Ashlin is the son of J. M. Ashlin, J.P. He receives his early education at the Collège de St. Servais in Liège, Belgium. He later enrolls at St. Mary’s College, Oscott (1851-55) where he is subsequently a pupil of Edward Welby Pugin. It is during this time that he develops an interest in architecture. By 1858, he enters the Royal Academy Schools, London.
When Pugin receives the commission for SS Peter and Paul’s, Carey’s Lane, Cork, in 1859, he makes Ashlin a partner with responsibility for their Irish work. This partnership lasts until late 1868. In 1861 they open their office at St. Stephen’s Green, Dublin. The practice is primarily ecclesiastical, designing some 25 religious buildings. Their churches and Cathedrals are mainly located in the counties of Wexford, Cork and Kerry, and are all of similar design. By far the most important commission undertaken by this partnership is the building of St. Colman’s Cathedral, Cobh for Bishop William Keane.
In 1867 Ashlin marries Mary Pugin (1844-1933), sister of Edward Welby Pugin and daughter of Augustus Welby Pugin, the Gothic revivalist. Their only daughter, Miriam, is born ten years later.
The partnership with Pugin is dissolved in 1870. Thereafter Ashlin practises in his own right, branching out to cover the entire island nation. His works of this period include Ballycotten (1901), Ballybunion (1892), Church of the Most Holy Rosary, Midleton (1893) and the Munster & Leinster Bank, both of Midleton, and finally Kildare (1898).
Margaret Hassan, Irish-born aid worker also known as “Madam Margaret,” is born Margaret Fitzsimons in Dalkey, County Dublin on April 18, 1945. She works in Iraq for many years until she is abducted and murdered by unidentified kidnappers in Iraq in 2004. Her remains have never been recovered.
Soon after the end of World War II Hassan’s family moves to London, where she spends most of her early life and where her younger siblings are born. At the age of 27, she marries Tahseen Ali Hassan, a 29-year-old Iraqi studying engineering in the United Kingdom. She moves to Iraq with him in 1972, where she begins work with the British Council of Baghdad, teaching English. Eventually she learns Arabic and becomes an Iraqi citizen.
During the early 1980s, Hassan becomes the assistant director of studies at the British Council, later becoming director. Meanwhile, her husband works as an economist. She remains in Baghdad during the 1991 Gulf War, although the British Council suspends operations in Iraq, and she is left jobless at the end of it.
Hassan joins humanitarian relief organisation CARE International in 1991. Sanitation, health, and nutrition become major concerns in the sanctioned Iraq. She is crucially involved in bringing leukemia medicine to child cancer victims in Iraq in 1998. She becomes a vocal critic of the United Nations restrictions. She is opposed to the United States invasion of Iraq in 2003, arguing that the Iraqis are already “living through a terrible emergency. They do not have the resources to withstand an additional crisis brought about by military action.”
By 2004, Hassan is head of Iraqi operations for CARE. Well known in many of Baghdad’s slums and other cities, she is especially interested in Iraq’s young people, whom she calls “the lost generation.” Her presence draws large crowds of locals.
Hassan is kidnapped in Baghdad on October 19, 2004, and is killed some weeks later on November 8. In a video released of her in captivity she pleads for help and begs British Prime MinisterTony Blair to remove British troops from Iraq. She adds that she does not “want to die like Mr. Bigley,” a reference to Kenneth Bigley, who had been executed in Iraq only weeks earlier.
Patients of an Iraqi hospital take to the streets in protest against the hostage takers’ actions. On October 25, between 100 and 200 Iraqis protest outside CARE’s offices in Baghdad, demanding her release. Prominent elements of the Iraqi insurgency and Iraqi political figures condemn the kidnapping and call for her release. On November 2, Al Jazeera reports that the kidnappers threatened to hand her over to the group led by Abu Musab al-Zarqawi and who is responsible for the execution of Bigley. On November 6, a statement purportedly from al-Zarqawi appears on an Islamist website calling for the release of Hassan unless the kidnappers have information she is aligned with the invading coalition. The statement cannot be authenticated and Hassan’s whereabouts in the video are unknown.
On 15 November, U.S. Marines in Fallujah uncover the body of an unidentified blonde- or grey-haired woman with her legs and arms cut off and throat slit. The body cannot be immediately identified, but is thought unlikely to be Hassan, who has brown hair. There is one other western woman known missing in Iraq at the time the body is discovered, Teresa Borcz Khalifa, a Polish-born long-time Iraqi resident. Khalifa is released by her hostage takers on November 20.
On November 16, CNN reports that CARE has issued a statement indicating that the organisation is aware of a videotape showing Hassan’s execution. Al-Jazeera reports that it has received a tape showing Hassan’s murder but is unable to confirm its authenticity. The video shows Hassan being shot with a handgun by a masked man. It is not known who is responsible for Hassan’s abduction and murder. The group holding her never identifies itself in the hostage videos.
