seamus dubhghaill

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Tag Archives: Oscar Wilde


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Birth of Robert Ballagh, Artist, Painter & Designer

Robert “Bobby” Ballagh, artist, painter and designer, is born in Dublin on September 22, 1943. His painting style is strongly influenced by pop art. He is particularly well known for his hyperealistic renderings of well-known Irish literary, historical or establishment figures.

Ballagh grows up in a ground-floor flat on Elgin Road in Ballsbridge, the only child of a Presbyterian father and a Catholic mother. He studies at Bolton Street College of Technology and becomes an atheist while attending Blackrock College. Before turning to art as a profession, he is a professional musician with the Irish showband Chessmen. He meets artist Michael Farrell during this period, and Farrell recruits him to assist with a large mural commission, which is painted at Ardmore Studios.

Ballagh represents Ireland at the 1969 Biennale de Paris. Among the theatre sets he has designed are sets for Riverdance, I’ll Go On, Gate Theatre (1985), Samuel Beckett‘s Endgame (1991) and Oscar Wilde‘s Salomé (1998). He also designs over 70 Irish postage stamps and the last series of Irish banknotes, “Series C,” before the introduction of the euro. He is a member of Aosdána and his paintings are held in several public collections of Irish painting including the National Gallery of Ireland, the Hugh Lane Gallery, the Ulster Museum, Trinity College, Dublin, and Nuremberg‘s Albrecht Dürer House.

In 1991, he co-ordinates the 75th anniversary commemoration of the 1916 Easter Rising, during which he claims he is harassed by the Special Branch of the Garda Síochána.

He is the president of the Ireland Institute for Historical and Cultural Studies, which promotes international republicanism. It is based at the new Pearse centre at 27 Pearse Street, Dublin, which is the birthplace of Pádraig Pearse in 1879.

In July 2011 it is reported that he might consider running for the 2011 Irish Presidential election with the backing of Sinn Féin and the United Left Alliance. A Sinn Féin source confirms there has been “very informal discussions” and that Ballagh’s nomination is “a possibility” but “very loose at this stage.” However, on July 25 Ballagh rules out running in the election, saying that he has never considered being a candidate. His discussions with the parties had been about the election “in general” and he has no ambitions to run for political office.

That same month, Ballagh breaks ranks with his colleagues in the travelling production of Riverdance in their decision to perform in Israel. He is an active member of the Ireland Palestine Solidarity Campaign, which insists that artists and academics participate in boycotts of Israeli businesses and cultural institutions.

In July 2012, Ballagh says he is “ashamed and profoundly depressed” at the en masse closure of Irish galleries and museums. He cites an example of some Americans and Canadians on holiday in Ireland. “They described most of the National Gallery as being closed along with several rooms in the Hugh Lane Gallery. I’m glad they didn’t bother going out to the Museum of Modern Art in Kilmainham because that’s closed too. At the point I met them, they were returning from Galway where they had found the Nora Barnacle Museum closed too.” He condemns the hypocrisy of political leaders, saying, “I know arts funding is not a big issue for people struggling to put food on the table, but we are talking about the soul of the nation.”


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Birth of Ronnie Drew, Singer & Folk Musician

Joseph Ronald “Ronnie” Drew, singer, folk musician and actor who achieves international fame during a fifty-year career recording with The Dubliners, is born in Dún Laoghaire, County Dublin, on September 16, 1934. He is most recognised for his lead vocals on the single “Seven Drunken Nights” and “The Irish Rover” both charting in the U.K. top 10. He is recognisable for his long beard and his voice, which is once described by Nathan Joseph as being “like the sound of coal being crushed under a door.”

Drew is educated at CBS Eblana. Despite his aversion to education, he is considered the most intelligent in his class by schoolfriend and future Irish film censor, Sheamus Smith. Drew also sings as a boy soprano before his voice breaks.

In the 1950s, Drew moves to Spain to teach English and learn Spanish and flamenco guitar. His interest in folk music begins at the age of nineteen. When he returns to Ireland, he performs in the Gate Theatre with John Molloy and soon goes into the music business full-time, after holding a number of short-term jobs.

