German aircraft bomb a creamery at Campile, County Wexford, a small village located fourteen kilometres outside the town of New Ross, on August 26, 1940 killing three women.
Ireland remains officially neutral during World War II. However, on August 26, 1940, the GermanLuftwaffe bombs Campile in daylight. Three women are killed – Mary Ellen Kent (30), her sister Catherine Kent (26), both from Terrerath, and Kathleen Hurley (27) from Garryduff. Four German bombs are dropped on the creamery and restaurant sections of Shelburne Co-op on that day. The railway is also targeted by the bombers. The 20-minute ordeal terrorises the peaceful village and leaves behind a trail of devastation. The attack has never been fully explained, although there are numerous theories as to why the bombing occurred.
One theory is that the German pilots were lost and had mistaken the southeast coast of Wexford for Wales. It is also suggested that butter boxes emblazoned with the Shelburne Co-op name were discovered by the Nazis a few months earlier following the evacuation of Dunkirk and that the bombing was in retaliation for supplying foodstuffs to the Allied armies.
However, Campile historian John Flynn, who wrote a book to mark the 70th anniversary of the disaster, argues that the bombing was a message from Adolf Hitler to TaoiseachÉamon de Valera warning him to keep his promise on Ireland’s neutrality.
On the occasion of the 50th anniversary of the bombing, a plaque is erected on the co-op walls in memory of the three women.
The local Harts bar and lounge contains many artifacts relating to the bombing. The description and history related to each artifact can be found in an old leather-bound book kept underneath the counter in the adjoining sweet shop.
Robert Emmet, one of the most famous revolutionaries in Irish history, is captured by the British at the home of a Mrs. Palmer in Harold’s Cross, outside Dublin on August 25, 1803.
Emmet is born at 109 St. Stephen’s Green in Dublin on March 4, 1778. He is the youngest son of Dr. Robert Emmet, a court physician, and his wife Elizabeth Mason. He attends Oswald’s school in Dopping’s-court, off Golden-lane and enters Trinity College, Dublin, in October 1793 at the age of fifteen. In December 1797, he joins the College Historical Society, a debating society.
While he is in college, his brother Thomas and some of his friends become involved in political activism. Emmet becomes secretary of a secret United Irish Committee in college and is expelled in April 1798 as a result. That same year he flees to France to avoid the many British arrests of nationalists that are taking place in Ireland. While in France, he garners the support of Napoleon, who promises to lend support when the upcoming revolution starts.
After the Irish Rebellion of 1798, Emmet is involved in reorganising the defeated Society of United Irishmen. In April 1799, a warrant is issued for his arrest. He escapes and soon after travels to the continent in the hope of securing French military aid. His efforts are unsuccessful, as Napoleon is concentrating his efforts on invading England. He returns to Ireland in October 1802.
In March of the following year, Emmet begins to prepare a new rebellion, with fellow Anglo-Irish revolutionaries Thomas Russell and James Hope. The revolutionaries conceal their preparations, but a premature explosion at one of Emmet’s arms depots kills a man, forcing Emmet to advance the date of the rising before the authorities’ suspicions are aroused.
Despite being unable to secure help from Michael Dwyer‘s Wicklow rebels and many rebels from Kildare turning back due to the scarcity of firearms, the rising begins in Dublin on the evening of July 23, 1803. Failing to seize the lightly defended Dublin Castle, the rising amounts to a large-scale disturbance in the Thomas Street area. Emmet witnesses a dragoon being pulled from his horse and piked to death, the sight of which prompts him to call off the rising to avoid further bloodshed. However, sporadic clashes continue into the night until finally quelled by British military forces.
Emmet flees into hiding, moving from Rathfarnham to Harold’s Cross so that he can be near his sweetheart, Sarah Curran. He is captured on August 25 and taken to Dublin Castle, then later removed to Kilmainham Gaol. Vigorous but ineffectual efforts are made to procure his escape.
