The Daniel O’Connell monument in Dublin is unveiled on August 15, 1882. The monument is designed and sculpted by John Henry Foley and completed by his assistant, Thomas Brock following Foley’s sudden death in 1874. It is often believed to be Foley’s greatest work.
Situated on the south side of O’Connell Street, the monument consists of three bronze sections separated by a granite pedestal. The statue of O’Connell stands at the top of the monument, above four winged victories at the base of the monument, each representing a virtue attributed to O’Connell: courage, fidelity, patriotism, and eloquence.
O’Connell, born in County Kerry in 1775 and often known as the Emancipator or the Liberator, was a major Irish political leader at the beginning of the 19th century best known for campaigning for Catholic emancipation and for arguing for the repeal of the Acts of Union 1800, which united Great Britain and Ireland in one ‘United Kingdom.’
O’Connell engineered the widespread mobilization of the Catholic majority in Ireland and once emancipation was achieved held “monster meetings” attended by hundreds of thousands of people, pushing for the re-creation of an independent Kingdom of Ireland to govern itself with the then ruling monarch.
As a Catholic born into a once-wealthy family that had been dispossessed of its lands, O’Connell studied as a law student thanks to a wealthy uncle and, although he may have had better opportunities in life than many of his fellow Irish Catholics, nonetheless he faced discrimination because of his religion. He was prevented from reaching the uppermost circles of his profession because he was Catholic.
O’Connell did not support the Irish Rebellion of 1798 or Robert Emmet‘s 1803 attempt to break the bond with Britain. Throughout his life, O’Connell never supported the use of violence, but rather he believed the Irish should instead assert themselves politically.
While the O’Connell statue in Dublin is already a large political statement with his figure towering over Dublin, there are many hidden traits to the monument that reinforce his importance in Irish history while the added bullet holes from the 1916 Easter Rising enshrine another part of the city’s political history permanently into its sights.
In the monument, O’Connell is stationed pointing toward parliament buildings, symbolizing the challenge he gave them over the Acts of Union, while at his feet lies a pile of books which are thought to symbolize the fact that he came to this fight as an educated man with the power to use this knowledge in his arguments.
At his feet also is a cluster of statues thought to be the people of Ireland, led by the “Maid of Erin,” a woman who acted as the personification of Ireland and who stands on top of broken shackles, further symbolizing O’Connell’s significance as the liberator and his support from the Irish people.
(From: “Secrets of the Daniel O’Connell monument unveiled in Dublin on this day in 1882” by Frances Mulraney, August 15, 2018, IrishCentral.com)
Before the Act, a number of “Penal laws” had been enacted in Britain and Ireland, which varied between the jurisdictions from time to time but effectively excluded those known to be Roman Catholics from public life.
By this Act, an oath is imposed, which besides a declaration of loyalty to the reigning sovereign, contains an abjuration of the Pretender, and of certain doctrines attributed to Roman Catholics, such as that excommunicated princes may lawfully be murdered, that no faith should be kept with heretics, and that the Pope has temporal as well as spiritual jurisdiction in Great Britain.
Those taking this oath are exempted from some of the provisions of the Popery Act 1698. Although it does not grant freedom of worship, it allows Catholics to join the army and purchase land if they take an oath of allegiance. The section as to taking and prosecuting priests is repealed, as well as the penalty of perpetual imprisonment for keeping a school. Roman Catholics are also enabled to inherit and purchase land, nor is an heir who conformed to the Established church any longer empowered to enter and enjoy the estate of his “papist” kinsman.
The passing of this act is the occasion of the Gordon Riots (1780) in which the violence of the mob is especially directed against William Murray, 1st Earl of Mansfield, who had objected to various prosecutions under the statutes now repealed.
Denvir is educated at Dr. Nelson’s Classical School in Downpatrick, being described by peers as an enthusiastic child with a love for sight-seeing. According to one biographer, young Denvir also shows interest in the catechism by attending local visits from the then Bishop of Down and Connor, Dr. Patrick MacMullan, who is resident in Downpatrick. In September 1808, he enrolls at Maynooth College, and is appointed chair of Natural Philosophy and Mathematics there in August 1813.
As chair of mathematics and natural philosophy at Maynooth College, Denvir is noted for changing the style of education at the college from pure logic-based reasoning in Mathematics to a more holistic, topical approach. He is also noted for emphasising experimentation and the importance of the scientific method in teaching natural philosophy, with several sources noting his well-stocked labs.
While at Maynooth College Denvir teaches both Nicholas Callan, the inventor and physicist, and Dominic Corrigan, the noted Irish physician. According to several accounts, both speak fondly of their old professor, to the point of Callan gifting Denvir one of his induction coils in thanks.
