seamus dubhghaill

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The Death of Theobald Wolfe Tone

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Theobald Wolfe Tone, Irish republican and rebel who sought to overthrow English rule in Ireland and who led a French military force to Ireland during the Irish Rebellion of 1798, dies at Provost’s Prison, Dublin on November 19, 1798, from a stab wound to his neck which he inflicted upon himself on November 12. His attempted suicide is the result of being refused a soldier’s execution by firing squad and being sentenced to death by hanging.

Wolfe Tone is born in Dublin on June 20, 1763. The son of a coach maker, he studies law and is called to the Irish bar in 1789 but soon gives up his practice. In October 1791 he helps found the Society of United Irishmen, initially a predominantly Protestant organization that works for parliamentary reforms, such as universal suffrage and Roman Catholic emancipation. In Dublin in 1792 he organizes a Roman Catholic convention of elected delegates that forces Parliament to pass the Catholic Relief Act of 1793. He himself, however, is anticlerical and hopes for a general revolt against religious creeds in Ireland as a sequel to the attainment of Irish political freedom.

By 1794 Wolfe Tone and his United Irishmen friends begin to seek armed aid from Revolutionary France to help overthrow English rule. After an initial effort fails, he goes to the United States and obtains letters of introduction from the French minister at Philadelphia to the Committee of Public Safety in Paris. In February 1796 he arrives in the French capital, presents his plan for a French invasion of Ireland, and is favourably received. The Directory then appoints one of the most brilliant young French generals, Lazare Hoche, to command the expedition and makes Tone an adjutant in the French army.

On December 16, 1796, Wolfe Tone sails from Brest with 43 ships and nearly 14,000 men. But the ships are badly handled and, after reaching the coast of west Cork and Kerry, are dispersed by a storm. He again brings an Irish invasion plan to Paris in October 1797, but the principal French military leader, Napoleon Bonaparte, takes little interest. When insurrection breaks out in Ireland in May 1798, Wolfe Tone can only obtain enough French forces to make small raids on different parts of the Irish coast. In September he enters Lough Swilly, Donegal, with 3,000 men and is captured there.

At his trial in Dublin on November 10, Wolfe Tone defiantly proclaims his undying hostility to England and his desire “in fair and open war to produce the separation of the two countries.” He is found guilty and is sentenced to be hanged. Early in the morning of November 12, 1798, the day he is to be hanged, he cuts his throat with a penknife and dies at the age of 35 in Provost’s Prison, Dublin, not far from where he was born. He is buried in Bodenstown, County Kildare, near his birthplace, and his grave is in the care of the National Graves Association.


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Birth of Painter Nathaniel Hone the Younger

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Nathaniel Hone the Younger, Irish painter and great-grand-nephew of painter Nathaniel Hone the Elder, is born in Fitzwilliam Place, Dublin on October 26, 1831. He is the son of Brindley Hone, a merchant and director of the Midland Great Western Railway.

Though a member of a very artistic family, Hone’s initial training is as an engineer at Trinity College Dublin followed by a brief period of work for the Irish Railway before going to Paris in 1853 to study painting. He first studies under Adolphe Yvon, the French military painter, and later Thomas Couture, who is one of the earliest exponents of realism and from whom he learns principles which influence his work throughout his career.

Most of Hone’s later paintings are landscapes, very often enlivened with animals and occasionally with figures. In France he is influenced by the painter Gustav Courbet who is taking a new and quite revolutionary realistic approach. His closest painting tips are, however, from another French impressionist, Jean-Baptiste-Camille Corot. He becomes a close friend of one of Corot’s followers at the Barbizon school of landscape painting. At Barbizon he learns to appreciate colour, texture and tone in the landscape and applies it in strong and confident brushworks to the painting of Irish subjects on his return. In Paris he also works closely with artist Édouard Brandon, also a follower of Corot.

