John Blaquiere, 1st Baron de Blaquiere, British soldier, diplomat and politician of French descent, is born on May 15, 1732. He serves as Chief Secretary for Ireland between 1772 and 1776. He is the fifth son of Jean de Blaquiere, a French merchant who had emigrated to England in 1685, and his wife Marie Elizabeth de Varennes.
Blaquiere at first serves in the Army, in the 18th Dragoons, later renumbered the 17th Dragoons, where he achieves the rank of Lieutenant Colonel. In 1771 he is appointed Secretary of Legation at the British Embassy in Paris, a post he holds until 1772. The latter year Simon Harcourt, 1st Earl Harcourt, the British Ambassador in Paris, is appointed Lord Lieutenant of Ireland, and Blaquiere joins him as Chief Secretary for Ireland. He is admitted to the Privy Council of Ireland the same year and made a Knight Companion of the Order of the Bath two years later.
Blaquiere is to remain Chief Secretary until December 6, 1776. He is elected to the Irish House of Commons for Old Leighlin in 1773, a seat he holds until 1783. After representing Enniskillen for a few months in 1783, he sits then for Carlingford from 1783 to 1790, for Charleville from 1790 to 1798 and for Newtownards from 1798 until the Act of Union comes into force in 1801. He is created a Baronet, of Ardkill in County Londonderry, in 1784, and is raised to the Peerage of Ireland as Baron de Blaquiere, of Ardkill in the County of Londonderry, in 1800, for his support for the Act of Union. Lord de Blaquiere also sits as a Member of the British House of Commons for Rye from 1801 to 1802 and for Downton from 1802 to 1806. He is elected a Fellow of the Royal Society in 1803.
Lord de Blaquiere marries Eleanor, daughter of Robert Dobson, in 1775. They have four sons, including Peter de Blaquière, and three daughters. Lord de Blaquiere dies at the age of 80 in Bray, County Wicklow, on August 27, 1812. He is succeeded in his titles by his eldest son, John. Lady de Blaquiere dies at Regent’s Park, Marylebone, London, in December 1833.
Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.
Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “My Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.
Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.
Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.
Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.
Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.
In 1866 Sullivan composes a one-act comic opera, Cox and Box, which is still widely performed. He writes his first opera with W. S. Gilbert, Thespis, in 1871. Four years later, the impresarioRichard D’Oyly Carte engages Gilbert and Sullivan to create a one-act piece, Trial by Jury (1875). Its box office success leads to a series of twelve full-length comic operas by the collaborators. After the extraordinary success of H.M.S. Pinafore (1878) and The Pirates of Penzance (1879), Carte uses his profits from the partnership to build the Savoy Theatre in 1881, and their joint works become known as the Savoy operas. Among the best known of the later operas are The Mikado (1885) and The Gondoliers (1889). Gilbert breaks from Sullivan and Carte in 1890, after a quarrel over expenses at the Savoy. They reunite in the 1890s for two more operas, but these do not achieve the popularity of their earlier works.
Sullivan’s infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch (1880) and The Golden Legend (1886), his most popular choral work. He also writes incidental music for West End productions of several Shakespeare plays and holds conducting and academic appointments. Sullivan’s only grand opera, Ivanhoe, though initially successful in 1891, has rarely been revived. In his last decade Sullivan continues to compose comic operas with various librettists and writes other major and minor works.
Sullivan’s health is never robust. From his thirties kidney disease obliges him to conduct sitting down. He dies at the age of 58 of heart failure, following an attack of bronchitis, at his flat in London on November 22, 1900. Sullivan’s wishes are to be buried in Brompton Cemetery with his parents and brother, but by order of the Queen he is buried in St. Paul’s Cathedral.
Arthur Sullivan is regarded as Britain’s foremost composer. His comic opera style serves as a model for generations of musical theatre composers that follow, and his music is still frequently performed, recorded and pastiched.
Duddy runs a fish and chip shop in the late 1960s which is supplied with beef burgers from a supplier whose van driver is Martin McGuinness. He is first approached by MI6 officer Frank Steele in the early 1970s but turns the approach down.
