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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Pop Singer Dusty Springfield

dusty-springfield

Mary Isobel Catherine Bernadette O’Brien, English pop singer and record producer known professionally as Dusty Springfield, is born on April 16, 1939, to Irish parents in West Hampstead, North London.

With her distinctive sensual mezzo soprano sound, she is an important blue-eyed soul singer and, at her peak, is one of the most successful British female performers, with six top 20 singles on the United States Billboard Hot 100 and sixteen on the United Kingdom Singles Chart from 1963 to 1989. She is a member of both the U.S. Rock and Roll Hall of Fame and U.K. Music Hall of Fame. International polls name Springfield among the best female rock artists of all time. Her image, supported by a peroxide blonde bouffant hairstyle, evening gowns, and heavy make-up, as well as her flamboyant performances on the black and white television of the 1960s, make her an icon of the Swinging Sixties.

Born in West Hampstead, London to a family that enjoys music, Springfield learns to sing at home. In 1958, she joins her first professional group, The Lana Sisters, and two years later forms a pop-folk vocal trio, The Springfields, with her brother Tom Springfield. Her solo career begins in 1963 with the upbeat pop hit I Only Want to Be with You. Among the hits that follow are Wishin’ and Hopin’ (1964), I Just Don’t Know What to Do with Myself (1964), You Don’t Have to Say You Love Me (1966), and Son of a Preacher Man (1968).

As a fan of U.S. pop music, she brings many little-known soul singers to the attention of a wider U.K. record-buying audience by hosting the first national TV performance of many top-selling Motown artists beginning in 1965. Although she is never considered a Northern Soul artist in her own right, her efforts contribute a great deal to the formation of the genre.

Partly owing to these efforts, a year later she eventually becomes the best-selling female singer in the world and tops a number of popularity polls, including Melody Maker‘s Best International Vocalist. She is the first U.K. singer to top the New Musical Express readers’ poll for Female Singer.

To boost her credibility as a soul artist, Springfield goes to Memphis, Tennessee to record Dusty in Memphis, an album of pop and soul music with the Atlantic Records main production team. Released in 1969, it has been ranked among the greatest albums of all time by the U.S. magazine Rolling Stone and in polls by VH1 artists, New Musical Express readers, and Channel 4 viewers. The album is also awarded a spot in the Grammy Hall of Fame. Despite its current recognition, the album does not sell well and after its release and Springfield experiences a career slump for several years. However, in collaboration with Pet Shop Boys, she returns to the Top 10 of the U.K. and U.S. charts in 1987 with What Have I Done to Deserve This? Two years later, she has two other U.K. hits on her own with Nothing Has Been Proved and In Private. Subsequently in the mid-1990s, owing to the inclusion of Son of a Preacher Man on the Pulp Fiction soundtrack, interest in her early output is revived.

In January 1994, while recording her penultimate album, A Very Fine Love, in Nashville, Dusty Springfield falls ill. When she returns to the United Kingdom a few months later, her physicians diagnose breast cancer. She receives months of chemotherapy and radiation treatment, and the cancer goes into remission. In 1995, in apparent good health, Springfield sets about promoting the album, which is released that year. By mid-1996, the cancer has returned, and, in spite of vigorous treatments, she dies in Henley-on-Thames on March 2, 1999. Her induction into the Rock and Roll Hall of Fame in Cleveland, Ohio, has been scheduled two weeks after her death. Her friend Elton John helps induct her into the Hall of Fame, declaring, “I’m biased but I just think she was the greatest white singer there ever has been … Every song she sang, she claimed as her own.”

Springfield is cremated and some of her ashes are buried at Henley-on-Thames, while the rest are scattered by her brother, Tom Springfield, at the Cliffs of Moher, County Clare, Ireland.


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First Performance of Handel’s Messiah

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George Friedrich Handel’s Messiah is performed for the first time at Mr. Neale’s Great Musick Hall on Fishamble Street in Dublin on April 13, 1742. It receives its London premiere nearly a year later. After an initially modest public reception, the oratorio gains in popularity, eventually becoming one of the best known and most frequently performed choral works in Western music.

