seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: County Cork


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Death of Irish American Painter William Harnett

william-harnett

William Michael Harnett, Irish American painter known for his trompe-l’œil still lifes of ordinary objects, dies at New York Hospital on October 29, 1892.

Harnett is born in Clonakilty, County Cork, on August 10, 1848, during the time of the Great Famine. Shortly after his birth his family emigrates to America, settling in Philadelphia. Becoming a United States citizen in 1868, he makes a living as a young man by engraving designs on table silver, while also taking night classes at the Pennsylvania Academy of the Fine Arts and later, in New York City, at Cooper Union and at the National Academy of Design. His first known oil painting, a still life, dates from 1874.

The style of trompe-l’œil painting that Harnett develops is distinctive and inspired many imitators, but it is not without precedent. A number of 17th century Dutch painters, Pieter Claesz for instance, specialize in tabletop still life of astonishing verisimilitude. Raphaelle Peale, working in Philadelphia in the early 19th century, pioneers the form in America. What sets Harnett’s work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.

Harnett paints musical instruments, hanging game, and tankards, but also painted the unconventional Golden Horseshoe (1886), a single rusted horseshoe shown nailed to a board. He paints a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and even paper currency. His works sell well, but they are more likely to be found hanging in a tavern or a business office than in a museum, as they did not conform to contemporary notions of high art.

Harnett spent the years 1880–1886 in Europe, staying in Munich from 1881 until early 1885. Harnett’s best-known paintings, the four versions of After the Hunt, are painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l’œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.

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Overall, Harnett’s work is most comparable to that of the slightly younger John F. Peto. The two artists know each other, and a comparison can be made between two paintings featuring violins. Harnett’s Music and Good Luck from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto’s 1890 painting shows the violin hanging askew, as well as chipped and worn, with one string broken. The sheet music is dog-eared and torn around the edges and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett’s objects show signs of use but are well preserved, while Peto’s more humble objects are nearly used up.

Crippling rheumatism plagues Harnett in his last years, reducing the number but not the quality of his paintings. He seeks relief in the waters at Karlsbad and Wiesbaden, Germany and later at Hot Springs, Arkansas. But he continues to worsen and is hospitalized several times. He dies in New York City in 1892.


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Birth of Pianist Charles Lynch

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Charles Edgeworth Cagney Lynch, Irish pianist who premiers works by several important 20th-century composers, is born in Parkgariff, County Cork, on October 22, 1906.

Lynch’s father is a British army colonel and his mother comes from a well-known Cork business dynasty, the Suttons. While still a young boy, the family moves to Greenock in western Scotland and it is there, at the Tontine Hotel, that the young pianist gives his first public recital at the age of nine. When he is fifteen, he wins a scholarship to the Royal Academy of Music in London, where he studies under York Bowen and, later, Egon Petri.

Lynch becomes a popular recitalist in London during the 1920s and 1930s. He gives the first performance in England of Sergei Rachmaninoff‘s Piano Sonata No. 2 in B flat minor, having been coached beforehand by the composer. Sir Arnold Bax‘s Fourth Piano Sonata (1932) is dedicated to the 26-year-old Lynch, whom Bax later describes as “Ireland’s most imaginative pianist.” In addition to concert recitals he broadcasts regularly with the BBC and, in 1937, acts as assistant to Sir Thomas Beecham at Covent Garden. Lynch is the Ballet Rambert‘s pianist for many years, having helped Marie Rambert form the company.

A pacifist, Lynch returns to Ireland following the outbreak of World War II, where he becomes the country’s premier concert pianist. During this phase of his career he premiers a number of works by leading Irish composers, including Brian Boydell‘s Sonata for Cello and Piano (1945) and Sean Ó Riada‘s Nomos No. 4 (1959). Lynch also performs in the world première of English composer Ernest John Moeran‘s Cello Sonata in A minor, given in Dublin in May 1947. He is joined by the composer’s wife, cellist Peers Coetmore.

