Heaney’s family moves to nearby Bellaghy when he is a boy. He attends Queen’s University Belfast and begins to publish poetry. In the early 1960s he becomes a lecturer at St. Joseph’s College in Belfast. He lives in Sandymount, Dublin from 1976 until his death. He also lives part-time in the United States from 1981 to 2006. He is recognised as one of the principal contributors to poetry during his lifetime.
American poet Robert Lowell describes Heaney as “the most important Irish poet since Yeats,” and many others, including the academic John Sutherland, have said that he is “the greatest poet of our age.” Robert Pinsky states that “with his wonderful gift of eye and ear Heaney has the gift of the storyteller.” Upon his death in 2013, The Independent describes him as “probably the best-known poet in the world.” One of his best-known works is Death of a Naturalist, published in 1966.
Seamus Heaney dies in Blackrock, Dublin on August 30, 2013, while hospitalized following a fall a few days earlier. He is buried at the Cemetery of St. Mary’s Church, Bellaghy, Northern Ireland. The headstone bears the epitaph “Walk on air against your better judgement,” from one of his poems, The Gravel Walks.
PresidentMichael D. Higgins, himself a poet, praises Heaney’s “contribution to the republics of letters, conscience and humanity.” TaoiseachEnda Kenny says that Heaney’s death has brought “great sorrow to Ireland, to language and to literature.”
During McGilligan’s period in opposition from 1932 to 1948 he builds up a law practice and becomes professor of constitutional and international law at University College, Dublin. When the National University of Ireland representation is transferred to Seanad Éireann in 1937, he is elected as TD for the Dublin North-West constituency.
In 1948 McGilligan is appointed Minister for Finance in the first Inter-Party Government. As Minister he undertakes some major reforms. He instigates a new approach where Government invests radically in capital projects. Colleagues however complain of his frequent absence from the Cabinet table and the difficulty of contacting him at the Department of Finance. Between 1954 and 1957 he serves as Attorney General. He retires from Dáil Éireann at the 1965 general election, having served for over 40 years.
Patrick McGilligan dies in Dublin on November 15, 1979. Despite his well-known fondness for predicting that he would die young, he reaches the age of ninety. A later Attorney General, John M. Kelly, in the preface to his definitive text, The Irish Constitution (1980), notes the remarkable number of senior judges who are former students of McGilligan and suggests that, given his own firm belief in the value of judicial review, he deserves much of the credit for the remarkable development of Irish law in this field since the early 1960s.
On April 11, 2000, Catherine Nevin (née Scully), in a dramatic end to the two-month trial, is found guilty by a jury at the Central Criminal Court of all four charges against her arising out of the 1996 shooting death of her husband, Tom Nevin, at Jack White’s Inn, a pub owned by the couple in County Wicklow. The jury also finds her guilty on three charges of soliciting others to kill him after five days of deliberation, then the longest period of deliberation in the history of the Republic of Ireland. She is subsequentlty dubbed the “Black Widow” by the press. She is the subject of significant coverage by the tabloid press and Justice Mella Carroll orders a ban on the press commenting on Nevin’s appearance or demeanour during the trial.
Catherine Scully meets Tom Nevin in Dublin in 1970 and they are married in Rome in 1976. Within ten years, they own two houses and manage a pub in Finglas, Dublin. In 1986 they open Jack White’s Inn near Brittas Bay in County Wicklow.
On March 19, 1996, Tom Nevin is killed with a shot from a nine pellet shotgun while counting the day’s takings in Jack White’s Inn. According to Catherine Nevin, she is awakened by someone pressing her face into a pillow. She claims it was a man shouting profanities and holding a knife in his left hand. IR£13,000 is taken from the pub, and the Nevins’ car is stolen. It is later found abandoned in Dublin.
After her conviction, Nevin serves her sentence at the Dóchas Centre, Dublin. She loses an appeal in 2003 and, in 2010, also loses an application to have her conviction declared a miscarriage of justice.
Catherine Nevin is diagnosed with a brain tumor in 2016 and given only months to live by doctors at Dublin’s Mater Private Hospital. She receives compassionate release in late 2017 and dies on February 19, 2018. She denies any involvement in her husband’s murder to the very end.
Bennett attends Hamblin and Porter’s School in Cork, and the Academic Institute in Hardcourt Street. He enrolls in medical school at Trinity College, Dublin in 1854 at the age of 17. At college he studies under professor Robert Smith, under whom he develops an interest in bone fractures. He gains the degrees of BA and MB before graduating with a M.Ch. in 1859 and MD in 1864. He is conferred with a fellowship of the Royal College of Surgeons in Ireland (RCSI) in 1863.