CARE International suspends operations in Iraq because of Hassan’s kidnapping. At least eight other women kidnapped by insurgents during the conflict are released unharmed by their captors. It is unclear why Hassan, who was opposed to the war, lived in Iraq for many years, held Iraqi citizenship, was married to an Arab Muslim and spoke fluent Arabic was killed.
On May 1, 2005, three men are questioned by Iraqi police in connection with the murder. On June 5, 2006, news reports emerge that an Iraqi man by the name of Mustafa Salman al-Jubouri has been sentenced to life imprisonment for “aiding and abetting the kidnappers” but two other men are acquitted. Al-Jubouri appeals this sentence and is given a shorter imprisonment.
An Iraqi man named Ali Lutfi Jassar al-Rawi, also known as Abu Rasha, an architect from Baghdad, is arrested by Iraqi and U.S. forces in 2008 after contacting the British Embassy in Baghdad and attempting to extort 1 million dollars in return for disclosing the location of Hassan’s body. Though Jassar signs statements confessing to the charges, he pleads not guilty, stating he was forced to sign them after receiving beatings and electrical shocks during questioning.
On June 2, 2009, the Press Association reports that Jassar is given a life sentence by Baghdad’s Central Criminal Court for being involved in Hassan’s abduction and murder, and for attempting to blackmail the British Embassy. Hassan’s family welcomes the court’s decision but pleads with Jassar to tell them where her body is so they can return her to Britain for burial. On July 14, 2010, a day before Jassar is due to appear in court for retrial, it is reported that he could not be located in the prison facility where he was being held. He had been missing for a month.
Beresford employs Lewis Nockalls Cottingham, one of the most skilled architects at that time, to restore St. Patrick’s Cathedral, Armagh. Cottingham removes the old, stunted spire and shores up the belfry stages while he rebuilds the piers and arches under it. The arcade walls which had fallen away as much as 21 inches from the perpendicular on the south side and 7 inches on the north side, are straightened by means of heated irons, and the clerestory windows which had long been concealed, are opened out and filled with tracery.
Beresford dies on July 18, 1862, at Woburn, Bedfordshire, England, the home of his niece, in the parish of Donaghadee and is buried in the cathedral. There is a memorial to him in the south aisle at St. Patrick’s Cathedral, Armagh.
The same year Woodward joins the office of Sir Thomas Deane and becomes a partner in 1851 along with Deane’s son, Thomas Newenham Deane. It seems that Deane looks after business matters and leaves the design work to Woodward.
The work of Deane and Woodward is characterised by naturalistic decoration with foliage and animals carved into capitals and plinths around windows and doors. It is extolled by John Ruskin in particular when he visits the Museum at Trinity College, Dublin. Woodward collaborates in particular with the O’Shea brothers, James and John, who are stone carvers from County Cork. They, along with London sculptors, carve the abundant decorative stonework at Trinity, showing owls, lizards, cats and monkeys, as well as other flora and fauna. Later the O’Sheas carve stonework at the Kildare Street Club, including the famous window piece showing the club members as monkeys playing billiards. Some stories tell of the O’Sheas getting into trouble and possibly even being sacked for carving cats or monkeys at the Oxford University Museum.
Scott’s family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter, but his father points out that it might make more financial sense to become an architect.
Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage, he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.
In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.
Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an international jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better-known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.
Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.
Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989, and is buried near Sneem in County Kerry.
Ireland is then home to 3,171,697 Catholics. It is selected to host the congress as 1932 is the 1500th anniversary of Saint Patrick‘s arrival. The chosen theme is “The Propagation of the Sainted Eucharist by Irish Missionaries.”
The city of Dublin is decorated with banners, bunting, garlands, and replica round towers. Seven ocean liners moor in the port basins and along Sir John Rogerson’s Quay. Five others anchor around Scotsmans Bay. The liners act as floating hotels and can accommodate from 130 to 1,500 people on each. The Blue Hussars, a ceremonial cavalry unit of the Irish Army formed to escort the President of Ireland on state occasions, first appears in public as an honor guard for the visiting Papal Legate representing Pope Pius XI.
John Charles McQuaid, President of Blackrock College, hosts a large garden party on the grounds of the college to welcome the papal legate, where the hundreds of bishops assembled for the Congress have the opportunity to mingle with a huge gathering of distinguished guests and others who have paid a modest subscription fee.
The final public mass of the congress is held at 1:00 PM on Sunday, June 26 in Phoenix Park at an altar designed by the eminent Irish architect John J. Robinson of Robinson & Keefe Architects, and is celebrated by Michael Joseph Curley, Archbishop of Baltimore. A radio station, known as Radio Athlone, is set up in Athlone to coincide with the Congress. In 1938 it becomes Radio Éireann. The ceremonies include a live radio broadcast by Pope Pius XI from the Vatican. John McCormack, the world-famous Irish tenor, sings César Franck‘s Panis Angelicus at the mass.