In February 1971 at Trinity College, Dublin, he plays the entire set of Franz Liszt‘s transcriptions of Beethoven’s symphonies over four successive Saturday evenings.

Lynch continues to give public recitals throughout Ireland until shortly before his death at the age of 77. He also lectures in music at University College Cork and gives masterclasses at the Cork School of Music. In 1982, Lynch receives a doctorate in music from the National University of Ireland.

Lynch’s technique is remarkable for the stillness with which he sits, making the most difficult of music seem almost technically unremarkable. His recorded legacy is small, but includes music by Samuel Barber, Ernest John Moeran‘s Violin Sonata (with Geraldine O’Grady, violin) as well as music by Irish composers such as Aloys Fleischmann.

Toward the end of his life he lives in very reduced circumstances. He dies in Cork on September 15, 1984 at St. Finbarr’s Hospital and is buried near Sir Arnold Bax in St. Finbarrs Cemetery, Glasheen Road, Cork.


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Birth of Catholic Teetotalist Reformer Theobald Mathew

theobald-mathew

Theobald Mathew, Irish Catholic teetotalist reformer popularly known as Father Mathew and “The Apostle of Temperance,” is born at Thomastown, near Golden, County Tipperary, on October 10, 1790.

Mathew receives his schooling in Kilkenny, then moves for a short time to Maynooth. From 1808 to 1814 he studies in Dublin, where in the latter year he is ordained to the priesthood. Having entered the Capuchin order, after a brief period of service at Kilkenny, he joins the mission in Cork.

The movement with which his name is associated begins on April 10, 1838, with the establishment of the Cork Total Abstinence Society, which in less than nine months enrolls no fewer than 150,000 names. It rapidly spreads to Limerick and elsewhere, and some idea of its popularity may be formed from the fact that at Nenagh 20,000 persons are said to take the pledge in one day, 100,000 at Galway in two days, and 70,000 in Dublin in five days. At its height, just before the Great Famine, his movement enrolls some 3 million people, or more than half of the adult population of Ireland. In 1844 he visits Liverpool, Manchester, and London with almost equal success.

His work has a remarkable impact on the condition of the people in Ireland. The number committed to jail falls from 12,049 in 1839 to 9,875 by 1845. Sentences of death fall from 66 in 1839 to 14 in 1846, and transportations fall from 916 to 504 over the same period.

Mathew visits the United States in 1849, returning in 1851. While there, he finds himself at the center of the Abolitionist debate. Many of his hosts are pro-slavery and want assurances that their influential guest will not stray outside his remit of battling alcohol consumption. But Mathew has signed a petition encouraging the Irish in the U.S. to not partake in slavery in 1841 during Charles Lenox Remond‘s tour of Ireland. Now however, in order to avoid upsetting his slave-owning friends in the U.S., he snubs an invitation to publicly condemn chattel slavery, sacrificing his friendship with that movement. He defends his position by pointing out that there is nothing in the scripture that prohibits slavery. He is condemned by many on the abolitionist side, including the former slave and abolitionist Frederick Douglass who had received the pledge from Mathew in Cork in 1845.

Mathew dies on December 8, 1856, in Queenstown, County Cork, after suffering a stroke. He is buried at St. Joseph’s Cemetery, Cork City, which he had established himself.

Statues of Mathew stand on St. Patrick’s Street, Cork by John Henry Foley (1864), and on O’Connell Street, Dublin by Mary Redmond (1893). There is also a Fr. Mathew Bridge in Limerick, County Limerick, which is named after the temperance reformer when it is rebuilt in 1844-1846.


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Death of Novelist Edith Anna Œnone Somerville

edith-somerville

Edith Anna Œnone Somerville, Irish novelist who habitually signs herself as “E. Œ. Somerville,” dies at Castletownshend, County Cork, at the age of 91 on October 8, 1949. She writes in collaboration with her second cousin, Violet Florence Martin, who writes under the pseudonym Martin Ross. Together they publish a series of fourteen stories and novels under the pseudonym Somerville and Ross, the most popular of which are The Real Charlotte and Some Experiences of an Irish R. M., published in 1899.

