seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Harry Ransom Center


by Leave a comment

Birth of Sebastian Barry, Novelist, Playwright & Poet

Sebastian Barry, novelist, playwright and poet, is born in Dublin on July 5, 1955. He is noted for his lyrical literary writing style and is considered one of Ireland’s finest writers. He is named Laureate for Irish Fiction, 2019–2021.

Barry’s mother is acclaimed actress Joan O’Hara. He is educated at Catholic University School and Trinity College, Dublin, where he reads English and Latin. His literary career begins in poetry before he begins writing plays and novels.

Barry starts his literary career with the novel Macker’s Garden in 1982. This is followed by several books of poetry and a further novel, The Engine of Owl-Light (1987), before his career as a playwright begins with his first play produced in the Abbey Theatre, Boss Grady’s Boys (1988).

Barry’s maternal great-grandfather, James Dunne, provides the inspiration for the main character in his most internationally known play, The Steward of Christendom, which wins the Christopher Ewart-Biggs Memorial Prize, the Lloyd’s Private Banking Playwright of the Year Award and other awards. The main character in the play, Thomas Dunne, is the chief superintendent of the Dublin Metropolitan Police from 1913 to 1922. He oversees the area surrounding Dublin Castle until the Irish Free State takeover on January 16, 1922. One of his grandfathers belonged to the British Army Corps of Royal Engineers while the other is a painter, a Nationalist, and a devotee of Éamon de Valera.

Both The Steward of Christendom and the novel The Whereabouts of Eneas McNulty, are about the dislocations, physical and otherwise, of loyalist Irish people during the political upheavals of the early 20th century. The title character of the latter work is a young man forced to leave Ireland by his former friends in the aftermath of the Irish War of Independence.

Barry has been twice shortlisted for the Man Booker Prize for his novels A Long Long Way (2005) and The Secret Scripture (2008), the latter of which wins the 2008 Costa Book of the Year and the James Tait Black Memorial Prize. His fifth novel, On Canaan’s Side (2011), is longlisted for the 2011 Man Booker Prize and wins the 2012 Walter Scott Prize. In January 2017, he is awarded the Costa Book of the Year prize for Days Without End (2016), becoming the first novelist to win the prestigious prize twice. The novel also wins The Walter Scott Prize and The Independent Booksellers’ Prize, and is longlisted for the Man Booker Prize 2017.

Barry’s play Andersen’s English is inspired by children’s writer Hans Christian Andersen coming to stay with Charles Dickens and his family in the Kent marshes. Directed by Max Stafford-Clark and produced by the Out of Joint Theatre Company and Hampstead Theatre, the play tours in the United Kingdom from February 11 to May 8, 2010. Our Lady of Sligo is directed in 1998 by Stafford-Clark at the Royal National Theatre co−produced by Out of Joint.

In 2001, Barry establishes his personal and professional archive at the Harry Ransom Center. More than sixty boxes of papers document his diverse writing career and range of creative output which includes drawings, poetry, short stories, novels, essays, and scripts.

Barry has been awarded honorary degrees from NUI Galway, the Open University and the University of East Anglia. His academic posts include Honorary Fellow in Writing at the University of Iowa (1984), Heimbold Visiting Professor at Villanova University (2006) and Writer Fellow at Trinity College, Dublin (1995–1996).

Barry lives in County Wicklow with his wife, actor and screenwriter Alison Deegan.


by Leave a comment

Birth of Novelist & Screenwriter Brian Moore

brian-mooreBrian Moore, novelist and screenwriter who is acclaimed for the descriptions in his novels of life in Northern Ireland after World War II, is born in Belfast, Northern Ireland on August 25, 1921. He has been described as “one of the few genuine masters of the contemporary novel.”

Moore is born into a large Roman Catholic family. His father, James Bernard Moore, is a prominent surgeon and the first Catholic to sit on the senate of Queen’s University Belfast. His mother, Eileen McFadden Moore, a farmer’s daughter from County Donegal, is a nurse. His uncle is the prominent Irish nationalist, Eoin MacNeill, founder of Conradh na Gaeilge and Professor of Irish at University College Dublin. He is educated at St. Malachy’s College, Belfast. He leaves the college in 1939, having failed his senior exams.

Moore is a volunteer air raid warden during World War II and serves during the Belfast Blitz in April and May 1941. He goes on to serve as a civilian with the British Army in North Africa, Italy and France. After the war ends he works in Eastern Europe for the United Nations Relief and Rehabilitation Administration.

In 1948 Moore emigrates to Canada to work as a reporter for the Montreal Gazette, and becomes a Canadian citizen. While eventually making his primary residence in California, he continues to live part of each year in Canada up to his death.

Moore lives in Canada from 1948 to 1958, where he meets his first wife, Jacqueline (“Jackie”) Sirois, a French Canadian and fellow-journalist. They marry in 1952. He moves to New York City in 1959 to take up a Guggenheim Fellowship and remains there until his divorce in October 1967. He then moves to the west coast of the United States, settling in Malibu, California, with his new wife Jean Denney, a former commentator on Canadian TV. There he teaches creative writing at UCLA.

Moore writes his first novels in Canada. His earliest novels are thrillers, published under his own name or using the pseudonyms Bernard Mara or Michael Bryan. His first novel outside the genre, Judith Hearne, remains among his most highly regarded. The book is rejected by ten American publishers before being accepted by a British publisher. It is made into a film, with British actress Maggie Smith playing the lonely spinster who is the book/film’s title character.

Other novels by Moore are adapted for the screen, including Intent to Kill, The Luck of Ginger Coffey, Catholics, Black Robe, Cold Heaven, and The Statement. He co-writes the screenplay for Alfred Hitchcock‘s Torn Curtain, and writes the screenplay for The Blood of Others, based on the novel Le Sang des autres by Simone de Beauvoir.

Some of Moore’s novels feature staunchly anti-doctrinaire and anti-clerical themes, and in particular he speaks strongly about the effect of the Church on life in Ireland. A recurring theme in his novels is the concept of the Catholic priesthood. On several occasions he explores the idea of a priest losing his faith. At the same time, several of his novels are deeply sympathetic and affirming portrayals of the struggles of faith and religious commitment, Black Robe most prominently.

Moore dies at his Malibu home, which is celebrated in Seamus Heaney‘s poem Remembering Malibu, on January 11, 1999 from pulmonary fibrosis. His widow, Jean, lives on in the house until it is destroyed in 2018 in the Woolsey Fire.

At the time of his death, Moore is working on a novel about the 19th-century French symbolist poet Arthur Rimbaud. His last published work before his death is an essay entitled “Going Home.” It is a reflection inspired by a visit he made to the grave in Connemara of his family friend, the Irish nationalist Bulmer Hobson. The essay is commissioned by Granta and published in The New York Times on February 7, 1999.

In 1996, the Brian Moore Short Story Awards is launched by the Creative Writers Network in Northern Ireland and is open to all authors of Irish descent. Previous judges have included Glenn Patterson, Lionel Shriver, Carlo Gébler and Maeve Binchy.

In 1975 Moore arranges for his literary materials, letters and documents to be deposited in the Special Collections Division of the University of Calgary Library, an inventory of which is published by the University of Calgary Press in 1987. His archives, which include unfilmed screenplays, drafts of various novels, working notes, a 42-volume journal (1957–1998), and his correspondence, are housed at the Harry Ransom Center at the University of Texas at Austin.