In January 1941 Picture Post publishes their “Plan for Britain.” This includes minimum wages throughout industry, full employment, child allowances, a national health service, the planned use of land and a complete overhaul of education. This document leads to discussions about post-war Britain and is a populist forerunner of William Beveridge‘s November 1942 Social Insurance and Allied Services (known as the Beveridge Report).
Sales of Picture Post increase further during World War II and by December 1943 the magazine is selling 1,950,000 copies a week. By the end of 1949 circulation declines to 1,422,000.
Founding editor Stefan Lorant, who has some Jewish ancestry, had been imprisoned by Adolf Hitler in the early 1930s, and wrote a best-selling book thereafter, I Was Hitler’s Prisoner. By 1940, he fears he will be captured in a Nazi invasion of Britain and flees to Massachusetts in the United States, where he writes important illustrated U.S. histories and biographies. He is succeeded by Sir Tom Hopkinson following his departure in 1940.
During World War II, the art editor of the magazine, Edgar Ainsworth, serves as a war correspondent and accompanies the United States 7th Army on their advance across Europe in 1945. He visits the Bergen-Belsen concentration camp three times after the British army liberates the complex in April 1945. Several of his sketches and drawings from the camp are published in a September 1945 article, Victim and Prisoner. Ainsworth also commissions the artist Mervyn Peake to visit France and Germany at the end of the war, and he too reports from Bergen-Belsen.
On June 17, 1950, Leader Magazine is incorporated in Picture Post. Hopkinson is often in conflict with Sir Edward George Warris Hulton, the owner of Picture Post. Hulton mainly supports the Conservative Party and objects to Hopkinson’s socialist views. This conflict leads to Hopkinson’s dismissal in 1950 following the publication of James Cameron‘s article about South Korea‘s treatment of political prisoners in the Korean War.
By June 1952, circulation has fallen to 935,000. Sales continue to decline in the face of competition from television and a revolving door of new editors. By the time the magazine closes in July 1957, circulation is less than 600,000 copies a week.
Picture Post has been digitised as The Picture Post Historical Archive, 1938-1957 and consists of the complete, fully searchable facsimile archive of Picture Post. It is made available in 2011 to libraries and institutions.
(Pictured: Cover of the Picture Post Vol. 8, No. 12, dated September 21, 1940)
Kennedy’s father, Joseph Hamilton Kennedy, is a policeman in the Royal Irish Constabulary (RIC). While growing up in the village of Coagh, Kennedy writes several songs and poems. He is inspired by local surroundings — the view of the Ballinderry River, the local Springhill House and the plentiful chestnut trees on his family’s property, as evidenced in his poem Chestnut Trees. He later moves to Portstewart, a seaside resort in County Londonderry.
While awaiting a Colonial Service posting to the colony of Nigeria, Kennedy embarks on a career in songwriting. His first success comes in 1930 with “The Barmaid’s Song”, sung by Gracie Fields. Fellow lyricist Harry Castling introduces him to Bert Feldman, a music publisher based in London‘s “Tin Pan Alley“, for whom he starts to work. In the early 1930s he writes a number of successful songs, including “Oh, Donna Clara” (1930), “My Song Goes Round the World” (1931), and “The Teddy Bears’ Picnic” (1933), in which he provides new lyrics to John Walter Bratton‘s tune from 1907.
In 1934, Feldman turns down Kennedy’s song “Isle of Capri“, but it becomes a major hit for a new publisher, Peter Maurice. He writes several more successful songs for Maurice, including “Red Sails in the Sunset” (1935), inspired by beautiful summer evenings in Portstewart, Northern Ireland, “Harbour Lights” (1937) and “South of the Border” (1939), inspired by a holiday picture postcard he receives from Tijuana, Mexico and written with composer Michael Carr. He and Carr also collaborate on several West End shows in the 1930s, including London Rhapsody (1937). “My Prayer,” with original music by Georges Boulanger, has English lyrics penned by Kennedy in 1939. It is originally written by Boulanger with the title “Avant de Mourir” in 1926.
During the early stages of World War II, while serving in the British Army‘s Royal Artillery, where he rises to the rank of Captain, Kennedy writes the wartime hit, “We’re Going to Hang out the Washing on the Siegfried Line.” His hits also include “Cokey Cokey” (1945), and the English lyrics to “Lili Marlene.” After the end of the war, his songs include “Apple Blossom Wedding” (1947), “Istanbul (Not Constantinople)” (1953), and “Love Is Like a Violin” (1960). In the 1960s he writes the song “The Banks of the Erne'”, for recording by his friend from the war years, Theo Hyde, also known as Ray Warren.
Kennedy is a patron of the Castlebar Song Contest from 1973 until his death in 1984 and his association with the event adds great prestige to the contest.
