Patrick Scott, Irish artist, is born in Kilbrittain, County Cork, on January 24, 1921. He is perhaps best known for his gold paintings, abstracts incorporating geometrical forms in gold leaf against a pale tempura background. He also produces tapestries and carpets.
He has his first exhibition in 1944, but trains as an architect and does not become a full-time artist until 1960. He works for fifteen years for the Irish architect Michael Scott, assisting, for example, in the design of Busáras, the central bus station in Dublin. He is also responsible for the orange livery of Irish intercity trains.
His paintings are in several important collections including the Museum of Modern Art in New York City. He wins the Guggenheim Award in 1960 and represents Ireland in the 1960 Venice Biennale. The Douglas Hyde Gallery holds a major retrospective of his work in 1981 and the Hugh Lane Gallery in Dublin holds a major survey in 2002. His works are distinguished by their purity and sense of calm, reflecting his own interest in Zen Buddhism.
In October 2013, Scott weds his companion of 30 years, Eric Pearce, in a civil ceremony at the Dublin Registry Office.
On July 11, 2007, Scott, who is a founding member of Aosdána, is conferred with the title of Saoi, the highest honour that can be bestowed upon an Irish artist. The President of Ireland, Mary McAleese, makes the presentation, placing a gold torc, the symbol of the office of Saoi, around his neck. No more than seven living members may hold this honour at any one time.
Patrick Scott dies in Ballsbridge, Dublin, on February 14, 2014 at the age of 93. He is survived by his partner.
Friel receives his B.A. from St. Patrick’s College, Maynooth (1945–48), and qualifies as a teacher at St. Joseph’s Training College in Belfast. He marries Anne Morrison in 1954, with whom he has four daughters and one son. Between 1950 and 1960, he works as a math teacher in the Derry primary and intermediate school system, taking leave in 1960 to pursue a career as a writer, living off his savings. In the late 1960s, the Friels move from 13 Malborough Street, Derry to Muff, County Donegal, eventually settling outside Greencastle, County Donegal.
Recognised for early works such as Philadelphia, Here I Come! and Faith Healer, Friel has 24 plays published in a more than half-century spanning career that culminates in his election to the position of Saoi of Aosdána. His plays are commonly featured on Broadway throughout this time. In 1980, Friel co-founds Field Day Theatre Company, and his play Translations is the company’s first production. With Field Day, Friel collaborates with Seamus Heaney, 1995 recipient of the Nobel Prize in Literature. Heaney and Friel first become friends after Friel sends the young poet a letter following the publication of Death of a Naturalist.
Samuel Barclay Beckett, Irish avant-garde novelist, playwright, theatre director, and poet, is awarded the Nobel Prize in Literature on October 23, 1969. Beckett lives in Paris for most of his adult life and writes in both English and French. He is widely regarded as among the most influential writers of the 20th century. He is elected Saoi of Aosdána in 1984.
In October 1969 while on holiday in Tunis with his wife Suzanne, Beckett hears that he has won the Nobel Prize for Literature. Anticipating that her intensely private husband would be saddled with fame from that moment on, Suzanne calls the award a “catastrophe.” In true ascetic fashion, he gives away all of the prize money. While Beckett does not devote much time to interviews, he sometimes meets the artists, scholars, and admirers who seek him out in the anonymous lobby of the Hotel PLM St. Jacques in Paris near his Montparnasse home. Although Beckett is an intensely private man, a review of the second volume of his letters by Roy Foster in the December 15, 2011 issue of The New Republic reveals Beckett to be not only unexpectedly amiable but frequently prepared to talk about his work and the process behind it.
Confined to a nursing home and suffering from emphysema and possibly Parkinson’s disease, Beckett dies on 22 December 22, 1989, just five months after the passing of Suzanne. The two are interred together in the Cimetière du Montparnasse in Paris and share a simple granite gravestone that follows Beckett’s directive that it should be “any colour, so long as it’s grey.”
Of all the English-language modernists, Beckett’s work represents the most sustained attack on the realist tradition. He opens up the possibility of theatre and fiction that dispense with conventional plot and the unities of time and place in order to focus on essential components of the human condition.