In light of the dissolution of Stormont in 1972, Duddy’s role as an intermediary starts in January 1972, when asked by friend and Derry’s Chief Police Office Frank Lagan to persuade the Official Irish Republican Army and the Provisional Irish Republican Army to remove their weapons from the Bogside. Both sides comply, but the Official IRA retains a few weapons for defensive purposes. After thirteen unarmed civil rights marchers are shot dead by British Parachute Regiment troops in what becomes known as Bloody Sunday, Duddy warns Lagan, “This is absolutely catastrophic. We’re going to have a war on our hands.”
In the aftermath of the events and repercussions of Bloody Sunday, MI6 agent Michael Oatley arrives in Belfast in 1973 seeking to understand the situation in Northern Ireland and hopefully create a communications channel between the IRA and the British Government. Duddy becomes the go-between for the communications, and this leads to the IRA ceasefire of 1975/76.
Duddy and Oatley are the main channel of communications between the British Government and the IRA leadership during the 1981 Irish hunger strike. Duddy is codenamed “Soon” by the British. Over the period of July 4-6, 1981, they exchange many telephone calls, with Duddy urging the “utmost haste” on the part of the British because “the situation would be irreparably damaged if a hunger striker died.” He suggests steps which could be taken to give the Provisional IRA a way of ending the strike. British Prime MinisterMargaret Thatcher personally amends the text of an offer which is conveyed to the IRA through Duddy, but the British consider the reply unsatisfactory and do not continue to negotiate through Duddy. Hunger striker Joe McDonnell dies the following day.
In November 1991, as his now friend Oatley is about to retire from MI6 service, Duddy calls Oatley to a diner in Derry. When dinner has finished, McGuinness enters the property. During the meeting, McGuinness and Oatley discuss options for moving the situation forward. A few weeks later, Duddy is pursued by a British businessman who wants to create jobs in Derry. In the first meeting, the businessman produces a letter from then Secretary of State for Northern IrelandPeter Brooke, introducing the “businessman” as Oatley’s MI6 successor. Duddy calls the MI6 agent “Fred,” and acting as the go-between they successfully negotiate a ceasefire. Talks between McGuinness and representatives of the British government are held secretly in his house.
On March 26, 2008, the BBC broadcasts a documentary entitled The Secret Peacemaker about Duddy, directed by Peter Norrey, and presented by Peter Taylor, a journalist who has known Duddy is “the link” for ten years.
In the spring of 2009, Duddy donates his private archives to the James Hardiman Library, NUI Galway, where they are now available to researchers. They chart his involvement in the peace process from 1972 to 1993, and his ongoing interest, and correspondence relating to Northern Ireland, until 2007. The Brendan Duddy Archive is opened in 2011.
At the age of 80, Brendan Duddy dies at Altnagelvin Area Hospital in Derry, Northern Ireland on May 12, 2017.
The Riordans, a drama about life in a rural Irish village and the most successful serial in the history of Raidió Teilifís Éireann (RTÉ), running from 1965 to 1979, comes to an end on May 11, 1979. It is the second Irish soap opera made by RTÉ (then called Telefís Éireann).
In 1964 the fledgling Telefís Éireann launches Tolka Row, a soap opera set in a working class part of Dublin. Its success is immediate, with its actors becoming household names. One year later, aware that Ireland is still a largely rural country, and of the immense popularity of rural-based radio shows on RTÉ Radio (then called Radio Éireann), Telefís Éireann decides to create a new rural soap opera, set on a family farm. Located in Dunboyne, The Flathouse, owned by the Connolly family, is the setting for this programme.
The show is called The Riordans after the name of the central family, who are two middle-aged parents, Tom Riordan and his wife Mary Riordan, together with their oldest son, Benjy and other siblings, including brother Michael and sister Jude, all of whom except Benjy have left farming for other careers and have more adventurous personal lives.
The Riordans is set in the fictional townland of Leestown in County Kilkenny and proves to be a revolutionary television programme, both in Ireland and internationally. Its most dramatic innovation is in the use of Outside Broadcast Units (OBUs) to film most of each episode on location in the countryside. This is a marked innovation. Previously soap operas had all been studio-based, with even supposed exterior filming all done with studio sets built in sound stages. This breaks the mould of broadcasting in the soap opera genre and inspires the creation of its British equivalent, Emmerdale Farm (now called Emmerdale) by Yorkshire Television in 1972. In 1975 The Riordans begins to be filmed and transmitted in colour, having been available in monochrome only up to then.