Approximately 25% of the population of Ireland attend the mass and afterwards four processions leave the Park to O’Connell Street where approximately 500,000 people gather on O’Connell Bridge for the concluding Benediction given by the Papal Legate, CardinalLorenzo Lauri.
The English Catholic writer G. K. Chesterton is also present, and observes, “I confess I was myself enough of an outsider to feel flash through my mind, as the illimitable multitude began to melt away towards the gates and roads and bridges, the instantaneous thought ‘This is Democracy; and everyone is saying there is no such thing.'”
On the other hand, such an overwhelming display of Catholicity only confirms to Protestants in the North the necessity of the border.
(Pictured: the closing ceremony of the Eucharistic Congress that was held in Dublin in June 1932)
Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter, but his father points out that it might make more financial sense to become an architect.
Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage, he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.
In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.
Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an international jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better-known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.
Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.
Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989, and is buried near Sneem in County Kerry.
Guinness is the third son of Arthur Guinness II (1768–1855), and his wife Anne Lee, and a grandson of the first Arthur (1725–1803), who had bought the St. James’s Gate Brewery in 1759. He joins his father in the business in his late teens, without attending university, and from 1839 he takes sole control within the family. From 1855, when his father dies, he has become the richest man in Ireland, having built up a huge export trade and by continually enlarging his brewery.
In 1851 Guinness is elected the first Lord Mayor of Dublin under the reformed corporation. In 1863 he is made an honorary LL.D. (Doctor of Laws) by Trinity College Dublin, and on April 15, 1867, is created a baronet by patent, in addition to which, on May 18, 1867, by royal licence, he has a grant of supporters to his family arms.
From 1860 to 1865, Guinness undertakes at his own expense, and without hiring an architect, the restoration of the city’s St. Patrick’s Cathedral, an enterprise that costs him over £150,000. In 1865 the building is restored to the dean and chapter and reopens for services on February 24. The citizens of Dublin and the dean and chapter of St. Patrick’s present him with addresses on December 31, 1865, expressive of their gratitude for what he has done for the city. The addresses are in two volumes, which are afterwards exhibited at the Paris Exhibition.
In recognition of his generosity, Guinness is made a baronet in 1867. He is one of the ecclesiastical commissioners for Ireland, a governor of Simpson’s Hospital, and vice-chairman of the Dublin Exhibition Palace. He dies the following year, on May 19, 1868, at his Park Lane home in London. At the time of his death, he is engaged in the restoration of Marsh’s Library, a building which adjoins St. Patrick’s Cathedral. The restoration is completed by his son Arthur.
Guinness is buried in Mount Jerome Cemetery, Dublin, in the family vault, on May 27, 1868. His personalty is sworn under £1,100,000 on August 8, 1868. A bronze statue of him by John Henry Foley is erected by the Cathedral Chapter in St. Patrick’s churchyard, on the south side of the cathedral, in September 1875, which is restored in 2006.
Hoban is an Irish Catholic raised on an estate belonging to the Earl of Desart in Cuffesgrange, near Callan, County Kilkenny. He works there as a wheelwright and carpenter until his early twenties, when he is given an “advanced student” place in the Dublin Society‘s Drawing School on Lower Grafton Street. He studies under Thomas Ivory. He excels in his studies and receives the prestigious Duke of Leinster‘s medal from the Dublin Society for drawings of “Brackets, Stairs, and Roofs” in 1780. Later, Hoban finds a position as an apprentice to Ivory, from 1779 to 1785.
Hoban is in South Carolina by April 1787, where he designs numerous buildings including the Charleston County Courthouse. President George Washington admires Hoban’s work on his Southern Tour and summons the architect to Philadelphia, the temporary national capital, in June 1792.
In July 1792, Hoban is named winner of the design competition for the White House. His initial design seems to have had a 3-story facade, nine bays across, much like the Charleston courthouse. Under Washington’s influence, Hoban amends this to a 2-story facade, eleven bays across, and, at Washington’s insistence, the whole presidential mansion is faced with stone. It is unclear whether any of Hoban’s surviving drawings are actually from the competition.
In 1800, President John Adams becomes the first president to reside in the executive mansion, which soon becomes known as the “White House” because its white-gray Virginiafreestone contrasts strikingly with the red brick of nearby buildings.
Fowke studies at The Royal School Dungannon, County Tyrone, and the Royal Military Academy, Woolwich. He obtains a commission in the Royal Engineers and serves with distinction in Bermuda and Paris. On his return to England, he is appointed architect and engineer in charge of the construction of several government buildings.
Before his sudden death from a burst blood vessel on December 4, 1865, Fowke wins the competition for the design of the Natural History Museum, although he does not live to see it executed. His renaissance designs for the museum are altered and realised in the 1870s by Alfred Waterhouse, on the site of Fowke’s Exhibition building.
A medal is issued by the Royal Engineers in 1865, as a memorial prize for architectural works carried out by members of the corps. With the demise of great architectural works, the prize has transformed into the prize awarded to the top student on the Royal Engineers Clerks of Works course.
seamus dubhghaill 