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Birth of Landscape Painter Francis Danby

Francis Danby, Irish painter of the Romantic era, is born near Killinick, County Wexford, on November 16, 1793. His imaginative, dramatic landscapes are comparable to those of John Martin. Danby initially develops his imaginative style while he is the central figure in a group of artists who have come to be known as the Bristol School. His period of greatest success is in London in the 1820s.

The death of Danby’s father in 1807 causes the family to move to Dublin. He begins to practice drawing at the Royal Dublin Society‘s schools and, under an erratic young artist named James Arthur O’Connor, he begins painting landscapes. Danby also makes acquaintance with George Petrie.

In 1813 Danby leaves for London together with O’Connor and Petrie. This expedition, undertaken with very inadequate funds, quickly comes to an end, and they have to get home again by walking. At Bristol they make a pause and Danby, finding he can get trifling sums for watercolor drawings, remains there working diligently and sending pictures of importance to the London exhibitions. There his large oil paintings quickly attract attention.

Around 1819, Danby becomes a member of the informal group of artists which become known as the Bristol School, taking part in their evening sketching meetings and sketching excursions visiting local scenery. He remains connected with members of the Bristol School for about a decade, even after leaving Bristol in 1824.

The group initially forms around Edward Bird, and Danby eventually succeeds Bird as its central figure. The Bristol artists, particularly the amateur Francis Gold, are also important in influencing Danby towards a more imaginative and poetical style. George Cumberland, another of the amateurs, has influential London connections. In 1820 when Danby exhibits The Upas Tree of Java at the British Institution, Cumberland uses his influence to promote its favourable reception. Danby’s atmospheric work An Enchanted Island, successfully exhibited in 1825 at the British Institution and then back in Bristol at the Bristol Institution, is in turn particularly influential on other Bristol School artists.

The Upas Tree of Java (1820) and The Delivery of Israel (1825) bring him his election as an Associate Member of the Royal Academy of Arts. He leaves Bristol for London, and in 1828 exhibits his Opening of the Sixth Seal at the British Institution, receiving from that body a prize of 200 guineas.

In 1829 Danby’s wife deserts him, running off with the painter Paul Falconer Poole. Danby leaves London, declaring that he will never live there again. For a decade he lives on the Lake Geneva in Switzerland, becoming a Bohemian with boat-building fancies, painting only occassionaly. He later moves to Paris for a short period of time. He returns to England in 1840.

Francis Danby lives his final years at Exmouth in Devon, where he dies on February 9, 1861. Along with John Martin and J. M. W. Turner, Danby is considered among the leading British artists of the Romantic period.


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Death of Martin Fay, Founding Member of The Chieftains

Martin Fay, Irish fiddler and bones player, and a former member of The Chieftains, dies on November 14, 2012. The Chieftains collaborate with musicians from a wide range of genres and cultures and bring in guest performers such as Mick Jagger, Van Morrison and James Galway. Yet traditional tunes lay at the heart of the band, with Fay’s fiddle a vital part of their distinctive sound.

Fay is born in Cabra, Dublin, where his mother teaches him to play the piano. As a boy, he is captivated by the music in the film The Magic Bow (1946), about the life of Niccolò Paganini, and he changes instrument. He progresses well in his classical violin lessons and at fifteen is playing in a Butlins holiday camp orchestra. After leaving school at eighteen, Fay works in an office by day and in the evenings plays in the Abbey Theatre orchestra, where he meets the Abbey’s musical director, Seán Ó Riada.

In the 1950s, traditional music is regarded as distinctly old-fashioned in Ireland, but Ó Riada’s success with a film score, and a play at the Abbey, encourage him to establish a folk orchestra which includes Fay, piper Paddy Moloney and the tin whistle player Seán Potts. Instead of all the musicians playing together in unison, as in the established cèilidh bands, Ó Riada wants to create a chamber orchestra, playing arrangements of folk music. Fay’s classical music background is essential for this approach. The resulting ensemble, Ceoltóirí Cualann, enjoys radio success and, in 1961, plays the soundtrack for a film of The Playboy of the Western World. Fay was soon earning more playing traditional music than in his day job.