Denvir is ordained first as deacon in June 1813, then a priest in May 1814, performing his liturgical duties in conjunction with his academic ones. In 1826, he leaves Maynooth College to become the parish priest of Downpatrick. In 1833 he becomes a professor at the newly founded St. Malachy’s College, teaching classes in Latin, Greek and Mathematics. He continues his duties as parish priest and professor until 1835, when he is appointed Bishop of Down and Connor in succession to Dr. William Crolly.
As 22nd Lord Bishop of Down and Connor, Denvir emphasises the teaching of the Catechism to youth as well as emphasising the importance of scripture to the diocese. In 1841 he helps fund the start of construction of St. Malachy’s Church in Belfast, which is completed in 1845. In his later years, he falls under criticism by other Belfast Catholics, who claim he is neglectful of his duties, especially those relating to expanding and defending Catholicism in the face of growing Protestant influence. Some accounts attribute his shortcomings to poor health and temperament, while others suggest that he backs away from expansion to avoid conflict with Protestant groups.
Denvir suffers from personal finance problems during his time as Bishop. The construction of St. Malachy’s Church puts him into deep personal debt, which he is apparently arrested for some time after 1844. He is also criticised for selling seats in the newly constructed church to offset costs. He is also described as reluctant in asking for funds from parishioners, severely limiting his resources with which to care for the church.
Denvir is appointed Commissioner of National Education in 1853. He is noted for being supportive of non-denominational education and investigating reports of proselytism in public primary education. He later resigns this position in 1857 on request of the Holy See to focus on expanding the local Catholic school system.
In 1860, after years of illness compounded by age, Denvir is assigned Dr. Patrick Dorrian as a coadjutor bishop to assist in his episcopal duties. While ill health is said to be the predominant reason for the appointment of a coadjutor, contemporary newspaper accounts suggest there also might be an ideological reason for the appointment. In The Spectator it is noted in December 1859 “it may be, because he is too liberal for the Cullen epoch.”
In May 1865, Denvir resigns as Bishop and is succeeded by Dorrian. He dies one year later on July 10, 1866, in his residence on Donegall St., after suffering from fainting fits a few days prior. He is buried in Ballycruttle Church.
Edward Montgomery O’Rorke Dickey is born in Belfast on July 1, 1894, the son of Edward O’Rorke Dickey. He later marries Eunice Emmeline Howard and they have one son, Daniel. He is educated at Wellington College and Trinity College, Cambridge. He studies painting under Harold Gilman at the Westminster School of Art.
Dickey becomes the first curator of The Minories in Colchester, Essex, a post he holds for five years from 1957 to 1962.
Dickey is a founder member of the Society of Wood Engravers in 1920, and exhibits with them from 1920 to 1924. He is at his most active in the early 1920s and virtually all his engravings date from this period.
In 1922 Dickey contributes a wood engraving to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Gerald Duckworth and Company and an enthusiast for the new style of wood engravings. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, writes about him in his introduction to the book Mr. Hagreen and Mr. Dickey are among the engravers who rely very much upon the effective use of white lines and spaces. This is a limited edition of 550 copies, as is the only book that he illustrates with wood engravings, Workers by the Irish writer Richard Rowley, published by Balston at Duckworth in 1923.
In 1985 the IRA’s East Tyrone Brigade, commanded by Patrick J. Kelly, begins a campaign of destroying remote RUC stations and preventing anyone from rebuilding them, to create no-go zones. On December 7, 1985, it launches an attack on the RUC barracks in Ballygawley, County Tyrone, destroying the base and killing two RUC officers.
On January 22, 1986, the East Tyrone Brigade fires mortars at the Ulster Defence Regiment (UDR) base in Dungannon, County Tyrone, injuring two UDR soldiers and damaging the base. Just over a week later, on February 1, it carries out a large van bomb attack on the RUC base at Coalisland, County Tyrone, damaging the base and several houses and shops.
The Birches base attack is a complex attack that involves several units, including teams of lookouts, an armed team and bomb-makers as well as a team to carry out a diversionary attack. A diversionary bomb attack is staged at Pomeroy to draw security forces away from the real target at the Birches. Another team hijacks a JCB digger, getaway vehicles and scout cars at Washing Bay.
The digger is used to deliver the bomb to its target. The IRA does not expect any resistance as the RUC station is unmanned at the time of the attack. The IRA first rakes the base with automatic gunfire while the digger, with the bomb in its bucket, is driven through the high wire perimeter fence which had been constructed to protect the base from grenade or mortar attack. The digger is most likely driven by young IRA volunteer Declan Arthurs from Galbally, County Tyrone, who has experience driving diggers on his family’s farm. A volunteer then lights a fuse, and the bomb explodes after the IRA hads retreated to safety in a waiting van. The blast destroys most of the base and also damages nearby buildings, blowing the roof off a pub across the road. The IRA team then makes its getaway. According to journalist Mark Urban, the armed members of the unit evade British security force roadblocks by escaping in a boat across Lough Neagh.