The eldest of eight children, Somerville is born on the island of Corfu, then part of the United States of the Ionian Islands, a British protectorate where her father is stationed. A year later, her father retires to Drishane, Castletownshend, County Cork, where Somerville grows up. She receives her primary education at home, and then attends Alexandra College in Dublin. In 1884 she studies art in Paris, and then spends a term at the Westminster School of Art in Dean’s Yard, Westminster. At home, riding and painting are her absorbing interests.

In January 1886, she meets her second cousin, Violet Martin, and their literary partnership begins the following year. Their first book, An Irish Cousin, appears in 1889, under the names Geilles Herring (from the maiden name of her ancestor, the wife of Sir Walter de Somerville of Linton and Carnwath) and Martin Ross, though the pen names are dropped after the first edition. In 1898, Edith Somerville goes to paint at the Etaples art colony, accompanied by Violet. There they profit from their stay by conceiving together the stories later gathered in Some Experiences of an Irish R. M., completed the following year. By the time Violet dies in 1915, they have published fourteen books together. Her cousin’s death stuns Edith, who continues to write as “Somerville and Ross,” claiming that they keep in contact through spiritualist séances.

Somerville is a devoted sportswoman who in 1903 has become master of the Carbery West Foxhounds. She is also active in the suffragist movement, corresponding with Dame Ethel Smyth. She is in London still recovering from the shock of Violet’s death when the 1916 Easter Rising breaks out. On May 9 she writes a letter to The Times, blaming the British government for the state of affairs in Ireland. After that she tends towards Nationalism and, as an adept musician at parties, she specializes in Irish tunes and Nationalist songs.

She has exhibitions of her pictures in Dublin and in London between 1920 and 1938 and is active as an illustrator of children’s picture books and sporting picture books.

In 1936, her brother Henry Boyle Townsend Somerville, a retired Vice-Admiral in the Royal Navy, is killed by the Irish Republican Army (IRA) at the family home of Castletownshend. She finishes his book Will Mariner after his death.


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Birth of Playwright & Poet Lennox Robinson

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Esmé Stuart Lennox Robinson, playwright, poet, theatre producer, and director who is involved with the Abbey Theatre, is born in Westgrove, Douglas, County Cork, on October 4, 1886.

Robinson is raised in a Protestant and Unionist family in which he is the youngest of seven children. His father, Andrew Robinson, is a middle-class stockbroker who in 1892 decides to become a clergyman in the Church of Ireland in the small Ballymoney parish, near Ballineen in West Cork. A sickly child, Robinson is educated by private tutor and at Bandon Grammar School. In August 1907, his interest in the theatre begins after he goes to see an Abbey production of plays by W.B. Yeats and Lady Gregory at the Cork Opera House. He publishes his first poem that same year. His first play, The Cross Roads, is performed in the Abbey in 1909 and he becomes manager of the theatre towards the end of that year. He resigns in 1914 as a result of a disastrous tour of the United States but returns in 1919. He is appointed to the board of the theatre in 1923 and continues to serve in that capacity until his death. His Abbey career and production involvement can be found in the Abbey archives.

As a playwright, Robinson shows himself as a nationalist with plays like Patriots (1912) and Dreamers (1915). On the other hand, he belongs to a part of Irish society which is not seen as fully Irish. This division between the majority native Irish (Roman Catholics) on one side and the Anglo-Irish (Protestants) on the other can be seen in a play such as The Big House (1926), which depicts the burning of a Protestant manor home by the Irish Republican Army (IRA). Robinson’s most popular play is The Whiteheaded Boy (1916).

Other plays include Crabbed Youth and Age (1924), The Far Off Hills (1928), Drama at Inish (1933), and Church Street (1935). Drama at Inish, which is presented in London and on Broadway as Is Life Worth Living?, is revived as part of the 2011 season at the Shaw Festival at Niagara-on-the-Lake, Ontario, Canada, with Mary Haney in the role of Lizzie Twohig. Robinson’s fiction includes Eight Short Stories (1919). In 1931 he publishes a biography of Bryan Cooper, who had recently died. In 1951, he publishes Ireland’s Abbey Theatre, the first full-length history of the company.