The show undergoes a number of changes in the mid-1970s, most notably moving from a half-hour to one-hour format, as well as a change in theme tune. The decision of actor Tom Hickey to leave the series causes some problems. His character, Benjy is not killed off but goes abroad “on the missions.” While the show has declined somewhat from its heyday, it still regularly battles with The Late Late Show to top the TAM ratings. The production team is surprised when one episode, which unusually departs from the 1970s and focuses on Tom Riordan as a young man in the 1930s at a family céilí, is critically acclaimed by the media and many older viewers, who view it as an accurate representation of life on an Irish farm in the 1930s and 1940s.
With its considerable popularity, large cast of respected actors and high production values, and its central location on the schedules of RTÉ 1, few expect the show to be axed, let alone so suddenly. There is considerable surprise, and a lot of criticism, when the new Director of Programming at RTÉ, Muiris Mac Conghail, decides that the show has run its course and so axes it in May 1979. Part of the justification is cost as it is one of RTÉ’s most expensive shows to produce.
The Ballymanus mine disaster occurs on May 10, 1943 on a beach at Ballymanus, County Donegal when local villagers attempt to bring ashore an unexploded naval mine. Seventeen men and boys between 13 and 34 are killed in the explosion. Another two die later.
According to contemporary reports, the mine is spotted by a number of people, including a local coastguard and two local youths who wade out and tie ropes around it in an attempt to haul it ashore. They are then joined by other men and boys from the local area but as it is being hauled along the beach it is believed to strike a rock and explode, killing 17 people instantly. Two more die in the hospital soon afterwards. More than 40 houses in the nearby village are damaged by the blast. The explosion is so loud it is heard over 40 miles away in Letterkenny.
The scene on the beach is one of devastation. Parts of bodies lay everywhere, which makes identification difficult. Army personnel from Rockhill, outside Letterkenny, have the job of collecting the limbs and scattered bodies and bringing them to a local hall.
Ireland is officially neutral during World War II, and there would not be the same level of awareness amongst the public of the dangers of unexploded ordnance as in countries involved in the conflict. Other commentators note that 15 other mines are made safe in Donegal in the same year, that local senior Garda Síochána members are aware of the mine at least 3 hours before the explosion and are expected to secure a cordon around any reported mines. However, while some effort is made to advise the community of the dangers, the additional actions prescribed in the standing orders had not been taken.
Brougham’s father is an amateur painter and dies young. His mother is the daughter of a Huguenot, whom political adversity has forced into exile. He is the eldest of three children. Both of his siblings die in youth, and the father being dead, and the widowed mother left penniless, he is reared in the family and home of an uncle.
Brougham is prepared for college at an academy at Trim, County Meath, twenty miles from Dublin, and subsequently is sent to the University of Dublin. There he acquires classical learning and forms interesting and useful associations and acquaintances. He also becomes interested in private theatricals. He falls in with a crowd that puts on their own shows, cast by drawing parts out of a hat. Though he most always trades off larger roles so he can pay attention to his studies, he takes quite an interest in acting. He is a frequent attendant, moreover, at the Theatre Royal in Hawkins Street.
Brougham is educated with the intention of his becoming a surgeon and walks the Peth Street Hospital for eight months. However, misfortune comes upon his uncle, so he is obliged to provide for himself. Before leaving the university he, by chance, becomes acquainted with the actress Lucia Elizabeth Vestris.
Brougham goes to London in 1830 and, after a brief experience of poverty, suddenly determines to become an actor. He is destitute of everything except fine apparel, and he has actually taken the extreme step of offering himself as a cadet in the service of the East India Company. But, being dissuaded by the enrolling officer, who lends him a guinea and advises him to seek other employment, and happening to meet with a festive acquaintance, he seeks recreation at the Tottenham Theatre where Madame Vestris is acting.
Brougham’s acquaintance with Madame Vestris leads to him being engaged at the theatre, and he thus makes his first appearance on the London stage in July in Tom and Jerry, in which he plays six characters. In 1831 he is a member of Madame Vestris’s company and writes his first play, a burlesque. He remains with Madame Vestris as long as she and Charles Mathews retain Covent Garden Theatre, and he collaborates with Dion Boucicault in writing London Assurance, the role of Dazzle being one of those with which he becomes associated. His success at small or “low” comic roles such as Dazzle earn him the nickname “Little Johnny Brougham,” a moniker which he embraces, and which boosts his popularity with working-class audiences.