About 35 people are reportedly involved in the Birches attack, from planning, executing the attack and creating an escape route. A partially disabled American tourist and six local civilians are slightly injured in the blast.
A member of the British security forces tells Mark Urban of the attack: “The Birches RUC station was destroyed by the bomb, creating problems for the authorities about how to re-build it. The Tyrone IRA was able to combine practical skills such as bomb-making and the welding needed to make mortars with considerable resources. Its members went on operations carrying the latest assault rifles and often wore body-armour similar to that used by the security forces, giving them protection against pistol or sub-machine-gun fire. By 1987 they had also succeeded in obtaining night-sights, allowing them to aim weapons or observe their enemy in darkness.”
The IRA unit’s next major target is the RUC station at Loughgall, which is attacked in the same manner. This operation is a disaster for the IRA as the IRA unit is ambushed by the Special Air Service (SAS). The entire IRA unit of eight, along with a Catholic civilian, are shot dead. Many of those IRA volunteers killed at Loughgall had taken part in the Birches attack, like Pádraig McKearney, Jim Lynagh and Patrick J. Kelly.
Barton is born in Annamoe on March 14, 1881, into a wealthy Irish Protestant land-owning family, namely of Glendalough House. His two younger brothers, Erskine and Thomas, die while serving in the British Army during World War I. He is educated in England at Rugby School and the University of Oxford and becomes an officer in the Royal Dublin Fusiliers on the outbreak of World War I. He is stationed in Dublin during the 1916 Easter Rising and comes into contact with many of its imprisoned leaders in the aftermath while on duty at Richmond Barracks. He resigns his commission in protest at the heavy-handed British government suppression of the revolt. He then joins the Irish Republican Brotherhood (IRB).
At the 1918 Irish general election to the British House of Commons, Barton is elected as the Sinn Féin member for West Wicklow. In common with all Sinn Féin members, he boycotts the Westminster parliament and sits instead in Dáil Éireann (the First Dáil). Arrested in February 1919 for sedition, he escapes from Mountjoy Prison on Saint Patrick’s Day, leaving a note to the governor explaining that, owing to the discomfort of his cell, he felt compelled to leave, and requests the governor to keep his luggage until he sends for it. He is appointed as Director of Agriculture in the Dáil Ministry in April 1919. He is recaptured in January 1920 and sentenced to three years’ imprisonment but is released under the general amnesty of July 1921.
In May of that year, prior to his release, Barton is elected as a Sinn Féin member for Kildare–Wicklow in the 1921 Irish election to the House of Commons of Southern Ireland. Once again, all Sinn Féin members boycott this parliament, sitting as the Second Dáil. In August 1921, he is appointed to cabinet as Secretary for Economic Affairs.
Barton is one of the Irish plenipotentiaries to travel to London for the Anglo-Irish Treaty negotiations. His cousin is a secretary to the delegation. He reluctantly signs the Treaty on December 6, 1921, defending it “as the lesser of two outrages forced upon me and between which I had to choose.”
Barton is defeated at the 1923 Irish general election and retires from politics for the law, practicing as a barrister. He later becomes a judge. He is chairman of the Agricultural Credit Corporation from 1934 to 1954. He dies at home in County Wicklow on August 10, 1975, at the age of 94, the last surviving signatory of the Anglo-Irish Treaty. Éamon de Valera dies only nineteen days later, on August 29, 1975.
Glendalough House, run by Barton for over 70 years right up until his death, is still considered one of Ireland’s most notable properties, alongside nearby Powerscourt Estate. The house is the center of numerous political meetings and gatherings from 1910 to 1922. It has also been featured as a location in many large Hollywood films including Excalibur, Saving Private Ryan and Braveheart.
Healy’s brother, Paddy Healy, serves as president of the Teachers’ Union of Ireland and runs unsuccessfully in the Seanad elections in 2007 and 2011 on the NUI panel, and in the 1980s runs in the Dublin North–East constituency as an Anti H-Block candidate.
Healy is re-elected to South Tipperary County Council at the 2009 Irish local elections. He wins back Tipperary South seat at the 2011 Irish general election with 21.3% of the first preference vote. On December 15, 2011, he helps launch a nationwide campaign against the household charge being brought in as part of the 2012 Irish budget.
Healy stands for re-election to the new Tipperary constituency as a non-party candidate in the 2016 Irish general election, and is elected on the seventh count. However, he is entered into the register of the 32nd Dáil as a Workers and Unemployed Action TD once again. He votes for both Gerry Adams and Richard Boyd Barrett for Taoiseach when the 32nd Dáil first convenes on March 10, 2016.