Hone’s paintings which are completed in France have many similarities to those that he completes at his country farm in County Dublin, but the finish is perhaps more polished and professional in the later Irish works.

From 1876, except for four years, Hone exhibits at the Royal Hibernian Academy (RHA). He is elected a full member in 1880 and in 1894 becomes Professor of Painting. His exhibition with John Butler Yeats in 1901 is one of the turning points for the history of Irish art as it is their paintings which convince Sir Hugh Lane that Dublin should have a gallery of modern art.

Nathaniel Hone dies in Dublin on October 14, 1917. After his death his widow bequeaths the contents of his studio to the National Gallery of Ireland. He rarely dates his work, so it is difficult to establish chronology. The similarity of many of his motifs and subjects often make it difficult to tell whether a view is Irish or French. Equally it is difficult to chart his developments on stylistic grounds alone.

(Pictured: Nathaniel Hone, the younger, self-portrait as an old man)


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Birth of Frank Delaney, Novelist, Journalist & Broadcaster

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Frank Delaney, Irish novelist, journalist and broadcaster, is born in County Tipperary on October 24, 1942. He is the author of The New York Times best-seller Ireland, the non-fiction book Simple Courage: A True Story of Peril on the Sea, and many other works of fiction, non-fiction and collections.

Delaney begins working as a newsreader for the Irish state radio and television network RTÉ in 1970. In the early 1970s he becomes a news reporter for the BBC in Dublin, and covers an intense period of violence known as the Troubles. After five years of reporting on the violence, he moves to London to work in arts broadcasting. In 1978 he creates the weekly Bookshelf programme for BBC Radio 4, which covers books, writers and the business of publishing. Over the next five-and-a-half years he interviews over 1,400 authors, including Anthony Burgess, John Updike, Margaret Atwood, Christopher Isherwood and Stephen King.

On television, Delaney writes and presents for Omnibus, the BBC’s weekly arts series. He serves as the Literature Director of the Edinburgh Festival in 1980, and hosts his own talk show Frank Delaney in the early 1980s, which features many cultural and literary personalities. Afterward, he creates and presents Word of Mouth, the BBC’s radio programme about language, as well as a variety of radio and television documentaries including specials on James Joyce, Robert Graves, Ernest Hemingway in Paris, and the Shakespeare industry. He presents The Book Show on the Sky News satellite channel for many years.

Delaney’s first book, James Joyce’s Odyssey (1981), is well received and becomes a best-seller in the UK and Ireland. He writes and presents the six-part documentary series The Celts: Rich Traditions and Ancient Myths (1987) for the BBC, and writes the accompanying book. He subsequently writes five books of non-fiction (including Simple Courage), ten novels (including Ireland, Venetia Kelly’s Traveling Show and Tipperary), one novella, and a number of short stories. He also edits many compilations of essays and poetry.

After moving to the United States and settling in Kent, Connecticut in 2002, Delaney writes the screenplay for an adaptation of Goodbye, Mr. Chips (2002), which stars Martin Clunes and is shown on ITV in Britain, and in the Masterpiece Theatre series in the United States. His articles are published by newspapers in United States, the UK and Ireland, including on the Op-ed pages of The New York Times. He is a frequent public speaker, and is a contributor and guest on National Public Radio (NPR) programmes.

On Bloomsday 2010, Delaney launches Re:Joyce, a series of short weekly podcasts that go page-by-page through James Joyce’s Ulysses, discussing its allusions, historical context and references.

Frank Delaney dies in Danbury Hospital in Danbury, Connecticut on February 21, 2017 after suffering a stroke the previous day.


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Execution of Thomas Russell, United Irishmen Co-founder

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Thomas Paliser Russell, co-founder and leader of the Society of United Irishmen, is executed for his part in Robert Emmet‘s rebellion on October 21, 1803.

