The following year, Doherty comes very close to breaking the Crucible curse, which refers to the fact that every first-time snooker world champion has failed to retain the title the following year. He reaches the final of the 1998 World Snooker Championship where he loses out to John Higgins of Scotland. He reaches his third final at the 2003 World Snooker Championship but is narrowly defeated by Mark Williams of Wales. In other Triple Crown events, he is a three-time UK Championship runner-up (1994, 2001, 2002) and a two-time Masters runner-up (1999, 2000).
An intelligent tactician and prolific break-builder, Doherty has compiled more than 300 century breaks in professional competition. Since 2009, he has combined his playing career with commentating and punditry work.
Doherty currently represents an Irish poker site, appearing on radio commercials, and regularly playing in tournaments, where the players on the site receive a bonus for knocking him out.
In partnership with Sean Francis O’Donoghue and Karl Leon Paul, Doherty set up an online cue sports equipment-marketing company.
Dillon is born on May 5, 1814, in the town of Ballaghaderreen, on the border of counties Mayo and Roscommon. He is a son of Anne Blake and her husband Luke Dillon (d. 1826), who had been a land agent for his cousin Patrick Dillon, 11th Earl of Roscommon. His niece is Anne Deane, who helps to raise his family after his death.
Dillon is educated at St. Patrick’s College, Maynooth, leaving after only two years there, having decided that he is not meant for the priesthood. He later studies law at Trinity College, Dublin, and in London, before being called to the Irish Bar. It is during his time at Trinity College that he first meets and befriends Thomas Davis.
The young wing of the party, of which they are key members with William Smith O’Brien and Thomas Francis Meagher, come to be known as Young Ireland and advocate the threat of force to achieve repeal of the Act of Union. This is in contrast to the committed pacifism of O’Connell’s “Old Ireland” wing. This posturing eventually leads to the Young Ireland rebellion of 1848 where a countryside devastated by the Great Famine fails to rise up and support the rebels.
According to fellow Irish nationalist, Justin McCarthy, “…it has been said of him that while he strongly discouraged the idea of armed rebellion and had no faith in the possibility of Ireland’s succeeding by any movement of insurrection, yet when Smith O’Brien risked Ireland’s chances in the open field, he cast his lot with his leader and stood by his side in Tipperary.”
After the failure of Young Ireland’s uprising, Dillon flees Ireland, escaping first to France and, eventually, to the United States, where he serves the New York Bar.
In 1883, Ridgeway is elected Professor of Greek at Queen’s College, Cork, then Disney Professor of Archaeology at Cambridge in 1892. He also holds tenure as Gifford lecturer in Religion at the University of Aberdeen from 1909 to 1911 from which is published The Evolution of Religions of Ancient Greece and Rome.
Ridgeway contributes articles to the Encyclopedia Biblica (1903), Encyclopædia Britannica (1911) and writes The Origin of Metallic Currency and Weight Standards (1892), and The Early Age of Greece (1901) which are significant works in Archaeology and Anthropology.
Doyle studies piano from the age of nine. After leaving school he attends the Royal Irish Academy of Music for three years, studying composing, during which time he is awarded two composition scholarships. He also studies at the Institute of Sonology at Utrecht University in the Netherlands and the Finnish Radio Experimental Music Studio on scholarships.
As a performer Doyle begins as a drummer with the groups Supply Demand and Curve and Jazz Therapy, playing free improvisatory and fusion music. He releases his first LP, Oizzo No, in 1975, and his second, Thalia, in 1978 on CBS Classics. Rapid Eye Movements (1981) is his third LP, and his attempt at a “masterpiece before the age of thirty.”
Doyle begins his magnum opus, Babel, in 1989, a 5-CD set that takes ten years to compose. Each track corresponds to a ‘room’ or place within an imagined giant tower city, a kind of aural virtual reality. It celebrates the multiplicity of musical language. One hundred three pieces of music are composed for it and he works with 48 collaborators. From 2002 to 2007 he works on the three-volume electronic work Passades. Twenty-seven albums of his music have been released. He has also composed scores for several films including Budawanny, Pigs and the documentary Atlantean by Bob Quinn.
In 2013 Doyle founds META Productions with opera director Eric Fraad, committed to exploring new forms of opera for the 21st century. Their first production is the electronic opera Heresy. Originally titled The Death by Fire of Giordano Bruno, a 40-minute ‘in development’ version is performed as part of a fully staged concert of his works at both the Kilkenny Arts Festival and in the Dublin Theatre Festival 2013. The two hour Heresy is presented as part of ‘Project 50’, a season of work celebrating 50 years of Project Arts Centre in November 2016. The opera is based on episodes from the life and works of Giordano Bruno. It is broadcast on RTÉ Lyric fm in September 2017 and released as a double album on Heresy records in 2018. Recent album releases are The Thousand Year Old Boy (2013), Time Machine (2015), Frail Things In Eternal Places (2016), and The Heresy Ostraca (2019).