In 1840 Brougham manages the Lyceum Theatre, for which he writes several light burlesques, but in 1842 he moves to the United States, where he becomes a member of William Evans Burton‘s company, for which he writes several comedies, including Met-a-mora; or, the Last of the Pollywogs, a parody of John A. Stone and Edwin Forrest’s Metamora; or The Last of the Wamponoags, and Irish Yankee; or, The Birthday of Freedom.
In 1860 Brougham returns to London, where he adapts or writes several plays, including The Duke’s Motto for Charles Fechter. In November 1864 he appears at the Theatre Royal in his native Dublin in the first performance of Dion Boucicault’s Arrah-na-Pogue with Boucicault, Samuel Johnson and Samuel Anderson Emery in the cast.
After the American Civil War Brougham returns to New York City. Brougham’s Theatre is opened in 1869 with his comedies Better Late than Never and Much Ado About a Merchant of Venice, but this managerial experience is also a failure due to disagreements with his business partner, James Fisk. He then takes to playing the stock market. His last appearance onstage is in 1879 as “O’Reilly, the detective” in Boucicault’s Rescued.
During a period in India Kennedy meets Sir Charles James Napier and when he returns to Ireland he sets up agricultural schools designed to improve the economy of the country. One is at Cloghan near Ballybofey, and another at Eglinton near Derry. He becomes a farm manager and marries Anna, daughter of Sir Charles Styles, who owns large estates around Ballybofey, in 1838. Kennedy′s methods of improving the condition of the agricultural classes are indicated by the title of his work, Instruct; Employ; Don’t Hang Them: or Ireland Tranquilized without Soldiers and Enriched without English Capital (1835). He writes several others of similar nature, and as inspector general for Irish education (1837), as secretary to the Devon Commission (1843), and to the Famine Relief Committee (1845), his labours are unceasing in behalf of his native land.
Kennedy returns to the army in 1849 as military secretary to Sir Charles Napier and accompanies him to India, where he builds the military road named after him and extending from Kalka via Shimla to Kunawur and Tibet. He publishes British Home and Colonial Empire (1865–69), as well as a number of technical works relating to his Indian career. He also serves as District Grandmaster of Bengal.
At the time of his death Cotter is seen, like his father before him, as the natural leader of the Catholics of Cork. He is also a prominent patron of poetry and other literature in the Irish language. The Irish text Párliament na mBan or ‘The Parliament of Women’ is dedicated by its author, Domhnall Ó Colmáin,’ to a young James Cotter in 1697. As one of the few major landowners of the Catholic faith remaining in Ireland, and as a man of known Jacobite and Tory sympathies he is distrusted by the authorities. He is also held in suspicion by those of his landed neighbours who are part of the Protestant Ascendancy and of Whiggish political views. Amongst his overt political actions, he is believed to play a leading part in the instigation of the election riots of 1713 in Dublin. His trial, ostensibly for rape, is a cause célèbre at the time and widely seen as an example of judicial murder.
Though married, Cotter has a reputation as a ladies’ man. His wealth allows him to flaunt his independence of the Protestant ruling class and anti-Catholic laws of Ireland. These characteristics, allied to his political activities, lead to his downfall. He makes an enemy of a powerful neighbour, Alan Brodrick, 1st Viscount Midleton. Brodrick, it appears, arranges that Cotter be accused of abducting and raping a young Quaker woman named Elizabeth Squibb, reported by some to have been Cotter’s mistress. When news of this trumped-up or exaggerated charge reaches Cork City, the Quakers of the town live in fear of their lives for many weeks. Believing the charge cannot hold up in court, Cotter gives himself up to the Cork sheriff.
The judge presiding on the case is Sir St. John Brodrick who, as a close relative of James Cotter’s accuser, is hardly impartial. The jury has also been packed as all twelve of its members are justices of the peace. The trial takes place in a period of heightened rumour of Jacobite invasion. A large number of arms for cavalry are found in Cork which triggers a scare until it is discovered that they are government owned and intended for a local militia unit. James Cotter is held in jail, though bail has been granted, and is convicted of the crime.