In 1962, he founds the Ronnie Drew Group with Luke Kelly, Barney McKenna and Ciarán Bourke. They soon change their name to The Dubliners, with John Sheahan joining shortly afterwards to form the definitive line-up and quickly become one of the best-known Irish folk groups. They play at first in O’Donoghue’s Pub in Merrion Row, Dublin where they are often accompanied by Mary Jordan on the spoons and vocalist Ann Mulqueen, a friend of McKenna’s. Mary Jordan’s mother, Peggy Jordan, introduces them to the Abbey Tavern in Howth, which becomes a regular Monday night venue for the emerging group. They also play across the road in the Royal Hotel, at all-night parties in Peggy’s large house in Kenilworth Square in Rathgar, and in John Molloy’s flat at Ely Place.

Drew leaves the Dubliners in 1974, goes to Norway in 1978 and records two songs with the Norwegian group Bergeners. He rejoins The Dubliners in 1979 and leaves for good in 1995, though he does reunite with the group in 2002 for a 40th anniversary celebration. He makes several television appearances with the group between 2002 and 2005.

From 1995 onwards, Drew pursues a solo career. He records with many artists, including Christy Moore, The Pogues, Antonio Breschi, Dropkick Murphys, Eleanor Shanley and others. He does a number of “one-man shows” consisting of stories about people such as Brendan Behan, Patrick Kavanagh and Seán O’Casey, as well as Drew singing their songs.

He fronts a campaign to encourage the use of Dublin’s light-rail infrastructure and, before that, the “My Dublin” ads for radio stations 98FM and FM104. He narrates a retelling of the great Irish Myths and Legends over a six CD set in 2006. He also narrates the stories of Oscar Wilde in his distinctive voice for a series released on CD by the News of the World newspaper. Both were re-released as CD box sets in 2010.

On August 22, 2006, Drew is honoured in a ceremony where his handprints are added to the “Walk of Fame” outside Dublin‘s Gaiety Theatre.

In September 2006, Drew is reported to be in ill-health after being admitted to St. Vincent’s Hospital, Dublin, to undergo tests for suspected throat cancer. On October 25, 2007, Drew, now bald and beardless, appears on Ryan Confidential on RTÉ 1 to give an interview about his role in The Dubliners, his life since leaving the band and being diagnosed with throat cancer. Later in 2007, he appears on The Late Late Show, where he speaks about the death of his wife and his ongoing treatment for cancer.

Ronnie Drew dies in St. Vincent’s Hospital, Dublin, on August 16, 2008, following his long illness. He is buried three days later in Redford Cemetery in Greystones.


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The Homosexuality Trial of Oscar Wilde

The trial of Oscar Wilde on charges of homosexuality, then considered a crime, begins at the Old Bailey on April 26, 1895.

With a warrant for Wilde’s arrest on charges of sodomy and gross indecency having been issued, Robbie Ross finds Wilde at the Cadogan Hotel, Knightsbridge, with Reginald Turner. Both men advise Wilde to go at once to Dover and try to get a boat to France. His mother advises him to stay and fight. Wilde, lapsing into inaction, can only say, “The train has gone. It’s too late.” Wilde is arrested for “gross indecency” under Section 11 of the Criminal Law Amendment Act 1885, a term meaning homosexual acts not amounting to buggery, an offence under a separate statute. At Wilde’s instruction, Ross and Wilde’s butler force their way into the bedroom and library of 16 Tite Street, packing some personal effects, manuscripts, and letters. Wilde is then imprisoned on remand at HM Prison Holloway where he receives daily visits from his partner, Lord Alfred Douglas.

Events move quickly and his prosecution opens on April 26, 1895. Wilde pleads not guilty. He has already begged Douglas to leave London for Paris, but Douglas complains bitterly, even wanting to give evidence. He is pressed to go and soon flees to the Hotel du Monde. Fearing persecution, Ross and many others also leave the United Kingdom during this time.

Under cross examination by Charles Gill, Wilde is at first hesitant, but then eloquently responds to Gill’s question about the meaning of “the love that dare not speak its name.” Wilde replies, “‘The love that dare not speak its name” in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art, like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as ‘the love that dare not speak its name,’ and on that account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an older and a younger man, when the older man has intellect, and the younger man has all the joy, hope and glamour of life before him. That it should be so, the world does not understand. The world mocks at it, and sometimes puts one in the pillory for it.”

Wilde’s response is counter-productive in a legal sense as it only serves to reinforce the charges of homosexual behaviour. The trial ends with the jury unable to reach a verdict. Wilde’s counsel, Sir Edward Clarke, is finally able to get a magistrate to allow Wilde and his friends to post bail. The Reverend Stewart Headlam puts up most of the £5,000 surety required by the court, having disagreed with Wilde’s treatment by the press and the courts. Wilde is freed from Holloway and, shunning attention, goes into hiding at the house of Ernest and Ada Leverson, two of his firm friends. Edward Carson approaches Frank Lockwood QC, the Solicitor General and asks, “Can we not let up on the fellow now?” Lockwood answers that he would like to do so, but fears that the case has become too politicised to be dropped.