Following a period as an anatomy demonstrator Bennett is appointed as Surgeon to Sir Patrick Dun’s Hospital in 1864. He succeeds Robert Smith as Professor of Surgery in 1873 following his death. He studies fractures, joint dislocations and bone diseases, recording them at the Pathology Museum at Trinity College. He describes his eponymous fracture at the British Medical Association meeting in Cork in 1880 and today he is best remembered for the fracture he describes which still bears his name. Perhaps more importantly, however, he is accredited with having introduced antiseptic techniques to Dublin hospitals. Bennett also serves as President of the RCSI.
Edward Hallaran Bennett dies in Dublin on June 21, 1907.
Mulhare, one of three brothers, is born at 22 Quaker Road, Cork, County Cork, in what is then known as the Irish Free State, to John and Catherine Mulhare. As a child, he receives his education at St. Nessan’s Christian Brothers School, and later North Monastery. As a young adult, he begins schooling at the National University of Ireland in medicine, but eventually decides upon a career in theatre. After acting in various Irish venues including the Gate Theatre in Dublin, he moves to London, where he works with Orson Welles and John Gielgud.
His best-known stage role is as Professor Higgins in the original Broadway production of My Fair Lady, having taken over the role from Rex Harrison in 1957.
Mulhare’s first television appearance is in 1956 in a production of The Adventures of Robin Hood. He is a guest panelist in 1958 on the CBS television game show What’s My Line? By 1965, he is back in Hollywood appearing in films and television shows. He earns a role in the films Von Ryan’s Express in 1965, Our Man Flint in 1966, and Caprice in 1967. He guest-stars in television programs, including the Twelve O’Clock High episode “Siren Voices” as Luftwaffe Colonel Kurt Halland. He also guest-stars in “Experiment In Terra,” an episode of the original Battlestar Galactica series. In The Ghost & Mrs. Muir, a supernatural sitcom that runs from 1968 to 1970, he stars as Captain Daniel Gregg, and again is something of a successor to Rex Harrison, who had originated the role of “The Ghost” in the original 1947 film. In the mid-1980s, Mulhare hosts the television series Secrets & Mysteries, also called Secrets of the Unknown, a magazine show that examines historical mysteries and the paranormal. His most famous role is probably as Devon Miles in the Knight Rider series.
Edward Mulhare dies of lung cancer on May 24, 1997, age 74, at his home in Van Nuys, California. He had been battling the cancer for five months prior to his death. He is buried in St. Joseph’s Cemetery, Tory Top Road, Cork. Team Knight Rider dedicates an episode titled “K.R.O.” to Mulhare’s memory which is broadcast on October 27, 1997.
Kenny is one of the founding members of the Irish Women’s Liberation Movement. Although the group has no formal structure of officials, she is often seen as the “ringleader” of the group. In March 1971, as part of an action by the IWLM, she walks out of Haddington Road church after the Archbishop of Dublin‘s pastoral is read out from the pulpit, confirming that “any contraceptive act is always wrong,” saying “this is Church dictatorship.” In a follow-up letter to The Irish Times she explains her actions by saying Ian Paisley was right, “Home Rule is Rome Rule.”
In 1973, Kenny is allegedly “disturbed in the arms of a former cabinet minister of President Obote of Uganda during a party,” which leads poet James Fenton to coin the euphemism “Ugandan discussions” to mean sexual intercourse. The phrase is first used by the magazine Private Eye on March 9, 1973, but has been widely used since then and is included by the BBC in a list of “The 10 most scandalous euphemisms” in 2013.
Butch Moore, born James Augustine Moore, Irish singer and showband icon during the 1960s, dies in Massachusetts on April 3, 2001. He is born in Dublin on January 10, 1938.
Moore plays with a number of bands before securing his big break with the Capitol Showband in 1958. Its lineup includes band leader, Des Kelly, and Paddy Cole, who is still involved in the entertainment business, and an early songwriter for the band is Phil Coulter. The Capitol achieves a considerable degree of success in the early 1960s attracting huge crowds in the State’s many ballrooms. It tours the United States in 1961, and two years later becomes the first showband to appear on the new RTÉ Television service. The Capitol plays in the London Palladium in 1964 on a night when the lineup includes Roy Orbison.
Moore marries Norah Sheridan in 1962. They have three children – Karen, Grainne and Gary.
As the lead singer with the Capitol Showband, he rivals the Royal Showband’s Brendan Bowyer as Ireland’s most popular showband vocalist. His marriage to Norah breaks down in 1969 and his career begins to decline. He emigrates to the United States in 1970, where he spends the last 31 years of his life.