He publishes an edited edition of Lady Gregory’s diaries in 1947. In 1958 he co-edits with Donagh MacDonagh The Oxford Book of Irish Verse. He is also a director and producer, in 1930 producing a play by Irish playwright Teresa Deevy called The Reapers. In 1931 he is co-director of A Disciple along with W.B. Yeats and Walter Starkie.

Melancholic and alcoholic in later years, Lennox Robinson dies in Monkstown, County Dublin, on October 15, 1958. He is buried St. Patrick’s Cathedral.


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The Great Dublin Lockout

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The Great Dublin Lockout, a major industrial dispute between approximately 20,000 workers and 300 employers, begins in Dublin on August 26, 1913, and lasts until January 18, 1914. It is often viewed as the most severe and significant industrial dispute in Irish history.

Irish workers live in terrible conditions in tenements. The infant mortality rate among the poor is 142 per 1,000 births, extraordinarily high for a European city. Poverty is perpetuated in Dublin by the lack of work for unskilled workers, who lack any form of representation before trade unions are founded.

James Larkin, the main protagonist on the side of the workers in the dispute, is a docker in Liverpool and a union organiser. In 1907 he is sent to Belfast as local organiser of the British-based National Union of Dock Labourers (NUDL). His tactic of the sympathetic strike is deemed highly controversial and as a result Larkin is transferred to Dublin.

Larkin sets about organising the unskilled workers of Dublin, which is a cause of concern for the NUDL, who are reluctant to engage in a full-scale industrial dispute with the powerful Dublin employers. They suspended Larkin from the NUDL in 1908. Larkin then leaves the NUDL and sets up the Irish Transport and General Workers’ Union (ITGWU), the first Irish trade union to cater for both skilled and unskilled workers.

Another important figure in the rise of an organised workers’ movement in Ireland at this time is James Connolly, an Edinburgh-born Marxist of Irish parentage. In 1911, Connolly is appointed the ITGWU’s Belfast organiser. In 1912, Connolly and Larkin form the Irish Labour Party to represent workers in the imminent Home Rule Bill debate in Parliament.

Foremost among employers opposed to trade unionism in Ireland is William Martin Murphy, Ireland’s most prominent capitalist, born in Castletownbere, County Cork. In 1913, Murphy is chairman of the Dublin United Tramway Company and owns Clery’s department store. Murphy is vehemently opposed to trade unions, which he sees as an attempt to interfere with his business. In particular, he is opposed to Larkin, whom he sees as a dangerous revolutionary.

The resulting industrial dispute is the most severe in Ireland’s history. Employers in Dublin lock out their workers and employ blackleg labour from Britain and elsewhere in Ireland. Dublin’s workers apply for help and are sent £150,000 by the British Trades Union Congress (TUC) and other sources in Ireland, doled out dutifully by the ITGWU.

The “Kiddies’ Scheme,” allowing for the starving children of Irish strikers to be temporarily looked after by British trade unionists, is blocked by the Roman Catholic Church and especially the Ancient Order of Hibernians, who claim that Catholic children will be subject to Protestant or atheist influences when in Britain. The Church supports the employers during the dispute, condemning Larkin as a socialist revolutionary.

Guinness, the largest employer and biggest exporter in Dublin, refuses to lock out its workforce. It has a policy against sympathetic strikes and expects its workers, whose conditions are far better than the norm in Ireland, not to strike in sympathy. Six who do strike are dismissed.

Strikers use mass pickets and intimidation against strike breakers, who are also violent towards strikers. The Dublin Metropolitan Police baton charge worker’s rallies, including a rally on Sackville Street which results in two deaths and over 300 injuries. James Connolly, Larkin, and ex-British Army Captain Jack White form a worker’s militia, the Irish Citizen Army, to protect workers’ demonstrations.