Handel decides to give a season of concerts in Dublin in the winter of 1741–42 arising from an invitation from the Duke of Devonshire, then serving as Lord Lieutenant of Ireland. After arriving in Dublin on November 18, 1741, Handel arranges a subscription series of six concerts, to be held between December 1741 and February 1742 at the Great Musick Hall on Fishamble Street. These concerts are so popular that a second series is quickly arranged. Messiah figures in neither series.

In early March, Handel begins discussions with the appropriate committees for a charity concert, to be given in April, at which he intends to present Messiah. He seeks and is given permission from St. Patrick’s Cathedral and Christ Church Cathedral to use their choirs for this occasion. The women soloists are Christina Maria Avoglio, who sang the main soprano roles in the two-subscription series, and Susannah Cibber, an established stage actress and contralto who sang in the second series. The performance, also in the Fishamble Street hall, is originally announced for April 12, but is deferred for one day “at the request of persons of Distinction.” The orchestra in Dublin, the exact size of which is unknown, is comprised of strings, two trumpets, and timpani. Handel has his own organ shipped to Ireland for the performances.

The three charities benefit from the performance – the prisoners’ debt relief, the Mercer’s Hospital, and the Charitable Infirmary. In its report on a public rehearsal, the Dublin News-Letter describes the oratorio as “… far surpassing anything of that Nature which has been performed in this or any other Kingdom.” Seven hundred people attend the premiere on April 13. In order to accommodate the largest possible audience, gentlemen are requested to remove their swords and ladies are asked not to wear hoops in their dresses. The performance earns unanimous praise from the assembled press: “Words are wanting to express the exquisite delight it afforded to the admiring and crowded Audience.” A Dublin clergyman, Rev. Delaney, is so overcome by Susanna Cibber’s rendering of “He was despised” that he reportedly leaps to his feet and cries, “Woman, for this be all thy sins forgiven thee!” The takings amount to around £400, providing about £127 to each of the three nominated charities and securing the release of 142 indebted prisoners.

Handel remains in Dublin for four months after the premiere. He organises a second performance of Messiah on June 3, which is announced as “the last Performance of Mr. Handel’s during his Stay in this Kingdom.” In this second Messiah, which is for Handel’s private financial benefit, Cibber reprises her role from the first performance, although details of other performers are not recorded.


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Birth of Musician Gary Moore in Belfast

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Robert William Gary Moore, Northern Irish musician, most widely recognised as a singer, songwriter, and virtuoso rock and blues guitarist, is born in Belfast on April 4, 1952.

In a career dating back to the 1960s, Moore plays with musicians including Phil Lynott and Brian Downey during his teenage years, leading him to memberships of the Irish bands Skid Row and Thin Lizzy, and British band Colosseum II. Moore shares the stage with such blues and rock musicians as B.B. King, Albert King, Jack Bruce, Albert Collins, George Harrison, and Greg Lake, as well as having a successful solo career. He guests on a number of albums recorded by high-profile musicians.

Moore starts performing at a young age, having picked up a battered acoustic guitar at the age of eight. He gets his first quality guitar at the age of 14, learning to play the right-handed instrument in the standard way despite being left-handed.

At the age of 16, aiming to become a musician, he moves to Dublin. Moore’s greatest influence in the early days is guitarist Peter Green of Fleetwood Mac who is a mentor to Moore when performing in Dublin. Other early musical influences are artists such as Albert King, Elvis Presley, The Shadows, and The Beatles. Later, having seen Jimi Hendrix and John Mayall’s Bluesbreakers in his hometown of Belfast, his own style is developing into a blues-rock sound that becomes the dominant form of his career in music.

In Dublin, Moore joins the group Skid Row with Noel Bridgeman and Brendan “Brush” Shiels. It is with this group that he earns a reputation in the music industry, and his association with Phil Lynott begins.

Moore moves to England in 1970 and in 1973, under the name “The Gary Moore Band,” he releases his first solo album, Grinding Stone. Grinding Stone receives “Album of the Year” accolades on KTAC-FM/Seattle-Tacoma, Washington, in 1974.

In 1974 he joins Thin Lizzy after the departure of founding member Eric Bell. From 1975 to August 1978, he is a member of Colosseum II. In 1977, Moore rejoins Thin Lizzy, first as a temporary replacement for Brian Robertson, and on a permanent basis a year later.