The final trial is presided over by Alfred Wills. On May 25, 1895 Wilde and Alfred Taylor are convicted of gross indecency and sentenced to two years’ hard labour. The judge describes the sentence, the maximum allowed, as “totally inadequate for a case such as this,” and that the case is “the worst case I have ever tried.” Wilde responds, “And I? May I say nothing, my Lord?” but it is drowned out by cries of “Shame” in the courtroom.

Oscar Wilde enters prison on May 25, 1895 and is released on May 18, 1897.

(Pictured: Oscar Wilde and Lord Alfred Douglas)


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Birth of Playwright & Poet Samuel Barclay Beckett

Samuel Barclay Beckett, avant-garde novelist, playwright, theatre director, and poet, is born on Good Friday, April 13, 1906, in Foxrock, Dublin. His father, William Frank Beckett, works in the construction business and his mother, Maria Jones Roe, is a nurse. Beckett attends Earlsfort House School in Dublin and then, at age 14, he goes to Portora Royal School, the same school attended by Oscar Wilde. He receives his bachelor’s degree from Trinity College, Dublin in 1927. In his youth he periodically experiences severe depression keeping him in bed until mid-day. This experience later influences his writing.

In 1928, Beckett finds a welcome home in Paris where he meets and becomes a devoted student of James Joyce. In 1931, he embarks on a restless sojourn through Great Britain, France and Germany. He writes poems and stories and does odd jobs to support himself. On his journey, he comes across many individuals who inspire some of his most interesting characters.

In 1937, Beckett settles in Paris. Shortly thereafter, he is stabbed by a pimp after refusing his solicitations. While recovering in the hospital, he meets Suzanne Dechevaux-Dumesnuil, a piano student in Paris. The two become life-long companions and eventually marry. After meeting with his attacker, Beckett drops the charges, partly to avoid the publicity.

During World War II, Beckett’s Irish citizenship allows him to remain in Paris as a citizen of a neutral country. He fights in the resistance movement until 1942 when members of his group are arrested by the Gestapo. He and Suzanne flee to the unoccupied zone until the end of the war.

After the war, Beckett is awarded the Croix de Guerre for bravery during his time in the French resistance. He settles in Paris and begins his most prolific period as a writer. In five years, he writes Eleutheria, Waiting for Godot, Endgame, the novels Molloy, Malone Dies, The Unnamable, and Mercier et Camier, two books of short stories, and a book of criticism.

Beckett’s first publication, Molloy, enjoys modest sales, but more importantly praise from French critics. Soon, Waiting for Godot, achieves quick success at the small Theatre de Babylone putting Beckett in the international spotlight. The play runs for 400 performances and enjoys critical praise.

Beckett writes in both French and English, but his most well-known works, written between World War II and the 1960s, are written in French. Early on he realizes his writing has to be subjective and come from his own thoughts and experiences. His works are filled with allusions to other writers such as Dante Alighieri, René Descartes, and James Joyce. Beckett’s plays are not written along traditional lines with conventional plot and time and place references. Instead, he focuses on essential elements of the human condition in dark humorous ways. This style of writing has been called “Theater of the Absurd” by Martin Esslin, referring to poet Albert Camus’ concept of “the absurd.” The plays focus on human despair and the will to survive in a hopeless world that offers no help in understanding.

The 1960s are a period of change for Beckett. He finds great success with his plays across the world. Invitations come to attend rehearsals and performances which lead to a career as a theater director. In 1961, he secretly marries Suzanne Dechevaux-Dumesnuil who takes care of his business affairs. A commission from the BBC in 1956 leads to offers to write for radio and cinema through the 1960s.

Beckett continues to write throughout the 1970s and 1980s, mostly in a small house outside Paris. There he can give total dedication to his art evading publicity. In 1969, he is awarded the Nobel Prize in Literature, though he declines accepting it personally to avoid making a speech at the ceremonies. However, he should not be considered a recluse. He often times meets with other artists, scholars and admirers to talk about his work.

By the late 1980s, Beckett is in failing health and is moved to a small nursing home. His wife Suzanne dies in July 1989. His life is confined to a small room where he receives visitors and writes. He dies on December 22, 1989, in a hospital of respiratory problems just months after his wife.


