seamus dubhghaill

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Tag Archives: Peadar Kearney


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Birth of Kathleen Behan, Irish Republican & Folk Singer

Kathleen Behan (née Kearney), Irish republican and folk singer, and mother of Irish authors Brendan, Brian and Dominic, is born on September 18, 1889, at 49 Capel Street, Dublin.

She is the fifth child and youngest daughter of pork butcher and grocer, John Kearney (1854–97), and his wife Kathleen Kearney (née McGuinness) (1860–1907). She has four brothers and two sisters. Her father is from Rosybrook, County Louth and her mother is from Rathmaiden, Slane, County Meath, both coming from prosperous farming families. Her father has a business on Lower Dorset Street, with a grocery, pub and a row of houses. Owing to his own poor management, by the time she is born he has a smaller business on Dolphin’s Barn Lane. Following his death in 1897, she and her sisters are placed in the Goldenbridge orphanage at Inchicore by their mother. She is there from 1898 to 1904 where she becomes an avid reader. When she leaves, she rejoins her family in a one-room tenement flat on Gloucester Street.

Her oldest sibling, Peadar Kearney, is an ardent republican who writes the lyrics to the song that becomes the Irish national anthem, ”Amhrán na bhFiann”(English: “The Soldier’s Song”). It is through him that she meets a printer’s compositor and member of the Irish Volunteers, Jack Furlong. They marry in 1916. She is an active member of Cumann na mBan, and serves as a courier to the General Post Office, Dublin and other outposts during the 1916 Easter Rising. At the same time, Furlong fights in the Jacob’s factory garrison. The couple has two sons: Roger Casement (Rory) Furlong (1917–87) and Sean Furlong (born March 1919). Sean is born six month’s after she is widowed when Furlong dies in the Spanish flu epidemic of 1918. She lives with her mother-in-law, who is also a republican and seamstress who makes Irish Volunteer uniforms. She is arrested for running an Irish Republican Army (IRA) safe house. She works for a short time for Maud Gonne as a housekeeper, where she meets W. B. Yeats and Sarah Purser. A study painted of her by Purser (above) is now in the National Gallery of Ireland entitled The Sad Girl. From 1918 to 1922 she works as a clerk in the Dublin Corporation, while also a caretaker in the Harcourt Street branch of the Irish White Cross republican aid association.

In 1922 she marries Stephen Behan, house painter, trade unionist and fellow republican. The couple has four sons and one daughter: Brendan (b. 1923), Seamus (b. 1925), Brian (b. 1926), Dominic (b. 1928), and Carmel (b. 1932). Brendan is born while his father is imprisoned during the Irish Civil War, and Behan claims that Michael Collins gives her money while she is pregnant. Stephen’s mother owns three slum tenements, so the Behans live rent-free in a one-room basement flat at 14 Russell Street. Owing to her disdain at gossiping on the house steps, she is nicknamed “Lady Behan” by her neighbours. When Stephen’s mother dies in 1936, the Behans moved to a newly built council house in Crumlin, living at 70 Kildare Road. The family finds the new house far from work and school, and the local area devoid of community.

The family experiences extreme poverty frequently, owing to Stephen’s unemployment and during the nine month long building strike of 1936. Behan attempts to claim a pension as her first husband had served in 1916, but her application is rejected. She had said the exposure to flour had effected Furlong’s lungs negatively. It is declined as she had remarried before the enactment of the Army Pensions Act 1923. Despite their circumstances, the house attracts conversation, music, books and politics. The Behan’s republican, socialist, labour activist and anti-clericalism have a strong effect on their sons, particularly Brendan and Dominic. Such is the volume of radical meetings that take place at the Behan home, it is dubbed “the Kremlin” by their neighbours, and a “madhouse” by Stephen. During The Emergency of 1939 to 1945 she fights against local shopkeepers who ignore price controls, and is labelled as “red” for her anti-Franco and pro-Stalin sympathies. Her reply to the branding of her as such is “I’m not red, I’m scarlet.”

From the 1950s onwards, Behan shares international fame with her sons Dominic and Brendan. She often travels to London to see their plays, eventually appearing on British and Irish television and cultivating her own following. She is badly injured when she is struck by a motorcycle, a day before Stephen’s death in 1967. Owing to the effect of these injuries, she moves in 1970 to the Sacred Heart Residence of the Little Sisters of the Poor, Sybil Hill, Raheny.