Garech Browne, a member of the Guinness family and founder of Claddagh Records, asks Moloney to record some traditional Irish music. Moloney brings in Fay, Potts and Michael Tubridy on flute, and uses a similar approach to arranging the tunes. Their eponymous album, The Chieftains, is released in 1964, before they first perform in public. The success of this new approach to traditional Irish music leads to radio and television work, and they attract celebrity fans. Browne is a great thrower of parties, where the guests included Jagger, Princess Grace of Monaco, Peter O’Toole and Sean Connery, with The Chieftains invariably playing through the night.

By 1968, Moloney is working full time for Claddagh Records, and when he, Potts and Fay are offered a recording contract by a rival company, Gael Linn, Moloney refuses to sign. Potts and Fay believe that their future lay with Gael Linn, and they leave The Chieftains, only to return a year later. In the meantime, Seán Keane has joined to play fiddle, but on Fay’s return the pair work well together.

The Chieftains’ popularity is extending far beyond folk enthusiasts, but they are still playing only in their spare time. That changes in 1975 when they provide music for the Oscar-winning score of Stanley Kubrick‘s film Barry Lyndon and the promoter Jo Lustig books the group into the Royal Albert Hall in London on St. Patrick’s Day. The sell-out concert is a triumph, and Fay and his fellow Chieftains finally give up their day jobs.

The relentless international touring takes its toll on band members with young families, and Tubridy and Potts leave, to be replaced by the flautist Matt Molloy. Fay is happy to continue. A reserved and modest man with a great sense of humour, he is unfazed by the pressures of extensive touring. He is the only Chieftain not to be racked by nerves when playing to well over a million people at Phoenix Park during Pope John Paul II‘s visit to Dublin in 1979.

Although he has a classical training, Fay has a natural understanding of traditional music. He is a master of changing the mood at Chieftains concerts from the lively onstage parties to a more tranquil atmosphere, through his emotional interpretations of the slow airs. In total, Fay records more than 30 albums with the group before he withdraws from touring in 2001 and retires altogether in 2002.

Martin Fay dies in Cabra, Dublin, on November 14, 2012, after a lengthy illness.


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George Bernard Shaw Wins the Nobel Prize in Literature

George Bernard Shaw, Irish playwright, critic and polemicist, wins the Nobel Prize in Literature on November 11, 1925. Born in Dublin on July 26, 1856, Shaw is the only person to receive both a Nobel Prize in Literature and an Oscar (1938), for his work on the film Pygmalion, the adaptation of his play of the same name.

Shaw’s influence on Western theatre, culture and politics extends from the 1880s to his death and beyond. He writes more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw becomes the leading dramatist of his generation, culminating in 1925 with his awarding of the Nobel Prize in Literature.

Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualist Fabian Society and becomes its most prominent pamphleteer. He has been writing plays for years before his first public success, Arms and the Man, in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that included Major Barbara, The Doctor’s Dilemma and Caesar and Cleopatra.

Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist. The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 he provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award.

Shaw’s appetite for politics and controversy remains undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left. He expresses admiration for both Benito Mussolini and Joseph Stalin. In the final decade of his life, he makes fewer public statements, but continues to write prolifically until shortly before his death on November 2, 1950, refusing all state honours including the Order of Merit in 1946.

Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to William Shakespeare among British dramatists. Analysts recognise his extensive influence on generations of English-language playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.


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Birth of Irish Republican Army Officer Liam Lynch

Liam Lynch, officer in the Irish Republican Army during the Irish War of Independence and the commanding general of the Irish Republican Army during the Irish Civil War, is born in the townland of Barnagurraha, County Limerick, on November 9, 1893.

In 1910, at the age of 17, he starts an apprenticeship in O’Neill’s hardware trade in Mitchelstown, where he joins the Gaelic League and the Ancient Order of Hibernians. Later he works at Barry’s Timber Merchants in Fermoy. In the aftermath of the 1916 Easter Rising, he witnesses the shooting and arrest of David, Thomas and Richard Kent of Bawnard House by the Royal Irish Constabulary. After this, he determines to dedicate his life to Irish republicanism. In 1917 he is elected First Lieutenant of the Irish Volunteer Company, which resides in Fermoy.