Doyle founds the music theatre company Operating Theatre with Irish actress Olwen Fouéré. They produce many important site-specific productions, including Passades, Here Lies and Angel/Babel, all featuring his music as an equal partner in the theatrical environment. Operating Theatre performs in conventional and site-specific venues in Ireland, England, the Netherlands, France, Venezuela and the United States and releases several records. With Icontact Dance Company, he produces Tower of Babel – Delusional Architecture, featuring as much of Babel as he has composed by that point. This work is originally performed in a whole wing of the Irish Museum of Modern Art in 1992. Arguably his most famous theatre work is the music he wrote and performs on piano onstage for the Steven Berkoff version of the Oscar Wilde play Salome which plays in Dublin‘s Gate Theatre, in London‘s West End and on three world tours. The Irish Times notes that “his name is revered in the realm of theatre.”
Doyle’s works Four Sketches and All the Rage are awarded second and first prizes in the Dublin Symphony Orchestra composition competition in 1970 and 1974 respectively. He has won the Programme Music Prize (1997) and the Magisterium Award (2007) at the Bourges International Electro-Acoustic Music Competition in Bourges, France. He also receives the Irish Arts Council‘s Marten Toonder Award in 2000 in recognition of his innovative work as a composer. He is a member of Aosdána, and has recently been made Adjunct Professor of Music at Trinity College Dublin.
PresidentMichael D. Higgins confers the honour of Saoi on Doyle on August 16, 2019 by placing a gold torc around his neck. This is the highest honour of Aosdána that can be bestowed by fellow Aosdána members. No more than seven living members can be so honoured at one time. The Irish Times describes his album Chalant – Memento Mori as “a richly rewarding work that runs the full, glorious gamut of human emotion.” It is Album of the Week on March 30, 2012 in the same paper.
Michelle Smith de Bruin, Irish swimmer who achieves notable success in the 1996 Summer Olympics in Atlanta, becoming Ireland’s most successful Olympian to date, is stripped of her Irish swimming records on July 16, 1999, for tampering with a urine sample.
Smith wins three gold medals and a bronze medal at the 1996 Summer Olympics in Atlanta, making her Ireland’s most decorated Olympian. There is controversy at the games due to her qualifying for the 400m freestyle event at the expense of the then world-record holder Janet Evans, an American swimmer who finishes ninth in the preliminary swims with only the top eight advancing. Smith does not submit her qualifying time for the 400m freestyle event before the July 5 deadline but does so two days later with the Irish Olympic officials insisting they had been given permission to submit the qualifying time after the deadline.
Smith applies for the event after she arrives in Atlanta. After she qualifies at the expense of Evans, the US Swimming Federation, supported by the German and Netherlands swimming teams, challenge a decision to allow Smith to compete but are unsuccessful. At a later conference, Evans highlights that accusations of Smith doping had been heard by her around poolside. Smith later receives an apology from Evans as her comments lead to Smith being treated poorly by U.S. media.
Two years after the 1996 Summer Olympics, FINA bans Smith for four years for tampering with her urine sample using alcohol. She appeals against the decision to the Court of Arbitration for Sport (CAS). Her case is heard by a panel of three experienced sports lawyers, including Michael BeloffQC. Unusually for a CAS hearing, Smith’s case is heard in public, at her own lawyer’s request. FINA submits evidence from Jordi Segura, head of the International Olympic Committee (IOC) accredited laboratory in Barcelona, which says she took androstenedione, a metabolic precursor of testosterone, in the previous 10 to 12 hours before being tested. The CAS upholds the ban.
Smith is 28 at the time, and the ban effectively ends her competitive swimming career. She is not stripped of her Olympic medals, as she had never tested positive for any banned substances.
Smith’s experiences at the CAS have an effect beyond her swimming career. It is there that she develops an interest in the law. After officially announcing her retirement from swimming in 1999, she returns to university, graduating from University College Dublin with a degree in law. In July 2005 she is conferred with the degree of Barrister at Law of King’s Inns, Dublin. While a student at the King’s Inns she wins the highly prestigious internal Brian WalshMoot Court competition. Her book, Transnational Litigation: Jurisdiction and Procedure, is published in 2008 by Thomson Round Hall.
Smith has always denied using illegal performance-enhancing drugs. In 1996, she releases her autobiography, Gold, co-written with Cathal Dervan. She lives in Kells, County Kilkenny with her husband, Erik de Bruin, and their two children.
