The United Irish rebels, under Fr. John Murphy’s command, have been encamped on land belonging to a Mr. Donovan at the foot of Carrigrew Hill on June 2 and 3. This small respite from hostilities and marching affords the rebels some rest and time to re-group from previous skirmishes. Some of the rebels take leave to visit their families during these two days before re-joining the camp in advance of their move north toward Gorey.
On the morning of the June 4, Lieutenant-General Loftus and Lieutenant-Colonel Walpole march out of Gorey with 1,200 men with the intention of attacking the rebel encampment at Carrigrew Hill. Loftus leads his 600 men out the Ballycanew road to attack the camp from the east while Walpole heads due south via Clough to attack the camp on its northern side.
Having received advanced warnings of the British plans, the poorly equipped rebel army of 10,000 to 12,000 men sets out from Carrigrew Hill and marches through Ballyoughter on to Tubberneering. Their aim is to defeat the Crown forces in Gorey and release rebel prisoners that have been captured and imprisoned there.
On approaching Tubberneering, a vanguard of rebels is warned by a scouting party returning from Clough that the British forces are heading their way. The vanguard sets up an ambush with musketeers on top of the rock at Tubberneering and pikemen laying in wait inside the ditch along the road south of Cain bridge.
The battle is an ambush of a British force of 400 men under Lieutenant-Colonel Walpole, containing one troop of regular cavalry (the 4th Royal Irish Dragoon Guards) and militia and yeomanry auxiliaries. They are ambushed in a narrow defile by United Irish rebels, led by Fr. John Murphy. Walpole and one hundred men are killed, while the rest throw away their weapons and uniforms and flee. The regular dragoons make an attempt to fight back but are in a bad place for cavalry so they withdraw. This defeat allows three cannon to be captured which are subsequently used against British troops at the Battle of Arklow. The rebels are unable to take Arklow however. The day after the engagement at Tubberneering, the United Irishmen attempt to take New Ross in the south of County Wexford but are repulsed at a heavy cost.
McKelvey is second among six children and second of three sons of William McKelvey, painter and decorator, originally from Roseville, Craigavad, County Down, and his wife Mary, daughter of Frank Baird, farmer, from Ballywee, County Antrim. He is baptised at Saint Matthew’s Parish Church.
McKelvey attends Mayo Street national school in Belfast. When he is sixteen he became a lithographer apprentice to the firm David Allen & Sons. They produce postcards, posters and notices. He enrolls in the Belfast School of Art part-time by attending evening classes until he leaves his employment in 1911 to study full-time. Alfred Rawlings Baker, his art master, has great influence on him during his time at art college. He receives numerous awards for his artwork including the Sir Charles Brett Prize, the Fitzpatrick Prize, and the Taylor Art Competition.
McKelvey returns to David Allen & Sons in 1917 for a short period of time before he begins to focus on painting and opens his own studio in 1920. The studio is located in Rea’s Building, Royal Avenue, Belfast.
By 1918 McKelvey’s work is exhibited at the Royal Hibernian Academy (RHA) and in 1921 he is elected a member of the Belfast Art Society. He is appointed an associate of the RHA in 1923, being granted full membership in 1930. During his career he is considered on a par with Paul Henry and James Humbert Craig, two of the most successful Irish landscape painters of the time. He is elected as one of the first academicians of the Ulster Academy of Arts when it is founded in 1930. He dies in Belfast on June 30, 1974.
Pilkington is born to John Pilkington and Margaret Mary Pilkington (née Torsney), the second of twelve children born to the couple. Only nine of his siblings survive into adulthood. He receives his education at the local Marist Brothers convent school and the Day Trades Preparatory School. Later he is a student at the Department of Agriculture Forestry College in County Wicklow. When the Irish War of Independence begins, the college is closed and he is forced to return to Sligo. He then gains employment with Wehrly Brothers Ltd., a jewelry and watchmaking store in Sligo.
Several notable incidents occur in Pilkington’s military career. On October 25, 1920, at Moneygold, eight miles from Sligo (between Grange and Cliffoney), IRA men led by him ambush a nine-man Royal Irish Constabulary (RIC) patrol, killing four (Sergeant Patrick Perry, Constables Patrick Keown, Patrick Laffey, Patrick Lynch) and wounding two others (Constables Clarke and O’Rourke). In January 1922, he makes clear his opposition to the IRAs General Headquarters (GHQ) support for the Anglo-Irish Treaty. “We intend to cut away from this headquarters, all of you (pointing to the staff and officers of the GHQ) want to build up a Free State Army so you can march in step into the British Empire. Do it openly. We stand by the Republic.” On April 6, 1922, a meeting addressed by Arthur Griffith in Sligo, is proclaimed illegal by Pilkington, who is the local Anti-Treaty IRA divisional commander. His troops take over a number of buildings in the town. Seán Mac Eoin brings Provisional Government troops from Athlone and on the day of the meeting, he is joined by further troops led by J. J. “Ginger” O’Connell. A tense situation ensues but, at the last minute, Pilkington backs down and the meeting goes ahead. On September 4, 1922, an Anti-Treaty IRA unit under Pilkington takes the Dromhaire barracks in County Sligo after the Free State garrison surrenders.
On August 27, 1923, Pilkington runs unsuccessfully in the general election for the 4th Dáil as a Republican candidate, polling 2,089 first preference votes.