Born in Dromahane, County Cork to an Anglican family, Russell joins the British army in 1783 and serves in India. He returns to Ireland in 1786 and commences studies in science, philosophy and politics. In July 1790 he meets Theobald Wolfe Tone in the visitors’ gallery in the Irish House of Commons and they become firm friends.

In 1790 Russell resumes his military career as a junior officer in the 64th Regiment of Foot and is posted to Belfast. The French Revolution in 1789 is warmly greeted in Belfast as are its ideals of liberty, equality, and fraternity. With his keen mind and radical ideas, Russell soon becomes a confidante of Henry Joy McCracken, James Hope, Samuel Neilson and others who are to play a prominent role in the United Irish movement. With them he develops ideas of parliamentary reform, to include the bulk of the people, and Catholic emancipation.

Russell leaves the army in July 1791 and attends a convention of the Whig Club in Belfast to mark Bastille Day. The convention is addressed by William Drennan, who proposes a brotherhood promoting separation from England and co-operation with the increasingly radical Cisalpine Club in the pursuit of political and social reforms. However, Russell notes the lack of trust between Dissenters and Catholics which is due to fears that Catholic radicalism can be bought off by religious concessions. Informing Wolfe Tone of his observations, within weeks leads to Wolfe Tone’s publication of Argument on Behalf of the Catholics of Ireland to address these suspicions. The pamphlet is extremely well received and provides the impetus for the founding of the Society of United Irishmen in Belfast on October 18, 1791.

Pressure from Dublin Castle later forces the United Irish movement to become a clandestine organisation as the would-be revolutionaries seek to continue their slow progress towards challenging the occupying British.

In 1795 Russell, Andrew Henderson, Henry Joy McCracken and Samuel Neilson lead a band of United Irishmen to the top of Cavehill overlooking the town of Belfast where they swear an oath “never to desist in our effort until we have subverted the authority of England over our country and asserted her independence” prior to Wolfe Tone’s exile to the United States. The event is noted in Dublin Castle although there is no immediate move to disband or arrest the members of the United Irishmen.

In 1796, Russell publishes an ambitious and far-sighted document, Letter to the People of Ireland, which lays out his vision of social and economic reform for the Irish nation. In addition to his stance on religious freedom, he makes clear his anti-slavery views in the Northern Star on March 17, 1792.

Russell takes an active part in organising the Society of United Irishmen becoming the United Irish commander in County Down. However, the outbreak of the French Revolution in 1793 leads to an ongoing campaign against the United Irishmen and in 1796 he is arrested and imprisoned as a “state prisoner” in Dublin. In March 1799 he and the other state prisoners are transferred to Fort George in Scotland, an extensive fortress some miles north of Inverness built in the wake of the failed Jacobite rebellion of 1745-46. He is released on condition of exile to Hamburg in June 1802 following a brief cessation in the war with France.

Not content to sit things out in Hamburg, Russell soon makes his way to Paris where he meets Robert Emmet who is planning another insurrection pending the French renewal of the war against England. He agrees to return to Ireland in March 1803 to organise the North in conjunction with James Hope. However, he meets with little success as much of the north is subdued following the suppression of the Irish Rebellion of 1798 and displays little appetite for a renewed outbreak. Finally, finding some support in the vicinity of Loughinisland, he prepares to take to the field on July 23, 1803, the date set by Emmett.

However, the plan is badly thought out and quickly collapses, forcing Russell to flee to Dublin before a shot is fired in anger. He manages to hide for a number of weeks, but Dublin is a hard place in which to hide in the days following the failure of Emmett’s rebellion as the shocked authorities have launched a massive campaign of raids and arrests in an effort to finally eradicate the United Irishmen.

Thomas Russell is promptly arrested and sent to Downpatrick Gaol where he is executed by hanging then beheaded on October 21, 1803.


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Death of Composer Michael William Balfe

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Michael William Balfe, Irish composer best remembered for his opera The Bohemian Girl, dies in Dublin on October 20, 1870.

Balfe is born in Dublin on May 15, 1808, where his musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.