McElwee, the sixth of twelve children, is born on November 30, 1957, into the small, whitewashed home built by his father, along the Tamlaghtduff Road in Bellaghy, County Derry, Northern Ireland. He attended St. Mary’s primary in Bellaghy, and then Clady intermediate. After leaving school he goes to Magherafelt technical college for a while but later changes his mind and goes to Ballymena training centre to begin an apprenticeship as a motor mechanic. Harassment from loyalist workers there forces him to leave and he then goes to work with a local mechanic.
McElwee and his cousin Francis Hughes form an independent Republican unit, which for several years carries out ambushes on British Army patrols as well as bomb attacks in neighbouring towns such as Magherafelt, Castledawson, and Maghera.
In October 1976, McElwee takes part in a planned bombing blitz on the town of Ballymena. Along with several colleagues, he is transporting one of the bombs, which explodes prematurely and blinds him in his right eye. He is transferred from the Ballymena hospital to the Royal Victoria Hospital in Belfast for emergency surgery to save his remaining eye. It is three weeks before he is able to see at all.
After six weeks McElwee is transferred again, this time to the military wing of the Musgrave Park Hospital. One week before Christmas, he is charged and sent to Crumlin Road Gaol.
At McElwee’s subsequent trial in September 1977, having spent over eight months on remand in Crumlin Road, he is charged and sentenced to 20 years’ imprisonment for possession of explosives and the murder of Yvonne Dunlop, who is killed when one of the firebombs destroys the shop where she is employed. His murder charge is reduced to manslaughter on appeal, although the original jail term stands. He returns to the blanket protest he had joined immediately after his trial, in the H-Blocks of Long Kesh.
Imprisonment is particularly harsh for McElwee and his brother Benedict who are frequently singled out for brutality by prison warders, outraged at the stubborn refusal of the two to accept any form of criminal status. On one occasion he is put on the boards for fourteen days for refusing to call a prison warder ‘sir.’ In a letter smuggled out to his sister Mary, Benedict writes of the imprint of a warder’s boot on his back and arms after a typical assault. However, throughout the brutality and degradation they have to endure serves only to deepen yet further, and harder, their resistance to criminalisation.
McElwee joins the 1981 Irish hunger strike on June 7, 1981, and died on August 8, 1981, after 62 days on the strike. Indicative of the callousness of the British government towards prisoners and their families alike, he is denied the comfort of his brother’s presence at that tragic moment. He dies after 62 days of slow agonising hunger strike with no company other than prison warders – colleagues of those who had brutalised, degraded and tortured him for three-and-a-half years.
In 2009, Republican Sinn Féin (RSF) name their Waterfordcumann after McElwee, replacing that of George Lennon, OC of the Waterford Flying Column who led the IRA anti-Treaty Republicans into Waterford City in March 1922. The Waterford RSF had adopted the Lennon name without the permission of his son who noted that his father had, in later years, become a committed pacifist and opponent of the Vietnam War.
McElwee is the main subject of the song Farewell to Bellaghy, which also mentions his cousin Francis Hughes, other members of the independent Republican unit and deceased volunteers of the South Derry Brigade of the Provisional IRA. He is also the subject of The Crucifucks‘ song The Story of Thomas McElwee.
Rosemary Smith, Ireland’s most successful female rally driver, is born in Dublin on August 7, 1937. Before embarking on a career as a rally driver, she initially trains as a dress designer.
Smith enters her first rally as a co-driver. After deciding that navigating is not to her liking, she switches to driving. She comes to the attention of the Rootes Group‘s Competition Department, which offers her a works drive.
Smith is controversially disqualified from the 1966 Monte Carlo Rally after winning the Coupe des Dames, the ladies’ class. Ten cars in total are disqualified. She says she will never compete again unless the decision is reversed.
Smith’s other competition successes include an outright win in the 1969 Cork 20 Rally. She has won the ladies’ prize several times on the Scottish Rally and on the Circuit of Ireland Rally, twice each on the Alpine Rally and on the Canadian Shell 4000 and once on the Acropolis Rally. She also has numerous class wins to her name.
Smith founds a driving school in the 1990s. On May 10, 2017, she does a test drive with the show car of Renault F1 on the Circuit Paul Ricard as part of a filming day. This makes her the oldest person to have driven an 800bhp racing car.
(Pictured: Rosemary Smith at the Rally de Monte Carlo in 1965)
McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).
McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.
McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.
In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.
McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.
In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”
The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.
McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.
The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.
He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television AwardsThe Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.
In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.
seamus dubhghaill 