Pilkington is a prominent member of the Anti-Treaty IRA for many years, but his most important role as part of the Anti-Treaty IRA comes on April 20, 1923. The Executive of the Anti-Treaty IRA meets in Poulacappal (four miles southwest of Callan and three miles from Mullinahone). Present in addition to Pilkington (who is replacing Liam Lynch) are Frank Aiken, Sean Hyde, Sean Dowling, Bill Quirke, Tom Barry, Tom Ruane (replacing Michael Kilroy), Tom Sullivan (replacing Sean Lehane), Sean McSwiney, Tom Crofts, P. J. Ruttledge and Sean O’Meara (substitute for Séumas Robinson). Frank Aiken is elected Chief-of-Staff and an Army Council of Aiken, Pilkington and Barry is appointed. Aiken proposes that peace should be made with the Pro-Treaty Government on the basis that “the sovereignty of the Irish Nation and the integrity of its territory is inalienable.” This is passed by nine votes to two.
Pilkington becomes a Catholic priest after his foray into politics and due to the disillusionment of the Irish War of Independence. He joins the Redemptorist Order and becomes known as Father William Pilkington CSsR. He serves as a priest in the Archdiocese of Cape Town, South Africa, priest of Monmouthshire, Wales, and retires to Bishop Eton Monastery, Liverpool.
In 1954, Pilkington is guest of honour at a dinner sponsored by Clan na Gael and the IRA Veterans of America in New York City where he says he is returning to the mission fields of Africa, but he remains faithful to the All Ireland Republic. He dies at Bishop Eton Monastery on March 26, 1977, and is buried in Liverpool.
F. J. McCormick (real name Peter Christopher Judge), an Irish actor who becomes known for his work at Dublin‘s Abbey Theatre, is born in Skerries, County Dublin, on June 1, 1890. He acquires the stage name “F.J. McCormick” to disguise his identity from his current and future employers, and to avoid parental disapproval. He joins the Abbey at age 19, and acts in some 500 productions there. He is especially remembered for his work in the plays of Seán O’Casey.
After living in Skerries in his early years, at age ten McCormick moves to Dublin and proceeds to live there for the majority of the duration of his life. He is educated locally in Skerries. His father, Michael Judge, is a maltser and later becomes a brewery manager. He is of medium height, with “expressive eyes” and thick brown hair. As a young man, he begins writing by contributing articles to the press. He works briefly as a post office clerk in London but returns to Dublin to work as a junior clerk in the Civil Service. He resigns from his public service career in 1918 and decides to embrace acting as a full-time career as a member of the Abbey Theatre at age 19.
McCormick’s mother dies when he is 2 years old. He and his family move to Dublin when he is 10 or 12 years old. He is raised in Skerries and attends the Holy Faith Convent for primary education. He describes his childhood in Skerries “as a very happy one.” He marries Eileen Crowe on December 2, 1925, in Rathdown. They meet at the Abbey where Crowe is also an actor. In describing their performances together, Seamus De Burca writes, “F. J. McCormick and Eileen Crowe lived a life together of perfect bliss.” The couple has two children, a son, David, and a daughter, Marie.
After moving briefly to London, McCormick returns to Dublin, where he works in the Civil Service. He also takes acting roles in the Workmen’s Club on York Street, and for the first time under the pseudonym by which he becomes known for roles with the Queen’s Theatre, Dublin. By May 1919, he has a leading role in an independent production of The Curate of St. Chad’s by Constance Powell Anderson at the Abbey Theatre. An attack on Irish acting by Edward Martyn is answered by McCormick in the pages of the journal Banba in June 1921.
McCormick acts in over 500 plays at the Abbey Theatre, becoming particularly associated with the plays of Sean O’Casey staged there. From 1923 to 1925, he is also stage manager at the Abbey. Of his performance as Seumus Sheilds in The Shadow of a Gunman, O’Casey says that the actor created a character greater than that which he had written. He plays Capt. Brennan in the filmed version of O’Casey’s The Plough and the Stars but it is his return to film in Carol Reed‘s Odd Man Out (1947) that sees him singled out for praise in contemporaneous reviews. The Irish Times writes that “the acting of the Irish players was unremittingly professional, and, in the case of F. J. McCormick, as Shell, a weak-minded and elderly corner-boy, quite outstanding.” The Times of London finds “it is Mr. F. J. McCormick as a sly, bird-like creature, who stops just the right side of informing, who catches most surely at the imagination.”
In their review of the film Hungry Hill (1947), The New York Times writes, “As the butler who served John Brodrick, his sons, and their sons in turn, the late F. J. McCormick is truly magnificent, giving an even more subtle portrayal of Irish character than he did as the wily tramp in Odd Man Out.”
In the last five years of McCormick’s life he continues to work in the Abbey where he acts in over 70 plays before his death. He only stars in one play in the theatre in the final year of his life, the play They Got What They Wanted playing the role of Bartley Murnaghan. He secures more leading roles in the film industry. He dies in Dublin at the age of 56 from a brain tumour on April 24, 1947. He is buried in Dean’s Grange Cemetery, Deansgrange, County Dublin. He continues to work right up until his death.
It is said that people regarded McCormick as one of the greatest actors in his era. This comes from his work in 500 plays and 4 films over his career. A year after his death, Barry Fitzgerald says he only knew of two actors with the gift that McCormick had and they were Charles Laughton and Charlie Chaplin.
There are many popular plays and films that McCormick is part of which are still remembered to this day by many, some of them include the original The Plough and the Stars in 1926 where he originates the role of Commandant Jack Clitheroe. He also plays the role of Captain Brennan in the John Ford film version of the play in 1936. In his appreciation for McCormick, Gabriel Fallon remembers him as both a great actor and a great man.
It is said that McCormick was one of the most versatile actors of his generation, his early death was a huge loss to the Irish arts and more specifically the Abbey Theatre where he carried most of his work.
seamus dubhghaill 