In July 1979, he leaves the band permanently to focus on his solo career, again with help from Phil Lynott. After a series of rock records, Moore returns to blues music with Still Got the Blues (1990), with contributions from Albert King, Albert Collins, and George Harrison. Other collaborations during his solo years include a broad range of artists including Trilok Gurtu, Dr. Strangely Strange, Jimmy Nail, Mo Foster, Ginger Baker, Jack Bruce, Jim Capaldi, B.B. King, Vicki Brown, Cozy Powell, Rod Argent, The Beach Boys, Paul Rodgers, Keith Emerson, Roger Daltrey, and Otis Taylor.

Gary Moore dies of a heart attack in his sleep at the age of 58 during the early hours of February 6, 2011. At the time, he is on holiday with a girlfriend at the Kempinski Hotel in Estepona, Spain. Moore is laid to rest in St. Margaret’s Churchyard, Rottingdean, East Sussex, England, in a private ceremony with only family and close friends in attendance.


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Birth of Singer Ruby Florence Murray

ruby-florence-murrayRuby Florence Murray, one of the most popular singers in the United Kingdom and Ireland in the 1950s, is born on the Donegal Road in south Belfast on March 29, 1935. In 1955 alone, she secures seven Top 10 UK hit singles.

The distinctive sound of Murray’s voice is partly the result of a throat operation in early childhood. She tours as a child singer and first appears on television at the age of 12, however, laws governing children performing, Murray has to delay her start in the entertainment industry. She returns to Belfast and full-time education until she reaches 14 years of age.

Spotted by producer Richard Afton, Murray is signed to Columbia and her first single, Heartbeat, reaches No. 3 in the UK Singles Chart in December 1954. Afton offers her the position of resident singer on the BBC‘s Quite Contrary television show, replacing Joan Regan. Softly, Softly, her second single, reaches number one in early 1955. That same year Murray sets a pop-chart record by having five hits in the Top Twenty in one week, a feat unmatched until the emergence of Madonna in the 1980s.

The 1950s is a busy period for Murray, during which she has her own television show, stars at the London Palladium with Norman Wisdom, appears in a Royal Command Performance, and tours the world. During a 52-week period, starting in 1955, Murray constantly has at least one single in the UK charts, this being at a time when only a Top 20 is listed.

Murray appears with Frankie Howerd and Dennis Price in her only film role, as Ruby in a 1956 farce, A Touch of the Sun. A couple of hits follow later in the decade. Goodbye Jimmy, Goodbye, a No. 10 hit in 1959, is her final appearance in the charts. EMI puts together a compilation album of her hits on CD in 1989, including songs that are regularly featured in her act, Mr. Wonderful, Scarlet Ribbons, and It’s the Irish in Me. They update this with the release of EMI Presents The Magic Of Ruby Murray in 1997 and a triple album, Anthology — The Golden Anniversary Collection, in 2005, the 50th anniversary of her peak successes on the charts.

A play about Murray’s life, Ruby, written by the Belfast playwright Marie Jones, opens at the Group Theatre in Belfast in April 2000.

Although her days as a major star gradually diminish, Murray continues performing until close to the end of her life. She spends her last couple of years in Asprey’s Nursing Home, often delighting her carers with a song. She dies of liver cancer, at the age of 61, on December 17, 1996 in Torquay after a long struggle with alcoholism.


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U2 Album “The Joshua Tree” is Released

the-joshua-treeThe Joshua Tree, the fifth studio album by Irish rock band U2, is released on March 9, 1987. The album is produced by Daniel Lanois and Brian Eno on Island Records. Formed in 1976, the band consists of Bono (vocals and rhythm guitar), The Edge (lead guitar, keyboards, and vocals), Adam Clayton (bass guitar), and Larry Mullen, Jr. (drums and percussion).

In contrast to the ambient experimentation of their 1984 release The Unforgettable Fire, the band aims for a harder-hitting sound within the limitation of conventional song structures on The Joshua Tree. The album is influenced by American and Irish roots music, and depicts the band’s love–hate relationship with the United States, using socially and politically conscious lyrics embellished with spiritual imagery.

Inspired by American tour experiences, literature, and politics, U2 chooses America as a theme for the album. Recording begins in Ireland in January 1986. Several events during the recording sessions help shape the conscious tone of the album, including the band’s participation in A Conspiracy of Hope tour, the death of roadie Greg Carroll, and lead vocalist Bono’s travels to Central America. Recording is completed in November 1986 and additional production continues into January 1987. Throughout the sessions, U2 seeks a “cinematic” quality for the record, one that will evoke a sense of location, in particular, the open spaces of America. They represent this in the sleeve photography depicting them in American desert landscapes.