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First Performance of Oscar Wilde’s “Lady Windermere’s Fan”

lady-windermeres-fanOscar Wilde‘s four-act comedy Lady Windermere’s Fan, A Play About a Good Woman is first produced on February 22, 1892 at the St. James’s Theatre in London. The play is first published in 1893. Like many of Wilde’s comedies, it bitingly satirizes the morals of society.

The story concerns Lady Windermere, who suspects that her husband is having an affair with another woman. She confronts him with it but although he denies it, he invites the other woman, Mrs. Erlynne, to his wife’s birthday ball. Angered by her husband’s supposed unfaithfulness, Lady Windermere decides to leave her husband for another lover. After discovering what has transpired, Mrs. Erlynne follows Lady Windermere and attempts to persuade her to return to her husband and in the course of this, Mrs. Erlynne is discovered in a compromising position. It is then revealed Mrs. Erlynne is Lady Windermere’s mother, who abandoned her family twenty years before the time the play is set. Mrs. Erlynne sacrifices herself and her reputation to save her daughter’s marriage.

By the summer of 1891 Wilde has already written three plays, Vera; or, The Nihilists and The Duchess of Padua find little success, and Salome is censored. Unperturbed, he decides to write another play but turns from tragedy to comedy. He goes to the Lake District in the north of England, where he stays with a friend and later meets Robert Ross. Numerous characters in the play appear to draw their names from the north of England: Lady Windermere from the lake and nearby town Windermere (though Wilde had used “Windermere” earlier in Lord Arthur Saville’s Crime), the Duchess of Berwick from Berwick-upon-Tweed, Lord Darlington from Darlington. Wilde begins writing the play at the prodding of Sir George Alexander, the actor manager of St. James’s Theatre. The play is finished by October 1891. Alexander likes the play, and offers him an advance of £1,000 for it. Wilde, impressed by his confidence, opts to take a percentage instead, from which he earns £7,000 in the first year alone.

Alexander is a meticulous manager and he and Wilde begin exhaustive revisions and rehearsals of the play. Both are talented artists with strong ideas about their art. Wilde, for instance, emphasises attention to aesthetic minutiae rather than realism. He resists Alexander’s suggested broad stage movements, quipping that “Details are of no importance in life, but in art details are vital.” These continue after the opening night, when at the suggestion of both friends and Alexander, Wilde makes changes to reveal Mrs. Erylnne’s relationship with Lady Windermere gradually throughout the play, rather than reserving the secret for the final act. Despite these artistic differences, both are professional and their collaboration is a fruitful one.

There exists an extant manuscript of the play and it is held in the William Andrews Clark Memorial Library at the University of California in Los Angeles.


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Death of Jane Francesca Agnes, Lady Wilde

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Jane Francesca Agnes, Lady Wilde, Irish poet who writes under the pen name “Speranza” and supporter of the nationalist movement, dies at her home, 146 Oakley Street, Chelsea, London, of bronchitis on February 3, 1896.

Jane is the last of the four children of Charles Elgee, a Wexford solicitor, and his wife Sarah. Her great-grandfather is an Italian who had come to Wexford in the 18th century. She has a special interest in Irish folktales, which she helps to gather. She marries Sir William Wilde on November 12, 1851, and they have three children, William Charles Kingsbury Wilde (1852–1899), Oscar Fingal O’Flahertie Wills Wilde (1854–1900), and Isola Francesca Emily Wilde (1857–1867).

Jane, who is the niece of Charles Maturin, writes for the Young Ireland movement of the 1840s, publishing poems in The Nation under the pseudonym of “Speranza.” Her works include pro-Irish independence and anti-British writing. She is sometimes known as “Speranza of the Nation.” Charles Gavan Duffy is the editor when “Speranza” writes commentary calling for armed revolution in Ireland. The authorities at Dublin Castle shut down the paper and bring the editor to court. Duffy refuses to name who has written the offending article. “Speranza” reputedly stands up in court and claims responsibility for the article. The confession is ignored by the authorities. But in any event the newspaper is permanently shut down by the authorities.

She is an early advocate of women’s rights, and campaigns for better education for women. She invites the suffragist Millicent Fawcett to her home to speak on female liberty. She praises the passing of the Married Women’s Property Act of 1883, preventing women from having to enter marriage “as a bond slave, disenfranchised of all rights over her fortune.”