Moore marries Irish ballad singer Maeve Mulvany in 1972 in the United States. They form a very successful group known as “Butch N Maeve” with a mixture of ballads and pop. They also own a pub in Massachusetts named after one of their songs, The Parting Glass. They have three children, Rory, Tara and Thomas.
Although suffering from cancer of the esophagus, Butch Moore dies of a heart attack on April 3, 2001. His body is returned to Dublin and a funeral Mass is celebrated at St. Canice’s Church in Finglas. After his death, Maeve makes plans to move back to Ireland where she has bought a house in Cormeen, County Cavan, but she dies on February 14, 2004.
Although the Irish War of Independence officially ends in July 1921, the Irish Republican Army’s conflict with British and unionist forces continues in Northern Ireland and escalates in the first half of 1922. The Ulster IRA, with the tacit but covert assistance of Michael Collins, head of the new Irish Free State, continues to wage a guerrilla war in Northern Ireland. According to historian Alan Parkinson, despite “the IRA having some short-term successes … the main effect of this intensive campaign was to unleash a terrible backlash on the Catholic population in Belfast.” Only a week before the Arnon Street incident, policemen – either Royal Irish Constabulary (RIC) or Ulster Special Constabulary (USC) – kill six Catholic civilians in the McMahon murders.
On the evening of April 1, RIC constable George Turner is patrolling the Old Lodge Road when he is killed by a sniper.
About ten police officers in Brown Square Barracks, upon hearing of Turner’s murder, take a Lancia armoured car and begin touring nationalist areas. When they dismount their vehicle, witnesses hear them shouting “Cut the guts out of them for the murder of Turner.” Their first victim is John McRory who lives on Stanhope Street, just across the road from where Constable Turner had been shot. The police break into his house and shoot him dead in his kitchen. In Park Street, Bernard McKenna, father of seven, is killed while lying in bed. Finally, the police arrived at Arnon Street.
William Spallen, who lives at 16 Arnon Street, has just returned from the funeral of his wife who had also been killed in the conflict. His 12-year-old grandson, Gerald Tumelty, witnesses his death. “Two men came into the room, one was in the uniform of a policeman. They asked my grandfather his name and he said William Spallen. The man in plain clothes fired three shots at him. When I cried out, he said, ‘lie down or I will put a bullet into you.'” Tumelty says the killers then take £20 that his grandfather had to pay for his wife’s funeral.
The attackers then use a sledgehammer to break into the house next door, where they find Joseph Walsh in bed with his seven-year-old son Michael and his two-year-old daughter Bridget. Joseph Walsh is bludgeoned to death with the sledgehammer while Michael Walsh is shot and dies from his wounds the next day. Another son, Frank, is shot in the thigh but survives. Later that evening another Catholic, John Mallon, is shot dead in Skegoneill Avenue.
The unionist press, the Belfast News Letter and Belfast Telegraph, condemn the killings but do not identify the killers as police. The Dublin-based Irish Independent writes that “never even in the worst state of terror in the west and south has the state of affairs which now prevails in the Northern capital been experienced.” Michael Collins sends an angry telegram to Northern Ireland Prime MinisterJames Craig, demanding a joint inquiry into the killings. No such inquiry is set up.
As with the McMahon killings one week earlier, it is strongly suspected that an RIC Detective Inspector, Nixon, operating out of the Brown Street Police barracks, had organised the attack. Nixon and several other policemen fail to turn up at roll call at the barracks immediately after the killings.
Seán O’Casey, Irish playwright renowned for realistic dramas of the Dublin slums in war and revolution, in which tragedy and comedy are juxtaposed in a way new to the theatre of his time, is born at 85 Upper Dorset Street in Dublin on March 30, 1880.
Born as John Casey into a lower middle-class Irish Protestant family, his father dies when he is six, and thereafter the family becomes progressively poorer. With only three years of formal schooling, he educates himself by reading. He starts work at 14, mostly at manual labour, including several years with the Irish railways.
O’Casey becomes caught up in the cause of Irish nationalism, and he changes his name to its Irish form and learns the Irish language. His attitudes are greatly influenced by the poverty and squalor he witnesses in Dublin’s slums and by the teachings of the Irish labour leader Jim Larkin. He becomes active in the labour movement and writes for The Irish Worker. He also joins the Irish Citizen Army, a paramilitary arm of the Irish labour unions, and draws up its constitution in 1914. At this time, he becomes disillusioned with the Irish nationalist movement because its leaders put nationalist ideals before socialist ones. He does not take part in the 1916 Easter Rising against the British authorities.
Disgusted with the existing political parties, he turns his energies to drama. His tragicomedies reflect in part his mixed feelings about his fellow slum dwellers, seeing them as incapable of giving a socialist direction to the Irish cause but at the same time admirable for their unconquerable spirit.