In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.

While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.

Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.

Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835, at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.

In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843, at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.

From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.

In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.

Balfe retires in 1864 to Hertfordshire, where he rents a country estate. He dies at his home in Rowney Abbey, Ware, Hertfordshire, on October 20, 1870, and is buried at Kensal Green Cemetery in London, next to fellow Irish composer William Vincent Wallace. In 1882, a medallion portrait of him is unveiled in Westminster Abbey.

In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.


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Birth of Painter James Barry

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James Barry, Irish painter best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London, is born in Water Lane (now Seminary Road) on the northside of Cork, County Cork on October 11, 1741.

Barry first studies painting under local artist John Butts. At the schools in Cork to which he is sent he is regarded as a child prodigy. About the age of seventeen he first attempts oil painting, and between that and the age of twenty-two, when he first goes to Dublin, he produces several large paintings.

The painting that first brings him into public notice, and gains him the acquaintance and patronage of Edmund Burke, is founded on an old tradition of the landing of Saint Patrick on the sea-coast of Cashel, although Cashel is an inland town far from the sea, and of the conversion and Baptism of the King of Cashel. It is exhibited in London in 1762 or 1763 and rediscovered in the 1980s in unexhibitable condition.

In late 1765 Barry goes to Paris, then to Rome, where he remains upwards of three years, from Rome to Florence and Bologna, and thence home through Venice. He paints two pictures while abroad, an Adam and Eve and a Philoctetes.

Soon after his return to England in 1771 Barry produces his painting of Venus, which is compared to the Triumph of Galatea of Raphael, the Venus of Urbino of Titian and the Venus de’ Medici. In 1773 he exhibits his Jupiter and Juno on Mount Ida. His Death of General Wolfe, in which the British and French soldiers are represented in very primitive costumes, is considered as a falling-off from his great style of art.

In 1773 Barry publishes An Inquiry into the real and imaginary Obstructions to the Acquisition of the Arts in England, vindicating the capacity of the English for the fine arts and tracing their slow progress to the Reformation, to political and civil dissensions, and lastly to the general direction of the public mind to mechanics, manufactures and commerce.

In 1774 a proposal is made through Valentine Green to several artists to ornament the Great Room of the Society for the encouragement of Arts, Manufactures and Commerce (now the Royal Society of Arts), in London’s Adelphi Theatre, with historical and allegorical paintings. This proposal is rejected at the time. In 1777 Barry makes an offer, which is accepted, to paint the whole on condition that he is allowed the choice of his subjects, and that he is paid by the society the costs of canvas, paints and models. He finishes the series of paintings after seven years to the satisfaction of the members of the society. He regularly returns to the series for more than a decade, making changes and inserting new features. The series of six paintings, The progress of human knowledge and culture, has been described by critic Andrew Graham-Dixon as “Britain’s late, great answer to the Sistine Chapel.”

Soon after his return from the continent Barry is chosen a member of the Royal Academy of Arts. In 1782 he is appointed professor of painting in the room of Edward Penny with a salary of £30 a year. In 1799 he is expelled from the Academy soon after the appearance of his Letter to the Society of Dilettanti, an eccentric publication, full of enthusiasm for his art and at the same time of contempt for the living professors of it. He remains the only academician ever to be expelled by the Academy until Brendan Neiland in July 2004.

After the loss of his salary, a subscription is set on foot by the Earl of Buchan to relieve Barry from his difficulties, and to settle him in a larger house to finish his painting of Pandora. The subscription amounts to £1000, with which an annuity is bought, but on February 6, 1806 he is seized with illness and dies on February 22. His remains are interred in St. Paul’s Cathedral, London on March 4, 1806.

(Pictured: James Barry, Self-portrait, 1803, oil on canvas. National Gallery of Ireland, Dublin.)