In 1981, she records an album When All the World Was Young. Taped conversations of her reminiscences are made into an autobiographic book, Mother of all the Behans, by her son Brian in 1984. A one-woman stage adaptation of the book by Peter Sheridan and starring Rosaleen Linehan is acclaimed in Ireland, Britain and North America.

Behan dies in the nursing home in Raheny on April 26, 1984, and is buried in Dean’s Grange Cemetery.

(Pictured: Portrait of Kathleen Behan by Sarah Purser, National Gallery of Ireland)


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Birth of Máire Nic Shiubhlaigh, Actress & Republican Activist

Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.

Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.

Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.

In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.

In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.

Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.

In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.

Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.

At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.

Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.

Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.

Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.

Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.

On July 23, 1966, a plaque bearing Nic Shiubhlaigh’s name is unveiled at the Abbey Theatre by the Taoiseach, Seán Lemass. The others named on the plaque are Ellen Bushell, Sean Connolly, Helena Molony, Arthur Shields, Peadar Kearney and Barney Murphy.

(Pictured: 1904 portrait of Máire Nic Shiubhlaigh, as painted by John Butler Yeats)


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Death of Darrell Figgis, Writer, Sinn Féin Activist & Parliamentarian

Darrell Edmund Figgis, Irish writer, Sinn Féin activist and independent parliamentarian in the Irish Free State, dies in London on October 27, 1925. The little that has been written about him has attempted to highlight how thoroughly his memory and works have been excised from Irish popular culture.

Figgis is born at Glen na Smoil, Palmerstown Park, Rathmines in Dublin, on September 17, 1882, the son of Arthur William Figges, tea merchant, and Mary Anne Deane. While still an infant, his family emigrates to Calcutta, India. There his father works as an agent in the tea business, founding A. W. Figgis & Co. They return when he is ten years of age, though his father continues to spend much of his time in India. As a young man he works in London at the tea brokerage owned by his uncle, and it is at this time that he begins to develop his interest in literature and literary criticism.

In 1910 Figgis, with the help of G. K. Chesterton, who wrote the introduction to his first book of verse, joins the Dent publishing company. He moves to Achill Island in 1913 to write, learn the Irish language and gain an appreciation of Irish culture, as perceived by many of his contemporaries to uniquely exist on the western seaboard. On his detention following the 1916 Easter Rising, he and the publishing house parted company. Subsequently, he establishes his own firm in which he republishes the works of William Carleton and others.

Figgis joins the Irish Volunteers in Dublin in 1913 and organises the original Battalion of Volunteers in Achill, where he had built a house. While in London, he is contacted by The O’Rahilly, who acquaints him with the arms dealers who had supplied the Ulster Volunteers. In this way he becomes part of the London group that discusses the financing and supply of German rifles for the Volunteers. He travels with Erskine Childers, initially to Belgium and from there to Germany, to make the purchase of the army surplus Mauser rifles. He then charters the tug Gladiator, from which the arms are transferred at sea to the Childers’ yacht Asgard and Conor O’Brien‘s Kelpie.

At this time the Royal Navy is patrolling the Irish Sea in anticipation of imminent war with Germany, and Figgis is tasked with taking a motorboat to Lambay Island to signal to the Asgard the all-clear. By his own account, he is unable to persuade the skipper of the pilot vessel to put to sea as one of the worst storms in many years is raging. Due to luck and the skill of the crews, the three over-laden yachts arrive at their destinations. Figgis, accompanied by Seán McGarry, watch Asgard helplessly from Howth pier until Erskine decides to take a calculated risk and sails into the harbour. Against the odds, the conspiracy to buy rifles in Germany and land them safely in Ireland has succeeded. A large party of Volunteers, on their way to Dublin with rifles and ammunition is confronted by a detachment of the King’s Own Scottish Borderers and Dublin Metropolitan Police. With their route blocked, Figgis and Thomas MacDonagh engage the officers in an attempt to distract them.

Although Figgis does not participate in the 1916 Easter Rising, he is arrested and interned by the British authorities between 1916 and 1917 in Reading Gaol. After his release, he returns to Ireland. At the 1917 Sinn Féin Ardfheis he and Austin Stack are elected Honorary Secretaries of the party. The conference sees Éamon de Valera replace Arthur Griffith as President of the party. Shortly after, Figgis is one of four recently released internees who travels to the South Longford constituency to campaign for Joseph McGuinness in the by-election caused by the death of John Phillips. The overwhelming victory of the Sinn Féin candidate over the Irish Parliamentary Party (IPP) nominee marks the beginning of the eclipse of the latter party by the former party. In May 1918, Figgis is arrested for his alleged part in the spurious German Plot a second time and again deported to England. In 1918, he becomes editor of the newspaper The Republic.

