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Birth of Sylvester O’Halloran, Surgeon & Historian

Sylvester O’Halloran, Irish surgeon with an abiding interest in Gaelic poetry and history, is born on December 31, 1728, at Caherdavin, County Limerick. For most of his life he lives and practises in Limerick and is later elected a member of the Royal Irish Academy (RIA).

O’Halloran is the third son of Michael O’Halloran, a prosperous farmer, and his wife Mary McDonnell. He is named after Sylvester Lloyd, the titular Catholic bishop of Killaloe (1728–39). His mother’s cousin, Sean Claragh McDonnell, teaches him much at an early age, including some Greek and Latin. He goes on to a Limerick school run by Robert Cashin, a Protestant clergyman, which is unusual at the time as the O’Hallorans are Roman Catholics during the difficult time of the Penal Laws.

O’Halloran and his brothers engage successfully in areas of life that work around the restrictions of the Penal Laws. Joseph becomes a Jesuit and holds chairs in rhetoric, philosophy and divinity at the Jesuit College at Bordeaux in France. George becomes a jeweler and in time a property-owner. O’Halloran goes to London to learn medicine at the age of 17, particularly studying the methods of Richard Mead, as well as the oculists Taylor and Hillmer. After further study at Leiden, and in Paris under the anatomist and academician Antoine Ferrein, he sets up practice as a surgeon in Limerick in early 1749.

O’Halloran writes several learned treatises on medical matters, and his fame is acknowledged by his membership of the RIA in 1787. He is a founder of the County Limerick Infirmary that starts with four beds in 1761 before moving to larger premises at St. Francis’s Abbey in 1765. The foundation stone of the original infirmary is now preserved in the Sylvester O’Halloran Post Graduate Centre at the Mid-Western Regional Hospital, Limerick.

While in France, O’Halloran is very impressed with the Académie Royale de Chirurgie, which had been founded in Paris in 1731 during the reign of Louis XV. He is subsequently instrumental in founding the Royal College of Surgeons in Ireland (RCSI), by writing its blueprint, Proposals for the Advancement of Surgery in Ireland, in 1765. In 1780, he is made an honorary member of the new Dublin Society of Surgeons and, when the RCSI receives its charter in 1784, is again elected an honorary member, equivalent to a Fellowship today.

As well as his scientific knowledge, O’Halloran’s interest in the arts begins with his collection of Gaelic poetry manuscripts and this leads on to an interest in Irish history. Given his background, he argues to validate the pre-Norman history of Ireland which had often been dismissed as a period of barbarism.

O’Halloran’s correspondents include Edmund Burke on early history. With Charles O’Conor of Bellanagare he discusses James Macpherson‘s translated version of Ossian and advises him about an eye complaint.

In 1789, Charlotte Brooke publishes the first English-language compendium of Irish poetry, the seminal “Reliques of Irish Poetry”, giving full due to O’Halloran for lending her his manuscript collection and for having written the essential history underlying her anthology.

In 1752, O’Halloran marries Mary Casey of Ballycasey, County Limerick, and they have four sons and a daughter. Their homes are in Change Lane and then on Merchants’ Quay. One of their sons is Major-General Sir Joseph O’Halloran, the father of Thomas Shuldham O’Halloran, after whom the Adelaide, South Australia suburb of O’Halloran Hill is named. Mary dies in 1782.

After a stroke, O’Halloran is infirm and confined to his chair for some time before his death on August 11, 1807, at his home on Limerick’s Merchant Quay. His is buried at St. Munchin’s graveyard at Killeely, which is now a suburb of Limerick.

Though politically restricted in his life by the Penal Laws, O’Halloran helps establish the county Infirmary, is elected President of the city’s Free Debating Society in 1772 and is elected to a committee in 1783 that examines the River Shannon navigation. Appropriately, a Limerick bridge over the River Shannon has been named after him.


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Death of Austin Clarke, Poet, Playwright & Novelist

Austin Clarke, poet, playwright and novelist, dies in Dublin on March 19, 1974. At the time of his death, he is considered to be the greatest poet of his generation after W. B. Yeats,

Clarke is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English. Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, he says, “I load myself down with chains and try to wriggle free.”

Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.

Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verses plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.

Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.

Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.

In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.

In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.

Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by Councillor Bernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.

(Photo © RTÉ Archives)


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Birth of Austin Clarke, Poet, Playwright & Novelist

Austin Clarke, considered at his death to be the greatest poet of his generation after W. B. Yeats, is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. He also writes plays, novels and memoirs. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English.

Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, Clarke says, “I load myself down with chains and try to wriggle free.”

Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.

Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verse plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.

Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.

Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.

In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.

In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.

Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by Councillor Bernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.


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Birth of Charles O’Conor, Writer & Antiquarian

charles-o-conor-of-belanagareCharles O’Conor, Irish writer and antiquarian who is enormously influential as a protagonist for the preservation of Irish culture and history in the eighteenth century, is born on January 1, 1710 in Killintrany, County Sligo. He combines an encyclopaedic knowledge of Irish manuscripts and Gaelic culture in demolishing many specious theories and suppositions concerning Irish history.

O’Conor is born into a cadet branch of the land-owning family of O’Conor Don and is sent for his education to Father Walter Skelton’s school in Dublin. He grows up in an environment that celebrates Gaelic culture and heritage. He begins collecting and studying ancient manuscripts at an early age.

His marriage brings him financial stability so that he can devote himself to his writing, but he is widowed in 1750, within a year of his father’s death. When his eldest son Denis marries in 1760, he gives up the residence at Bellanagare to him and moves into a small cottage that he had built on the estate. He devotes the remainder of his life to the collection and study of Irish manuscripts, to the publication of dissertations, and especially to the cause of Irish and Catholic emancipation.