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Drowning of Anna Catherine Parnell

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Anna Catherine Parnell, Irish nationalist and younger sister of Irish Nationalist leader Charles Stewart Parnell, drowns at Ilfracombe, Devon, England on September 20, 1911.

Parnell is born at Avondale House near Rathdrum, County Wicklow, the tenth of eleven children of John Henry Parnell, a landlord, and Delia Tudor Stewart Parnell, an Irish American and daughter of Admiral Charles Stewart of the United States Navy. She has very little formal education as a child, but the family has an extensive library which she is encouraged to read by her mother. After her father dies in 1859, she moves with the family to Dublin. Delia Parnell is an active socialite while in Dublin and exposes her children to a wide variety of political views.

In 1865 the family moves to Paris, but Parnell feels stifled by upper class society rules imposed upon her. She is in Paris when the Franco-Prussian War breaks out in 1870 and is active in the American Ladies’ Committee fundrasing and setting up hospitals. She returns alone to Dublin in 1870 to study art.

Parnell moves to London in 1875 to continue studying art. When her brother Charles is elected as a Member of Parliament (MP) for Meath, she becomes increasingly political. She frequently visits Parliament during debates, sitting in the Ladies’ Gallery. She writes articles about the debates in a column titled Notes From the Ladies’ Cage in the Celtic Monthly. In 1879 she joins her sister, Fanny Parnell, a poet, in New York City where they raise money in support of the Irish National Land League. The sisters work closely with their brother Charles and Michael Davitt but are critical of how the funds raised in America are being used in Ireland. In October 1880 the sisters found the New York Ladies’ Land League with their mother as president. They raised thousands of dollars sent to Ireland.

Parnell returns in Dublin in late 1880. When it seems that the Land League men are likely to be arrested, it is suggested that a women’s league in Ireland could take over the work in their absence. Public opinion at the time is against women in politics, but the Ladies’ Land League is founded on January 31, 1881, with Parnell as its effective leader.

When Charles Parnell and other leaders are imprisoned in 1881, as predicted, the Ladies’ Land League takes over their work. Though it is envisioned as a place holder until the men are released, Parnell organises branches throughout Ireland, encouraging women to play an active role in Land League activities. Offices are given to the ladies but little help. They raise funds for the League and for the support of prisoners and their families. They distribute Land League wooden huts to shelter evicted tenant families and by the beginning of 1882 they have 500 branches, thousands of women members and considerable publicity. They distribute £60,000 in relief aid.

This puts the Ladies’ Land League in serious debt. Parnell approaches her brother Charles, requesting money to settle the debts. Charles, who distrusts her understanding of politics, agrees to provide the money under the condition that the Ladies’ Land League is disbanded. She agrees, disbanding in 1882, but she never forgives Charles.

After her brother’s death in 1891 Parnell lives the rest of her life in the south of England under the assumed name Cerisa Palmer. She writes an angry account of her Land League experiences in Tale of a Great Sham, which is not published until 1986. She makes one last political appearance when she campaigns for a Sinn Féin candidate in a 1907 by-election.

By the summer of 1911, the 59-year-old Parnell is staying in lodgings at Ilfracombe in Devon. An enthusiastic swimmer since childhood, she bathes every day, and on September 20, disregarding a warning of dangerous seas, she goes swimming as usual. She is seen to be in difficulties and the alarm is raised, but by the time rescuers reached her, she is dead. Unlike her brother, whose funeral in Dublin had been the occasion for a massive outpouring of grief and remorse, Anna Parnell was buried quietly in the churchyard of Holy Trinity Church in Ilfracombe, in the presence of just seven strangers, and far away from the scenes of her greatest efforts and notoriety.


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Birth of Marguerite Gardiner, Novelist & Journalist

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Marguerite Gardiner, Countess of Blessington, Irish novelist, journalist, and literary hostess, is born near Clonmel, County Tipperary on September 1, 1789. She becomes acquainted with Lord Byron in Genoa and writes a book about him.