From September 1919 to 1921 Figgis heads the Commission of Inquiry into the Resources and Industries of Ireland. At this time a serious rift between Figgis and Michael Collins, then Minister for Finance, becomes a matter of public record. This close attention of Collins will pursue Figgis in his later activities on the Constitution Committee. While he is participating in a Dáil Court at Carrick-on-Shannon, the proceedings are interrupted by a British Army raid. An officer named Captain Cyril Crawford summarily condemns Figgis and Peadar Kearney to be hanged. He orders rope for the purpose, but another officer intervenes and Keaney and Figgis are set free.

Figgis supports the Anglo-Irish Treaty. He is extremely critical of the Collins/De Valera Pact for the June 1922 Irish general election which is an attempt to avoid a split in the Sinn Féin party and, more importantly, in the Irish Republican Army (IRA). On May 25, 1922, he attends a meeting of the executive council of the Farmers’ Union and representatives, of business interests, and encourages them to put forward candidates in constituencies where anti-Treaty candidates might otherwise head the poll. As he is a member of the Sinn Féin Ard Chomhairle National Executive at the time, he is expelled from the party.

Soon after the signing of the Treaty, the necessity of quickly drafting a constitution for the proposed Free State becomes apparent. It is intended by Arthur Griffith that Figgis will chair the Constitution Committee, but this proposal is vetoed by Collins who nominates himself for the position specifically to minimise Figgis’ influence. The animosity between Collins and Figgis remained an undercurrent of the project. In the end, Collins decides the job should go to Captain David Robinson, but this did nothing to heal the rift between Figgis and James G. Douglas.

In the 1922 and 1923 Irish general elections Figgis runs and is elected an independent Teachta Dála (TD) for the Dublin County constituency. While still a TD, he stands in the 1925 Seanad election to Seanad Éireann, where he polls only 512 first preferences.

In December 1923, it is decided that a committee be established to investigate the means by which a public radio broadcasting service should be operated in the Free State. A central issue of contention is whether the service should be run and controlled directly by the State or operated commercially by an Irish Broadcasting Company. The latter option, it is suggested, would follow the model adopted in the UK by the establishment of the BBC. Figgis is co-opted onto the committee, and this decision leads to a series of allegations resulting in the new State’s first corruption scandal of which Figgis himself is the focus. The allegations result in his resignation from the Broadcasting committee and the launching of a second enquiry. He strenuously denies any impropriety.

On November 18, 1924, Figgis’s wife Millie commits suicide in the back of a taxi in Rathfarnham using a Webley revolver given to them by Collins following the 1922 assault. A year later, his new love, a 21-year-old Catholic woman named Rita North, dies due to complications when a doctor tries to surgically remove an already dead child. The court, after investigating her death, determines that she died due to peritonitis, an inflammation in the lining of the abdominal cavity. The public, however, jumps to the conclusion that she died in a failed illegal abortion.

Figgis himself commits suicide in a London boarding house in Granville Street on October 27, 1925, just a week after giving evidence at North’s inquest. He had been staying at the Royal Automobile Club until the day before his death, as is usual when he visits London. A small group of mourners comprising close family and friends attend his interment at the Hampstead Cemetery in West Hampstead, London.

The by-election caused by his death is won by William Norton of the Labour Party.


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Death of Peadar Kearney, Composer & Irish Republican

peadar-kearney

Peadar Kearney, Irish republican and composer of numerous rebel songs, dies in Inchicore, Dublin on November 24, 1942. In 1907 he writes the lyrics to “The Soldier’s Song” (“Amhrán na bhFiann“), now the Irish national anthem. He is the uncle of Irish writers Brendan Behan, Brian Behan, and Dominic Behan.

Kearney was born on December 12, 1883, at 68 Lower Dorset Street, Dublin, above one of the two grocer’s shops owned by his father, John Kearney, originally from Funshog, Collon, County Louth. His mother, Katie (née McGuinness), is from Rathmaiden, Slane, County Meath. He is educated at the Model School, Schoolhouse Lane and St. Joseph’s Secondary C.B.S. in Fairview. He hears Willie Rooney give nationalist lectures on history in the Mechanics’ Institute. For a short time, he attends Belvedere College. Following the death of his father, he is left to support his mother and five younger siblings. He has various menial jobs for three years before being apprenticed to a house painter.

