Brigade, Roger McCorley.
The truce is due to come into effect at midday on Monday, July 11, but violence resumes that morning. Three people are shot dead that day, including an IRA volunteer who is shot minutes before midday. In the north the official truce does not end the fighting. While the IRA is involved in the violence, it does not control the actions of the Catholic community. Tuesday July 12 sees the Orange Order‘s annual Twelfth marches pass off peacefully and there are no serious disturbances in the city. However, sporadic violence resumes on Wednesday, and by the end of the week 28 people in all have been killed or fatally wounded in Belfast.
The violence of the period in Belfast is cyclical, and the events of July 1921 are followed by a lull until a three-day period beginning on August 29, when another 20 lives are lost in the west and north of the city. The conflict in Belfast between the IRA and Crown forces and between Catholics and Protestants continues until the following summer, when the northern IRA is left isolated by the outbreak of the Irish Civil War in the south and weakened by the rigorous enforcement of internment in Northern Ireland.
At the time the day is referred to as “Belfast’s Bloody Sunday.” However, the title of “Bloody Sunday” is now more commonly given in Ireland to events in Dublin in November 1920 or Derry in January 1972.
The Albany New Theatre opens in Hawkins Street, Dublin, on January 18, 1821.
In 1820, Henry Harris purchases a site in Hawkins Street and builds the 2,000–seat Albany New Theatre on the site at a cost of £50,000. The theatre is designed by architect Samuel Beazley. The construction work is not completed at the time of opening and early audience figures are so low that a number of side seating boxes are boarded up.
In August 1821, George IV attends a performance at the Albany and, as a consequence, a patent is granted. The name of the theatre is changed to the “Theatre Royal” to reflect its status as a patent theatre.
On December 14, 1822, the Bottle Riot occurs during a performance of She Stoops to Conquer attended by the Lord Lieutenant of Ireland, Marquess Wellesley. Orangemen angered by Wellesley’s conciliation of Catholics jeer him during the national anthem, and a riot ensues after a bottle is thrown at him. Wellesley’s overreaction, including charging three rioters with attempted murder, undermines his own credibility.
In 1830, Harris retires from the theatre and a Mr. Calcraft takes on the lease. The theatre attracts a number of famous performers, including Niccolò Paganini, Jenny Lind, Tyrone Power, and Barry Sullivan. By 1851, the theatre is experiencing financial problems and closes briefly. It reopens in December under John Harris, who had been manager of the rival Queen’s Theatre. The first production under Harris is a play by Dion Boucicault. Boucicault and his wife are to make their first Dublin personal appearances in the Royal in 1861 in his The Colleen Bawn. The first performance of Boucicault’s play Arrah-na-Pogue is held at the theatre in 1864, with Boucicault, Samuel Johnson, John Brougham, and Samuel Anderson Emery in the cast.
The theatre burns to the ground on February 9, 1880.
Anna Maria Hall (nee Fielding), Irish novelist who often publishes as “Mrs. S. C. Hall,” is born in Dublin on January 6, 1800. She lives with her mother, a widow named Sarah Elizabeth Fielding, and stepfather, George Carr of Graigie, Wexford, until 1815. She goes to England with her mother in 1815, and on September 20, 1824, marries Samuel Carter Hall. Her mother lives with her in London until she dies.
Hall’s first recorded contribution to literature is an Irish sketch called “Master Ben,” which appears in The Spirit and Manners of the Age, January 1829. Other tales follow. Eventually they are collected into a volume entitled Sketches of Irish Character (1829), and henceforth she becomes “an author by profession.” The following year she issues a little volume for children, Chronicles of a School-Room, consisting of a series of simple tales.
In 1831, she publishes a second series of Sketches of Irish Character fully equal to the first, which is well received. The first of her nine novels, The Buccaneer (1832), is a story of the time of The Protectorate, and Oliver Cromwell is among the characters. To The New Monthly Magazine, which her husband is editing, she contributes Lights and Shadows of Irish Life, articles which are republished in three volumes in 1838. The principal tale in this collection, “The Groves of Blarney,” is dramatised with considerable success by the author with the object of supplying a character for Tyrone Power and runs for a whole season at the Adelphi Theatre in 1838. Hall also writes “The French Refugee,” produced at the St. James’s Theatre in 1836, where it runs ninety nights, and for the same theatre Mabel’s Curse, in which John Pritt Harley sustains the leading part.
Another of her dramas, of which she has neglected to keep a copy, is Who’s Who? which is in the possession of Tyrone Power when he is lost in the President in April 1841. In 1840, she issues what has been called the best of her novels, Marian, or a Young Maid’s Fortunes, in which her knowledge of Irish character is again displayed in a style equal to anything written by Maria Edgeworth. Her next work is a series of “Stories of the Irish Peasantry,” contributed to Chambers’s Edinburgh Journal, and afterwards published in a collected form. In 1840 she aids her husband in a book chiefly composed by him, “Ireland, its Scenery, Characters, &c.” She edits the St. James’s Magazine from 1862 to 1863.
In the Art Journal, edited by her husband, she brings out Pilgrimages to English Shrines in 1849, and here the most beautiful of all her books, Midsummer Eve, a Fairy Tale of Love, first appears. One of her last works, Boons and Blessings (1875), dedicated to the Earl of Shaftesbury, is a collection of temperance tales, illustrated by the best artists.
Hall’s sketches of her native land bear a closer resemblance to the tales of Miss Mitford than to the Irish stories of John Banim or Gerald Griffin. They contain fine rural descriptions and are animated by a healthy tone of moral feeling and a vein of delicate humour. Her books are never popular in Ireland, as she sees in each party much to praise and much to blame, so that she fails to please either the Orange Order or the Roman Catholics.
On December 10, 1868, she is granted a civil list pension of £100 a year. She is instrumental in founding the Hospital for Consumption at Brompton, the Governesses’ Institute, the Home for Decayed Gentlewomen, and the Nightingale Fund. Her benevolence is of the most practical nature. She works for the temperance cause, for women’s rights, and for the friendless and fallen. She is a friend to street musicians, and a thorough believer in spiritualism, but this belief does not prevent her from remaining, as she ever was, a devout Christian. She dies at Devon Lodge, East Moulsey, January 30, 1881, and is buried in Addlestone churchyard on February 5.
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