Born to Irish emigrants in Scotland, McCabe moves with his family to Ireland in the early 1940s. He lives on a farm near Lackey Bridge, just outside Clones, County Monaghan. He is educated at Castleknock College.
McCabe’s play King of the Castle causes a minor scandal when first staged in 1964, and is protested by the League of Decency. He writes his award-winning trilogy of television plays, consisting of Cancer, Heritage and Siege, because he feels he has to make a statement about the Troubles. His 1992 novel Death and Nightingales is hailed by Irish writer Colm Tóibín as “one of the great Irish masterpieces of the century” and a “classic of our times” by Kirkus Reviews.
McCabe defends fellow novelist Dermot Healy, who had been negatively reviewed by Eileen Battersby in The Irish Times in 2011, using the Joycean invective “shite and onions”, provoking controversy in the Irish literary community.
Fintan O’Toole notes how living in Monaghan, just across the border from County Fermanagh, informed McCabe’s writing, and described him as “the great laureate of…indeterminacy, charting its inevitably tragic outcomes while holding somehow to the notion that it might someday become a blessing.”
McCabe dies at the age of 90 on August 27, 2020, in Cavan, County Cavan. He is survived by his wife Margot, his four children, Ruth, Marcus, Patrick and Stephen, and thirteen grandchildren.
Bateman attends Bangor Grammar School leaving at the age of 16 when he is hired by Annie Roycroft to join the County Down Spectator as a “cub” reporter, then columnist and deputy editor. A collection of his columns is published as Bar Stool Boy in 1989.
Bateman has been writing novels since his debut, Divorcing Jack, in 1994. Divorcing Jack wins a Betty Trask Award in the same year and is adapted into a 1998 film starring David Thewlis. Several of his novels feature the semi-autobiographical Belfast journalist, Dan Starkey.
Bateman’s book Murphy’s Law is adapted from the BBC television series Murphy’s Law (2001–2007), featuring James Nesbitt. He explains on his website that “Murphy’s Law was written specifically for James Nesbitt, a local actor who became a big TV star through Cold Feet. The ninety-minute pilot for Murphy’s Law on BBC One was seen by more than seven million people, and led to three TV series, on which I was the chief writer.”
Bateman’s eight-part series Scúp is written in English and translated into Irish. It is produced by Stirling Productions and BBC Northern Ireland. A second series has since been commissioned.
Donoghue is the youngest of eight children, the daughter of Frances (née Rutledge) and academic and literary critic Denis Donoghue. She has a first-class honours Bachelor of Arts degree from University College Dublin (UCD) in English and French as well as a PhD in English from Girton College, Cambridge. While at Cambridge she lives in a women’s co-operative, an experience which inspires her short story “The Welcome.” Her thesis is on friendship between men and women in 18th-century fiction.
At Cambridge, she meets her future wife, Christine Roulston, a Canadian who is now professor of French and Women’s Studies at the University of Western Ontario. They move permanently to Canada in 1998 and Donoghue becomes a Canadian citizen in 2004. She lives in London, Ontario, with Roulston and their two children.
Donoghue has spoken of the importance of the writing of Emily Dickinson, of Jeanette Winterson‘s novel The Passion and Alan Garner‘s Red Shift in the development of her work. She says that she aims to be “industrious and unpretentious” about the process of writing, and that her working life has changed since having children.
Donoghue’s novels include Stir Fry (1994), a finalist for the Lambda Literary Award in 1994, Slammerkin (2000), a finalist in the 2001 Irish Times Irish Literature Prize for Fiction and winner of the 2002 Ferro-Grumley Award for Lesbian Fiction, Landing (2007), The Sealed Letter (2008), joint winner of the 2009 Lambda Literary Award for Lesbian Fiction, Room (2010), winner of the Irish Book Award 2010, Frog Music (2014), The Wonder (2016), shortlisted for the Scotiabank Giller Prize, Akin (2019), The Pull of the Stars (2020), longlisted for the Giller Prize in 2020, and Haven (2022).
In January 1969, while a student at the New University of Ulster, she joins a civil rights march from Belfast to Derry, organised by the People’s Democracy. At Burntollet Bridge, a few miles from Derry, the march is attacked by loyalists. She is struck on the head, knocked unconscious, falls into the river, and is brought to hospital suffering from a concussion. The march is echoed in her 1994 play After Easter.
McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).
McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.
McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.
In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.
McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.
In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”
The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.
McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.
The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.
He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television AwardsThe Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.
In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.