A bizarre element in Cotter’s downfall are the pleas for mercy expressed by both the jury which has convicted him and Elizabeth Squibb, his alleged victim. Attempts to gain a pardon in Dublin are proceeding and a stay of execution is sent, however, the hanging is deliberately brought forward, and the stay does not arrive in time. Cotter has attempted to escape and spends the night before his execution in chains. The gallows erected for the execution are destroyed by some of the citizens of Cork and the hanging is extemporised using a rope attached to a metal staple in a vertical post. James Cotter is hanged in Cork City on May 7, 1720. News of his execution triggers widespread riots on a national scale. He is buried in his family’s vault at Carrigtwohill.
Some have seen the death of James Cotter as the working of a family feud. His father had been intimately involved in the assassination of the regicideJohn Lisle in Switzerland (1664). The wife of the Lord Lieutenant of Ireland at the time of James Cotter’s trial is a granddaughter of John Lisle.
Up to twenty poems in Gaelic survive which reflect the widespread dismay felt at James Cotter’s execution, including ones by Éadbhard de Nógla, son of his close friend, the lawyer Patrick Nagle.
(Pictured: The Cotter Family burial vault in Carrigtwohill)
Burke is the second of three sons of James Hardiman Burke, an officer in the British army 7th Royal Fusiliers, and Anne Louisa Burke (nee O’Hara).
Burke enters the Royal Military Academy, Woolwich in May 1835. In December 1836 he fails his probationary exam and goes to Belgium to further his education. In 1841, he enters the Austrian army and spends most of his time posted to northern Italy. Towards the end of 1847 he suffers health problems and ultimately resigns from the Austrian army in June 1848.
After returning to Ireland in 1848, he joins the Irish Constabulary (later the Royal Irish Constabulary). He does his cadet training at Phoenix Park Depot in Dublin between November 1849 and January 1850. At the end of 1850 he transfers to the Mounted Police in Dublin.
Burke emigrates to Australia, arriving in Hobart, Tasmania on February 12, 1853, and promptly sails for Melbourne. On April 1, 1853, he joins the recently established Victoria Police force.
After the South Australian explorer John McDouall Stuart reaches the centre of Australia, the South Australian parliament offers a reward of £2,000 for the promotion of an expedition to cross the continent from south to north, generally following Stuart’s route. In June 1860, Burke is appointed to lead the Victorian Exploring Expedition with William John Wills, his third-in-command, as surveyor and astronomical observer.
The expedition leaves Melbourne on August 20, 1860, with a total of 19 men, 27 camels and 23 horses. They reach Menindee on September 23, 1860, where several people resign.
Cooper Creek, 400 miles further on, is reached on November 11, 1860, by the advance group, the remainder being intended to catch up. After a break, Burke decides to make a dash to the Gulf of Carpentaria, leaving on December 16, 1860. William Brahe is left in charge of the remaining party. The small team of Burke, William Wills, John King and Charley Gray reach the mangroves on the estuary of the Flinders River, near where the town of Normanton now stands, on February 9, 1861. They never see open ocean due to flooding rains and swamps.
Already weakened by starvation and exposure, progress on the return journey is slow and hampered by the tropical monsoon downpours of the wet season. Gray dies four days before they reach the rendezvous at Cooper Creek. The other three rest for a day when they bury him. They eventually reach the rendezvous point on April 21, 1861, nine hours after the rest of the party had given up waiting and left, leaving a note and some food, as they have not been relieved by the party supposed to be returning from Menindee.
Burke’s party attempts to reach Mount Hopeless, the furthest outpost of pastoral settlement in South Australia, which is closer than Menindee, but fail and return to Cooper Creek. While waiting for rescue Wills dies of exhaustion and starvation. Soon after, Burke also dies, at a place now called Burke’s Waterhole on Cooper Creek in South Australia. The exact date of Burke’s death is uncertain but has generally been accepted to be June 28, 1861.
King survives with the help of Aborigines until he is rescued in September by Alfred William Howitt. Howitt buries Burke and Wills before returning to Melbourne. In 1862 Howitt returns to Cooper Creek and disinters Burke and Wills, taking them first to Adelaide and then by steamer to Melbourne where they are laid in state for two weeks. On January 23, 1863, Burke and Wills receive a State Funeral and are buried in Melbourne General Cemetery. Ironically, on that same day John McDouall Stuart and his companions, having successfully completed the south-north crossing, are received back at a large ceremony in Adelaide.
seamus dubhghaill 