For seven months, the lockout affects tens of thousands of Dublin families. The lock-out eventually concludes in January 1914, when the Trades Union Congress (TUC) in Britain rejects Larkin and Connolly’s request for a sympathetic strike. Most workers, many of whom are on the brink of starvation, go back to work and sign pledges not to join a union. The ITGWU is badly damaged by its defeat in the Lockout and is further hit by the departure of Larkin to the United States in 1914 and the execution of Connolly, one of the leaders of the Easter Rising in 1916.

Although the actions of the ITGWU are unsuccessful in achieving substantially better pay and conditions for workers, they mark a watershed in Irish labour history. The principle of union action and workers’ solidarity has been firmly established. No future employer would ever try to “break” a union in the way that Murphy attempted with the ITGWU.


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The Assassination of Michael Collins

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Michael Collins, soldier and politician who is a leading figure in the struggle for Irish independence in the early 20th century, is shot and killed in ambush at Béal na Bláth, County Cork, on August 22, 1922.

In August 1922, the Irish Civil War seems to be winding down. The Irish Free State has regained control of most of the country and Collins is making frequent trips to inspect areas recently recovered from anti-Treaty forces.

His plan to travel to his native Cork on August 20 is considered particularly dangerous and he is strenuously advised against it by several trusted associates. County Cork is an Irish Republican Army (IRA) stronghold, much of it still held by anti-Treaty forces. Yet he seems determined to make the trip without delay. He has fended off a number of attempts on his life in the preceding weeks and has acknowledged more than once, in private conversation, that the Civil War might end his life at any moment. On several occasions Collins assures his advisors that they will not shoot him in his own county.

On August 22, 1922, Collins sets out from Cork City on a circuitous tour of West Cork. He passes first through Macroom then takes the Bandon road via Crookstown. This leads through Béal na Bláth, an isolated crossroads. There they stop at a local pub, now known as the The Diamond Bar, to ask a question of a man standing at the crossroad. The man turns out to be an anti-Treaty sentry. He and an associate recognise Collins in the back of the open-top car. As a result, an ambush is laid by an anti-Treaty column at that point, on the chance that the convoy might come through again on their return journey.

Shortly before 8:00 PM, Collins’ convoy approaches Béal na Bláth for the second time. By that time most of the ambush party has dispersed and gone for the day, leaving just five or six men on the scene. Two are disarming a mine in the road, while three on a laneway overlooking them, provide cover. A dray cart, placed across the road, remains at the far end of the ambush site.

Shots are exchanged. Collins, who suffers a head wound, is the only fatality. Almost every other detail of what happens is uncertain, due to conflicting reports from participants and other flaws in the record.

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Some of the most disputed details include how the shooting starts, what kind of fire the convoy comes under, where the ambushers’ first shots strike, where Collins is and what he is doing when he is hit, whether anyone else is wounded, whether the armoured car’s machine gun is fully functional throughout the engagement, who moves Collins’ body, and who is nearby when Collins falls.

Many questions have been raised concerning the handling of Collins’s remains immediately following his death. Among them are the inordinately long time the convoy takes to cover the twenty miles back to Cork City, who searched his clothes, and what became of documents he is known to have been carrying on his person.

Collins’s body is transported by sea from Cork to Dublin. He lay in state for three days in Dublin City Hall where tens of thousands of mourners file past his coffin to pay their respects, including many British soldiers departing Ireland who had fought against him. His funeral mass takes place at Dublin’s Pro Cathedral where a number of foreign and Irish dignitaries are in attendance. Some 500,000 people attend his funeral, almost one fifth of the country’s population at that time.

No official inquiry is ever undertaken into Collins’s death and consequently there is no official version of what happened, nor are there any authoritative, detailed contemporary records.

An annual commemoration ceremony takes place each year in August at the ambush site at Béal na Bláth, County Cork, organised by The Béal na mBláth Commemoration Committee. There is also a remembrance ceremony in Dublin’s Glasnevin Cemetery at Collins’s grave on the anniversary of his death.