Roddy Doyle, novelist, dramatist and screenwriter known for his unvarnished depiction of the working class in Ireland, is born in Dublin on May 8, 1958. His distinctively Irish settings, style, mood, and phrasing make him a favourite fiction writer in his own country as well as overseas.
Doyle grows up in a middle-class family in Kilbarrack. His mother, Ita Bolger Doyle, is a first cousin of the short story writer Maeve Brennan. After majoring in English and geography at University College Dublin, he teaches those subjects for fourteen years at Greendale Community School, a Dublin grade school. During the summer break of his third year of teaching, he begins writing seriously. In the early 1980s he writes a heavily political satire, Your Granny’s a Hunger Striker, but it is never published.
Doyle publishes the first editions of his comedy The Commitments (1987; film 1991) through his own company, King Farouk, until a London-based publisher takes over. The work is the first installment of his internationally acclaimed The Barrytown Trilogy novels, which also include The Snapper (1990; film 1993), and The Van (1991; film 1996). The series centres on the ups and downs of the never-say-die Rabbitte family, who temper the bleakness of life in an Irish slum with familial love and understanding.
Doyle’s fourth novel, Paddy Clarke Ha Ha Ha (1993), wins the 1993 Booker Prize. Set in the 1960s in a fictional working-class area of northern Dublin, the book examines the cruelty inflicted upon children by other children. The protagonist, 10-year-old Paddy Clarke, fears his classmates’ ostracism, especially after the breakup of his parents’ marriage. In 1994 he writes the BBC miniseries Family, which generates heated controversy throughout conservative Ireland. The program sheds harsh light on a family’s struggle with domestic violence and alcoholism and portrays the bleaker side of life in a housing project, the same venue he had used in the more comedic Barrytown novels. The Woman Who Walked into Doors (1996) and its sequel, Paula Spencer (2006), concern the ramifications of domestic abuse and alcoholism.
A Star Called Henry (1999) centres on an Irish Republican Army (IRA) soldier named Henry Smart and his adventures during the Easter Rising. Smart’s further adventures are detailed in Oh, Play That Thing (2004), which follows him as he journeys through the United States, and The Dead Republic (2010), which chronicles his return to Ireland. In Smile (2017) a lonely middle-aged man looks back on his life, especially his troubled childhood. His next novel, Love (2020), follows two old friends as they spend a night drinking and looking back at their lives. The Deportees and Other Stories (2007), Bullfighting (2011), and Life Without Children (2021) are short-story collections. He also writes a number of books for children, including Wilderness (2007) and A Greyhound of a Girl (2011).
In 1987 Doyle marries Belinda Moller, granddaughter of former Irish PresidentErskine Childers. They have three children – Rory, Jack and Kate.
In the television series Father Ted, the character Father Dougal Maguire‘s unusual sudden use of (mild) profanities, such as saying “I wouldn’t know, Ted, you big bollocks!,” is blamed on his having “been reading those Roddy Doyle books again.”
Francis Scott Key Fitzgerald, American novelist, essayist, short story and screenwriter, is born into an Irish Catholic family on September 24, 1896 in Saint Paul, Minnesota. He is best known for his novels depicting the flamboyance and excess of the Jazz Age, a term he popularized. During his lifetime, he publishes four novels, four collections of short stories, and 164 short stories. Although he achieves temporary popular success and fortune in the 1920s, he receives critical acclaim only after his death, and is now widely regarded as one of the greatest American writers of the 20th century.
The son of middle-class Irish Catholics Edward and Mary McQuillan Fitzgerald, Fitzgerald is raised primarily in New York. He attends Princeton University, but owing to a failed relationship with socialite Ginevra King and a preoccupation with writing, he drops out in 1917 to join the United States Army. While stationed in Alabama, he romances Zelda Sayre, a Southern debutante who belongs to Montgomery‘s exclusive country-club set. Although she rejects Fitzgerald initially, because of his lack of financial prospects, she agrees to marry him after he publishes the commercially successful This Side of Paradise (1920). The novel becomes a cultural sensation and cements his reputation as one of the eminent writers of the decade.
Fitzgerald’s second novel, The Beautiful and Damned (1922), propels him further into the cultural elite. To maintain his affluent lifestyle, he writes numerous stories for popular magazines such as The Saturday Evening Post, Collier’s: The National Weekly, and Esquire. During this period, he frequents Europe, where he befriends modernist writers and artists of the “Lost Generation” expatriate community, including Ernest Hemingway. His third novel, The Great Gatsby (1925), receives generally favorable reviews but is a commercial failure, selling fewer than 23,000 copies in its first year. Despite its lackluster debut, The Great Gatsby is now widely praised, with some labeling it the “Great American Novel.” Following the deterioration of his wife’s mental health and her placement in a mental institute for schizophrenia, he completes his final novel, Tender Is the Night (1934).