Mac Cába resigns his Dáil seat in March 1925 along with several other TDs, and at the resulting by-election on March 11, 1925, Cumann na nGaedheal candidate Martin Roddy wins his seat. He does not stand for public office again and returns to his post as a schoolteacher.
In the 1930s Mac Cába is involved with the short-lived but widely followed Irish Christian Front, serving as the organisation’s secretary and announcing its creation to the public on August 22, 1936. He is also member of the Blueshirts during this period and later the Irish Friends of Germany during World War II, a would-be Nazi Collaborator group in the event Germany invades Ireland. He chairs their meetings, denies the group is a fifth column and expresses the belief that a German victory would lead to a United Ireland. He is interned in 1940–1941 because of his pro-German sympathies, which he claims results from the desire to “see the very lifeblood squeezed out of England.”
Mac Cába dies in Dublin on May 31, 1972, leaving his wife, son, and three daughters. There is a bronze bust of him in the headquarters of the Educational Building Society, Westmoreland Street, Dublin.
Born in Birmingham to a working class family on February 15, 1883, Ward initially pursues a career as a civil servant before concentrating on writing full-time. He works as a poet, songwriter and comedy sketch writer for music hall performers before creating the Sax Rohmer persona and pursuing a career writing fiction.
Like his contemporaries Algernon Blackwood and Arthur Machen, Ward claims membership to one of the factions of the qabbalisticHermetic Order of the Golden Dawn. He also claims ties to the Rosicrucians, but the validity of his claims has been questioned. His doctor and family friend Dr R. Watson Councell may have been his only legitimate connection to such organisations.
Ward’s first published work comes in 1903, when the short story “The Mysterious Mummy” is sold to Pearson’s Weekly. His main literary influences are Edgar Allan Poe, Arthur Conan Doyle and M. P. Shiel.
Ward gradually transitions from writing for music hall performers to concentrating on short stories and serials for magazine publication. In 1909 he marries Rose Elizabeth Knox. He publishes his first book Pause! anonymously in 1910.
After penning Little Tich in 1911 as ghostwriter for the famous music hall entertainer of the same name, Ward issues the first Fu Manchu novel, The Mystery of Dr. Fu-Manchu, serialised from October 1912 to June 1913. It is an immediate success. The Fu Manchu stories, together with his more conventional detective series characters — Paul Harley, Gaston Max, Red Kerry, Morris Klaw and the Crime Magnet — make him one of the most successful and well-paid authors of the 1920s and 1930s. In the 28 years from 1931 to 1959, he adds no fewer than 10 new books to the Fu Manchu series.
Other works by Ward include The Orchard of Tears (1918), The Quest of the Sacred Slipper (1919), Tales of Chinatown (1922) and Brood of the Witch-Queen as well as numerous short stories.
Ward’s work is banned in Nazi Germany, causing him to complain that he could not understand such censorship, stating “my stories are not inimical to Nazi ideals.”
After World War II, Ward and his wife move to New York, only returning to London shortly before his death. He dies on June 1, 1959 at the age of 76, due to an outbreak of Influenza A virus subtype H2N2.
The Baltic Exchange bombing, an attack by the Provisional Irish Republican Army (PIRA) on London‘s financial centre, takes place on April 10, 1992, the day after the General Election which re-elects John Major from the Conservative Party as Prime Minister. The one-ton bomb, concealed in a large white truck and consisting of a fertilizer device wrapped with a detonation cord made from 100 lbs. of Semtex, is the biggest detonated on mainland Britain since World War II. The bombing kills three people, injures 91 others, and causes massive damage, destroying the Baltic Exchange building and severely damaging surroundings.
Since the PIRA’s campaign in the early 1970s, many commercial targets are attacked on the mainland which cause economic damage and severe disruption. Since 1988, Gerry Adams of Sinn Féin and John Hume of the Social Democratic and Labour Party are engaged in private dialogue to create a broad Irish nationalist coalition. British Prime Minister John Major refuses to openly enter into talks with Sinn Féin until the IRA declares a ceasefire. The risk of an IRA attack on London increases due to the lack of progress with political talks, resulting in a warning being circulated to all police forces in Britain highlighting intelligence reports of a possible attack, as it is believed that the IRA has enough personnel, equipment and funds to launch a sustained campaign in England.
On April 10, 1992, at 9:20 PM, a huge bomb is detonated in front of the Baltic Exchange building at 24-28 St. Mary Axe. The façade of the offices is partially destroyed, and the rest of the building is extensively damaged. The bomb also causes heavy damage to surrounding buildings. It causes £800 million worth of damage, £200 million more than the total damage caused by the 10,000 explosions that had occurred during the Troubles in Northern Ireland up to that point.