Born Margaret Power, she is a daughter of Edmund Power and Ellen Sheehy, small landowners. She is “haphazardly educated by her own reading and by her mother’s friend Ann Dwyer.” Her childhood is blighted by her father’s character and poverty, and her early womanhood made wretched by a compulsory marriage at the age of fifteen to Captain Maurice St. Leger Farmer, an English officer whose drunken habits finally bring him as a debtor to the King’s Bench Prison, where he dies by falling out of a window in October 1817. She had left him after three months of marriage.

Marguerite later moves to Hampshire, England to live for five years with the family of Thomas Jenkins, a sympathetic and literary sea captain. Jenkins introduces her to the Irishman Charles John Gardiner, 1st Earl of Blessington, a widower with four children and seven years her senior. They marry at St. Mary’s, Bryanston Square, Marylebone, on February 16, 1818, only four months after the death of her first husband.

Of rare beauty, charm and wit, Lady Blessington is no less distinguished for her generosity and for the extravagant tastes she shares with her second husband, which results in encumbering his estates with debt. On August 25, 1822, they set out for a continental tour with Marguerite’s youngest sister, the 21-year-old Mary Anne, and servants. On the way they meet Count Alfred D’Orsay, who had first become an intimate of Lady Blessington in London in 1821, in Avignon on November 20, 1822, before settling at Genoa for four months from March 31, 1823. There they meet Lord Byron on several occasions, giving Lady Blessington material for her Conversations with Lord Byron.

After that they settle for the most part in Naples, where she meets the Irish writer Richard Robert Madden, who is to become her biographer. They also spend time in Florence with their friend Walter Savage Landor, author of Imaginary Conversations which she greatly admires.

It is in Italy, on December 1, 1827, that Count D’Orsay marries Harriet Gardiner, Lord Blessington’s only daughter by his former wife. The Blessingtons and the newlywed couple move to Paris towards the end of 1828, taking up residence in the Hôtel Maréchal Ney, where the Earl suddenly dies at the age of 46 of an apoplectic stroke in 1829. D’Orsay and Harriet then accompanied Lady Blessington to England, but the couple separates soon afterwards amidst much acrimony. D’Orsay continues to live with Lady Blessington until her death. Their home, first at Seymour Place, and afterwards Gore House, Kensington, now the site of the Royal Albert Hall, become a centre of attraction for all that is distinguished in literature, learning, art, science and fashion. Benjamin Disraeli writes Venetia whilst staying there, and it is at her home that Hans Christian Andersen first meets Charles Dickens.

After her husband’s death Lady Blessington supplements her diminished income by contributing to various periodicals as well as by writing novels. She is for some years editor of The Book of Beauty and The Keepsake, popular annuals of the day. In 1834 she publishes her Conversations with Lord Byron. Her Idler in Italy (1839–1840), and Idler in France (1841) are popular for their personal gossip and anecdotes, descriptions of nature and sentiment.

Early in 1849, Count D’Orsay leaves Gore House to escape his creditors. Subsequently the furniture and decorations are sold in a public sale successfully discharging Lady Blessington’s debts. She joins the Count in Paris, where she dies on June 4, 1849, of a burst heart. On examination it is discovered that her heart is three times normal size.

(Pictured: Marguerite, Countess of Blessington, painted by Sir Thomas Lawrence in 1822)


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Death of William James MacNeven, Physician & Writer

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William James MacNeven, Irish American physician and writer, dies in New York City on July 12, 1841.

MacNeven is born on March 21, 1763, at Ballinahown, Aughrim, County Galway. The eldest of four sons, at the age of 12 MacNeven is sent by his uncle Baron MacNeven to receive his education abroad as the Penal Laws render education impossible for Catholics in Ireland. He makes his collegiate studies in Prague. His medical studies are made in Vienna where he is a pupil of Pestel and takes his degree in 1784. He returns to Dublin in the same year to practise.