Struggling financially because of the declining popularity of his works amid the Great Depression, Fitzgerald turns to Hollywood, writing and revising screenplays. While living in Hollywood, he cohabits with columnist Sheilah Graham, his final companion before his death. After a long struggle with alcoholism, he attains sobriety only to die of a heart attack on December 21, 1940, at the age of 44. His friend Edmund Wilson completes and publishes an unfinished fifth novel, The Last Tycoon (1941), after Fitzgerald’s death.
At the time of his death, the Roman Catholic Church denies the family’s request that Fitzgerald, a non-practicing Catholic, be buried in the family plot in the Catholic St. Mary’s Cemetery in Rockville, Maryland. He is buried instead with a simple Protestant service at Rockville Union Cemetery. When Zelda Fitzgerald dies in a fire at the Highland Mental Hospital in 1948, she is originally buried next to him at Rockville Union. In 1975, Fitzgerald’s daughter Scottie successfully petitions to have the earlier decision revisited and her parents’ remains are moved to the family plot in Saint Mary’s.
Brian Moore, novelist and screenwriter who is acclaimed for the descriptions in his novels of life in Northern Ireland after World War II, is born in Belfast, Northern Ireland on August 25, 1921. He has been described as “one of the few genuine masters of the contemporary novel.”
In 1948 Moore emigrates to Canada to work as a reporter for the Montreal Gazette and becomes a Canadian citizen. While eventually making his primary residence in California, he continues to live part of each year in Canada up to his death.
Moore lives in Canada from 1948 to 1958, where he meets his first wife, Jacqueline (“Jackie”) Sirois, a French Canadian and fellow journalist. They marry in 1952. He moves to New York City in 1959 to take up a Guggenheim Fellowship and remains there until his divorce in October 1967. He then moves to the west coast of the United States, settling in Malibu, California, with his new wife Jean Denney, a former commentator on Canadian TV. There he teaches creative writing at UCLA.
Moore writes his first novels in Canada. His earliest novels are thrillers, published under his own name or using the pseudonyms Bernard Mara or Michael Bryan. His first novel outside the genre, Judith Hearne, remains among his most highly regarded. The book is rejected by ten American publishers before being accepted by a British publisher. It is made into a film, with British actress Maggie Smith playing the lonely spinster who is the book/film’s title character.
Some of Moore’s novels feature staunchly anti-doctrinaire and anti-clerical themes, and in particular he speaks strongly about the effect of the Church on life in Ireland. A recurring theme in his novels is the concept of the Catholic priesthood. On several occasions he explores the idea of a priest losing his faith. At the same time, several of his novels are deeply sympathetic and affirming portrayals of the struggles of faith and religious commitment, Black Robe most prominently.
Moore dies at his Malibu home, which is celebrated in Seamus Heaney‘s poem Remembering Malibu, on January 11, 1999, from pulmonary fibrosis. His widow, Jean, lives on in the house until it is destroyed in 2018 in the Woolsey Fire.
At the time of his death, Moore is working on a novel about the 19th-century French symbolist poet Arthur Rimbaud. His last published work before his death is an essay entitled “Going Home.” It is a reflection inspired by a visit he made to the grave in Connemara of his family friend, the Irish nationalist Bulmer Hobson. The essay is commissioned by Granta and published in The New York Times on February 7, 1999.
In 1996, the Brian Moore Short Story Awards is launched by the Creative Writers Network in Northern Ireland and is open to all authors of Irish descent. Previous judges have included Glenn Patterson, Lionel Shriver, Carlo Gébler and Maeve Binchy.
In 1975 Moore arranges for his literary materials, letters and documents to be deposited in the Special Collections Division of the University of Calgary Library, an inventory of which is published by the University of Calgary Press in 1987. His archives, which include unfilmed screenplays, drafts of various novels, working notes, a 42-volume journal (1957–1998), and his correspondence, are housed at the Harry Ransom Center at the University of Texas at Austin.
In 1911 Brenon is hired as a writer by Carl Laemmle, directing his first short the following year. Signed by William Fox in 1915, he graduates to feature films. With Paramount Pictures from 1923, he directs several spectacular productions with British themes, including the silent version of Beau Geste (1926). He regards sound pictures with a measure of apprehension.
Branagh is the middle of three children of working-class Protestant parents Frances (née Harper) and William Branagh, a plumber and joiner who runs a company that specialises in fitting partitions and suspended ceilings. He lives in the Tiger’s Bay area of the city and is educated at Grove Primary School.
seamus dubhghaill 