O’Conor is well known in Ireland from his youth as a civil-tongued, but adamant, advocate of Gaelic culture and history. He garners fame outside Ireland through his Dissertations on the ancient history of Ireland (1753), which is generally well received. When Samuel Johnson is made aware of it, he is moved to write a letter to O’Conor in 1755, complimenting the book, complimenting the Irish people, and urging O’Conor to write on the topic of Celtic languages.

The book is less well received in some Scottish circles, where there exists a movement to write Celtic history based upon Scottish origins. When James Macpherson publishes a spurious story in 1761 about having found an ancient Gaelic (and Scottish) cycle of poems by a certain “Ossian“, among the critics who rejects it as false is O’Conor, as an inclusion in the 1766 rewrite of his 1753 work. While the issue was laid to public rest by others, notably Samuel Johnson, the issue is laid to intellectual rest by O’Conor in 1775, with the publication of his Dissertation on the origin and antiquities of the antient Scots. The fact that the issue occurs provides O’Conor the opportunity to establish Ireland as the source of Gaelic culture in the minds of the non-Irish general public.

O’Conor’s later life is that of the respected dean of Irish historians. He continues to write as always in favour of ideas that he favours and are consistent with the historical record, and against any and all ideas that are inconsistent with the historical record, including those of other Irish historians. Such is his esteemed reputation that even those whom he challenges would include his challenges in the next edition of their own books. He continues to collect, study, and annotate Irish manuscripts. Upon his death in Bellanagare, County Roscommon on July 1, 1791, his collection becomes the first part of the Annals of the Four Masters at the Stowe Library. In 1883 these are returned to the Royal Irish Academy library.

His unfinished History of Ireland, that Johnson had encouraged in 1777, is destroyed on his instructions at his death.


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Death of John O’Mahony, Founder of the Fenian Brotherhood

john-omahony

John Francis O’Mahony, Gaelic scholar and the founding member of the Fenian Brotherhood in the United States, sister organisation to the Irish Republican Brotherhood, dies in New York City on February 7, 1877.

O’Mahony is born in 1816 in Kilbeheny, County Limerick. His father and uncle were members of the Society of United Irishmen and took part in the Irish Rebellion of 1798. On the death of an elder brother, he inherits a property which yields £300 per annum. He enters Trinity College, Dublin, where he studies Sanskrit, Hebrew, and Irish. He becomes an accomplished Gaelic scholar, and later teaches Greek and Latin, and contributes articles to Irish and French journals. He leaves Trinity without getting a degree.

In 1843, O’Mahony joins Daniel O’Connell‘s movement for the Repeal of the Acts of Union 1800, but quickly becomes dissatisfied with the lack of progress and joins the Young Ireland movement which William Smith O’Brien leads and takes part in the failed Young Ireland Rebellion of 1848. His participation in the rebellion obligates him to leave Ireland, and he settles for a time in Paris, where he lives in great poverty. In 1854, he joins John Mitchel in New York City, and takes part in the Emigrant Aid Association, the Emmet Monument Association, and other Irish organisations.

In 1857, O’Mahony publishes History of Ireland, by Geoffrey Keating, D. D., translated from the Original Gaelic, and Copiously Annotated (New York, 1857). O’Mahony’s notes are copied from John O’Donovan‘s translations of Annals of the Four Masters, and it is on this ground that Hodges & Smith procures an injunction against the sale of the book in the United Kingdom. The mental strain to which O’Mahony is subjected in the preparation of this work, which brings him no pecuniary gain, affects his reasoning and he is removed by his friends for a short time to a lunatic asylum.

In 1860, O’Mahony organises the Fenian Brotherhood, also known as the Irish Republican Brotherhood. The object of the association is to secure the freedom of Ireland. The name is probably derived from O’Mahony’s Gaelic studies, the Fenians having been a military body in pagan Ireland, celebrated in the songs of Ossian. The organisation of the new society is completed at conventions that are held in Chicago in 1864 and in Cincinnati in January 1865.

At the time of the Cincinnati convention, O’Mahony holds the rank of colonel of the 69th Regiment of New York State Militia, recruited mainly from the ranks of the Brotherhood, which has also furnished a large proportion of Thomas Francis Meagher‘s Irish Brigade, Michael Corcoran‘s legion, and Irish regiments engaged in the American Civil War. The rapid growth in membership of the Fenian Brotherhood renders it impossible for O’Mahony to retain the colonelcy of the 69th regiment, which he has held for some time. He resigns in order to give all his attention to the spread of Fenianism.

The close of the civil war in the spring of 1865 gives a great impetus to the Fenians, owing to the number of Irish American soldiers that are disbanded and anxious to see service elsewhere. Money pours into the Fenian exchequer. Many differences occur between O’Mahony and James Stephens and the Central Council relative to the policy to be pursued for the attainment of their object, but O’Mahony remains president of the organisation for several years. He does not take any part personally in the attempted insurrection in Ireland or in the raids on Canada, although his advice counts for much in these enterprises.

He devotes the last years of his life to literary pursuits, but suffers from ill health, and he has a hard struggle to secure the bare means for subsistence. However, visionary may have been his objectives, he is honest, and although thousands have passed through his hands, he is often at a loss for a dollar. When his poverty is discovered, he declines to receive assistance in any form. He dies in New York City on February 7, 1877, and soon after his death his remains are returned to Ireland and interred with the honors of a public funeral in Glasnevin Cemetery in Dublin.