The IRA gives a telephone warning twenty minutes before the explosion, saying there is a bomb inside a van outside the London Stock Exchange. This is a half mile away from the actual location by the Baltic Exchange.
The homemade explosive is inside a white Ford Transit van parked in St. Mary Axe. The components are developed in South Armagh, shipped from Ireland, and assembled in England. The attack is planned for months and marks a dangerous advance to the British of the IRA’s explosives manufacturing capabilities. The bomb is described as the most powerful to hit London since the Luftwaffe raids of World War II.
A few hours later another similarly large bomb goes off in Staples Corner in north London, also causing major damage.
The next day, the IRA claims responsibility in a statement from Dublin. It is believed the IRA are trying to send a message to the Conservative Party who won the election, which also sees Sinn Féin leader Gerry Adams lose his unused seat in the Westminster Parliament.
Many of the damaged buildings are once again badly damaged by the Bishopsgate bombing the following year. Both incidents contribute to the formation of the “Ring of Steel” in the city to protect it from further terrorism.
The Exchange sells its badly damaged historic building to be redeveloped under the auspices of English Heritage as a Grade II* site. However, the City and English Heritage later allow it to be demolished, seeking instead a new landmark building. The site, together with that of the UK Chamber of Shipping at 30–32 St. Mary Axe, is now home to the skyscraper commissioned by Swiss Re commonly referred to as The Gherkin.
Born in Magherafelt, County Londonderry on June 5, 1913, Doherty begins his career with Glentoran F.C. in the Irish League. After helping Glentoran to the 1933 Irish Cup, early in the 1933–1934 season he joins English club Blackpool F.C., at the age of 19. He then joins Manchester City on February 19, 1936 for a then-club record of £10,000. Blackpool needs the money urgently, and Doherty is summoned from his lunch to report to Bloomfield Road. He tries hard to persuade Blackpool directors that he does not wish to leave the club, for he is due to marry a local girl and has just bought a new house in the town. The fee is an exceptionally high transfer fee for the period, coming within £1,000 of the British record. Doherty’s Manchester City debut, against Preston North End F.C., is not a successful one. Tightly man-marked by Bill Shankly throughout, he fails to make an impact. He later describes the remainder of his first Manchester City season as “uneventful,” however his second is anything but.
Manchester City starts the 1936–1937 season poorly and are in the bottom half of the table until December. Occasional big wins, including a 6–2 defeat of West Bromwich Albion F.C. and a 4–1 defeat of Everton F.C., are mixed with extended barren runs. At one point the club gains just one win in twelve matches. However, Doherty scores goals regularly. A goal in a 5–3 Christmas day loss to Grimsby Town F.C. is his twelfth of the season. Christmas proves to be a turning point for the club, as a win against Middlesbrough F.C. the following day is the start of a long unbeaten run. By April, Manchester City is second in the table and faces a fixture against Arsenal F.C., league leaders and the dominant club of the period. Doherty scores the first goal in a 2–0 win, and City reaches the top of the table. The unbeaten run continues until the end of the season, and City secures their first league championship with a 4–1 win over Sheffield Wednesday F.C.. Doherty, with 30 league goals, is the club’s leading scorer, helped by a run of eleven goals in seven games as the season draws to a close.
Doherty scores 79 goals in 130 appearances during his time at Maine Road. During the World War II years of 1939–1945, Doherty serves in the Royal Air Force. He remains registered as a Manchester City player, scoring 60 goals in 89 wartime matches, though wartime games are not generally included in official records. He also guests for numerous clubs across the country. During a guest appearance for Port Vale F.C. in 1945, he famously goes to take a penalty but instead of shooting he lays it off to a teammate who scores.
After the conclusion of the war, Doherty transfers to Derby County F.C., with whom he wins the FA Cup, scoring a goal in the final itself. He also goes on to play for Huddersfield Town A.F.C., scoring 33 goals in 83 league appearances.
Doherty’s coaching techniques are revolutionary at the time. He emphasises ball practice and instead of endless laps of the pitch, suggests volleyball “to promote jumping, timing and judgement,” basketball “to encourage split-second decision-making and finding space,” and walking football “to build up calf muscles.”
Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.
At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).
With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).
Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.
In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseriesThe Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).
In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.
Gregory Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.
McGoohan is the son of Rose (Fitzpatrick) and Thomas McGoohan, who are living in the United States after emigrating from Ireland to seek work. He is brought up as a Catholic. Shortly after he is born, his parents move back to Mullaghmore, County Leitrim. Seven years later they emigrate to Sheffield, England.
McGoohan attends St. Vincent’s School and De La Salle College in Sheffield. During World War II, he is evacuated to Loughborough, Leicestershire. There he attends Ratcliffe College, where he excels in mathematics and boxing. He leaves school at the age of 16 and returns to Sheffield, where he works as a chicken farmer, a bank clerk, and a lorry driver before getting a job as a stage manager at Sheffield Repertory Theatre. When one of the actors becomes ill, McGoohan is substituted for him, launching his acting career.