The Joshua Tree receives critical acclaim, topping the charts in over 20 countries, and selling in record-breaking numbers. According to Rolling Stone, the album increases the band’s stature “from heroes to superstars.” It produces the hit singles With or Without You, I Still Haven’t Found What I’m Looking For, and Where the Streets Have No Name. The album wins Grammy Awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal in 1988. The group supports the record with the Joshua Tree Tour throughout 1987.

Frequently featured on critics’ lists of music’s greatest records, The Joshua Tree is one of the world’s best-selling albums, with over 25 million copies sold. U2 releases a remastered edition of the record in 2007 to commemorate its 20th anniversary. In 2014, it is deemed “culturally, historically, or aesthetically significant” by the U.S. Library of Congress and selected for preservation in the National Recording Registry.


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Birth of Irish Blues & Rock Guitarist Rory Gallagher

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William Rory Gallagher, Irish blues and rock multi-instrumentalist, songwriter, and bandleader, is born in Ballyshannon, County Donegal, on March 2, 1948.

Both Rory and his brother Dónal are musically inclined and encouraged by their parents. At age nine, Gallagher receives his first guitar from them. After winning a talent contest when he is twelve, Gallagher begins performing with both his acoustic guitar and an electric guitar that he purchases with his prize money. It is, however, his purchase three years later of a 1961 Fender Stratocaster for £100 that becomes his primary instrument and most associated with him for the span of his lifetime.

Gallagher is initially attracted to skiffle after hearing Lonnie Donegan on the radio. While still in school, playing songs by Buddy Holly and Eddie Cochran, he discovers his greatest influence in Muddy Waters. He begins experimenting with folk, blues, and rock music.

While still a young teenager, Gallagher begins playing after school with Irish showbands. In 1963, he joins one named Fontana, a sextet playing the popular hit songs of the day. The band tours Ireland and the United Kingdom, earning enough money for Gallagher to make the payments on his Stratocaster guitar. Gallagher begins to influence the band’s repertoire and successfully moulds Fontana into The Impact, changing the line-up into an R&B group. The band plays gigs in Ireland and Spain until it disbands in London, with Gallagher and the bassist and drummer continuing to perform as a trio in Hamburg, Germany.

In 1966, Gallagher returns to Ireland and forms Taste, a blues rock and R&B power trio. Initially, the band is composed of Gallagher and Cork musicians Norman Damery and Eric Kitteringham. However, by 1968, Damery and Kitteringham are replaced by Belfast musicians John Wilson on drums and Richard McCracken on bass. Performing extensively in the UK, the group supports both Cream at their Royal Albert Hall farewell concert and the blues supergroup Blind Faith on a tour of North America.

After the break-up of Taste in 1970, Gallagher tours under his own name. He hires former Deep Joy bass player Gerry McAvoy to play on his self-titled debut album, Rory Gallagher. This is the beginning of a twenty-year musical relationship between Gallagher and McAvoy. The 1970s are Gallagher’s most prolific period, producing ten albums in the decade. In 1971 he is voted Melody Maker’s International Top Guitarist of the Year, ahead of Eric Clapton. However, despite a number of his albums reaching the UK Albums Chart, Gallagher does not attain major star status. Though he sells over thirty million albums worldwide, it was his marathon live performances that win him the greatest acclaim.

In the 1980s he continues recording and embarks on a tour of the United States. In addition, he plays with Box of Frogs, a band formed in 1983 by former members of The Yardbirds.

In the later years of his life, Gallagher develops a phobia of flying. To overcome this he receives a prescription for a powerful sedative. This medication, combined with his alcohol use, results in severe liver damage. Despite his condition he continues touring. By his final performance on January 10, 1995 in the Netherlands, he is visibly ill and the remainder of the tour is cancelled. Gallagher is admitted to King’s College Hospital in London in March 1995. His liver is failing and the doctors determine that a liver transplant is the only possible course of action. After 13 weeks in intensive care, his health suddenly worsens when he contracts a Staphylococcal infection. Gallagher dies on June 14, 1995, and is buried in St. Oliver’s Cemetery just outside Ballincollig near Cork City, Ireland.