Yeats is very sick as a child, spending three years in two different hospitals. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–1930. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aids her in winning first prize in the RDS National Art competition for children under eight years old in 1925 and 1926.
Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).
In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory, which is her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production but Yeats refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she works on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.
In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with the style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage, in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Austin Clarke Lyric Theatre, the Abbey Theatre and Players’ Theatre.
Among the work Yeats is credited with in the Abbey Theatre, she is also recorded as having worked on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).
Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish-language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.
The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.
(Pictured: “Gossip & Scandal,” 1943 oil on canvas, by Anne Butler Yeats)
Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.
Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.
Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.
Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.
Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.
Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.
William Parsons, 3rd Earl of Rosse, Anglo-Irishastronomer, naturalist, and engineer, is born in York, England on June 17, 1800. He is President of the Royal Society (UK), the most important association of naturalists in the world in the nineteenth century. He builds several giant telescopes. His 72-inch telescope, built in 1845 and colloquially known as the “Leviathan of Parsonstown,” is the world’s largest telescope, in terms of aperture size, until the early 20th century. From April 1807 until February 1841, he is styled as Baron Oxmantown.
Parsons marries Mary Field, daughter of John Wilmer Field, on April 14, 1836. They have thirteen children, of which four sons survive to adulthood: Lawrence, 4th Earl of Rosse, Rev. Randal Parsons, the Hon. Richard Clere Parsons, and the Hon. Sir Charles Algernon Parsons.
During the 1840s, Parsons has the Leviathan of Parsonstown built, a 72-inch telescope at Birr Castle, Parsonstown, County Offaly. He has to invent many of the techniques he uses for constructing the Leviathan, both because its size is without precedent and because earlier telescope builders had guarded their secrets or had not published their methods. Details of the metal, casting, grinding and polishing of the 3-ton ‘speculum’ are presented in 1844 at the Belfast Natural History Society. His telescope is considered a marvelous technical and architectural achievement, and images of it are circulated widely within the British commonwealth. Building of the Leviathan begins in 1842, and it is first used in 1845, with regular use waiting another two years due to the Great Famine. Using this telescope, he sees and catalogues a large number of nebulae, including a number that would later be recognised as galaxies.
Parsons performs astronomical studies and discovers the spiral nature of some nebulas, today known to be spiral galaxies. His telescope Leviathan is the first to reveal the spiral structure of M51, a galaxy nicknamed later as the “Whirlpool Galaxy,” and his drawings of it closely resemble modern photographs.
Parsons’s son publishes his father’s findings, including the discovery of 226 New General Catalogue of Nebulae and Clusters of Stars (NGC) objects in the publication Observations of Nebulae and Clusters of Stars Made With the Six-foot and Three-foot Reflectors at Birr Castle From the Year 1848 up to the Year 1878, Scientific Transactions of the Royal Dublin Society Vol. II, 1878.
Scott is the third son of Thomas Scott of Scottsborough, County Tipperary, and his wife Rachel, daughter of Mark Prim of Johnswell, County Kilkenny. His parents are cousins, being two of the grandchildren of Nicholas Purcell, 13th Baron of Loughmoe. His elder brother is the uncle of Bernard Phelan, who establishes Château Phélan Ségur, and Dean John Scott, who first plants the gardens open to the public at Ballyin, County Waterford and marries a niece of Scott’s political ally, Henry Grattan.
While at Kilkenny College, Scott stands up to the tormentor of a boy named Hugh Carleton, who grows up to be Viscount Carleton of Clare. They become firm friends, and Carleton’s father, then known as the “King of Cork,” due to his wealth and influence, invites him to their home and becomes his patron. In 1756, Carleton sends both the young men off, with equal allowances, to study at Trinity College, Dublin and then the Middle Temple in London. On being called to the Irish bar in 1765, Scott’s eloquence secures him a position that enables him to pay £300 a year to his patron, Francis Carleton, who through a series of disappointments has been declared bankrupt. He continues to gratefully support his patron until Hugh Carleton is financially able to insist that he take up the payments to his father. Scott in later life turns against Carleton, describing him in his diary as a “worthless wretch.”
Admitted to King’s Inns in 1765, Scott is entitled to practice as a barrister. In 1769 he is elected as the Member of Parliament for Mullingar, a seat he holds until 1783. The following year he is made a King’s Counsel (KC). In 1772 he is Counsel to the Board of Revenue and in 1774 is appointed Solicitor-General for Ireland (1774–1777). Three years later, he is elected a Privy Councillor and Attorney-General for Ireland (1774–1783). He is dismissed from the latter position in 1782 for refusing to acknowledge the right of England to legislate for Ireland. In 1775, he is awarded an honorary degree of Doctor of Law (LL.D.) by Trinity College, Dublin. He holds the office of Prime Serjeant-at-Law of Ireland between 1777 and 1782. He is Clerk of the Pleas of the Court of the Exchequer in 1783 and is elected Member of Parliament for Portarlington between 1783 and 1784.