In 1901, the death of Willie Rooney prompts Kearney to join the Willie Rooney Branch of the Gaelic League. He joins the Irish Republican Brotherhood in 1903. He teaches night classes in Irish and numbers Seán O’Casey among his pupils. He finds work with the National Theatre Society and in 1904 is one of the first to inspect the derelict building that becomes the Abbey Theatre. He assists with props and performs occasional walk-on parts at the Abbey until 1916.

Kearney is a co-founder of the Irish Volunteers in 1913 and takes part in the Howth and Kilcoole gun runnings in 1914. In the Easter Rising of 1916 he fights at Jacob’s biscuit factory under Thomas MacDonagh, abandoning an Abbey Theatre tour in England to take part in the Rising. He escapes before the garrison is taken into custody.

Kearney is also active in the Irish War of Independence. On November 25, 1920, he is captured at his home in Summerhill, Dublin and is interned first in Collinstown Camp in Dublin and later in Ballykinler Camp in County Down.

A personal friend of Michael Collins, Kearney at first takes the Free State side in the Irish Civil War but loses faith in the Free State after Collins’s death. He takes no further part in politics, returning to his original trade of house painting.

Kearney’s songs are highly popular with the Irish Volunteers (which later becomes the Irish Republican Army) in the 1913–1922 period. Most popular is “The Soldier’s Song.” He pens the original English lyrics in 1907 and his friend and musical collaborator Patrick Heeney composes the music. The lyrics are published in 1912 and the music in 1916. After 1916 it replaces “God Save Ireland” as the anthem of Irish nationalists. The Irish Free State is established in 1922 and formally adopts the anthem in 1926.

Other well-known songs by Kearney include “Down by the Glenside,” “The Tri-coloured Ribbon,” “Down by the Liffey Side,” “Knockcroghery” (about the village of Knockcroghery) and “Erin Go Bragh” (Erin Go Bragh is the text on the Irish national flag before the adoption of the tricolour).

Peadar Kearney dies in relative poverty in Inchicore on November 24, 1942. He is buried in Glasnevin Cemetery in Dublin.


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Free State Government Purchases Copyright to “The Soldiers Song”

amhran-na-bhfiann

The Irish Free State government purchases the copyright of Peadar Kearney‘s The Soldiers Song on October 20, 1933, which becomes the Irish national anthem Amhrán na bhFiann. The song has three verses, but only the choral refrain is officially designated the national anthem.

A Soldiers’ Song is composed in 1907, with words by Peadar Kearney and music by Kearney and Patrick Heeney. The text is first published in Irish Freedom by Bulmer Hobson in 1912. It is used as a marching song by the Irish Volunteers and is sung by rebels in the General Post Office (GPO) during the Easter Rising of 1916. Its popularity increases among rebels held in Frongoch internment camp after the Rising, and the Irish Republican Army (IRA) in the Irish War of Independence (1919–21). After the establishment of the Irish Free State in 1922, a large proportion of the IRA’s men and apparatus become the National Army. The Soldiers’ Song remains popular as an Army tune and is played at many military functions.

The Free State does not initially adopt any official anthem. The delicate political state in the aftermath of the Irish Civil War provokes a desire to avoid controversy. Ex-Unionists continue to regard God Save the King as the national anthem, as it has been for the rest of the British Empire. W. T. Cosgrave, President of the Executive Council of the Irish Free State expresses opposition to replacing The Soldiers’ Song, which is provisionally used within the State.

There is concern that the lack of an official anthem is giving Unionists an opportunity to persist with God Save the King. The Soldiers’ Song is widely if unofficially sung by nationalists. On July 12, 1926, the Executive Council of the Irish Free State decides to adopt it as the National Anthem, with Cosgrave the driving force in the decision. However, this decision is not publicised.

In 1928, the Army band establishes the practice of playing only the chorus of the song as the Anthem, because the longer version is discouraging audiences from singing along.

The anthem is played by Radio Éireann at close down from its inception in 1926. Cinemas and theatres do so from 1932 until 1972. Peadar Kearney, who has received royalties from publishers of the text and music, issues legal proceedings for royalties from those now performing the anthem. He is joined by Michael Heeney, brother of Patrick Heeney, who had died in 1911. In 1934, the Department of Finance acquires the copyright of the song for the sum of £1,200. Copyright law changes in 1959, such that the government has to reacquire copyright in 1965, for £2,500. As per copyright law, the copyright expires in December 2012, following the 70th anniversary of Kearney’s death. In 2016, three Fianna Fáil senators introduce a private member’s bill intended to restore the state’s copyright in the anthem.