Emmet is tried for and found guilty of high treason on September 19, 1803. Chief Justice John Toler, 1st Earl of Norbury sentences Emmet to be hanged, drawn, and quartered, as is customary for conviction of treason. The following day, Emmet is executed in Thomas Street near St. Catherine’s Church. He is hanged and beheaded after his death. Out of fear of being arrested, no one comes forward to claim his remains.
Emmet’s remains are first delivered to Newgate Prison and then returned to Kilmainham Gaol, where the jailer is under instructions to be bury the remains in a nearby hospital’s burial grounds if no one claims them. No remains have been found there and though not confirmed, it appears that he was secretly removed and reinterred in St. Michan’s Church, a Dublin church with strong United Irish associations. There is also speculation that the remains are buried secretly in the vault of a Dublin Anglican church. When inspected in the 1950s, a headless corpse is found in the vault but cannot be identified. The widely accepted theory is that Emmet’s remains are transferred to St. Peter’s Church in Aungier St. under cover of the burial of his sister in 1804. In the 1980s the church is deconsecrated, and all the coffins are removed from the vaults. The church has since been demolished.
Brian Keenan, Northern Irish writer, is released by the Islamic Jihad Organization on August 24, 1990 after having spent 52 months as a hostage in Beirut, Lebanon. His works include the book An Evil Cradling, an account of the four and a half years he spends as a hostage.
Keenan is born into a working-class family in East Belfast on September 28, 1950. He leaves Orangefield High School early and begins work as a heating engineer. However, he continues an interest in literature by attending night classes and in 1970 gains a place at the University of Ulster in Coleraine. Other writers there at the time included Gerald Dawe and Brendan Hamill. In the mid 1980s he returns to the Magee College campus of the university for postgraduate study. Afterwards he accepts a teaching position at the American University of Beirut, where he works for about four months.
On the morning of April 11, 1986 Keenan is kidnapped by the Islamic Jihad Organization. After spending two months in isolation, he is moved to a cell shared with the British journalist John McCarthy. He is kept blindfolded throughout most of his ordeal, and is chained by hand and foot when he is taken out of solitary.
The British and American governments at the time have a policy that they will not negotiate with terrorists and Keenan is considered by some to have been ignored. Because he is travelling on both Irish and British passports, the Irish government makes numerous diplomatic representations for his release, working closely with the Iranian government. Throughout the kidnap they also provide support to his two sisters, Elaine Spence and Brenda Gillham, who are spearheading the campaign for his release. He is released from captivity to Syrian military forces on August 24, 1990 and is driven to Damascus. There he is handed over by the Syrian Foreign Ministry to the care of Irish Ambassador, Declan Connolly. His sisters are flown by Irish Government executive jet to Damascus to meet him and bring him home to Northern Ireland.
An Evil Cradling is an autobiographical book by Keenan about his four years as a hostage in Beirut. The book revolves heavily around the great friendship he experiences with fellow hostage John McCarthy, and the brutality that is inflicted upon them by their captors. It is the 1991 winner of The Irish Times Literature Prize for Non-fiction and the Christopher Ewart-Biggs Memorial Prize.
Keenan returns to Beirut in 2007 for the first time since his release 17 years earlier, and describes “falling in love” with the city.
Dwyer is born in Camara, a townland in the Glen of Imaal, County Wicklow in 1772 and he participates in the Irish Rebellion of 1798. However, unlike most of the leaders and soldiers in that Rising, he does not either leave the country or return to his normal life, nor is he captured. He retreats into the Wicklow Mountains with a band of men and drives the British to distraction in their attempts to apprehend him. A reward is placed on Dwyer’s head and another for each of his men, but he leads the British authorities on a merry chase for five years, with many daring narrow escapes, each adding to his legend. Some call him the “Outlaw of Glenmalure.”