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Birth of Seán Ó Riada, Composer of Irish Traditional Music

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Seán Ó Riada, Irish composer and arranger of Irish traditional music, is born John Reidy in Cork City on August 1, 1931. Through his incorporation of modern and traditional techniques he becomes the single most influential figure in the revival of Irish traditional music during the 1960s.

Ó Riada receives his primary education at St. Finbarr’s College, Farranferris. He moves to St. Munchin’s College in Limerick where he completes his Leaving Certificate in 1948. He plays violin, piano, and organ, and studies Greek and Latin classics at University College Cork, with Aloys Fleischmann and graduates in 1952. While at College, Ó Riada is the auditor of the UCC Philosophical Society.

Ó Riada’s career begins in 1954 as a music director at Radio Éireann, after which he works at the Abbey Theatre from 1955 to 1962. He lectures in music at University College Cork from 1963 until his death in 1971. He leaves a lasting influence as founder and director of the ensemble Ceoltóirí Chualann beginning in 1961. Ó Riada becomes a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings, and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he becomes particularly famous for his film scores Mise Éire (1959) and Saoirse? (1960).

In 1963 Ó Riada is appointed lecturer in music at University College Cork. He moves to Cúil Aodha in West Cork, an Irish-speaking area, where he establishes Cór Chúil Aodha, a male voice choir.

He becomes involved in Irish politics and is a friend of several influential leaders. Ó Riada drinks regularly at a local pub which still advertises itself as being his local. He develops cirrhosis of the liver. He is flown to King’s College Hospital in London for treatment and dies there on October 3, 1971, two months after his 40th birthday. He is buried in St. Gobnait‘s graveyard, Baile Bhuirne, County Cork. Willie Clancy played at his funeral.

Two schools are named “Scoil Uí Riada” after him – a Gaelscoil in Kilcock, County Kildare, and another in Bishopstown, Cork City. In 2008, a life-sized statue is erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha.


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Death of Jeremiah O’Donovan Rossa

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Jeremiah O’Donovan Rossa, Irish Fenian leader and prominent member of the Irish Republican Brotherhood, dies suddenly in Staten Island, New York, on June 29, 1915.

Jeremiah O’Donovan Rossa is born Jeremiah O’Donovan at Reenascreena, Rosscarbery, County Cork, on September 10, 1831. Rossa becomes a shopkeeper in Skibbereen where, in 1856, he establishes the Phoenix National and Literary Society, the aim of which is “the liberation of Ireland by force of arms.” This organisation later merges with the Irish Republican Brotherhood (IRB), founded two years later in Dublin.

In December 1858, Roosa is arrested and jailed without trial until July 1859. He is charged with plotting a Fenian rising in 1865, put on trial for high treason, and sentenced to penal servitude for life due to previous convictions. He serves his time in Pentonville, Portland, and Chatham prisons in England.

In an 1869 by-election, Roosa is returned to the British House of Commons for the Tipperary constituency, defeating the Liberal Catholic Denis Caulfield Heron by 1054 to 898 votes. The election is declared invalid because Rossa is an imprisoned felon.

After giving an understanding that he will not return to Ireland, Rossa is released as part of the Fenian Amnesty of 1870. Boarding the S.S. Cuba, he leaves for the United States with his friend John Devoy and three other exiles. Together they were dubbed “The Cuba Five.”

Rossa takes up residence in New York City, where he joins Clan na Gael and the Fenian Brotherhood. He organises the first ever bombings by Irish republicans of English cities in what is called the “dynamite campaign.” The campaign lasts through the 1880s and makes him infamous in Britain. The British government demands his extradition from America but without success.

In 1885, Rossa is shot outside his office near Broadway by an Englishwoman, Yseult Dudley, but his wounds are not life-threatening. He is allowed to visit Ireland in 1894, and again in 1904. On the latter visit, he is made a “Freeman of the City of Cork.”