In Cork in 1919, Lynch re-organises the Irish Volunteers, the paramilitary organisation that becomes the Irish Republican Army (IRA), becoming commandant of the Cork No. 2 Brigade of the IRA during the guerrilla Irish War of Independence. He is captured, along with the other officers of the Cork No. 2 Brigade, in a British raid on Cork City Hall in August 1920. He provides a false name and is released three days later. In September 1920, he and Ernie O’Malley command a force that takes the British Army barracks at Mallow. The arms in the barracks are seized and the building is partially burned. In April 1921, the IRA is re-organised into divisions based on regions. Lynch’s reputation is such that he is made commander of the 1st Southern Division.

The war formally ends with the signing of the Anglo-Irish Treaty between the Irish negotiating team and the British government in December 1921. Lynch is opposed to the Treaty, on the ground that it disestablishes the Irish Republic proclaimed in 1916 in favour of Dominion status for Ireland within the British Empire. He becomes Chief of Staff of the IRA in March 1922, much of which is also against the Treaty.

Although Lynch opposes the seizure of the Four Courts in Dublin by a group of hardline republicans, he joins its garrison in June 1922 when it is attacked by the newly formed National Army. This marks the beginning of the Irish Civil War. The ‘Munster Republic’ falls in August 1922, when Free State troops land by sea in Cork and Kerry. The Anti-Treaty forces then disperse and pursue guerrilla tactics.

Lynch contributes to the growing bitterness of the war by issuing what are known as the “orders of frightfulness” against the Provisional government on November 30, 1922. This General Order sanctions the killing of Free State Teachta Dála (TDs) and Senators, as well as certain judges and newspaper editors in reprisal for the Free State’s killing of captured republicans. Lynch is heavily criticised by some republicans for his failure to co-ordinate their war effort and for letting the conflict peter out into inconclusive guerrilla warfare. Lynch makes unsuccessful efforts to import mountain artillery from Germany to turn the tide of the war.

In March 1923, the Anti-Treaty IRA Army Executive meets in a remote location in the Nire Valley. Several members of the executive propose ending the civil war. However, Lynch opposes them and narrowly carries a vote to continue the war.

On April 10, 1923, a National Army unit is seen approaching Lynch’s secret headquarters in the Knockmealdown Mountains. Lynch is carrying important papers that could not fall into enemy hands, so he and his six comrades begin a strategic retreat. To their surprise, they run into another unit of 50 soldiers approaching from the opposite side. Lynch is hit by rifle fire from the road at the foot of the hill. Knowing the value of the papers they carry, he orders his men to leave him behind.

When the soldiers finally reach Lynch, they initially believe him to be Éamon de Valera, but he informs them, “I am Liam Lynch, Chief-of-Staff of the Irish Republican Army. Get me a priest and doctor, I’m dying.” He is carried on an improvised stretcher manufactured from guns to “Nugents” pub in Newcastle, at the foot of the mountains. He is later brought to the hospital in Clonmel and dies that evening. He is laid to rest two days later at Kilcrumper Cemetery, near Fermoy, County Cork.


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Birth of Irish Author Abraham “Bram” Stoker

Abraham “Bram” Stoker, Irish author best known today for his 1897 Gothic fiction novel Dracula, is born on November 8, 1847 in Clontarf, Dublin. During his lifetime, he is better known as the personal assistant of actor Henry Irving and business manager of the Lyceum Theatre, London, which Irving owns.

Stoker’s father, Abraham Stoker, is a civil servant and his mother, Charlotte Mathilda Blake Thornley, is a charity worker and writer. Stoker is a sickly child and is bedridden with an unknown illness until he starts school at the age of seven, when he makes a complete recovery. Growing up his mother tells him a lot of horror stories which may have influence on his later writings.

In 1864 Stoker enters Trinity College, Dublin. While attending college he begins working as an Irish civil servant. He also works part time as a free lance journalist and drama critic. In 1876 he meets Henry Irving, a famous actor, and they soon become friends. Not long after that, Stoker meets and falls in love with an aspiring actress named Florence Balcombe whom he marries on December 4, 1878 at St. Anne’s Parish Church, Dublin. In 1878 he accepts a job working in London as Irving’s personal secretary.