In 1803, he plans to assist Robert Emmet in his rising but he never receives the signal to join the rising. At this point he recognizes the futility of his situation, and he also wishes to relieve the suffering of a number of his family members, including his sister, whom has been jailed for no offense other than their family relationship to him. Some claim that when he contacts the British to ask terms of surrender, he is promised he and his men will be sent to the United States. If so, and not for the first time, their word to an Irishman proves worthless. After two years of brutal treatment in Kilmainham Gaol, under the infamous Edward Trevor, Dwyer is transported to Botany Bay.
Dwyer and his family, along with a number of his men, set sail for Australia on board the Tellicherry on August 25, 1805, arriving in Sydney on February 14, 1806. However, the story of Michael Dwyer does not end there. In Sydney, Dwyer runs afoul of the Governor, a certain Capt. William Bligh, of HMS Bounty fame. Bligh accuses Dwyer of being the leader of a rebellious plot involving other United Irishmen in the area, which, if true, would certainly not be out of character. Bligh ships Dwyer off to Norfolk Island, one of the worst hellholes of the British penal system in Australia.
After six months he is transferred to Tasmania, where he remains for another two years. In 1808, Bligh leaves the Governorship and Dwyer finally makes it back to his family in Sydney and is granted 100 acres of land nearby. Like many transported Irish rebels, he eventually becomes part of the local establishment and, in a bit of irony, the “Outlaw of Glenmalure” is appointed constable. However, he is dismissed in October for drunken conduct and mislaying important documents.
In December 1822 Dwyer is sued for aggrandising his by now 620 acre farm. Bankrupted, he is forced to sell off most of his assets, which include a tavern called “The Harrow Inn”, although this does not save him from several weeks incarceration in the Sydney debtors’ prison in May 1825. Here he evidently contracts dysentery, to which he succumbs on August 23, 1825.
Dwyer’s wife lives to be 93, not dying until 1861. With her passes the last connection to the “Boys of ’98” in Australia. Dwyer remains a legend among the people of the Wicklow Mountains to this day.
Goulet’s involvement in Breton nationalism leads to accusations that he had orchestrated the destruction of the Monument to the Breton-Angevin Federation at Pontivy on December 18, 1938, by Gwenn ha du, the nationalist terrorist group. He is detained, but then released.
In 1939, he is sent to Strasbourg to study the art of sabotage. He participates in the beginning of World War II fighting for France, and is captured by the Germans on June 11, 1940, while blowing up a bridge on the Aisne with friends from a French corps.
Later in the war, Goulet joins the assault section of Bagadou Stourm, Breton nationalist stormtroopers allied to the Germans. He also collaborates with the pro-Nazi nationalist newspaper L’Heure Bretonne. In 1941 in Paris, he becomes head of Bagadou Stourm and the “Youth Organizations” of the Breton National Party. The promotion of Bagadou Stourm officers is named “Patrick Pearse” to commemorate the 25th anniversary of the 1916 Easter Rising against British rule in Ireland.
After the liberation of France, Goulet travels with his wife and children to Ireland, and is sentenced to death as a Collaborationist by a French court in his absence. He acquires Irish citizenship in 1952 and becomes an art professor.
Goulet is commissioned to create public works commemorating the Irish Republican Army (IRA) and other republicans, including the Custom House Memorial (Dublin), the East Mayo Brigade IRA Memorial, the Republican Memorial (Crossmaglen), and the Ballyseedy Memorial (Kerry). He exhibits regularly at the Royal Hibernian Academy, eventually becoming the RHA Professor of Sculpture. He is also made a member of Aosdána in 1982.
Towards the end of the 1960s, Goulet claims to have taken the reins of the Breton Liberation Front (Front de Libération de la Bretagne, or FLB) and to have been behind all their attacks.
In 1969 Goulet becomes secretary general and chair of the Comité National de la Bretagne Libre and publishes the communiques of the FLB. In 1968, the head of police in Bray congratulate him on organising the previous day’s attack on the CRS barracks in Saint-Brieuc.
Goulet died at Bray, County Wicklow, on August 22, 1999, two days after his 85th birthday.