McGoohan is most closely identified with two 1960s British television series, Danger Man and The Prisoner. The espionage drama Danger Man, which runs in the United States as Secret Agent, runs for 86 episodes during 1960–1961 and 1964–1967. The cult hit The Prisoner runs for 17 episodes in 1967–1968.
In Danger Man McGoohan puts a new spin on the secret agent formula by refusing to allow his character, John Drake, to carry a gun or indulge in sexual dalliances. The show’s success makes him Britain’s highest-paid TV actor.
McGoohan is one of several actors considered for the role of James Bond in Dr. No. While McGoohan turns down the role on moral grounds, the success of the Bond films is generally cited as the reason for Danger Man being revived in 1964. He is later considered for the Bond role in Live and Let Die but again turns it down.
The success of Danger Man provides McGoohan the leverage he needs to produce The Prisoner, an allegorical Kafkaesque series in which he portrays Number Six, an unnamed agent, thought by many to represent Drake, who angrily resigns and is then held captive in a superficially banal place called The Village, where the mysterious unseen Number One, the ever-changing Number Two, and others try to overcome the fiercely individualistic Number Six’s escape attempts and pry information from him.
McGoohan’s later works include the short-lived medical mystery series Rafferty (1977), such films as Ice Station Zebra (1968), Escape from Alcatraz (1979), and Braveheart (1995), the Broadway spy drama Pack of Lies (1985), and a record four guest-villain appearances on the American detective series Columbo, two of which earned him Emmy Awards. He also directs and writes several episodes of The Prisoner and Columbo. One of his last roles is as Number Six in a 2000 episode of the animated TV comedy The Simpsons.
Mannix’s forthright demands for state aid for the education of Roman Catholics in return for their taxes and his opposition to drafting soldiers for World War I make him the subject of controversy. A zealous supporter of Irish independence, he makes an official journey to Rome in 1920 via the United States, where his lengthy speech making attracts enthusiastic crowds. His campaign on behalf of the Irish, however, causes the British government to prevent him from landing in Ireland, which he finally visits in 1925.
By the 1960s the distinct identity of the Irish community in Melbourne is fading, and Irish Catholics are increasingly outnumbered by Italians, Maltese and other postwar immigrant Catholic communities. Mannix, who turned 90 in 1954, remains active and in full authority, but he is no longer a central figure in the city’s politics. He dies suddenly on November 6, 1963, aged 99, while the Archdiocese of Melbourne is preparing to celebrate his 100th birthday. He is buried in the crypt of St. Patrick’s Cathedral, Melbourne.
The lightships provide a vitally important service to maritime traffic for over two centuries. People live aboard these ships that anchor stationary at sea, providing a beacon in the dark for vessels that navigate the more treacherous parts of the Irish coast. These ships are faithfully assisted by ships that resupply them and facilitate crew changes. The SS Isolda is one such ship.
Danger in the waters around Ireland greatly increase during World War II. The Battle for the Atlantic is raging and Ireland’s location near important shipping lanes places Irish vessels right in the middle of a conflict zone. As a result, many casualties are incurred on Irish ships despite their position of neutrality.
The SS Isolda is a lightship tender owned by the Commissioners of Irish Lights. The lightship service is considered neutral and the ship has “Lighthouse Service” painted in large letters on both sides of the hull.
On December 19, 1940 she sails out from Rosslare Harbour heading to re-supply nearby lightships with relief crews and Christmas provisions. After placing the first crew at the lightship Barrels she then heads towards her next stop, the lightship Coningbeg. She does not make it very far as three miles out she is attacked from the air.
A German Condor flies over and drops the first bomb on the ship. The plane circles around and drops a second bomb, sealing the ships fate. Realising the SS Isolda is doomed, Captain Albert Bestic gives orders to abandon ship. Back on shore observers at the army lookout post at Carnsore Point look on helplessly at the carnage. The next day the German High Command admits that it is a German aircraft that had bombed the SS Isolda.
Survivors are picked up by boat and brought into Kilmore Quay, County Wexford. Six of the crew die and seven are wounded. Captain Bestic is among the survivors. This is not his first brush with death as he survived the sinking of the ill-fated RMS Lusitania 25 years earlier when it was torpedoed by a German U-boat.
(From: “Remembering the SS Isolda and her crew | Lost December 19th 1940” by Ann Robinson, December 19, 2017, http://coastmonkey.ie/ss-isolda-1940 | Pictured: The Ship – SS Isolda being bombed – Painting By Kenneth King)
The Irish 
seamus dubhghaill 