On December 9, Stoker and his new wife move to England to join Irving. His first book The Duties of Clerks of Petty Sessions in Ireland though written while he is still in Dublin, is published in 1879. On December 30, 1879 Stoker and his wife have their only child, a son Noel. While in England Stoker also writes several novels and short stories. His first book of fiction, Under the Sunset, is published in 1881.

Stoker visits the English coastal town of Whitby in 1890, a visit that is said to be part of the inspiration for Dracula. Before writing Dracula, he meets Ármin Vámbéry, a Hungarian writer and traveller. Dracula likely emerges from Vámbéry’s dark stories of the Carpathian Mountains. Stoker then spends several years researching European folklore and mythological stories of vampires.

Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship’s logs, and newspaper clippings, all of which add a level of detailed realism to the story, a skill which Stoker develops as a newspaper writer. At the time of its publication, Dracula is considered a “straightforward horror novel” based on imaginary creations of supernatural life.

The original 541-page typescript of Dracula is believed to have been lost until it is found in a barn in northwestern Pennsylvania in the early 1980s. It consists of typed sheets with many emendations, plus handwritten on the title page is “THE UN-DEAD.” The author’s name is shown at the bottom as Bram Stoker. The typescript is purchased by Microsoft co-founder Paul Allen.

After suffering a number of strokes, Abraham “Bram” Stoker dies at No. 26 St. George’s Square, London on April 20, 1912. Some biographers attribute the cause of death to tertiary syphilis, others to overwork. He is cremated and his ashes are placed in a display urn at Golders Green Crematorium in north London.


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Birth of Footballer Johnny Giles

Michael John “Johnny” Giles, former association footballer and manager, is born in Ormond Square, Dublin, on November 6, 1940. He is best remembered for his time as a midfielder with Leeds United F.C. in the 1960s and 1970s. After retiring from management in 1985, Giles serves as the senior analyst on RTÉ Sport‘s coverage of association football from 1986 until 2016. The Football Association of Ireland (FAI) votes Giles as the greatest Irish player of the last 50 years at the UEFA Jubilee Awards in 2004.

After winning an FA Cup winner’s medal under Matt Busby at Manchester United F.C., Giles moves to Leeds in 1963 where he plays in midfield alongside captain Billy Bremner. The duo goes on to form a central midfield partnership which is one of the best in English club football. Their pairing helps yield several major trophies in the most successful era in Leeds’ history. By a strange coincidence, Giles and Bremner both score exactly 115 goals for the club.

In his later years in football, Giles pursues a managerial career which sees him installed as player-manager and manager of, among others, West Bromwich Albion F.C., the Republic of Ireland national football team, Vancouver Whitecaps F.C. and Shamrock Rovers F.C. Despite having an outstanding knowledge of the game, Giles personally never likes being a manager. He becomes disillusioned with aspects of the job, such as suffering at the hands of non-committal boardrooms and leaves management permanently in 1985. He later declares that he has no regrets about quitting managerial life.

Subsequently, after repeated encouragement from childhood friend Eamon Dunphy, Giles inadvertently enters the world of football punditry in 1986. He goes on to establish himself as the highly respected senior analyst on RTÉ Sport. In addition, he writes two columns per week for the Irish Evening Herald newspaper and offers his opinions about the game on radio station, Newstalk 106.

Giles resides in the Harborne area of the city of Birmingham, England. To coincide with his 70th birthday, Giles compiles a first ever autobiography chronicling his life in and outside of football which is released in November 2010. The autobiography, titled A Football Man, becomes the best-selling book in the Republic of Ireland.


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Death of Thomas “Buck” Whaley

Thomas Whaley, Irish gambler and member of the Irish House of Commons commonly known as Buck Whaley or Jerusalem Whaley, dies on November 2, 1800, in England.