(Pictured: Custom House Memorial in Dublin by Yann Renard-Goulet, 1957)
Luce is the fourth son of the Reverend John James Luce and Alice Luce (née Stubbs). He is educated at Lindley Lodge School and Eastbourne College. He enters Trinity College, Dublin in 1901. He obtains his BA in 1905, BD in 1908 and MA in 1911.
Luce’s earlier work focuses largely on theological matters within Christianity. His academic career is interrupted by World War I, in which he serves with the 12th Royal Irish Rifles. He is awarded the Military Cross in 1917. After the war, he publishes “Monophysitism Past and Present” (1921) which deals with the nature of Jesus and his relationship to the world. The following year, he publishes his Donnellan Lectures on Henri Bergson where he examines issues in psychology and evolution as well as religion.
From the 1930s, Luce becomes interested in the Irish philosopher George Berkeley. He feels many of the previous studies of Berkeley are in many ways inadequate and sometimes wrong. His unearthing of new sources on Berkeley as well as better ways of interpreting existing sources guide his work in this direction. He stresses the role of the French monk Nicolas Malebranche on influencing the thought of the young Berkeley. Prior to his Berkeley and Malebranche (1934), Berkeley had been seen almost solely in the patrimony of John Locke and empiricism.
Berkeley’s mature philosophy is given lucid exposition by Luce in his 1945 work “Berkeley’s Immaterialism”. Along with Thomas Edmund Jessop, he edits The Works of George Berkeley (in nine volumes, 1948–1957).
Luce is not only a Berkeley scholar but comes to be a believer in Berkelianism itself. In “Sense without Matter” (1954) he attempts to bring Berkeley up to date by modernising the philosopher’s vocabulary and putting the issues Berkeley faced in today’s terms.
Berkeley’s personal reputation among historians and the public is also an area which Luce feels needs correcting and updating. Some studies of Berkeley had contributed to his reputation as a dreamer or a loner who often hid his real views. Luce’s “Life of George Berkeley, Bishop of Cloyne” (1949) takes aim at this picture of Berkeley and, by careful use of often new sources, paints a more grounded picture of the man.
In 1918, Luce marries Lilian Mary Thomson, with whom he has three children. Tragically, his wife and young daughter drown in 1940. His elder son, Professor John Victor Luce (1920–2011), is also an academic at Trinity and also serves as vice-provost.
Luce dies in Dublin on June 28, 1977, shortly after an assault by a man who has an antipathy towards clergymen.
Hincks is educated at home by his father and at Midleton College before entering Trinity College Dublin. He is elected a Scholar of the College in 1810, and in 1812 wins the Gold Medal and Bishop Law‘s Prize for Mathematics. He is elected a Fellow of the College in 1813 and four years later takes his M.A. In 1819, following the death of Thomas Meredith, he is presented to the Rectory of Ardtrea in County Tyrone. Though Ardtrea is a valuable and highly prized Rectory, it is also isolated for a young bachelor, and he resigns the position in 1826, taking up the Rectory in nearby Killyleagh, County Down, an office he holds for the remainder of his life.
The undemanding nature of his clerical duties leave him with more than enough time to pursue his interest in ancient languages. His first love is for the hieroglyphic writing of ancient Egypt. His greatest achievement is the decipherment of the ancient language and writing of Babylon and Assyria: Akkadian cuneiform.
Hincks deduces correctly that cuneiform writing had been invented by one of the earliest civilisations of Mesopotamia, who then bequeathed it to later states such as Babylon, Assyria and Elam. In 1848 he is awarded the Cunningham Medal of the Royal Irish Academy for his achievements.
By 1850 Hincks comes to a number of important conclusions regarding the nature of Assyro-Babylonian cuneiform. He also discovers that cuneiform characters are “polyphonic,” by which he means that a single sign can have several different readings depending on the context in which it occurs. However, not everyone is convinced by the claims being made by the Irishman and his distinguished colleagues. Some philologists even suggest that they are simply inventing multiple readings of the signs to suit their own translations.