Rossa is seriously ill in his later years and is finally confined to a hospital bed in St. Vincent’s Hospital, Staten Island, where he dies at the age of 83 on June 29, 1915. His body is returned to Ireland for burial and a hero’s welcome. The funeral at Glasnevin Cemetery on August 1, 1915, is a huge affair, garnering substantial publicity for the Irish Volunteers and the IRB at time when a rebellion, later to emerge as the Easter Rising, is being actively planned. The graveside oration given by Patrick Pearse remains one of the most famous speeches of the Irish independence movement stirring his audience to a call to arms.


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The Bombing of Air India Flight 182

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Air India Flight 182, an Air India flight operating on the Montreal, Canada–London, U.K.–Delhi, India route, is destroyed by a bomb on June 23, 1985, at an altitude of 31,000 feet and crashes into the Atlantic Ocean while in Irish airspace.

It is the first bombing of a 747 jumbo jetliner. A total of 329 people are killed, including 268 Canadian citizens, 27 Britons, and 24 Indians. The majority of the victims were Canadian citizens of Indian ancestry. The incident is the largest mass murder in Canadian history. It is the deadliest terrorist attack involving an airplane until the September 11, 2001, attacks in the United States in 2001. The bombing of Air India 182 occurs at the same time as the Narita Airport bombing in Japan. Investigators believe that the two plots are linked, and that those responsible are aiming for a double bombing. However, the bomb at Narita explodes before it can be loaded onto a plane.

At 07:14:01 GMT, the crew of Air India 182 “squawked 2005,” a routine activation of its aviation transponder, as requested by Shannon International Airport Air Traffic Control (ATC). The plane then disappears from radar. A bomb in a Sanyo tuner in a suitcase in the forward cargo hold explodes while the plane is at 31,000 feet at 51°3.6′N 12°49′W. It causes rapid decompression and the break-up of the aircraft in mid-air. The wreckage settles in 6,700-feet deep water off the southwest coast of Ireland, 120 miles offshore of County Cork. No “mayday” call is received by Shannon ATC. ATC asks aircraft in the area to try to contact Air India, to no avail. By 07:30:00 GMT, ATC has declared an emergency and requests nearby cargo ships and the Irish Naval Service vessel LÉ Aisling to begin searching for the aircraft.

The bomb kills all 22 crew and 307 passengers. One hundred thirty-two bodies are recovered. The remaining 197 are lost at sea. Eight bodies exhibit “flail pattern” injuries, indicating that they had exited the aircraft before it hit the water. This is a sign that the aircraft had broken up in mid-air. Twenty-six bodies show signs of hypoxia (lack of oxygen). Twenty-five, mostly victims who were seated near windows, show signs of explosive decompression. Twenty-three have signs of “injuries from a vertical force.” Twenty-one passengers are found with little or no clothing.

Canadian law enforcement determines that the main suspects in the bombing are members of the Sikh militant group Babbar Khalsa. The attack is thought to be a retaliation against India for the operation carried out by the Indian Army Operation Blue Star to flush out several hundred Sikh militants who were within the premises of the Golden temple and the surrounding structures ordered by the Indian government, headed by Prime Minister Indira Gandhi. Though a handful of members are arrested and tried, Inderjit Singh Reyat, a Canadian national, remains the only person convicted of involvement in the bombing. Singh pleads guilty in 2003 to manslaughter. He is sentenced to 15 years in prison for building the bombs that exploded aboard Flight 182 and at Narita.

The subsequent investigation and prosecution lasts almost twenty years and is the most expensive trial in Canadian history, costing nearly CAD 130 million. The Governor General-in-Council in 2006 appoints the former Supreme Court Justice John C. Major to conduct a commission of inquiry. His report is completed and released on June 17, 2010. It concludes that a “cascading series of errors” by the government of Canada, the Royal Canadian Mounted Police (RCMP), and the Canadian Security Intelligence Service (CSIS) had allowed the terrorist attack to take place.