Whaley is born in Dublin on December 15, 1766, the eldest surviving son of the landowner, magistrate and former Member of Parliament Richard Chapell Whaley. At the age of sixteen, he is sent to Europe on the Grand tour, accompanied by a tutor. He settles in Paris for some time, maintaining both a country residence and town house, but is forced to leave Paris when his cheque for the amount of £14,000, to settle gambling debts accrued in one night of gambling, is refused by his bankers. Following his return to Dublin, Whaley, at the age of eighteen, is elected to the Irish House of Commons in 1785 representing the constituency of Newcastle in County Dublin.

While dining with William FitzGerald, 2nd Duke of Leinster at Leinster House, wagers totaling £15,000 are offered that Whaley cannot travel to Jerusalem and back within two years and provide proof of his success. The reasoning of those offering the bets is based on the belief that, as the region was part of the Ottoman Empire and had a reputation for widespread banditry, it will be too dangerous for travelers, and it will be unlikely that Whaley can complete the journey.

Whaley embarks from Dublin on October 8, 1788. He sails first to Deal, Kent, where he is joined by a companion, a Captain Wilson, and then on to Gibraltar. In Gibraltar, his party is joined by another military officer, Captain Hugh Moore. The party sets sail for the port of Smyrna, although Wilson is prevented from travelling any further due to rheumatic fever. The remaining pair make an overland journey from there to Constantinople, arriving in December.

The British ambassador in Constantinople introduces Whaley to the Vizier Cezayirli Gazi Hasan Pasha. Taking a liking to Whaley, Hasan Pasha provides him with permits to visit Jerusalem. Whaley’s party leaves Constantinople on January 21, 1789, by ship and sail to Acre, Israel. He encounters the Wāli of Acre and Galillee, Ahmad Pasha al-Jazzar. Al-Jazzar, notoriously known as “The Butcher” in the region he rules, takes a liking to Whaley and, though he dismisses the documents issued in Constantinople as worthless, he permits Whaley to continue his journey.

Whaley and his companions make their way overland to Jerusalem, arriving on January 28. During his visit, he stays at a Franciscan monastery, the Convent of Terra Sancta. It is a signed certificate from the superior of this institution, along with detailed observations of the buildings of Jerusalem, that provide the proof needed to prove the success of his journey. They stay for little over a month before returning overland to Ireland.

Whaley arrives back in Dublin in the summer of 1789 to great celebrations and collects the winnings of the wager. The trip costs him a total of £8,000, leaving him a profit of £7,000.

Following his Jerusalem exploit, Whaley remains in Dublin for two years and later spends time in London and travelling in Europe, including Paris during the Revolutionary period. Due to mounting debts, he is forced to sell much of his estate in the early 1790s and these financial problems also lead to his departure from Dublin.

Thomas Whaley dies on November 2, 1800, in the Cheshire town of Knutsford, while travelling from Liverpool to London. The cause of death is attributed to rheumatic fever, although a popular story circulated in Ireland is that he is stabbed in a jealous rage by one of two sisters, both of whom are objects of his attentions.


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Birth of Physicist John Joly

John Joly, Irish physicist famous for his development of radiation therapy in the treatment of cancer, is born in Bracknagh, County Offaly, on November 1, 1857. He is also known for developing techniques to accurately estimate the age of a geological period, based on radioactive elements present in minerals.

Joly is a second cousin of Charles Jasper Joly, the astronomer. He enters Trinity College, Dublin in 1876, graduating in Engineering in 1882 in first place with various special certificates in branches of engineering, at the same time obtaining a First-Class Honours in modern literature. He works as a demonstrator in Trinity’s Engineering and Physics departments before succeeding William Johnson Sollas in the Chair of Geology and Mineralogy in 1897, a position which he holds until his death in 1933.

Joly joins the Royal Dublin Society in 1881 while still a student and is a frequent contributor of papers. During his career he writes over 270 books and scientific papers.

On May 17, 1899, Joly reads his paper “An Estimate of the Geological Age of the Earth” to the Royal Dublin Society. In it, he proposes to calculate the age of the earth from the accumulation of sodium in the waters of the oceans. He calculates the rate at which the oceans should have accumulated sodium from erosion processes and determines that the oceans are about 80 to 100 million years old. The paper is quickly published, appearing four months later in the Society’s Scientific Transactions. Although this method is later considered inaccurate and is consequently superseded, it radically modifies the results of other methods in use at the time.