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U2 Fights to Save Hanover Quay Recording Studio

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On January 29, 2002, at a public hearing at the Gresham Hotel, rock superstars U2 battle to save their recording studios at Hanover Quay in the Grand Canal Dock area of Ringsend, a southside inner suburb of Dublin, from being pulled to the ground.

The Dublin Docklands Development Authority wants to clear the way for a major new leisure development on a Hanover Quay site which contains a number of buildings including the band’s one-story recording studio. Talks between the band and the Dublin Docklands Development Authority fail to result in a compromise.

Citing the multi-million-pound records sales and musical heritage that have resulted from their use of the Hanover Street site since 1994, the band members submit to An Bord Pleanála (Irish Planning Appeals Board) a formal, nine page objection to the proposed plan. The band recorded their All That You Can’t Leave Behind album and a portion of their Pop album at the studio.

In addition to U2’s complaint, three other parties raise formal objections, including businessman Harrie Crosbie, millionaire businessman and Point Depot owner, who also owns small business premises at the Hanover Quay site.

In a statement released in the evening, the band says that while they love the docklands and are very happy with their present studio, they “appreciate that change is inevitable and often for the best.” They disclose that they are continuing discussions with the Dublin Docklands Development Authority but would consider moving to another location in the vicinity should a suitable property be offered.

The hearing continues into a second day.

Ultimately, on June 17, 2002, U2 loses the battle to save the Hanover Quay recording studio from demolition when An Bord Pleanála gives the go-ahead for the redevelopment of the Hanover Quay site. The band later reaches an agreement with the Dublin Docklands Development Authority for a replacement studio building which allows them to remain in the docklands area.


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Death of Irish Songwriter Percy French

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Percy French, one of Ireland’s foremost songwriters and entertainers of his day, dies of pneumonia in Formby, England, on January 24, 1920.

French is born at Cloonyquin House, near Tulsk, County Roscommon. He is educated at Foyle College, Derry, and writes his first successful song, Abdul Abulbul Amir, while studying at Trinity College Dublin in 1877. The song is sold for £5 to an unscrupulous publisher and later becomes hugely popular and is falsely claimed by other authors.

He graduates from Trinity as a civil engineer in 1881 and joins the Board of Works in County Cavan as an “Inspector of Drains.” It is said that he writes his best songs during this period. French is also a prolific painter of landscape watercolours and during this period he considers art to be his true vocation. When he becomes well-known later in his life, his paintings from his time as a civil engineer become fashionable and sought after.

When the Board of Works reduces its staff around 1887, French turns to journalism as the editor of The Jarvey, a weekly comic paper. Upon the failure of the paper, he embarks on a long and successful career as a songwriter and entertainer. It is around this time that he marries Ethel Kathleen Armitage-Moore, second daughter of William Armytage-Moore, brother of Countess of Annesley. Tragically, at the age of 20, she dies during childbirth along with her daughter.

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French becomes renowned for composing and singing comic songs and gains considerable distinction with such songs as Phil the Fluther’s Ball, Slattery’s Mounted Foot, and The Mountains of Mourne. One of his most famous songs is Are Ye Right There Michael, a song that ridicules the state of the rail system in rural County Clare. The song causes such embarrassment to the rail company that it lead to an ultimately unsuccessful libel action against French. It is said that he arrives late for the libel hearing and, when questioned by the judge on his lateness, he responds, “Your honour, I travelled by the West Clare Railway,” which results in the case being thrown out.

French takes ill while performing in Glasgow and dies of pneumonia on January 24, 1920, at the age of 65 at the home of his cousin, Canon Richardson of Green Lea, in Formby. He is buried in the churchyard of St. Luke’s Parish Church, Formby in Merseyside. A statue of him sitting on a park bench can be found in the town center of Ballyjamesduff in honour of him and his famous song, Come Back Paddy Reilly to Ballyjamesduff.


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Van Morrison Inducted Into Rock & Roll Hall of Fame

van-morrisonVan Morrison, known as “Van the Man” to his fans, is inducted into the Rock and Roll Hall of Fame in Cleveland, Ohio, on January 23, 1993.