In 1784, Scott is created 1st Baron Earlsfort of Lisson-Earl, County Tipperary, following his appointment to Lord Chief Justice of the King’s Bench. In 1789 he is created 1st Viscount Clonmel, of Clonmel, County Tipperary and in 1793 is created 1st Earl of Clonmel. By the 1790s he has an annual income of £20,000. Due to heavy drinking and overeating he becomes seriously overweight, and this no doubt contributes to his early death, although his diary shows that he makes frequent efforts to live a more temperate life. Drinking also produces the red face which earns him the nickname “Copper-faced Jack.”
In 1768, Scott marries the widowed Catherine Anna Maria Roe, daughter of Thomas Mathew, of Earl Landaff and sister of Francis Mathew, 1st Earl Landaff. She dies in 1771. In 1779, he marries Margaret Lawless, daughter and eventual heiress of banker Patrick Lawless of Dublin. He leaves a son and heir and a daughter by his second marriage.
Scott lives at Clonmell House, 17 Harcourt Street, Dublin. He also keeps a country residence, Temple Hill House, in County Dublin. Clonmell Street in Dublin is named in his honour, as is Earlsfort Terrace, also in Dublin. He also gains a reputation of being an experienced duelist.
In 1797, in the last conversation he would have with his wife’s cousin, Valentine Lawless, 2nd Baron Cloncurry, he exclaims, “My dear Val, I have been a fortunate man in life. I am a Chief Justice and an Earl; but, believe me, I would rather be beginning the world as a young (chimney) sweep.” He dies at the age of 58 the following year on May 23, 1798.
(Pictured: John Scott, 1st Earl of Clonmell, oil on canvas by Gilbert Charles Stuart)
Born on November 3, 1896, in County Roscommon, O’Donovan is an explosives expert and reputedly invents the “Irish War Flour” (named after the flour sacks in which it was smuggled into Dublin aboard ships) and “Irish Cheddar” devices. He subsequently becomes IRA Director of Chemicals in 1921. During the Irish War of Independence, he is imprisoned in Mountjoy Prison and Kilmainham Gaol and later interned in Newbridge, County Kildare.
In addition to fighting in the Irish War of Independence, O’Donovan fights on the Anti-Treaty side during the Irish Civil War. In 1930 he becomes manager at Electricity Supply Board (ESB) headquarters in Dublin.
In August 1938, at the request of IRA Chief of StaffSeán Russell, O’Donovan writes the S-Plan, a bombing campaign targeting the United Kingdom. In his unpublished memoirs he writes that he “conducted the entire training of cadre units, was responsible for all but locally derived intelligence, carried out small pieces of research and, in general, controlled the whole explosives and munitions end” of S-Plan. During this time, he and Russell are the only GHQ members of the old IRA still in the organisation.
As “Agent V-Held”, O’Donovan visits Germany three times in 1939 on behalf of the IRA. On February 28 he negotiates an arms and radio equipment delivery at the Abwehrstelle in Hamburg. On April 26 he concludes a new arms deal with the Abwehrstelle and establishes, with the help of a Breton, a secret courier connection to Ireland via France. On August 23, he receives the last instructions for the event of war.
On February 9, 1940, Abwehr II agent Ernst Weber-Drohl lands at Killala Bay, County Sligo aboard U-37. He is equipped with an ‘Ufa’ transmitter, cash, and instructions for O’Donovan, who by this time is the chief IRA contact for Abwehr I/II. The transmitter is lost upon landing, but when Weber-Drohl reaches O’Donovan at Shankill, Killiney, County Dublin, he is able to deliver new transmission codes, $14,450 in cash, and a message from “Pfalzgraf Section” asking that the IRA concentrate its S-Plan attacks on military rather than civilian targets.
O’Donovan becomes increasingly enamoured of Nazi ideology during this time, and visits Germany three times. In 1942 he writes an article arguing that Ireland’s future lay in an alliance with a victorious Germany and attacks Britain and the United States for being “centres of Freemasonry, international financial control and Jewry.” Even long after the pact with the Germans falls apart, he continues to express his sympathy for the Nazi regime. His son, Gerard O’Donovan, recalls that every Saturday night a visitor would come to the family home and send messages to Germany.
seamus dubhghaill 