In 1903 he publishes an article in Nature in which he discusses the possibility of using radium to date the Earth and goes on to study the radioactive content of the Earth’s crust to formulate a theory of thermal cycles and examines the radioactive constituents of certain rocks as a means of calculating their age. Working in collaboration with Sir Ernest Rutherford, he uses radioactive decay in minerals to estimate, in 1913, that the beginning of the Devonian period could not be less than 400 million years ago, an estimate which is in line with modern calculations.

Joly serves as President of Section C (Geology) when the British Association for the Advancement of Science meets in Dublin in 1908, during which he presents his paper “Uranium and Geology” in an address to the society. This work describes radioactive materials in rocks and their part in the generation of the Earth’s internal heat.

Along with his friend Henry Horatio Dixon, Joly also puts forward the cohesion-tension theory which is now thought to be the main mechanism for the upward movement of water in plants.

In 1914 Joly develops a method of extracting radium and applies it in the treatment of cancer. As a Governor of Dr. Steevens’ Hospital in Dublin, in collaboration with Walter Stevenson, he devises radiation therapy methods and promotes the establishment by the Royal Dublin Society of the Irish Radium Institute where they pioneer the “Dublin method” of using a hollow needle for deep radiation therapy, a technique that later enters worldwide use. The Radium Institute also supplies capillary tubes containing radon to hospitals for some years for use in the treatment of tumours.

Joly is elected a Fellow of the Royal Society of London in 1892, is awarded the Boyle Medal of the Royal Dublin Society in 1911, the Royal Medal of the Royal Society of London in 1910, and the Murchison Medal of the Geological Society of London in 1923. He is also conferred honorary degrees by the National University of Ireland, the University of Cambridge, and the University of Michigan. After his death in 1933, his friends subscribe the sum of £1,700 to set up a memorial fund which is still used to promote the annual Joly Memorial Lectures at the University of Dublin, which were inaugurated by Sir Ernest Rutherford in 1935. He is also remembered by the Joly Geological Society, a student geological association established in 1960.

In 1973 a crater on Mars is named in Joly’s honour.


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Birth of Richard Brinsley Sheridan, Playwright & Satirist

Richard Brinsley Butler Sheridan, Irish satirist, playwright and poet, and long-term owner of the London Theatre Royal, Drury Lane, is born on October 30, 1751, in Dublin, where his family has a house on then fashionable Dorset Street.

While in Dublin Sheridan attends the English Grammar School in Grafton Street. The family moves permanently to England in 1758 where he is a pupil at Harrow School from 1762 to 1768. After his period in Harrow School, his father employs a private tutor to directs his studies.

In 1775, Sheridan’s first play, The Rivals, is produced at London’s Covent Garden Theatre. It is a failure on its first night. He casts a more capable actor in the lead for its second performance, and it is a smash which immediately establishes the young playwright’s reputation and the favour of fashionable London. It has gone on to become a standard of English literature.

Shortly after the success of The Rivals, Sheridan and his father-in-law, Thomas Linley the Elder, a successful composer, produce the opera, The Duenna. This piece is accorded such a warm reception that it plays for seventy-five performances.

The following year, Sheridan, his father-in-law, and one other partner purchase a half-interest in the Drury Lane theatre and, two years later, buy out the other half. Sheridan is the manager of the theatre for many years and later becomes sole owner with no managerial role.

His most famous play, The School for Scandal (Drury Lane, May 8, 1777), is considered one of the greatest comedies of manners in English. It is followed by The Critic (1779), an updating of the satirical Restoration comedy The Rehearsal. He has a rivalry with his fellow playwright Richard Cumberland and includes a parody of Cumberland in The Critic. In 1778, Sheridan writes The Camp, which comments on the ongoing threat of a French invasion of Britain.

In 1780, Sheridan enters Parliament as the ally of Charles James Fox on the side of the American Colonials in the political debate of that year. He remains in Parliament for 32 years.

On February 24, 1809, despite the much-vaunted fire safety precautions of 1794, the theatre burns down. On being encountered drinking a glass of wine in the street while watching the fire, Sheridan is famously reported to have said, “A man may surely be allowed to take a glass of wine by his own fireside.”