Born George Ivan Morrison in Belfast in 1945, Morrison has received six Grammy Awards (1996-2007), the 1994 Brit Award for Outstanding Contribution to Music, and has been inducted into the Irish Music Hall of Fame (September 1999) and the Songwriters Hall of Fame (June 2003). In 2015 he is knighted by Queen Elizabeth II for his musical achievements and his services to tourism and charitable causes in Northern Ireland.

Morrison’s influence can readily be heard in the music of a diverse array of major artists and according to The Rolling Stone’s Encyclopedia of Rock and Roll, “his influence among rock singers/song writers is unrivaled by any living artist outside of that other prickly legend, Bob Dylan. Echoes of Morrison’s rugged literateness and his gruff, feverish emotive vocals can be heard in latter day icons ranging from Bruce Springsteen to Elvis Costello.”

Morrison is inducted into the Hall along with luminaries Ruth Brown, Cream, Creedence Clearwater Revival, The Doors, Frankie Lymon & The Teenagers, and Etta James. In his induction speech of Morrison, the Band’s Robbie Robertson says, “In the tradition of the great Irish poets and the great soul singers, he is the Caruso of rock and roll.” Morrison becomes notable as the first living inductee into the Rock and Roll Hall of Fame not to attend his own ceremony. Robertson accepts the award on Morrison’s behalf.

This “Caruso of rock and roll” and magnificent songwriter is also one of the most curmudgeonly live performers in rock and roll history. The satirical Onion newspaper writes of him, “Morrison deserves a spot in the Rock Hall based on his record-breaking streak of 4,256 consecutive shows performed without cracking a smile.”


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Death of Phil Lynott

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Philip Parris “Phil” Lynott, Irish musician, singer, songwriter, and a founding member, principal songwriter, lead vocalist, and bassist of Thin Lizzy, dies on January 4, 1986, in Salisbury, Wiltshire, England.

Born in West Bromwich, Staffordshire, England on August 20, 1949, Lynott goes to live with his grandmother, Sarah Lynott, in Crumlin, Dublin, when he is four years old. He is introduced to music through his uncle Timothy’s record collection and becomes influenced by Motown and The Mamas and the Papas.

Growing up in Dublin in the 1960s, Lynott fronts several bands as a lead vocalist, most notably teaming up with bassist Brendan ‘Brush’ Shiels to form Skid Row in early 1968. It is during this period that Lynott learns to play the bass guitar.

Toward the end of 1969, Lynott, now confident enough to play bass himself in a band, teams with Brian Downey, Eric Bell, and Eric Wrixon to form Thin Lizzy. The band’s first top ten hit comes in 1973 with a rock version of the well-known Irish traditional song “Whiskey in the Jar.” With the release of the Jailbreak album in 1976, Lynott and Thin Lizzy become international superstars on the strength of the album’s biggest hit, “The Boys Are Back in Town.” The song reaches the Top 10 in the United Kingdom, No. 1 in Ireland, and is a hit in the United States and Canada.

Having finally achieved mainstream success, Thin Lizzy embarks on several consecutive world tours. However, the band suffers from personnel changes. By the early 1980s, Thin Lizzy is starting to struggle commercially and Lynott starts showing symptoms of drug abuse, including regular asthma attacks. After the resignation of longtime manager Chris O’Donnell, Lynott decides to disband Thin Lizzy in 1983.

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In 1984, Lynott forms a new band, Grand Slam, with Doish Nagle, Laurence Archer, Robbie Brennan, and Mark Stanway. The band tours various clubs but suffers from being labeled a poor version of Thin Lizzy due to the inclusion of two lead guitarists. Grand Slam disbands at the end of the year due to a lack of money and Lynott’s increasing addiction to heroin.

Lynott’s last years are dogged by drug and alcohol dependency leading to his collapse on December 25, 1985, at his home in Kew. He is taken to Salisbury Infirmary where he is diagnosed as suffering from septicemia. His condition worsens by the start of the new year, and he is put on a respirator. He dies of pneumonia and heart failure due to septicemia in the hospital’s intensive care unit on January 4, 1986, at the age of 36.

Lynott’s funeral is held at St. Elizabeth of Portugal Church, Richmond, London, on January 9, 1986, with most of Thin Lizzy’s ex-members in attendance, followed by a second service at Church of the Assumption, Howth, on January 11. He is buried in St. Fintan’s Cemetery, Sutton, Dublin.