After several of his plays have been rejected, the Abbey Theatre in Dublin produces The Shadow of a Gunman (1923), set during the guerrilla warfare between the Irish Republican Army and British forces. In 1924 the Abbey stages Juno and the Paycock, his most popular play, set during the period of civil war over the terms of Irish independence. The Plough and the Stars (1926), with the 1916 Easter Rising as its background, causes riots at the Abbey by patriots who think the play denigrates Irish heroes. When first produced in the 1920s, these plays have an explosive effect on the audiences at the Abbey and help to enlarge the theatre’s reputation.
O’Casey goes to England in 1926, meets the Irish actress Eileen Carey Reynolds, marries her, and henceforth makes England his home. His decision to live outside Ireland is motivated in part by the Abbey’s rejection of The Silver Tassie, a partly Expressionist antiwar drama produced in England in 1929. Another Expressionist play, Within the Gates (1934), follows, in which the modern world is symbolized by the happenings in a public park. The Star Turns Red (1940) is an antifascist play, and the semiautobiographical Red Roses for Me (1946) is set in Dublin at the time of the Irish railways strike of 1911.
O’Casey’s later plays, given to fantasy and ritual and directed against the life-denying puritanism he believes has beset Ireland, include Cock-a-Doodle Dandy (1949), The Bishop’s Bonfire (1955), and The Drums of Father Ned (1958). His last full-length play is a satire on Dublin intellectuals, Behind the Green Curtains, published in 1961.
O’Casey’s three indisputably great plays are The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars. All are tragicomedies set in the slums of Dublin during times of war and revolution. Violent death and the everyday realities of tenement life throw into relief the blustering rhetoric and patriotic swagger of men caught up in the struggle for Irish independence. The resulting ironic juxtapositions of the comic and tragic reveal the waste of war and the corrosive effects of poverty. His gifts are for vivid characterization and working-class language and, though he portrays war and poverty, he writes some of the funniest scenes in modern drama. His later plays are not considered as powerful or moving as his earlier realistic plays. In his later plays he tends to abandon vigorous characterization in favour of expressionism and symbolism, and sometimes the drama is marred by didacticism.
Six volumes of O’Casey’s autobiography appeared from 1939 to 1956. They are later collected as Mirror in My House (1956) in the United States and as Autobiographies (1963) in Great Britain. O’Casey’s letters from 1910 to 1941 are edited by David Krause in two volumes (1975, 1980).
Peig Sayers, Irish author and seanchaí, is born in the townland of Vicarstown, Dunquin, County Kerry, on March 29, 1873. Seán Ó Súilleabháin, the former archivist for the Irish Folklore Commission, describes her as “one of the greatest woman storytellers of recent times.”
Sayers is born Máiréad (Margaret) Sayers, the youngest child of the family. She is called Peig after her mother, Margaret “Peig” Brosnan, from Castleisland. Her father Tomás Sayers is a renowned storyteller who passes on many of his tales to Peig. At age 12, she is taken out of school and goes to work as a servant for the Curran family in the nearby town of Dingle. She spends two years there before returning home due to illness.
She spends the next few years as a domestic servant working for members of the growing middle class produced by the Land War. She plans to join her best friend, Cáit Boland, in the United States, but Boland writes that she has had an accident and can not forward the cost of the fare. Peig moves to the Great Blasket Island after marrying Pádraig Ó Guithín, a fisherman and native of the island, on February 13, 1892. She and Pádraig have eleven children, of whom six survive.
The Norwegian scholar Carl Marstrander, who visits the island in 1907, urges Robin Flower of the British Museum to visit the Blaskets. Flower is keenly appreciative of Sayers’ stories and tales. He records them and brings them to the attention of the academic world.
In the 1930s, a Dublin teacher, Máire Ní Chinnéide, who is a regular visitor to the Blaskets, urges Sayers to tell her life story to her son Micheál. She is illiterate in the Irish language, although she receives her early schooling through the medium of English. She dictates her biography to Micheál. He then sends the manuscript pages to Máire Ní Chinnéide in Dublin, who edits them for publication. It is published in 1936.
Over several years beginning in 1938 she dictates 350 ancient legends, ghost stories, folk stories, and religious stories to Seosamh Ó Dálaigh of the Irish Folklore Commission.
Sayers continues to live on the island until 1942, when she leaves the Island and returns to her native Dunquin. She is moved to a hospital in Dingle, County Kerry where she dies on December 8, 1958. She is buried in the Dún Chaoin Burial Ground on the Dingle Peninsula. Her surviving children, except for her son Micheál, emigrate to the United States and live with their descendants in Springfield, Massachusetts.