William Wilde is knighted in January 1864, but the family celebrations are short-lived, for in the same year Sir William and Lady Wilde are at the centre of a sensational Dublin court case regarding a young woman called Mary Travers, the daughter of a colleague of Sir William’s, who claims that he had seduced her and who then brings an action against Lady Wilde for libel. Mary Travers wins the case and costs of £2,000 are awarded against Lady Wilde. Then, in 1867, their daughter Isola dies of fever at the age of nine. In 1871 the two illegitimate daughters of Sir William are burned to death and in 1876 Sir William himself dies. The family discovers that he is virtually bankrupt.

Lady Wilde leaves Dublin for London in 1879, where she joins her two sons, Willie, a journalist, and Oscar, who is making a name for himself in literary circles. She lives with her older son in poverty, supplementing their meagre income by writing for fashionable magazines and producing books based on the researches of her late husband into Irish folklore.

Lady Wilde contracts bronchitis in January 1896 and, dying, asks for permission to see Oscar, who is in prison. Her request is refused. It is claimed that her “fetch” appears in Oscar’s prison cell as she dies at her home, 146 Oakley Street, Chelsea, on February 3, 1896. Willie Wilde, her older son, is penniless, so Oscar pays for her funeral, which is held on February 5, at Kensal Green Cemetery in London. A headstone proved too expensive and she is buried anonymously in common ground. A monument to her, in the form of a Celtic cross, is erected at Kensal Green Cemetery by the Oscar Wilde Society in 1999.


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Death of William Butler Yeats

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William Butler Yeats, Irish poet and one of the foremost figures of 20th century literature, dies on January 28, 1939, at the Hôtel Idéal Séjour, in Menton, France.

Yeats is born in Sandymount, County Dublin, on June 13, 1865, the oldest child of John Butler Yeats and Susan Mary Pollexfen. Although John trains as a lawyer, he abandons the law for art soon after his first son is born. Yeats spends much of his early years in London, where his father is studying art, but frequently returns to Ireland as well.

In the mid-1880s, Yeats pursues his own interest in art as a student at the Metropolitan School of Art in Dublin. Following the publication of his poems in the Dublin University Review in 1885, he soon abandoned art school for other pursuits.

After returning to London in the late 1880s, Yeats meets writers Oscar Wilde, Lionel Johnson, and George Bernard Shaw. He also becomes acquainted with Maud Gonne, a supporter of Irish independence. This revolutionary woman serves as a muse for Yeats for years. He even proposes marriage to her several times, but she turns him down. He dedicates his 1892 drama The Countess Kathleen to her.

Around this time, Yeats founds the Rhymers’ Club poetry group with Ernest Rhys. He also joins the Order of the Golden Dawn, an organization that explores topics related to the occult and mysticism. While he is fascinated with otherworldly elements, Yeats’s interest in Ireland, especially its folktales, fuels much of his output. The title work of The Wanderings of Oisin and Other Poems (1889) draws from the story of a mythic Irish hero.

In addition to his poetry, Yeats devotes significant energy to writing plays. He teams with Lady Gregory to develop works for the Irish stage, the two collaborating for the 1902 production of Cathleen Ni Houlihan. Around that time, Yeats helps found the Irish National Theatre Society with Lady Gregory and John Millington Synge, serving as its president and co-director. More works soon follow, including On Baile’s Strand, Deirdre, and At the Hawk’s Well.

Following his marriage to Georgie Hyde-Lees in 1917, Yeats begins a new creative period through experiments with automatic writing. The newlyweds sit together for writing sessions they believe to be guided by forces from the spirit world, through which Yeats formulates intricate theories of human nature and history. They soon have two children, daughter Anne and son Michael.

Yeats then becomes a political figure in the new Irish Free State, serving as a senator for six years beginning in 1922. The following year, he receives an important accolade for his writing as the recipient of the Nobel Prize in Literature. According to the official Nobel Prize website, Yeats is selected “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”

Yeats continues to write until his death. Some of his important later works include The Wild Swans at Coole (1917), A Vision (1925), The Tower (1928) and Words for Music Perhaps and Other Poems (1932). Yeats passes away on January 28, 1939, at the Hôtel Idéal Beauséjour near Menton, France. He is buried after a discreet and private funeral at Roquebrune-Cap-Martin. The publication of Last Poems and Plays and Two Plays shortly after his death further cements his legacy as a leading poet and playwright.