In 1857 the versatile English Orientalist William Henry Fox Talbot suggests that an undeciphered cuneiform text be given to several different Assyriologists to translate. If, working independently of one another, they come up with reasonably similar translations, it will surely dispel the doubts surrounding their claims.
As it happens, Talbot, Hincks, Rawlinson and Oppert, are in London in 1857. Edwin Norris, secretary of the Royal Asiatic Society, gives each of them a copy of a recently discovered inscription from the reign of the Assyrian emperor Tiglath-Pileser I. A jury of experts is impaneled to examine the resulting translations and assess their accuracy.
In all essential points the translations produced by the four scholars are found to be in close agreement with one another. There are of course some slight discrepancies. The inexperienced Talbot makes a number of mistakes, and Oppert’s translation contains a few doubtful passages due to his unfamiliarity with the English language. But Hincks’ and Rawlinson’s versions are virtually identical. The jury declares itself satisfied, and the decipherment of cuneiform is adjudged a fait accompli.
Hincks devotes the remaining years of his life to the study of cuneiform and makes further significant contributions to its decipherment. He dies at his rectory in Killyleagh on December 3, 1866, at the age of 74. He is survived by a wife and four daughters.
Leslie Alexander Montgomery, playwright, humorist, and writer who writes under the pen name “Lynn Doyle,” dies in Dublin on August 18, 1961. He adopts the pseudonym for his writing, using a homophone of “linseed oil.” Supposedly, he chooses the name after seeing a large tin of linseed oil in a paint shop, initially signing “Lynn C. Doyle” but later dropping the “C.”
Born in Downpatrick, County Down on October 5, 1873, Montgomery is educated at Dundalk in County Louth. He commences work as a bank clerk at the age of 16, and remains with the Northern Banking Company, working in locations such as Keady and Cushendall before a transfer to the quaint seaside town of Skerries in County Armagh. There he becomes branch manager until his retirement in 1934.
Aside from this rather strait-laced, white-collar career, however, Montgomery fosters a life-time passion for writing in various forms and genres, and his contribution to Ulster literature in the early part of the 20th century should not be underestimated.
Montgomery is part of the Ulster Literary Theatre movement founded by Bulmer Hobson and David Parkhill in 1902, and early works include Love and Land, a play that is produced at the Little Theatre in London and represents Montgomery’s first critical success.
Other works during this decade include The Summons and The Lilac Ribbon. By the beginning of the 1920s, Montgomery is a leading northern playwright. He is best known, however for the Ballygullion series, twenty books which fondly caricature Northern Irish village life. The first in the series is published in 1908 and the last in 1957.
Montgomery writes the first book, which would lend its title to the rest of the series, in Dublin. This is followed by other works every few years such as Mr. Wildridge of the Bank, Lobster Salad, Dear Ducks, Me and Mr. Murphy and Rosabelle and Other Stories.
Written in the dialect of the east Ulster region, the stories celebrate an imaginary townland area in the Slieve Gullion region of County Down. They reflect Montgomery’s early years there and in Dundalk. The books also reveal a lot about contemporary Ulster life.
The versatile writer also produces poetry during the 1930s. Ballygullion Ballads, published in 1936 is illustrated by the famous Belfast artist William Conor, as are several of the later editions of his books.
In 1936, Montgomery has the somewhat dubious honour of being the first Irish writer to be appointed to the Censorship Board. He resigns within two years of accepting the job, however, claiming that it is “so terribly easy to read only the marked passages, so hard to wade through the whole book afterwards.”
Following his retirement from the Northern Banking Company, he gains further notoriety as a lecturer, and also regularly broadcasts his stories for the fledgling BBC in Belfast. Indeed, his most productive period as a writer is in his 1960s, during which time he writes his autobiography, An Ulster Childhood, in 1954.
Montgomery dies in Dublin on August 18, 1961, but his legacy is preserved in the Lynn Doyle Collection at Belfast Central Library, which consists of a series of archival boxes which were purchased by the library. The collection is extensive, and includes broadcasts and lecture transcripts, manuscripts, essays, short stories, poetry, personal correspondence, photographs, land leases and legal documents.