MacNeven becomes involved in the Society of United Irishmen with such men as Lord Edward Fitzgerald, Thomas Addis Emmet, and his brother Robert Emmet. He is arrested in March 1798 and confined in Kilmainham Gaol, and afterwards in Fort George, Scotland, until 1802, when he is liberated and exiled. In 1803, he is in Paris seeking an interview with Napoleon Bonaparte in order to obtain French troops for Ireland. Disappointed in his mission, MacNeven comes to the United States, landing at New York City on July 4, 1805.

In 1807, he delivers a course of lectures on clinical medicine in the recently established College of Physicians and Surgeons. Here in 1808, he receives the appointment of professor of midwifery. In 1810, at the reorganization of the school, he becomes the professor of chemistry, and in 1816 is appointed to the chair of materia medica. In 1826 with six of his colleagues, he resigns his professorship because of a misunderstanding with the New York Board of Regents and accepts the chair of materia medica at Rutgers Medical College, a branch of the New Jersey institution of that name, established in New York as a rival to the College of Physicians and Surgeons. The school at once becomes popular because of its faculty, but after four years is closed by legislative enactment on account of interstate difficulties. The attempt to create a school independent of the regents results in a reorganization of the University of the State of New York.

MacNeven, affectionately known as “The Father of American Chemistry,” dies in New York City on July 12, 1841. He is buried on the Riker Farm in the Astoria section of Queens, New York.

One of the oldest obelisks in New York City is dedicated to him in the Trinity Church, located between Wall Street and Broadway, New York. The obelisk is opposite to another commemorated for his friend Thomas Emmet. MacNeven’s monument features a lengthy inscription in Irish, one of the oldest existent dedications of this kind in the Americas.


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Birth of William Maginn, Journalist & Writer

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William Maginn, journalist and miscellaneous writer, is born in Cork on July 10, 1794.

Maginn becomes a contributor to Blackwood’s Magazine and, after moving to London in 1824, becomes for a few months in 1826 the Paris correspondent to The Representative, a paper started by John Murray, the publisher. When its short career is run, he helps to found in 1827 the ultra Tory Standard, a newspaper that he edits along with a fellow graduate of Trinity College, Dublin, Stanley Lees Giffard. He also writes for the more scandalous Sunday paper, The Age.

In 1830 Maginn instigates and becomes one of the leading supporters of Fraser’s Magazine. His Homeric Ballads, much praised by contemporary critics, are published in Fraser’s between 1839 and 1842. In 1837, Bentley’s Miscellany is launched, with Charles Dickens as editor, and Maginn writes the prologue and contributes over the next several years a series of “Shakespeare Papers” that examine characters in counter-intuitive fashion. From “The Man in the Bell” (Blackwood’s, 1821) through “Welch Rabbits” (Bentley’s, 1842) Maginn is an occasional though skillful writer of short fiction and tales. His only novel, Whitehall (1827) pretends to be a historical novel set in 1820s England written in the year 2227. It is a droll spoof of the vogue for historical novels as well as the contemporary political scene.

In 1836, Maginn fights a duel with Grantley Berkeley, a member of Parliament. Berkeley had brutally assaulted magazine publisher James Fraser over a review Maginn wrote of Berkeley’s novel Berkeley Castle, and Maginn calls him out. Three rounds are fired but no one is struck.

One of the most brilliant periodical writers of his time, Maginn leaves little permanent work behind him. In his later years, his intemperate habits land him in debtor’s prison. When he emerges through the grace of the Insolvent Debtor’s Act he is in an advanced stage of tuberculosis. He writes until the end, including in the first volume of Punch, but he dies in extreme poverty in Walton-on-Thames, London on August 21, 1842, survived by his wife Ellen, and daughters Annie and Ellen, and son John. His nephew Francis Maginn, who is deaf, is a co-founder of the British Deaf and Dumb Association, now called the British Deaf Association (BDA).