In September 1948, Yeats’ body is moved to the churchyard of St. Columba’s Church, Drumcliff, County Sligo, on the Irish Naval Service corvette LÉ Macha.


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Birth of Oscar Wilde

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Oscar Fingal O’Flahertie Wills Wilde, playwright, novelist, essayist, and poet, is born on October 16, 1854, at 21 Westland Row, Dublin, now home of the Oscar Wilde Centre, Trinity College. After writing in different forms throughout the 1880s, he becomes one of London‘s most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment and early death.

Wilde’s parents are successful Anglo-Irish Dublin intellectuals. Their son becomes fluent in French and German early in life. At university, Wilde read Greats and proves himself to be an outstanding classicist, first at Dublin, then at Magdalen College, Oxford. He becomes known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moves to London into fashionable cultural and social circles.

As a spokesman for aestheticism, Wilde tries his hand at various literary activities. He publishes a book of poems, lectures in the United States and Canada on the new “English Renaissance in Art,” and then returns to London where he works prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversation, Wilde becomes one of the best-known personalities of his day.

At the turn of the 1890s, he refines his ideas about the supremacy of art in a series of dialogues and essays, and incorporates themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, draws Wilde to write drama. He writes Salome (1891) in French in Paris, but it is refused a licence for England due to the absolute prohibition of Biblical subjects on the English stage. Unperturbed, Wilde produces four society comedies in the early 1890s, which make him one of the most successful playwrights of late Victorian London.

At the height of his fame and success, while his masterpiece, The Importance of Being Earnest (1895), is still on stage in London, Wilde has the John Douglas, 9th Marquess of Queensberry prosecuted for libel. The Marquess is the father of Wilde’s lover, Lord Alfred Douglas. The charge carries a penalty of up to two years in prison. The trial unearths evidence that causes Wilde to drop his charges and leads to his own arrest and trial for gross indecency with men. After two more trials he is convicted and imprisoned for two years’ penal labour.

In 1897, in prison, he writes De Profundis, which is published in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he leaves immediately for France, never to return to Ireland or Britain. There he writes his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.

Wilde dies destitute of cerebral meningitis in Paris on November 30, 1900. at the age of 46. He is initially buried in the Cimetière parisien de Bagneux outside Paris. In 1909 his remains are disinterred and transferred to Père Lachaise Cemetery, inside the city.


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First Meeting of Oscar Wilde & Walt Whitman

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On January 18, 1882, while on a successful speaking tour of the United States, the 27-year-old Irish playwright, Oscar Wilde, newly famous at home and abroad, visits 62-year-old poet Walt Whitman at Whitman’s home in Camden, New Jersey, at 431 Stevens Street, a building that no longer exists.

Wilde’s mother purchases a copy of Whitman’s Leaves of Grass in 1866 and reads passages to him when he is a child. It is not surprising, therefore, that Wilde seeks out Whitman when he has the opportunity to visit the United States. Wilde, through his friend and publisher in Philadelphia, Joseph Marshall Stoddart, requests that Whitman meet them for dinner in Philadelphia on the afternoon of Saturday, January 14. The ailing Whitman is not well enough to make the crossing of the Delaware River to Philadelphia. The meeting is then arranged to take place at Whitman’s home.

On Wednesday, January 18, after giving his lecture in Philadelphia the previous evening, Wilde travels by ferryboat across the river to visit Whitman. The two poets spend two hours together in a pleasant discussion over wine and milk punch.

Wilde is known to speak publicly about their meeting only once, in an interview with the Boston Herald about ten days after the meeting. He says, “I spent the most charming day I have spent in America. He is the grandest man I have ever seen. The simplest, most natural, and strongest character I have ever met in my life. I regard him as one of those wonderful, large, entire men who might have lived in any age, and is not peculiar to any one people. Strong, true, and perfectly sane: the closest approach to the Greek we have yet had in modern times. Probably he is dreadfully misunderstood.”

Wilde and Whitman meet for a second time in early May. Due to so little being known about the visits, some biographers incorrectly speculate that the two poets are estranged. However, Whitman sends Wilde an inscribed copy of November Boughs in 1888. This is sold a decade later when Wilde’s library is liquidated for debts while he is in prison after being found guilty of “gross indecency with men.”

Whitman always defends Wilde against the accusations of his detractors. “Wilde was very friendly to me – was and is, I think – both Oscar and his mother – Lady Wilde – and thanks be most to the mother, that greater, and more important individual. Oscar was here – came to see me – and he impressed me a strong, able fellow, too.”