Martin is born in Belfast on August 12, 1949. He starts learning the piano at the age of six and joins his first professional band, Killing Floor, in April or May 1968. In 1969 Martin and Stuart McDonald are recruited by 17-year-old Darryl Read who forms a band for Emperor Rosko‘s brother, Jeff Pasternak, called Crayon Angels. Read assembles the band and plays drums while Rosko acts as manager. Martin later leaves Killing Floor to play alongside Gallagher, and is featured on several of Gallagher’s albums, including Blueprint, Tattoo, Irish Tour ’74, Against the Grain, Calling Card, Defender and Fresh Evidence. He also plays rhythm guitar on one track, “Race the Breeze” from Blueprint.
Martin plays in the Nickey Barclay band in London in the 1980s, alongside Barclay on keyboards, with John Conroy and Dave Ball on lead guitar. The band plays across London on the blues rock circuit during the 1980s at venues such as The White Lion, Putney, The Star and Garter on Lower Richmond Road, The Golden Lion, Fulham and the Cartoon, Croydon.
Killing Floor releases an album in 2004 named Zero Tolerance, on which Martin participates.
After a period of illness including cancer and a number of strokes, Lou Martin dies peacefully in a hospital in Bournemouth, Dorset, at the age of 63, on August 17, 2012.
Control of the Duchies of Milan and Mantua is the main strategic prize in Northern Italy as they are key to the security of Austria‘s southern border. In May, an Austrian army under Prince Eugene of Savoy enters Northern Italy and wins a series of victories which by February 1702 forces the French behind the Adda river.
In early August, Vendôme’s army stops at the Austrian-held town of Luzzara on the right bank of the Po River. The total French force is around 30,000-35,000, including 10,000 Savoyards and five regiments of the Irish Brigade.
Eugene lifts his blockade of Mantua since these moves threaten to cut him off from his supply bases at Modena and Mirandola. Taking all available forces, around 26,000 men, he marches to intercept the French at Luzzara but arrives too late to prevent its surrender and establishes his headquarters at the village of Riva, north of the French positions.
Just above Luzzara, the sides of the Seraglo to Rovero canal have been built up to prevent the Po River flooding the countryside. Eugene plans to use these to conceal his movements and attack the French as they enter their camp. He splits his forces into two lines, the left wing under General Visconti, the right under Charles Thomas, Prince of Vaudémont and himself in charge of the centre.
During the morning and early afternoon of August 15, the Imperialists cross the Po River and manage to achieve a large measure of surprise in surrounding the French camp but are discovered shortly before completing this operation. Around 5:00 PM, Prince Eugene orders a general assault. The French are taken by surprise, some units marching into the camp and immediately out again to the front line but quickly recover. Eugene’s right wing is repulsed no less than four times, while the struggle on the left is equally bloody, his Danish mercenaries nearly break through on several occasions. The French line manages to hold until sheer exhaustion and darkness end the fighting around midnight.
Casualties on both sides are heavy, particularly among the Irish units and Albemarle’s Regiment on the right. During the night, Eugene entrenches his position and the French do not resume the attack the following morning.
The overall result is a draw, although in the practice of the times Eugene claims it as a victory, since he remains in possession of the ground. However, his forces are too weak to intervene as the French continue to take strongpoints. The two armies lay facing each other until early November, when both move into winter quarters.
Eugene is recalled to Vienna in January 1703 to take over as head of the Imperial War Council, while Vendôme continues preparations for the summer campaign. In October 1703, Victor Amadeus II of Sardinia, Duke of Savoy defects to the Alliance and Vendôme spends the next three years in Savoy.
In 1708 Prince Eugene commissions a series of paintings recording his victories from Dutch artist Jan van Huchtenburg, one being Luzzara which gives an indication of how he viewed it.
(Pictured: “The Battle of Luzzara, 1702,” oil on canvas by Jan van Huchtenburgh)
seamus dubhghaill 