When he fails to be re-elected to Parliament in 1812, his creditors close in on him and his last years are harassed by debt and disappointment. On hearing of his debts, the United States Congress offers Sheridan £20,000 in recognition of his efforts to prevent the American Revolutionary War. The offer is refused.

In December 1815 Sheridan becomes ill and is largely confined to bed. He dies in poverty on July 7, 1816, and is buried in the Poets’ Corner of Westminster Abbey. His funeral is attended by dukes, earls, lords, viscounts, the Lord Mayor of London, and other notables.


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New Departure

Fenians propose a “New Departure,” an alliance with the Parnellites, on October 27, 1878. The term New Departure is used to describe several initiatives in the late 19th century by which Irish republicans, who are committed to independence from Britain by physical force, attempt to find a common ground for co-operation with groups committed to Irish Home Rule by constitutional means. The term refers to the fact that Fenians are to some extent departing from their orthodox doctrine of noninvolvement with constitutional politics, especially the British parliament.

In January 1877, James Joseph O’Kelly, a journalist with the New York Herald persuades John Devoy to meet with Irish parliamentarians. In January 1878, Devoy meets with Charles Stewart Parnell in Dublin. In March the exiled senior Irish Republican Brotherhood member John O’Leary and Supreme Council secretary John O’Connor meet secretly in London with MPs Charles Stewart Parnell, Frank Hugh O’Donnell, William Henry O’Sullivan and O’Kelly. The meeting is sought by Parnell or by William Carroll of Clan na Gael to consider co-operation between the IRB and Parnell. Parnell apparently merely listens and does not commit himself.

John O’Connor and Dr. Mark Ryan, both members of the IRB’s Supreme Council, believe O’Connor Power has some hand in the new departure. John O’Connor suspects that Michael Davitt of the IRB has been influenced by O’Connor Power, and that the new departure proposals conceal some sinister scheme of Power’s devising, assumptions that Davitt hotly rejects. The precedent for constitutional agitation set by Power is not lost on orthodox Fenians such as Dr. Ryan, who sees behind the new departure the nefarious influence of the member for Mayo.

In late 1878 Michael Davitt makes a fund-raising political lecture tour of the United States, promoted by William Carroll and John Devoy of Clan na Gael. On October 13 in Brooklyn, New York, Davitt first presents, in a lecture titled “Ireland in parliament from a nationalist’s point of view,” a doctrine that Irish republicans cannot prevent Irishmen voting or being elected to the British parliament, but they can influence who is sent to that parliament. He states that the Home Rule League, especially Isaac Butt and John O’Connor Power, are failing to prevent Ireland from being “imperialised” or “West Britainised.” Davitt however believes that Parnell and Joseph Biggar are acceptable Irish MPs, and Irish republicans should ensure that more such strong nationalists are voted in. John Devoy follows and points out that if Irish republicans are to gain the support of Britain’s potential enemies, such as Russia, they need to provide far stronger opposition to Britain both inside and outside parliament. He points out that Russia has not yet seen the Irish as providing any such meaningful opposition, in fact to Russia they appear loyal to Britain. Hence it is necessary to replace representatives in all Irish public bodies with suitable committed nationalists. Both Davitt and Devoy at this meeting stress that resolution of the Irish land question by transfer of ownership to the farmers themselves is integral to Irish demands on Britain.

On October 27, 1878, Devoy, without first consulting Davitt, summarises these ideas in what he terms a “new departure” in the New York Herald, and it is reported in Ireland on November 11. He also states that Irish participation in the British parliament is to be temporary, and that at a suitable time Irish nationalist MPs will withdraw to Dublin and form an independent Irish legislature. Davitt is at first worried that perceived connections to the Fenians will threaten Parnell in parliament, but Devoy convinces him that Parnell will not be affected. IRB leaders John O’Leary and Charles Kickham reject the overture to constitutionalists and Parnell gives no comment. He does however adopt the militant rhetoric of land ownership to be transferred to the Irish farmers themselves in various public speeches in Ireland. Hence the stage is set for the successful collaboration in 1879 over the Land War.

(Pictured: John Devoy)